Quotes about stage
page 12
Source: A Neglected Argument for the Reality of God (1908), V
Excerpt from his vice presidential acceptance speech at the 2016 Republican National Convention — https://fox59.com/2016/07/21/we-like-mike-full-transcript-of-gov-pences-vp-acceptance-speech/ (July 21, 2016)
Trump/Pence 2016 Presidential Campaign
Boccioni is referring in this quote to the 'Manifesto of Futurist Painters' of 1910, and its core Futurist concept of dynamic sensation; p. 47.
1912, Les exposants au public', 1912
Elliot and Dowson, Vol. III : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. pp. 43 Also quoted in Jain, Meenakshi (2011). The India they saw: Foreign accounts.
Quotes from The History of India as told by its own Historians
2000s, Speech at the Four Seasons, New York (25 September 2008)
In 1935. Quoted in Keith Feiling, A Life of Neville Chamberlain (Macmillan, 1970), p. 275
Lord Privy Seal
"Hayek and conservatism", in Edward Feser (ed.), The Cambridge Companion to Hayek (2006)
The Force of Reason (2004). Editor Random House Incorporated, 2006. ISBN 0847827534, 9780847827534. p. 34.
The Force of Reason
First Week, First Day. Compare: "All the world ’s a stage, And all the men and women merely players", William Shakespeare, As You Like It, Act ii. Scene 7.
La Semaine; ou, Création du monde (1578)
Quoted in Sculptor Anish Kapoor’s works an eye-opener for us, 25 November 2011, 18 December 2013, Economic Times http://articles.economictimes.indiatimes.com/2010-11-25/news/27630725_1_anish-kapoor-sky-mirror-warehouse,
Visions of Cybernetic Organizations (1972)
Ch 3 : Moral Factors, as translated by Michael Howard and Peter Paret.
On War (1832), Book 3
Prime Minister's Questions (4 May 1981) http://www.margaretthatcher.org/document/104649 regarding the 1981 Irish hunger strike.
First term as Prime Minister
and http://online.wsj.com/article/SB123086375678148323.html http://www.wnd.com/2009/09/108646/ a private letter from August 3, 1971 in response to New York's legalization of abortion
Source: Capitalism and Modern Social Theory (1971), pp. 15-16.
"Metaphors" http://www.angelfire.com/tn/plath/metaphor.html
Crossing the Water (1971)
Source: Don't Start the Revolution Without Me! (2008), Ch. 2 (p. 29)
Is Donald Trump fit to be president? https://www.pbs.org/newshour/show/donald-trump-fit-president (August 10, 2016)
Describing Hillary Clinton's influence on Gillibrand's entering politics
[The Reintroduction of Kirsten Gillibrand, Rodrick, Stephen, New York Magazine, New York Media Holdings, 2009-06-07, 2011-02-04, http://nymag.com/news/politics/57197/]
Source: Git-R-Done (book), p. 11
Biographies of Words and the Home of the Aryas (1888)
Interview with Julius Lester, "James Baldwin: Reflections of a Maverick" in The New York Times (27 May 1984)
on starting her career - Schneller, Johanna. "‘Thanks for raising me, but I’m going to take it from here’" http://web.archive.org/web/20120403062819/http://www.theglobeandmail.com/news/arts/movies/johanna-schneller/interview-with-winters-bone-star-jennifer-lawrence/article1600683/. theglobeandmail.com. June 11, 2010. Retrieved March 29, 2014.
"To Change a Regime by Changing a Society" (2009)
No Enemies, No Hate: Selected Essays and Poems
Source: The Shape of Time, 1982, p. 8 as cited in: Pamela M. Lee, " " Ultramoderne": Or, How George Kubler Stole the Time in Sixties Art. http://xenopraxis.net/readings/lee_ultramoderne.pdf" Grey Room (2001): 55.
Address upon receiving the Open Society Prize awarded by Central European University (24 June 1999) http://old.hrad.cz/president/Havel/speeches/1999/2406_uk.html
Variant translation: There are no exact directions. There are probably no directions at all. The only things that I am able to recommend at this moment are: a sense of humour; an ability to see the ridiculous and the absurd dimensions of things; an ability to laugh about others as well as about ourselves; a sense of irony; and, of everything that invites parody in this world. In other words: rising above things, or looking at them from a distance; sensibility to the hidden presence of all the more dangerous types of conceit in others, as well as in ourselves; good cheer; an unostentatious certainty of the meaning of things; gratitude for the gift of life and courage to assume responsibility for it; and, a vigilant mind.
Those who have not lost the ability to recognize that which is laughable in themselves, or their own nothingness, are not arrogant, nor are they enemies of an Open Society. Its enemy is a person with a fiercely serious countenance and burning eyes.
Context: There are no exact guidelines. There are probably no guidelines at all. The only thing I can recommend at this stage is a sense of humor, an ability to see things in their ridiculous and absurd dimensions, to laugh at others and at ourselves, a sense of irony regarding everything that calls out for parody in this world. In other words, I can only recommend perspective and distance. Awareness of all the most dangerous kinds of vanity, both in others and in ourselves. A good mind. A modest certainty about the meaning of things. Gratitude for the gift of life and the courage to take responsibility for it. Vigilance of spirit.
Improvisation for the Theater (1963), page 3
Context: Everyone can act. Everyone can improvise. Anyone who wishes to can play in the theater and learn to become 'stage-worthy.' We learn through experience and experiencing, and no one teaches anyone anything. This is as true for the infant moving from kicking and crawling to walking as it is for the scientist with his equations. If the environment permits it, anyone can learn whatever he chooses to learn; and if the individual permits it, the environment will teach him everything it has to teach. 'Talent' or 'lack of talent' have little to do with it.
Wood v. Lucy, Lady Duff-Gordon, 222 N.Y. 88, 91; 118 N.E. 214 (N.Y. 1917)
Judicial opinions
Context: The law has outgrown its primitive stage of formalism when the precise word was the sovereign talisman, and every slip was fatal. It takes a broader view to-day. A promise may be lacking, and yet the whole writing may be "instinct with an obligation," imperfectly expressed. If that is so, there is a contract.
Introduction : The absurdity of the Absurd
The Theatre of the Absurd (1961)
Context: The "poetic avant-garde" relies on fantasy and dream reality as much as the Theatre of the Absurd does; it also disregards such traditional axioms as that of the basic unity and consistency of each character or the need for a plot. Yet basically the "poetic avant-garde" represents a different mood; it is more lyrical, and far less violent and grotesque. Even more important is its different attitude toward language: the "poetic avant-garde" relies to a far greater extent on consciously "poetic" speech; it aspires to plays that are in effect poems, images composed of a rich web of verbal associations.
The Theatre of the Absurd, on the other hand, tends toward a radical devaluation of language, toward a poetry that is to emerge from the concrete and objectified images of the stage itself. The element of language still plays an important part in this conception, but what happens on the stage transcends, and often contradicts, the words spoken by the characters. In Ionesco's The Chairs, for example, the poetic content of a powerfully poetic play does not lie in the banal words that are uttered but in the fact that they are spoken to an ever-growing number of empty chairs.
Source: Sister Carrie (1900), Ch. 8 : Intimations By Winter: An Ambassador Summoned
Context: Among the forces which sweep and play throughout the universe, untutored man is but a wisp in the wind. Our civilization is still in a middle stage, scarcely beast, in that it is no longer wholly guided by instinct; scarcely human, in that it is not yet wholly guided by reason. On the tiger no responsibility rests. We see him aligned by nature with the forces of life — he is born into their keeping and without thought he is protected. We see man far removed from the lairs of the jungles, his innate instincts dulled by too near an approach to free-will, his free-will not sufficiently developed to replace his instincts and afford him perfect guidance. He is becoming too wise to hearken always to instincts and desires; he is still too weak to always prevail against them. As a beast, the forces of life aligned him with them; as a man, he has not yet wholly learned to align himself with the forces. In this intermediate stage he wavers — neither drawn in harmony with nature by his instincts nor yet wisely putting himself into harmony by his own free-will. He is even as a wisp in the wind, moved by every breath of passion, acting now by his will and now by his instincts, erring with one, only to retrieve by the other, falling by one, only to rise by the other — a creature of incalculable variability. We have the consolation of knowing that evolution is ever in action, that the ideal is a light that cannot fail. He will not forever balance thus between good and evil. When this jangle of free-will and instinct shall have been adjusted, when perfect understanding has given the former the power to replace the latter entirely, man will no longer vary. The needle of understanding will yet point steadfast and unwavering to the distant pole of truth.
Peace and the Public Mind (1935)
Context: The conception that we can only protect ourselves if we are prepared to protect others surely ought to belong to the nursery stage of social education.
But such things as the mechanism of security through law, the place of force in society, are things not, it would seem, included usually in the common education of our peoples.
Introduction
Higher Mathematics for Chemical Students (1911)
Context: The philosopher Comte has made the statement that chemistry is a non-mathematical science. He also told us that astronomy had reached a stage when further progress was impossible. These remarks, coming after Dalton's atomic theory, and just before Guldberg and Waage were to lay the foundations of chemical dynamics, Kirchhoff to discover the reversal of lines in the solar spectrum, serve but to emphasize the folly of having "recourse to farfetched and abstracted Ratiocination," and should teach us to be "very far from the litigious humour of loving to wrangle about words or terms or notions as empty".
1920s, Ways to Peace (1926)
Context: Our experience in that respect ought not to lead us too hastily to assume that we have been therefore better than other people, but certainly we have been more fortunate. We came on the stage at a later time, so that this country had presented to it, already attained, a civilization that other countries had secured only as a result of a long and painful struggle. Of the various races of which we are composed, substantially all have a history for making warfare which is oftentimes hard to justify, as they have come up through various degrees of development. They bore this burden in ages past in order that this country might be freed from it. Under the circumstances it behooves us to look on their record of advance through great difficulties with much compassion and be thankful that we have been spared from a like experience, and out of our compassion and our thankfulness constantly to remember that because of greater advantages and opportunities we are charged with superior duties and obligations. Perhaps no country on earth has greater responsibilities than America.
A Principled Leader (2004)
Context: I was a history major at Bowdoin and as I looked at different movements in different stages in history, it was clear to me that it was important to have some segments of any particular group work within the system. These people could bring an enlightened view or a different set of perspectives. I thought to work totally outside the system was destructive and counter-productive in the long term. … what I think was unique about Bowdoin — and maybe it was the size of the school and its environment — is that you couldn’t isolate yourself. We had real discourse, real debate on the issues. At the same time, there was also respect. As a result, people saw you on a personal level, not just as a representative of a certain group or of certain ideas. And I think that was quite important.
Source: The Crying of Lot 49 (1966), Chapter 3
Context: You don’t understand,” getting mad. “You guys, you’re like Puritans are about the Bible. So hung up with words, words. You know where that play exists, not in that file cabinet, not in any paperback you’re looking for, but—” a hand emerged from the veil of shower-steam to indicate his suspended head—“in here. That’s what I’m for. To give the spirit flesh. The words, who cares? They’re rote noises to hold line bashes with, to get past the bone barrier around an actor’s memory, right? But the reality is in this head. Mine. I’m the projector at the planetarium, all the closed little universe visible in the circle of that stage is coming out of my mouth, eyes, sometimes other orifices also.
“Seeing in our astral system many thousands of worlds in all stages of formation”
Source: Vestiges of the Natural History of Creation (1844), p. 20
Context: Seeing in our astral system many thousands of worlds in all stages of formation, from the most rudimental to that immediately preceding the present condition of those we deem perfect, it is unavoidable to conclude that all the perfect have gone through the various stages which we see in the rudimental. This leads us at once to the conclusion that the whole of our firmament was at one time a diffused mass of nebulous matter, extending through the space which it still occupies. So also, of course, must have been the other astral systems. Indeed, we must presume the whole to have been originally in one connected mass, the astral systems being only the first division into parts, and solar systems the second.
Answer to a survey written by the French mathematician Jaques Hadamard, from Hadamard's An Essay on the Psychology of Invention in the Mathematical Field (1945). Reprinted in Ideas and Opinions (1954). His full set of answers to the questions can be read on p. 3 here http://www.pitt.edu/~jdnorton/Goodies/Einstein_think/index.html.
1940s
Context: The words or the language, as they are written or spoken, do not seem to play any role in my mechanism of thought. The psychical entities which seem to serve as elements in thoughts are certain signs and more or less clear images which can be "voluntarily" reproduced and combined. There is, of course, a certain connection between those elements and relevant logical concepts. It is also clear that the desire to arrive finally at logically connected concepts is the emotional basis of this rather vague play with the above-mentioned elements.... The above-mentioned elements are, in my case, of visual and some muscular type. Conventional words or other signs have to be sought for laboriously only in a secondary stage, when the mentioned associative play is sufficiently established and can be reproduced at will.
Song lyrics, American Pie (1971), American Pie
Context: So come on, Jack be nimble, Jack be quick
Jack Flash sat on a candlestick
'Cause fire is the Devil's only friend
Oh, and as I watched him on the stage
My hands were clenched in fists of rage
No angel born in hell
Could break that Satan's spell
And as the flames climbed high into the night
To light the sacrificial rite
I saw Satan laughing with delight
The day the music died.
Introduction to the Bhagavad-Gita (1944)
Context: Many Catholic mystics have affirmed that, at a certain stage of that contemplative prayer in which, according to the most authoritative theologians, the life of Christian perfection ultimately consists, it is necessary to put aside all thought of the Incarnation as distracting from the higher knowledge of that which has been incarnated. From this fact have arisen misunderstandings in plenty and a number of intellectual difficulties.
KSCA interview (1996)
Context: I get very inspired by traveling, by being home in Donegal... all those wonderful moments I'll take with me to the studio. And they, ah, then become at some stage, a melody. That emotion that I loved at some stage will evolve as a melody.
Judith Grant interview (1999)
Context: I literally never meet anybody who ever talks about God as something other than a kind of big man. I think God is a wondrous spirit, infinite, eternal, and unchangeable, but only interested in men as part of a giant creation which is pulsing with life.
People say, when a relative dies: "Oh, how could God have taken her away so young and with so much before her?" God doesn't give a bugger about how young she is. He probably isn't noticing particularly. That's just the way a lot of things happen. A lot gets spilled, you know, in nature. When you look at what's going on out there now, those trees are dropping seeds by literally the hundreds of thousands and millions, and one or two of them may take on. I think that that is the way that God functions. He doesn't care nearly as much about individuals and individual fates as we would like to suppose. But by trying to ally ourselves with the totality of things, we may get into Tao as they say in the East and be part of it, really take part in it, and not just regard ourselves as a kind of miraculous creation and the rest just sort of stage scenery against which we perform.
Introduction : The absurdity of the Absurd
The Theatre of the Absurd (1961)
Context: The Theatre of the Absurd has renounced arguing about the absurdity of the human condition; it merely presents it in being — that is, in terms of concrete stage images. This is the difference between the approach of the philosopher and that of the poet; the difference, to take an example from another sphere, between the idea of God in the works of Thomas Aquinas or Spinoza and the intuition of God in those of St. John of the Cross or Meister Eckhart — the difference between theory and experience.
“You are never so alone as when you are ill on stage.”
LIFE magazine (2 June 1961)
Context: You are never so alone as when you are ill on stage. The most nightmarish feeling in the world is suddenly to feel like throwing up in front of four thousand people.
"Three Lecture Excerpts from Shunryu Suzuki Roshi" http://www.berkeleyzencenter.org/Lectures/may2000.shtml in Newsletter (May 2000)
Context: You may say you attained some stage in your practice. But that is just a trivial event in your long life. It is like saying the ocean is round, or like a jewel, or palace. For a hungry ghost the ocean is a pool of blood; for a dragon the ocean is a palace; for a fish it is his house; for a human being it is water. There must be various understandings. When the ocean is a palace, it is a palace. You cannot say it is not a palace. For a dragon it is actually a palace. If you laugh at a fish who says it is a palace, Buddha will laugh at you who say it is two o'clock, three o'clock. It is the same thing.
8 November 1852
Journal Intime (1882), Journal entries
Context: My privilege is to be spectator of my life drama, to be fully conscious of the tragi-comedy of my own destiny, and, more than that, to be in the secret of the tragi-comic itself, that is to say, to be unable to take my illusions seriously, to see myself, so to speak, from the theater on the stage, or to be like a man looking from beyond the tomb into existence. I feel myself forced to feign a particular interest in my individual part, while all the time I am living in the confidence of the poet who is playing with all these agents which seem so important, and knows all that they are ignorant of. It is a strange position, and one which becomes painful as soon as grief obliges me to betake myself once more to my own little rôle, binding me closely to it, and warning me that I am going too far in imagining myself, because of my conversations with the poet, dispensed from taking up again my modest part of valet in the piece. Shakespeare must have experienced this feeling often, and Hamlet, I think, must express it somewhere. It is a Doppelgängerei, quite German in character, and which explains the disgust with reality and the repugnance to public life, so common among the thinkers of Germany. There is, as it were, a degradation a gnostic fall, in thus folding one's wings and going back again into the vulgar shell of one's own individuality. Without grief, which is the string of this venturesome kite, man would soar too quickly and too high, and the chosen souls would be lost for the race, like balloons which, save for gravitation, would never return from the empyrean.
UN Address (1999)
Context: Our country today is at a stage in our foreign policy similar to that crucial point in our nation's early history when our Constitution was produced in Philadelphia.
Let us hear the peal of a new international liberty bell that calls us all to the creation of a system of enforceable world law in which the universal desire for peace can place its hope and prayers.
As Carl Van Doren has written, "History is now choosing the founders of the World Federation. Any person who can be among that number and fails to do so has lost the noblest opportunity of a lifetime."
The Captive Mind (1953)
Context: As long as a society's best minds were occupied by theological questions, it was possible to speak of a given religion as the way of thinking of the whole social organism. All the matters which most actively concerned the people were referred to it and discussed in its terms. But that belongs to a dying era. We have come by easy stages to a lack of a common system of thought that could unite the peasant cutting his hay, the student poring over formal logic, and the mechanic working in an automobile factory. Out of this lack arises the painful sense of detachment or abstraction that oppresses the "creators of culture."
Polanski : His Life and Films (1982)
Context: People like Truffaut, Lelouch and Godard are like little kids playing at being revolutionaries. I've passed through this stage. I lived in a country where these things happened seriously.
Open letter to US President Donald Trump (2018)
Context: A good leader tries to embody the best qualities of his or her organization. A good leader sets the example for others to follow. A good leader always puts the welfare of others before himself or herself.
Your leadership, however, has shown little of these qualities. Through your actions, you have embarrassed us in the eyes of our children, humiliated us on the world stage and, worst of all, divided us as a nation.
If you think for a moment that your McCarthy-era tactics will suppress the voices of criticism, you are sadly mistaken.
Indian Spirituality and Life (1919)
Context: The highest spirituality indeed moves in a free and wide air far above that lower stage of seeking which is governed by religious form and dogma; it does not easily bear their limitations and, even when it admits, it transcends them; it lives in an experience which to the formal religious mind is unintelligible. But man does not arrive immediately at that highest inner elevation and, if it were demanded from him at once, he would never arrive there. At first he needs lower supports and stages of ascent; he asks for some scaffolding of dogma, worship, image, sign, form, symbol, some indulgence and permission of mixed half-natural motive on which he can stand while he builds up in him the temple of the spirit. Only when the temple is completed, can the supports be removed, the scaffolding disappear. The religious culture which now goes by the name of Hinduism not only fulfilled this purpose, but, unlike certain credal religions, it knew its purpose. It gave itself no name, because it set itself no sectarian limits; it claimed no universal adhesion, asserted no sole infallible dogma, set up no single narrow path or gate of salvation; it was less a creed or cult than a continuously enlarging tradition of the Godward endeavour of the human spirit. An immense many-sided many-staged provision for a spiritual self-building and self-finding, it had some right to speak of itself by the only name it knew, the eternal religion, Sanâtana Dharma. It is only if we have a just and right appreciation of this sense and spirit of Indian religion that we can come to an understanding of the true sense and spirit of Indian culture.
"Passages from the life of a philosopher", The Belief In The Creator From His Works, p. 402
Passages from the Life of a Philosopher (1864)
Context: In the works of the Creator ever open to our examination, we possess a firm basis on which to raise the superstructure of an enlightened creed. The more man inquires into the laws which regulate the material universe, the more he is convinced that all its varied forms arise from the action of a few simple principles. These principles themselves converge, with accelerating force, towards some still more comprehensive law to which all matter seems to be submitted. Simple as that law may possibly be, it must be remembered that it is only one amongst an infinite number of simple laws: that each of these laws has consequences at least as extensive as the existing one, and therefore that the Creator who selected the present law must have foreseen the consequences of all other laws. The works of the Creator, ever present to our senses, give a living and perpetual testimony of his power and goodness far surpassing any evidence transmitted through human testimony. The testimony of man becomes fainter at every stage of transmission, whilst each new inquiry into the works of the Almighty gives to us more exalted views of his wisdom, his goodness, and his power.
Source: View from the UN (1978), p. 23
Context: It is far from my intention to claim that I have reached a very high stage on the path to attainment of the highest wisdom, or that I have attained complete "inner peace." However, I can claim that I practice bhavana every day. I try to cultivate the ethical aspects of Buddhism, and I believe that I have attained a greater degree of emotional equilibrium than most people. This explains why the tragic news of the sudden death (in a traffic accident) of my only son, Tin Maung Thant, on May 21, 1962, with minimal emotional reaction. For are not birth and death the two phases of the same life process? According to the Buddha, birth is followed by death, but death, in turn, is followed by rebirth.
Acceptance speech for best adapted screenplay at the 87th Academy Awards presentations, quoted in "Oscars 2015: Graham Moore Tells Kids to 'Stay Weird, Stay Different'" in ABC News (22 February 2015) https://www.youtube.com/watch?v=1vZ2BmfIHaA&spfreload=10
Context: Here’s the thing. Alan Turing never got to stand on a stage like this and look out at all of these disconcertingly attractive faces. I do. And that’s the most unfair thing I’ve ever heard. So in this brief time here, what I wanted to do was say this: When I was 16-years-old, I tried to kill myself because I felt weird and I felt different, and I felt like I did not belong. And now I’m standing here — and so I would like this moment to be for this kid out there who feels like she’s weird or she’s different or she doesn’t fit in anywhere: Yes, you do. I promise you do. Stay weird, stay different — and then, when it’s your turn, and you are standing on this stage, please pass the same message to the next person who comes along.
Narrator
A Child is Born (1942)
Context: I'm your narrator. It's my task to say
Just where and how things happen in our play,
Set the bare stage with words instead of props
And keep on talking till the curtain drops. …
It's an old task — old as the human heart,
Old as those bygone players and their art
Who, in old days when faith was nearer earth,
Played out the mystery of Jesus' birth
In hall or village green or market square
For all who chose to come and see them there,
And, if they knew that King Herod, in his crown,
Was really Wat, the cobbler of the town,
And Tom, the fool, played Abraham the Wise,
They did not care. They saw with other eyes.
The story was their own — not far away,
As real as if it happened yesterday,
Full of all awe and wonder yet so near,
A marvelous thing that could have happened here
In their own town — a star that could have blazed
On their own shepherds, leaving them amazed,
Frightened and questioning and following still
To the bare stable — and the miracle.
Quoted in "Oh, girl : A Talk with Julie Taymor" at Subtitles to Cinema (2 September 2008) http://subtitlestocinema.wordpress.com/2008/09/02/oh-girl-a-talk-with-julie-taymor/
Context: The first thing I do when I’m creating, either for stage or for cinema, is to find the ideograph of the story. Which is; the one, simple expression that can tell everything. And at the same time be recognizable for the audience. It’s like in old Japanese paintings — if you were to paint a bamboo forest, you should be able to find its essence with only three strokes.
Source: Darkness Visible (1990), II
Context: When I was a young writer there had been a stage where Camus, almost more than any other contemporary literary figure, radically set the tone for my own view of life and history. I read his novel The Stranger somewhat later than I should have — I was in my early thirties — but after finishing it I received the stab of recognition that proceeds from reading the work of a writer who has wedded moral passion to a style of great beauty and whose unblinking vision is capable of frightening the soul to its marrow. The cosmic loneliness of Meursault, the hero of that novel, so haunted me that when I set out to write The Confessions of Nat Turner I was impelled to use Camus’s device of having the story flow from the point of view of a narrator isolated in his jail cell during the hours before his execution. For me there was a spiritual connection between Meursault’s frigid solitude and the plight of Nat Turner — his rebel predecessor in history by a hundred years — likewise condemned and abandoned by man and God. Camus’s essay “Reflections on the Guillotine” is a virtually unique document, freighted with terrible and fiery logic; it is difficult to conceive of the most vengeful supporter of the death penalty retaining the same attitude after exposure to scathing truths expressed with such ardor and precision. I know my thinking was forever altered by that work, not only turning me around completely, convincing me of the essential barbarism of capital punishment, but establishing substantial claims on my conscience in regard to matters of responsibility at large. Camus was a great cleanser of my intellect, ridding me of countless sluggish ideas, and through some of the most unsettling pessimism I had ever encountered causing me to be aroused anew by life’s enigmatic promise.
Vintage, p. 4
Propaganda: The Formation of Men's Attitudes (1965)
Context: First of all, modern propaganda is based on scientific analyses of psychology and sociology. Step by step, the propagandist builds his techniques on the basis of his knowledge of man, his tendencies, his desires, his needs, his psychic mechanisms, his conditioning — and as much on social psychology as on depth psychology. He shapes his procedures on the basis of our knowledge of groups and their laws of formation and dissolution, of mass influences, and of environmental limitations. Without the scientific research of modern psychology and sociology there would be no propaganda, or rather we still would be in the primitive stages of propaganda that existed in the time of Pericles or Augustus.
Source: Memoirs of a Superfluous Man (1943), p. 39
Context: Reading implies a use of the reflective faculty, and very few have that faculty developed much beyond the anthropoid stage, let alone possessing it at a stage of development which makes reading practicable.
As I said, the fact that few literate persons can read is easily determinable by experiment. What first put me on track of it was a remark by one of my old professors. He said that there were people so incompetent, so given to reading with their eyes and their emotions instead of with their brains, that they would accuse the Psalmist of atheism because he had written, "The fool hath said in his heart, There is no God." The remark stuck by me, and I remember wondering at the time whether the trouble might be that such people hardly had the brains to read with. It seemed possible.
Source: Tristes Tropiques (1955), Chapter 4 : The Quest for Power, p. 43
Context: While I complain of being able to glimpse no more than the shadow of the past, I may be insensitive to reality as it is taking shape at this very moment, since I have not reached the stage of development at which I would be capable of perceiving it. A few hundred years hence, in this same place, another traveller, as despairing as myself, will mourn the disappearance of what I might have seen, but failed to see.
Entry (1954)
Eric Hoffer and the Art of the Notebook (2005)
Context: In products of the human mind, simplicity marks the end of a process of refining, while complexity marks a primitive stage. Michelangelo's definition of art as the purgation of superfluities suggests that the creative effort consists largely in the elimination of that which complicates and confuses a pattern
Song lyrics, Lionheart (1978)
Sermons, Sermon 3
Context: Children, to be truly in this stage is the deepest ground of genuine humility and annihilation. This, in truth, cannot be grasped by the senses. For here he receives the most If we had here with us a human being in his primal nobility, pure as Adam in paradise... his simple nature unadorned — that person would be so luminous and pure, so ravishing and richly favoured by God that no one would be able to comprehend his purity nor with his reason conceive of it profound insight possible into his nothingness. Here he sinks as deep as it is possible into the ground of humility; the deeper, the higher, because here high and deep are one and the same... In this state one achieves true unity of prayer spoken of in the epistle that truly brings it about that a person becomes one with God
The Making of an Elder Culture (2009)
Context: The final stage of life... offers us the opportunity to detach from competitive, high-consumption priorities... At that point, life itself—the opportunity it offers for growth, for intellectual adventure, for the simple joys of love and companionship, for working out our salvation—comes to be seen as our highest value.... That is what I have always assumed it means to be countercultural.
Lecture II : The Universal Categories, §3. Laws: Nominalism, CP 5.61
Pragmatism and Pragmaticism (1903)
Context: Philosophy, as I understand the word, is a positive theoretical science, and a science in an early stage of development. As such it has no more to do with belief than any other science. Indeed, I am bound to confess that it is at present in so unsettled a condition, that if the ordinary theorems of molecular physics and of archaeology are but the ghosts of beliefs, then to my mind, the doctrines of the philosophers are little better than the ghosts of ghosts. I know this is an extremely heretical opinion.
Tinselworm (2008)
Source: On the Origin of Species (1859), chapter X: "On the Geological Succession of Organic Beings", pages 341-343 http://darwin-online.org.uk/content/frameset?pageseq=359&itemID=F373&viewtype=side
Context: p>I have attempted to show that the geological record is extremely imperfect; that only a small portion of the globe has been geologically explored with care; that only certain classes of organic beings have been largely preserved in a fossil state; that the number both of specimens and of species, preserved in our museums, is absolutely as nothing compared with the incalculable number of generations which must have passed away even during a single formation; that, owing to subsidence being necessary for the accumulation of fossiliferous deposits thick enough to resist future degradation, enormous intervals of time have elapsed between the successive formations; that there has probably been more extinction during the periods of subsidence, and more variation during the periods of elevation, and during the latter the record will have been least perfectly kept; that each single formation has not been continuously deposited; that the duration of each formation is, perhaps, short compared with the average duration of specific forms; that migration has played an important part in the first appearance of new forms in any one area and formation; that widely ranging species are those which have varied most, and have oftenest given rise to new species; and that varieties have at first often been local (emphasis not Darwin's). All these causes taken conjointly, must have tended to make the geological record extremely imperfect, and will to a large extent explain why we do not find interminable varieties, connecting together all the extinct and existing forms of life by the finest graduated steps. He who rejects these views on the nature of the geological record, will rightly reject my whole theory. For he may ask in vain where are the numberless transitional links which must formerly have connected the closely allied or representative species, found in the several stages of the same great formation. He may disbelieve in the enormous intervals of time which have elapsed between our consecutive formations; he may overlook how important a part migration must have played, when the formations of any one great region alone, as that of Europe, are considered; he may urge the apparent, but often falsely apparent, sudden coming in of whole groups of species. He may ask where are the remains of those infinitely numerous organisms which must have existed long before the first bed of the Silurian system was deposited: I can answer this latter question only hypothetically, by saying that as far as we can see, where our oceans now extend they have for an enormous period extended, and where our oscillating continents now stand they have stood ever since the Silurian epoch; but that long before that period, the world may have presented a wholly different aspect; and that the older continents, formed of formations older than any known to us, may now all be in a metamorphosed condition, or may lie buried under the ocean.</p
Introduction
Idea for a Universal History from a Cosmopolitan Point of View (1784)
Context: Since men in their endeavors behave, on the whole, not just instinctively, like the brutes, nor yet like rational citizens of the world according to some agreed-on plan, no history of man conceived according to a plan seems to be possible, as it might be possible to have such a history of bees or beavers. One cannot suppress a certain indignation when one sees men’s actions on the great world-stage and finds, beside the wisdom that appears here and there among individuals, everything in the large woven together from folly, childish vanity, even from childish malice and destructiveness. In the end, one does not know what to think of the human race, so conceited in its gifts.
Sermons, Sermon 3
Context: Now we intend to talk about The transformation to a divine-like existence, into a unity of the created spirit with the very being of the spirit of God - this one can call a conversion to an essentially higher plane the three stages that a person can be at - the lowest, the middle, or the highest. The first stage of an interior virtuous life that leads one directly to close proximity to God happens when a person turns to the marvelous works and signs of inexpressible gifts and effusions of the hidden goodness of God.
Out of this is born a state of soul called jubilatio. The second stage is poverty of spirit and a strange abandonment by God that leaves the spirit tortured and naked.
The third stage is the transformation to a divine-like existence, into a unity of the created spirit with the very being of the spirit of God.
This one can call a conversion to an essentially higher plane.
And one cannot imagine that those who right reach this stage could ever fall away from God.
“A playwright is someone who lets his guts hang out on the stage.”
Shoptalk: Conversations About Theater and Film with Twelve Writers, One Producer — and Tennessee Williams' Mother by Dennis Brown (1993), Ch. 6 : A Certain Amount of Spleen, p. 122
Context: Do you know what a playwright is? A playwright is someone who lets his guts hang out on the stage.
Source: The Moral Judgment of the Child (1932), Ch. 1 : The Rules of the Game
Context: From the point of view of the practice or application of rules four successive stages can be distinguished.
A first stage of a purely motor and individual character, during which the child handles the marbles at the dictation of his desires and motor habits. This leads to the formation of more or less ritualized schemas, but since play is still purely individual, one can only talk of motor rules and not of truly collective rules.
The second may be called egocentric for the following reasons. This stage begins at the moment when the child receives from outside the example of codified rules, that is to say, some time between the ages of two and five. But though the child imitates this example, he continues to play either by himself without bothering to find play-fellows, or with others, but without trying to win, and therefore without attempting to unify the different ways of playing. In other words, children of this stage, even when they are playing together, play each one "on his own " (everyone can win at once) and without regard for any codification of rules. This dual character, combining imitation of others with a purely individual use of the examples received, we have designated by the term Egocentrism.
A third stage appears between 7 and 8, which we shall call the stage of incipient cooperation. Each player now tries to win, and all, therefore, begin to concern themselves with the question of mutual control and of unification of the rules. But while a certain agreement may be reached in the course of one game, ideas about the rules in general are still rather vague. In other words, children of 7-8, who belong to the same class at school and are therefore constantly playing with each other, give, when they are questioned separately, disparate and often entirely contradictory accounts of the rules observed in playing marbles.
Finally, between the years of 11 and 12, appears a fourth stage, which is that of the codification of rules. Not only is every detail of procedure in the game fixed, but the actual code of rules to be observed is known to the whole society. There is remarkable concordance in the information given by children of 10-12 belonging to the same class at school, when they are questioned on the rules of the game and their possible variations.
“Kaisers and Czars will strut the stage
Once more with pomp and greed and rage”
"The Next War".
Fairies and Fusiliers (1917)
Context: Kaisers and Czars will strut the stage
Once more with pomp and greed and rage;
Courtly ministers will stop
At home and fight to the last drop;
By the million men will die
In some new horrible agony...
Address to the Society for Psychical Research (1897)
Context: The task I am called upon to perform today is to my thinking by no means a merely formal or easy matter. It fills me with deep concern to give an address, with such authority as a president's chair confers, upon a science which, though still in a purely nascent stage, seems to me at least as important as any other science whatever. Psychical science, as we here try to pursue it, is the embryo of something which in time may dominate the whole world of thought. This possibility — nay, probability — does not make it the easier to me now. Embryonic development is apt to be both rapid and interesting; yet the Prudent man shrinks from dogmatizing on the egg until he has seen the chicken.
“I could not leave this team at this stage of their development.”
Joint Interview with The Times and Daily Mail (2009)
Context: I want to go to the end of my job here. I built this team, I want to deliver with this team and I feel if I left I would have in some way betrayed my own beliefs. It is as simple as that. It was nothing to do with what Real Madrid has done. It was about Arsenal. I have a project here that I started three or four years ago and I want to reach the end of it. I could not leave this team at this stage of their development.
Source: To the Memory of My Beloved, the Author, Mr. William Shakespeare (1618), Lines 71 - 80
Context: Sweet swan of Avon! what a sight it were
To see thee in our water yet appear,
And make those flights upon the banks of Thames,
That so did take Eliza, and our James.
But stay, I see thee in the hemisphere
Advanc'd, and made a constellation there!
Shine forth, thou star of poets, and with rage,
Or influence, chide, or cheer the drooping stage,
Which, since thy flight from hence, hath mourn'd like night,
And despairs day, but for thy volumes light.
As quoted in "Carl Orff" by Everett Helm in The Musical Quarterly Vol. 41, No. 3 (July 1955)
Man's Rise to Civilization (1968)
Context: At various stages of evolution, the Indian cultures were presented with only a limited number of possibilities. The members of certain kinds of societies—the small band, the large band, the tribe, the chiefdom, the state, and variations of these—tended to make characteristic choices concerning religion, law, government, and art... Such choices were not... consciously made... For a particular society, they either worked or they did not work.<!-- p. 212
Mind and Matter (1958)
Context: To my view the ‘statistical theory of time’ has an even stronger bearing on the philosophy of time than the theory of relativity. The latter, however revolutionary, leaves untouched the undirectional flow of time, which it presupposes, while the statistical theory constructs it from the order of events. This means a liberation from the tyranny of old Chronos. What we in our minds construct ourselves cannot, so I feel, have dictatorial power over our mind, neither the power of bringing it to the fore nor the power of annihilating it. But some of you, I am sure, will call this mysticism. So with all due acknowledgement to the fact that physical theory is at all times relative, in that it depends on certain basic assumptions, we may, or so I believe, assert that physical theory in its present stage strongly suggests the indestructibility of Mind by Time.
Video farewell (2002)
Context: I have lived my whole life on the stage and screen before you. I found purpose and meaning in your response. For an actor that is no greater loss than the loss of his audience. I can part the Red Sea, but I can't part with you, which is why I won't exclude you from this stage in my life.
For now, I'm not changing anything. I will insist on work when I can; the doctors will insist on rest when I must. If you see a little less spring in my step, if your name fails to leap to my lips, you will know why. And if I tell you a funny story for the second time, please laugh anyway.
On considering his wife's suggestion that he write his autobiography, Prologue, p. xiii
A Tale of Two Continents (1997)
Context: I made a discovery, perhaps known to others but new to me: I need not put myself center stage but can rather place myself at the side, like a Greek chorus. As the curtain rises, I can walk to the center and can speak as follows: I wish to tell you of happenings in the twentieth century, as I witnessed them and reflected upon them. You will see me return to center stage, but only occasionally. Once that imagery had gotten hold of me, I went back to Ida and said yes, I shall try.
"La logique et l'intuition dans la science mathématique et dans l'enseignement" [Logic and intuition in the science of mathematics and in teaching], L'enseignement mathématique (1899)
Context: The task of the educator is to make the child's spirit pass again where its forefathers have gone, moving rapidly through certain stages but suppressing none of them. In this regard, the history of science must be our guide.
Source: On Aggression (1963), Ch. XII : On the Virtue of Scientific Humility
Context: We are the highest achievement reached so far by the great constructors of evolution. We are their "latest" but certainly not their last word. The scientist must not regard anything as absolute, not even the laws of pure reason. He must remain aware of the great fact, discovered by Heraclitus, that nothing whatever really remains the same even for one moment, but that everything is perpetually changing. To regard man, the most ephemeral and rapidly evolving of all species, as the final and unsurpassable achievement of creation, especially at his present-day particularly dangerous and disagreeable stage of development, is certainly the most arrogant and dangerous of all untenable doctrines. If I thought of man as the final image of God, I should not know what to think of God. But when I consider that our ancestors, at a time fairly recent in relation to the earth's history, were perfectly ordinary apes, closely related to chimpanzees, I see a glimmer of hope. It does not require very great optimism to assume that from us human beings something better and higher may evolve. Far from seeing in man the irrevocable and unsurpassable image of God, I assert – more modestly and, I believe, in greater awe of the Creation and its infinite possibilities – that the long-sought missing link between animals and the really humane being is ourselves!
Bowdoin Academic Spotlight interview (2011)
Context: You have to take advantage of the opportunities that life gives you, particularly the moments in time when you have time, when you're between jobs or you retire. Get out and go. I think most of us are way too intense. We need to take a deep breath and do things that maybe don't fit the normal picture of what we're supposed to do at that stage of life. In some ways, this book is one big argument for just plain loosening up.
“This ultimate stage of our spiritual exercise is called Silence.”
The Saviors of God (1923)
Context: This ultimate stage of our spiritual exercise is called Silence. Not because its contents are the ultimate inexpressible despair or the ultimate inexpressible joy and hope. Nor because it is the ultimate knowledge which does not condescend to speak, or the ultimate ignorance which cannot.
Silence means: Every person, after completing his service in all labors, reaches finally the highest summit of endeavor, beyond every labor, where he no longer struggles or shouts, where he ripens fully in silence, indestructibly, eternally, with the entire Universe.
Encounters with Animals (1958)
Context: There would be a dreadful outcry if anyone suggested obliterating, say, the Tower of London, and quite rightly so; yet a unique and wonderful species of animal which has taken hundreds of thousands of years to develop to the stage we see today, can be snuffed out like a candle without more than a handful of people raising a finger or a voice in protest. So, until we consider animal life to be worthy of the consideration and reverence we bestow upon old books and pictures and historic monuments, there will always be the animal refugee living a precarious life on the edge of extermination, dependent for existence on the charity of a few human beings.
As quoted by Nadezhda Popova, Reza Pahalavi, Son Of The Last Shah Of Iran: “No War Is Needed – We Will Topple This Regime Ourselves” http://www.rezapahlavi.org/details_article.php?article=22&page=6, Izvetsiya, May 29, 2006.
Interviews, 2006
Source: The Political Doctrine of Fascism (1925), pp. 115-116
The History of Freedom in Antiquity (1877)
Section 2.6
Workers Councils (1947)
On being an actor in “John Boyega, Star Wars Hero, Stays Up Too Late Watching The Affair” https://www.wmagazine.com/story/john-boyega-star-wars-moncler-favorite-tv-music in W Magazine (2018 Jul 12)
On an article by Quanta magazine(when asked: Is there one big question that has always guided you?) https://www.quantamagazine.org/michael-atiyahs-mathematical-dreams-20160303
Introductory
The Grammar of Science (1900)