Quotes about stab
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Ryū Murakami photo
Robert Jordan photo
Fyodor Dostoyevsky photo
Rudolph Rummel photo
Daniel Tosh photo

“I don't think I could stab somebody, 'cause I'm really bad at a Capri Sun.”

Daniel Tosh (1975) American stand-up comedian

Comedy Central Presents: Daniel Tosh (2003)

Russell Brand photo
James Russell Lowell photo

“Who speaks the truth stabs Falsehood to the heart.”

James Russell Lowell (1819–1891) American poet, critic, editor, and diplomat

L’ Envoi

Ron White photo
Margaret Atwood photo
Giorgio de Chirico photo

“Painting is the magic art, the fire set alight on the windows of the rich dwelling, as on those of the humble hovel, from the last rays of the setting sun, it is the long mark, the humid mark, the fluent and still mark that the dying wave etches on the hot sand, it is the darting of the immortal lizard on the rock burnt by the midday heat, it is the rainbow of conciliation, on sad May afternoons, after the storm has passed, down there, making a dark backdrop to the almond trees in flower, to the gardens with their washed colours, to the ploughmen's huts, smiling and tranquil, it is the livid cloud chased by the vehement blowing of Aeolus enraged, it is the nebulous disk of the fleeting moon behind the ripped-open funereal curtain of a disturbed sky in the deep of night, it is the blood of the bull stabbed in the arena, of the warrior fallen in the heat of battle, of Adonis' immaculate thigh wounded by the obstinate boar's curved tusk, it is the sail swollen with the winds of distant seas, it is the centuries-old tree browned in the autumn..”

Giorgio de Chirico (1888–1978) Italian artist

Quote from the first lines in De Cirico's essay 'Painting', 1938; from http://www.fondazionedechirico.org/wp-content/uploads/211_Painting_1938_Metaphysical_Art.pdf 'Painting', 1938 - G. de Chirico, presentation to the catalogue of his solo exhibition Mostra personale del pittore Giorgio de Chirico, Galleria Rotta, Genoa, May 1938], p. 211
1920s and later

Bill McKibben photo
Hunter S. Thompson photo

“He could shake your hand and stab you in the back at the same time.”

Hunter S. Thompson (1937–2005) American journalist and author

1990s, He Was A Crook (1994)

Orson Scott Card photo

“It (i. e., advertising) was like horoscopes—enough blind stabs and some of them are bound to strike a target.”

Page 185
Ender's Game series, First Meetings in the Enderverse (2003), Investment Counselor

Mickey Spillane photo

“I was thinking too damn much to be careful. When I stabbed my key in the lock and turned it there was a momentary catch in the tumblers before it went all the way around and I swore out loud as I rammed the door with my shoulder and hit the floor. Something swished through the air over my head and I caught an arm and pulled a squirming, fighting bundle of muscle down on top of me.
If I could have reached my rod I would have blown his guts out. His breath was in my face and I brought my knee up, but he jerked out of the way bringing his hand down again and my shoulder went numb after a split second of blinding pain. He tried again with one hand going for my throat, but I got one foot loose and kicked out and up and felt my toe smash onto his groin. The cramp of the pain doubled him over on top of me, his breath sucking in like a leaky tire.
Then I got cocky. I thought I had him. I went to get up and he moved. Just once. That thing in his hand smashed against the side of my head and I started to crumple up piece by piece until there wasn't anything left except the sense to see and hear enough to know that he had crawled out of the room and was falling down the stairs outside. Then I thought about the lock on my door and how I had a guy fix it so that I could tell if it had been jimmied open so I wouldn't step into any blind alleys without a gun in my hand, but because of a dame who lay naked and smiling on a bed I wouldn't share, I had forgotten all about it.”

The Big Kill (1951)

Allen C. Guelzo photo
Richard Proenneke photo
Robert E. Howard photo
Dylan Moran photo
Martin Luther King, Jr. photo

“You know, several years ago, I was in New York City autographing the first book that I had written. And while sitting there autographing books, a demented black woman came up. The only question I heard from her was, "Are you Martin Luther King?"
And I was looking down writing, and I said yes. And the next minute I felt something beating on my chest. Before I knew it I had been stabbed by this demented woman. I was rushed to Harlem Hospital. It was a dark Saturday afternoon. And that blade had gone through, and the X-rays revealed that the tip of the blade was on the edge of my aorta, the main artery. And once that's punctured, you drown in your own blood — that's the end of you.
It came out in the New York Times the next morning, that if I had sneezed, I would have died. Well, about four days later, they allowed me, after the operation, after my chest had been opened, and the blade had been taken out, to move around in the wheel chair in the hospital. They allowed me to read some of the mail that came in, and from all over the states, and the world, kind letters came in. I read a few, but one of them I will never forget. I had received one from the President and the Vice-President. I've forgotten what those telegrams said. I'd received a visit and a letter from the Governor of New York, but I've forgotten what the letter said. But there was another letter that came from a little girl, a young girl who was a student at the White Plains High School. And I looked at that letter, and I'll never forget it. It said simply, "Dear Dr. King: I am a ninth-grade student at the Whites Plains High School." She said, "While it should not matter, I would like to mention that I am a white girl. I read in the paper of your misfortune, and of your suffering. And I read that if you had sneezed, you would have died. And I'm simply writing you to say that I'm so happy that you didn't sneeze."”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

And I want to say tonight, I want to say that I am happy that I didn't sneeze.
1960s, I've Been to the Mountaintop (1968)

Arthur Seyss-Inquart photo
Bushwick Bill photo

“See driving is like stabbing someone, it's very personal. While flying is like shooting someone, it's more distant.”

Bushwick Bill (1966–2019) American rapper

Source: Dirty South: Southern Rappers Who Changed the Game

George Eliot photo
Richard K. Morgan photo
Alfred Brendel photo
Georg Büchner photo

“We are always on stage, even when we are stabbed in earnest at the end.”

Act II.
Dantons Tod (Danton's Death) (1835)

Tanith Lee photo
Bartolomé de las Casas photo
Larry Wall photo

“tt>stab_val(stab)-> str_nok = 1; /* what a wonderful hack! */</tt”

Larry Wall (1954) American computer programmer and author, creator of Perl

Source code, <code>stab.c</code>

Miyamoto Musashi photo

“Some men use a shorter long sword with the intention of jumping in and stabbing the enemy at the unguarded moment when he flourishes his sword. This inclination is bad.
To aim for the enemy's unguarded moment is completely defensive, and undesirable at close quarters with the enemy.”

Miyamoto Musashi (1584–1645) Japanese martial artist, writer, artist

Go Rin No Sho (1645), The Wind Book
Context: Some men use a shorter long sword with the intention of jumping in and stabbing the enemy at the unguarded moment when he flourishes his sword. This inclination is bad.
To aim for the enemy's unguarded moment is completely defensive, and undesirable at close quarters with the enemy. Furthermore, you cannot use the method of jumping inside his defense with a short sword if there are many enemies. Some men think that if they go against many enemies with a shorter long sword they can unrestrictedly frisk around cutting in sweeps, but they have to parry cuts continuously, and eventually become entangled with the enemy. This is inconsistent with the true Way of strategy.
The sure Way to win thus is to chase the enemy around in a confusing manner, causing him to jump aside, with your body held strongly and straight.

Richard Wright photo

“Repeatedly I took stabs at writing, but the results were so poor that I would tear up the sheets. I was striving for a level of expression that matched those of the novels I read. But I always somehow failed to get onto the page what I thought and felt. Failing at sustained narrative, I compromised by playing with single sentences and phrases. Under the influence of Stein’s Three Lives, I spent hours and days pounding out disconnected sentences for the sheer love of words. I would write: “The soft melting hunk of butter trickled in gold down the stringy grooves of the split yam.” Or: “The child’s clumsy fingers fumbled in sleep, feeling vainly for the wish of its dream.” “The old man huddled in the dark doorway, his bony face lit by the burning yellow in the windows of distant skyscrapers.” My purpose was to capture a physical state or movement that carried a strong subjective impression, an accomplishment which seemed supremely worth struggling for. If I could fasten the mind of the reader upon words so firmly that he would forget words and be conscious only of his response, I felt that I would be in sight of knowing how to write narrative. I strove to master words, to make them disappear, to make them important by making them new, to make them melt into a rising spiral of emotional stimuli, each greater than the other, each feeding and reinforcing the other, and all ending in an emotional climax that would drench the reader with a sense of a new world. That was the single aim of my living.”

Black Boy (1945)

Phil Ochs photo

“Look outside the window, there's a woman being grabbed
They've dragged her to the bushes and now she's being stabbed”

Phil Ochs (1940–1976) American protest singer and songwriter

"Outside Of A Small Circle Of Friends" http://web.cecs.pdx.edu/~trent/ochs/lyrics/small-circle-of-friends.html
Pleasures of the Harbor (1967)
Context: Look outside the window, there's a woman being grabbed
They've dragged her to the bushes and now she's being stabbed
Maybe we should call the cops and try to stop the pain
But Monopoly is so much fun, I'd hate to blow the game
And I'm sure it wouldn't interest anybody
Outside of a small circle of friends.

Richard Francis Burton photo

“The instructor must spare no pains in preventing the soldier from using force, especially with the left or guiding arm, as too much exertion generally causes the thrust to miss. A trifling body-stab with the bayonet (I may add with the sword) is sufficient to disable a man; and many a promising young soldier has lost his life by burying his weapon so deep in the enemy's breast that it could not be withdrawn quickly enough to be used against a second assailant. To prevent this happening, the point must be delivered smartly, with but little exertion of force, more like a dart than a thrust, and instantly afterwards the bayonet must be smartly withdrawn.”

Richard Francis Burton (1821–1890) British explorer, geographer, translator, writer, soldier, orientalist, cartographer, ethnologist, spy, lin…

A New System of Sword Exercise for Infantry (1876)
Context: The recruit must be carefully and sedulously taught when meeting the enemy, even at a trot or canter, to use no force whatever, otherwise his sword will bury itself to the hilt, and the swordsman will either be dragged from his horse, or will be compelled to drop his weapon — if he can. Upon this point I may quote my own System of Bayonet Exercise (p. 27): —
"The instructor must spare no pains in preventing the soldier from using force, especially with the left or guiding arm, as too much exertion generally causes the thrust to miss. A trifling body-stab with the bayonet (I may add with the sword) is sufficient to disable a man; and many a promising young soldier has lost his life by burying his weapon so deep in the enemy's breast that it could not be withdrawn quickly enough to be used against a second assailant. To prevent this happening, the point must be delivered smartly, with but little exertion of force, more like a dart than a thrust, and instantly afterwards the bayonet must be smartly withdrawn." In fact the thrust should consist of two movements executed as nearly simultaneously as possible; and it requires long habit, as the natural man, especially the Englishman, is apt to push home, and to dwell upon his slouching push.

Charles Stross photo

“He stabs at the mouse mat with one finger and I wince. But instead of fat purple sparks and a hideous soul-sucking manifestation, it simply wakes up his Windows box.”

Not that there’s much difference.
Source: The Laundry Files, The Jennifer Morgue (2006), Chapter 11, “Destiny Entangled” (p. 222)

Ta-Nehisi Coates photo
Philip Schaff photo

“He adapted the words to the capacity of the Germans, often at the expense of accuracy. He cared more for the substance than the form. He turned the Hebrew shekel into a Silberling, the Greek drachma and Roman denarius into a German Groschen, the quadrans into a Heller, the Hebrew measures into Scheffel, Malter, Tonne, Centner, and the Roman centurion into a Hauptmann. He substituted even undeutsch (!) for barbarian in 1 Cor. 14:11. Still greater liberties he allowed himself in the Apocrypha, to make them more easy and pleasant reading. He used popular alliterative phrases as Geld und Gut, Land und Leute, Rath und That, Stecken und Stab, Dornen und Disteln, matt und müde, gäng und gäbe.”

Philip Schaff (1819–1893) American Calvinist theologian

He avoided foreign terms which rushed in like a flood with the revival of learning, especially in proper names (as Melanchthon for Schwarzerd, Aurifaber for Goldschmid, Oecolampadius for Hausschein, Camerarius for Kammermeister). He enriched the vocabulary with such beautiful words as holdselig, Gottseligkeit.
Erasmus Alber, a contemporary of Luther, called him the German Cicero, who not only reformed religion, but also the German language.
Luther's version is an idiomatic reproduction of the Bible in the very spirit of the Bible. It brings out the whole wealth, force, and beauty of the German language. It is the first German classic, as King James's version is the first English classic. It anticipated the golden age of German literature as represented by Klopstock, Lessing, Herder, Goethe, Schiller,—all of them Protestants, and more or less indebted to the Luther-Bible for their style. The best authority in Teutonic philology pronounces his language to be the foundation of the new High German dialect on account of its purity and influence, and the Protestant dialect on account of its freedom which conquered even Roman Catholic authors.
Notable examples of Luther's renderings of Hebrew and Greek words
Source: The same word silverling occurs once in the English version, Isa. 7:23, and is retained in the R. V. of 1885. The German Probebibel retains it in this and other passages, as Gen. 20:16; Judg. 9:4, etc.
Source: See Grimm, Luther's Uebersetzung der Apocryphen, in the "Studien und Kritiken" for 1883, pp. 376-400. He judges that Luther's version of Ecclesiasticus (Jesus Sirach) is by no means a faithful translation, but a model of a free and happy reproduction from a combination of the Greek and Latin texts.

Uthman photo
William Cobbett photo
Rodrigo Duterte photo

“Jail? Jeez. When I was a teenager, I was in and out of jail. One fight there, another here – at the age of 16, I killed someone. A person. During a fight. Stabbing. I was 16. Just because we looked at each other.”

Rodrigo Duterte (1945) Filipino politician and the 16th President of the Philippines

Original: (tl) Kulong? Ay 'sus. Kulong, eh noong teenager ako pasok-labas-pasok ako sa kulungan. Rambol dito, rambol – at the age of 16, may pinatay na ako. Tao talaga. Rambol. Saksak. Noong 16 years old iyon, nagkatinginan lang.

Duterte claims he stabbed someone to death as a 16-year-old https://www.rappler.com/nation/187906-rodrigo-duterte-stab-16-years-old(November 9, 2017)

Leo Tolstoy photo