Quotes about ray
page 3

Richard Fuller (minister) photo
Jean Metzinger photo
Alfred Horsley Hinton photo
Stephen Fry photo

“I have to mime at parties when everyone sings Happy Birthday... mime or mumble and rumble and growl and grunt so deep that only moles, manta rays and mushrooms can hear me.”

Stephen Fry (1957) English comedian, actor, writer, presenter, and activist

on his frustrating inability to sing
1990s, Moab is My Washpot (autobiography, 1997)

Amir Khusrow photo
Godfrey Bloom photo
Chris Quigg photo

“Each second, some 1014 neutrinos made in the Sun and about a thousand neutrinos made by cosmic rays in Earth's atmosphere pass through your body.”

Chris Quigg (1944) American physicist

[Cosmic neutrinos, arXiv preprint arXiv:0802.0013, 2008, https://arxiv.org/abs/0802.0013] p. 1.

Stephen King photo
Robert Southey photo
Letitia Elizabeth Landon photo
Torquato Tasso photo

“About the hill lay other islands small,
Where other rocks, crags, cliffs, and mountains stood,
The Isles Fortunate these elder time did call,
To which high Heaven they reigned so kind and good,
And of his blessings rich so liberal,
That without tillage earth gives corn for food,
And grapes that swell with sweet and precious wine
There without pruning yields the fertile vine.The olive fat there ever buds and flowers,
The honey-drops from hollow oaks distil,
The falling brook her silver streams downpours
With gentle murmur from their native hill,
The western blast tempereth with dews and showers
The sunny rays, lest heat the blossoms kill,
The fields Elysian, as fond heathen sain,
Were there, where souls of men in bliss remain.”

Torquato Tasso (1544–1595) Italian poet

Ecco altre isole insieme, altre pendíci
Scoprian alfin men erte ed elevate.
Ed eran queste l'isole felici;
Così le nominò la prisca etate,
A cui tanto stimava i Cieli amici,
Che credea volontarie, e non arate
Quì partorir le terre, e in più graditi
Frutti, non culte, germogliar le viti.<p>Quì non fallaci mai fiorir gli olivi,
E 'l mel dicea stillar dall'elci cave:
E scender giù da lor montagne i rivi
Con acque dolci, e mormorio soave:
E zefiri e rugiade i raggj estivi
Temprarvi sì, che nullo ardor v'è grave:
E quì gli Elisj campi, e le famose
Stanze delle beate anime pose.
Canto XV, stanzas 35–36 (tr. Fairfax)
Gerusalemme Liberata (1581)

Isaac Barrow photo

“Mathematics is the fruitful Parent of, I had almost said all, Arts, the unshaken Foundation of Sciences, and the plentiful Fountain of Advantage to Human Affairs. In which last Respect, we may be said to receive from the Mathematics, the principal Delights of Life, Securities of Health, Increase of Fortune, and Conveniences of Labour: That we dwell elegantly and commodiously, build decent Houses for ourselves, erect stately Temples to God, and leave wonderful Monuments to Posterity: That we are protected by those Rampires from the Incursions of the Enemy; rightly use Arms, skillfully range an Army, and manage War by Art, and not by the Madness of wild Beasts: That we have safe Traffick through the deceitful Billows, pass in a direct Road through the tractless Ways of the Sea, and come to the designed Ports by the uncertain Impulse of the Winds: That we rightly cast up our Accounts, do Business expeditiously, dispose, tabulate, and calculate scattered 248 Ranks of Numbers, and easily compute them, though expressive of huge Heaps of Sand, nay immense Hills of Atoms: That we make pacifick Separations of the Bounds of Lands, examine the Moments of Weights in an equal Balance, and distribute every one his own by a just Measure: That with a light Touch we thrust forward vast Bodies which way we will, and stop a huge Resistance with a very small Force: That we accurately delineate the Face of this Earthly Orb, and subject the Oeconomy of the Universe to our Sight: That we aptly digest the flowing Series of Time, distinguish what is acted by due Intervals, rightly account and discern the various Returns of the Seasons, the stated Periods of Years and Months, the alternate Increments of Days and Nights, the doubtful Limits of Light and Shadow, and the exact Differences of Hours and Minutes: That we derive the subtle Virtue of the Solar Rays to our Uses, infinitely extend the Sphere of Sight, enlarge the near Appearances of Things, bring to Hand Things remote, discover Things hidden, search Nature out of her Concealments, and unfold her dark Mysteries: That we delight our Eyes with beautiful Images, cunningly imitate the Devices and portray the Works of Nature; imitate did I say? nay excel, while we form to ourselves Things not in being, exhibit Things absent, and represent Things past: That we recreate our Minds and delight our Ears with melodious Sounds, attemperate the inconstant Undulations of the Air to musical Tunes, add a pleasant Voice to a sapless Log and draw a sweet Eloquence from a rigid Metal; celebrate our Maker with an harmonious Praise, and not unaptly imitate the blessed Choirs of Heaven: That we approach and examine the inaccessible Seats of the Clouds, the distant Tracts of Land, unfrequented Paths of the Sea; lofty Tops of the Mountains, low Bottoms of the Valleys, and deep Gulphs of the Ocean: That in Heart we advance to the Saints themselves above, yea draw them to us, scale the etherial Towers, freely range through the celestial Fields, measure the Magnitudes, and determine the Interstices of the Stars, prescribe inviolable Laws to the Heavens themselves, and confine the wandering Circuits of the Stars within fixed Bounds: Lastly, that we comprehend the vast Fabrick of the Universe, admire and contemplate the wonderful Beauty of the Divine 249 Workmanship, and to learn the incredible Force and Sagacity of our own Minds, by certain Experiments, and to acknowledge the Blessings of Heaven with pious Affection.”

Isaac Barrow (1630–1677) English Christian theologian, and mathematician

Source: Mathematical Lectures (1734), p. 27-30

Jayant Narlikar photo
Jeannette Piccard photo

“If we do not add something to the knowledge of cosmic rays by our trip to the stratosphere this summer, we had better not go. We had better stay on the ground, be hewers of wood and drawers of water.”

Jeannette Piccard (1895–1981) American balloonist, scientist, teacher and priest

Quoted in [Oakes, Claudia M., United States Women in Aviation: 1930-1939, Smithsonian Studies in Air and Space, 1985, http://www.sil.si.edu/smithsoniancontributions/AirSpace/text/SSAS-0006.txt]

Muhammad of Ghor photo
Maria Edgeworth photo
John Mayer photo

“I love the Grammy nominations this year. Anybody who really loves what they do got rewarded for it. It's not a death match between Ray Charles and Jessica Simpson.”

John Mayer (1977) guitarist and singer/songwriter

No byline (2004-12-20), "John Mayer". Newsweek. 144 (25):71

Abu'l-Fazl ibn Mubarak photo

“No dignity is higher in the eyes of God than royalty… Royalty is a light emanating from God, and a ray from the sun, the illuminator of the universe.”

Abu'l-Fazl ibn Mubarak (1551–1602) vizier

Ain-i-Akbari by Abul Fazl. trans. by H. Blochmann, quoted from Lal, K. S. (1992). The legacy of Muslim rule in India. New Delhi: Aditya Prakashan.

Oliver Goldsmith photo

“Hope, like the gleaming taper's light,
Adorns and cheers our way;
And still, as darker grows the night,
Emits a brighter ray.”

Oliver Goldsmith (1728–1774) Irish physician and writer

Act II.
The Captivity, An Oratorio (1764)

Sugar Ray Leonard photo
Roberto Clemente photo

“blockquote>Quien Soy? (Who Am I?)I am a small point in the eye of the full moon.
I only need one ray of the sun to warm my face.
I need only one breeze from the Alisios to refresh my soul.
What else can I ask if I know that my sons love really love me?.”

Roberto Clemente (1934–1972) Puerto Rican baseball player

Written on Father's Day at Three Rivers Stadium, 1971 or 1972, reproduced in "A Rematch With the Machine" https://books.google.com/books?id=03XsO25A3I8C&pg=PA302 from Roberto Clemente: The Great One (1998) by Bruce Markusen, p. 302
Other, <big><big>1970s</big></big>, <big>1971</big>

José Rizal photo
Statius photo

“But no clouds in a red sky promised daylight's return, nor in lessening shadows did a long twilight gleam with reflected sun. Black night that no ray can pierce comes ever denser from earth, veiling the heavens.”
Sed nec puniceo rediturum nubila caelo promisere jubar, nec rarescentibus umbris longa repercusso nituere crepuscula Phoebo: densior a terris et nulli peruia flammae subtexit nox atra polos.

Source: Thebaid, Book I, Line 342

Muhammad of Ghor photo
Ramachandra Guha photo

“In the generation (or two generations) before mine, the leading Indian historians (judged in terms of scholarly books and papers written and read) included Irfan Habib, R. S. Sharma, Ranajit Guha, Romila Thapar, Bipan Chandra, Amalendu Guha, Sumit Sarkar, and Sabyasachi Bhattacharya, all of whom were influenced to a lesser or greater degree by Marxism; and Ashin Dasgupta, Dharma Kumar, Parthasarathy Gupta, Amales Tripathi, Rajat Kanta Rai, Mushirul Hasan, and Tapan Roychowdhury, all of whom were liberals. The leading political scientists included the liberals Rajni Kothari, Basheeruddin Ahmed and Ramashray Ray; the Marxists Javed Alam and Partha Chatterjee; and Ashis Nandy, an admirer of Tagore and Gandhi who like them stoutly resists being classified in conventional terms. The pre-eminent sociologists of that generation were M. N. Srinivas and André Béteille, both of whom would own the label ‘liberal’; and T. N. Madan, who while working on classically conservative themes such as family, kinship and religion would most likely see himself as a liberal too. Even the best-known or most influential economists of the 1960s and 1970 tended to be on the left of the spectrum, as the names of K. N. Raj, Amartya Sen, V. M. Dandekar, Amit Bhaduri, Krishna Bharadwaj, Pranab Bardhan, Prabhat and Utsa Patnaik, and Ashok Rudra (among others) signify.”

Ramachandra Guha (1958) historian and writer from India

[Guha, Ramachandra, Where Are The Conservative Intellectuals in India?, http://ramachandraguha.in/archives/where-are-the-conservative-intellectuals-in-india-caravan.html, Caravan, March 2015]

Gulzarilal Nanda photo

“I had seen him [Mahatama Gandhi] from a distance This was going to be the first personal contact. As I ascended the stairs of Manibahavan…I was feeling the thrill of anticipation of a great event. I entered the room and the awe which the scene inside inspired in my heart has not been erased from my memory. I sat in front of the Mahatma…After a while Gandhiji turned to me and asked me about the work that I was doing…He then inquired about my situation. Would I have to face any difficulties if I came away to join the movement? I reflected for a few fleeting moments. I asked myself…How can an army like this function if every soldier who is recruited has to place his personal difficulties before the General. I replied to him that I had no problems for his consideration. Then an interesting conversation followed. Lala Lajpat Rai took up the thread and asked Gandhiji to permit me to proceed to the Punjab, the place of my origin and join him, in the work of the movement there. Thereafter Shankarlal Banker put forward the argument that since my political birth was in Bombay I should stick to this place. The Mahatma gave his verdict in favour of Bombay and thus the interview ended. I found that Bunker was the key figure in the organization in Bombay then and a number of activities were being carried out under his personal direction.”

Gulzarilal Nanda (1898–1998) Prime Minister of India

In, p. 5-6
Gulzarilal Nanda: A Life in the Service of the People

Amir Khusrow photo

““But see the mercy with which he regarded the brokenhearted, for, after seizing the rai, he set him free again. He destroyed the temples of the idolaters, and erected pulpits and arches for mosques.”67”

Amir Khusrow (1253–1325) Indian poet, writer, musician and scholar

About Sultan Jalalu’d -Din Khalji (AD 1290-1296) in Devagiri (Maharashtra) Elliot and Dowson, History of India as told by its own historians, Vol. III, p. 542.ff
Miftahu'l-Futuh

Tommy Franks photo
Robert Burns photo

“O Life! how pleasant is thy morning,
Young Fancy's rays the hills adorning!
Cold-pausing Caution's lesson scorning,
We frisk away,
Like schoolboys at th' expected warning,
To joy and play.”

Robert Burns (1759–1796) Scottish poet and lyricist

Epistle to James Smith.
Bartlett's Familiar Quotations, 10th ed. (1919)

Jayant Narlikar photo
John Peckham photo

“Light from a concave luminous body is received most powerfully at the centre. The reason for this is that, for every point of a concave body, perpendicular rays, which are stronger than others, converge in the centre. Therefore the virtues of celestial bodies are incident most powerfully in and near the centre of the world.”

John Peckham (1227–1292) Archbishop of Canterbury

Note the assumption that the heavenly sphere is concave with respect to the earth.
Perspectiva communis as quoted in J. D. North, Stars, Mind and Fate: Essays in Ancient and Mediaeval Cosmology (1989) citing D.C. Lindberg, John Pecham and the Science of Optics: Perspectiva communis (1970) p.99

Ihara Saikaku photo

“Like ice beneath the sun's rays — to such poverty did he fall…his fortune melted to water.”

Ihara Saikaku (1642–1693) Japanese writer

Book III, ch. 5.
The Japanese Family Storehouse (1688)

Jim Steinman photo
Jodi Benson photo
Mahmud of Ghazni photo
William Herschel photo
Julian (emperor) photo
Letitia Elizabeth Landon photo

“Oh, softest is the cheek's love-ray
When seen by moonlight hours
Other roses seek the day,
But blushes are night flowers.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

When Should Lover’s Breathe Their Vows from The London Literary Gazette (24th November 1821)
The Improvisatrice (1824)

Syed Ahmed Khan photo

“Iron Pillar: “…In our opinion this pillar was made in the ninth century before (the birth of) Lord Jesus… When Rai Pithora built a fort and an idol-house near this pillar, it stood in the courtyard of the idol-house. And when Qutbu’d-Din Aibak constructed a mosque after demolishing the idol-house, this pillar stood in the courtyard of the mosque…
”Idol-house of Rai Pithora: “There was an idol-house near the fort of Rai Pithora. It was very famous… It was built along with the fort in 1200 Bikarmi [Vikrama SaMvat] corresponding to AD 1143 and AH 538. The building of this temple was very unusual, and the work done on it by stone-cutters is such that nothing better can be conceived. The beautiful carvings on every stone in it defy description… The eastern and northern portions of this idol-house have survived intact. The fact that the Iron Pillar, which belongs to the Vaishnava faith, was kept inside it, as also the fact that sculptures of Kirshan avatar and Mahadev and Ganesh and Hanuman were carved on its walls, leads us to believe that this temple belonged to the Vaishnava faith. Although all sculptures were mutilated in the times of Muslims, even so a close scrutiny can identify as to which sculpture was what. In our opinion there was a red-stone building in this idol-house, and it was demolished. For, this sort of old stones with sculptures carved on them are still found.
”Quwwat al-Islam Masjid: “When Qutbu’d-Din, the commander-in-chief of Muizzu’d-Din Sam alias Shihabu’d-Din Ghuri, conquered Delhi in AH 587 corresponding to AD 1191 corresponding to 1248 Bikarmi, this idol-house (of Rai Pithora) was converted into a mosque. The idol was taken out of the temple. Some of the images sculptured on walls or doors or pillars were effaced completely, some were defaced. But the structure of the idol-house kept standing as before. Materials from twenty-seven temples, which were worth five crores and forty lakhs of Dilwals, were used in the mosque, and an inscription giving the date of conquest and his own name was installed on the eastern gate…“When Malwah and Ujjain were conquered by Sultan Shamsu’d-Din in AH 631 corresponding to AD 1233, then the idol-house of Mahakal was demolished and its idols as well as the statue of Raja Bikramajit were brought to Delhi, they were strewn in front of the door of the mosque…”“In books of history, this mosque has been described as Masjid-i-Adinah and Jama‘ Masjid Delhi, but Masjid Quwwat al-Islam is mentioned nowhere. It is not known as to when this name was adopted. Obviously, it seems that when this idol-house was captured, and the mosque constructed, it was named Quwwat al-Islam…””

Syed Ahmed Khan (1820–1898) Indian educator and politician

About antiquities of Delhi. Translated from the Urdu of Asaru’s-Sanadid, edited by Khaleeq Anjum, New Delhi, 1990. Vol. I, p. 305-16
Asaru’s-Sanadid

Amit Ray photo
Matt Ridley photo
Johann Gottlieb Fichte photo

“Thou living ray of intellectual fire.”

William Falconer (1732–1769) British writer

Canto I, line 104.
The Shipwreck (1762)

Kamal Haasan photo
Halldór Laxness photo
John Constable photo

“The landscapes of Ruysdael present the greatest possible contrast to those of Claude, showing how powerfully, from the most opposite directions, genius may command our homage. In Claude's pictures, with scarcely an exception, the sun ever shines. Ruysdael, on the contrary, delighted in, and has made delightful to our eyes, those solemn days, peculiar to his country and to ours, when without storm, large rolling clouds scarcely permit a ray of sunlight to break the shades of the forest.”

John Constable (1776–1837) English Romantic painter

Quote from 'The History of Landscape Painting,' third lecture, Royal Institution (9 June 1836), from notes taken by C.R. Leslie; as quoted in: 'A brief history of weather in European landscape art', John E. Thornes, in Weather Volume 55, Issue 10 Oct. 2000, p. 366-67
1830s, his lectures History of Landscape Painting (1836)

Christopher Hitchens photo
Joseph von Fraunhofer photo

“Since the violet rays through the objective of the theodolite telescope have a shorter focal length than the red rays, it is evident why the eye-piece must be displaced in order to see plainly the lines in the different colors.”

Joseph von Fraunhofer (1787–1826) German optical physicist

Prismatic and Diffraction Spectra: Memoirs http://books.google.com/books?id=5GE3AAAAMAAJ (1899) Tr. & Ed. J. S. Ames p. 7

Muhammad bin Qasim photo

“A mine was dug, and in two or three days the walls fell down, and the fort of Multan was taken. Six thousand warriors were put to death, and all their relations and dependents were taken as slaves. Protection was given to the merchants, artisans and the agriculturists. Muhammad Kasim said the booty ought to be sent to the treasury of the Khalifa; but as the soldiers have taken so much pains, have suffered so many hardships, have hazarded their lives, and have been so long a time employed in digging the mine and carrying on the war, and as the fort is now taken, it is proper that the booty should be divided, and their dues given to the soldiers. Then all the great and principal inhabitants of the city assembled together, and silver to the weight of sixty thousand dirams was distributed and every horseman got a share of four hundred dirams weight. After this, Muhammad Kasim said that some plan should be devised for realizing the money to be sent to the Khalifa. He was pondering over this, when suddenly a Brahman came and said, 'Heathenism is now at an end, the temples are thrown down, the world has received the light of Islam, and mosques are built instead of idol temples. I have heard from the elders of Multan that in ancient times there was a chief in this city whose name was Jibawin, and who was a descendent of the Rai of Kashmir. He was a Brahman and a monk, he strictly followed his religion, and always occupied his time in worshipping idols. When his treasures exceeded all limits and computation, he made a reservoir on the eastern side of Multan, which was hundred yards square. In the middle of it he built a temple fifty yards square, and he made a chamber in which he concealed forty copper jars each of which was filled with African gold dust. A treasure of three hundred and thirty mans of gold was buried there. Over it there is an idol made of red gold, and trees are planted round the reservoir.'… It is related by historians, on the authority of… Ali bin Muhammad who had heard it from Abu Muhammad Hindui that Muhammad Kasim arose and with his counsellors, guards and attendants, went to the temple. He saw there an idol made of gold, and its two eye were bright red rubies… Muhammad Kasim ordered the idol to be taken up. Two hundred and thirty mans of gold were obtained, and forty jars filled with gold dust… This gold and the image were brought to treasury together with the gems and pearls and treasures which were obtained from the plunder of Multan.”

Muhammad bin Qasim (695–715) Umayyad general

Multan (Punjab) . The Chach Nama, in: Elliot and Dowson, Vol. I : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. pp. 205-06.
Quotes from The Chach Nama

John Masefield photo

“What is this creature, Music, save the Art,
The Rhythm that the planets journey by?
The living Sun-Ray entering the heart,
Touching the Life with that which cannot die?”

John Masefield (1878–1967) English poet and writer

" Where does the uttered Music go? http://www.williamwalton.net/works/choral/where_does_the_uttered_music_go.html" (1946)

Vinod Rai photo
Arthur Schopenhauer photo
Aurangzeb photo

“The Emperor learning that in the temple of Keshav Rai at Mathura there was a stone railing presented by Dara Shukoh, remarked, 'In the Muslim faith it is a sin even to look at a temple, and this Dara had restored a railing in a temple. This fact is not creditable to the Muhammadans. Remove the railing.' By his order Abdun Nabi Khan (the faujdar of Mathura) removed it (1666).”

Aurangzeb (1618–1707) Sixth Mughal Emperor

Akhbarat, cited in Sarkar, Jadu Nath, History of Aurangzeb,Volume III, Calcutta, 1972 Impression. p. 186-189., quoted in part in Shourie, Arun (2014). Eminent historians: Their technology, their line, their fraud. Noida, Uttar Pradesh, India : HarperCollins Publishers.
Quotes from late medieval histories, 1660s

Amy Winehouse photo
Letitia Elizabeth Landon photo

“The rosy-fingered morn with gladsome ray
Rose to her task from old Tithonus' lap.”

Edward Fairfax (1580–1635) English translator

Book XV, stanza 1
Tasso's Jerusalem Delivered (1600)

Johannes Tauler photo
Torquato Tasso photo

“O heavenly Muse, that not with fading bays
Deckest thy brow by the Heliconian spring,
But sittest crowned with stars' immortal rays
In Heaven, where legions of bright angels sing;
Inspire life in my wit, my thoughts upraise,
My verse ennoble, and forgive the thing,
If fictions light I mix with truth divine,
And fill these lines with other praise than thine.”

Torquato Tasso (1544–1595) Italian poet

O Musa, tu, che di caduchi allori
Non circondi la fronte in Elicona,
Ma su nel Cielo infra i beati cori
Hai di stelle immortali aurea corona;
Tu spira al petto mio celesti ardori,
Tu rischiara il mio canto, e tu perdona
S'intesso fregj al ver, s'adorno in parte
D'altri diletti, che de' tuoi le carte.
Canto I, stanza 2 (tr. Edward Fairfax)
Gerusalemme Liberata (1581)

P.G. Wodehouse photo

“It is never difficult to distinguish between a Scotsman with a grievance and a ray of sunshine.”

P.G. Wodehouse (1881–1975) English author

Blandings Castle (1935)

Ray Charles photo
Viktor Brack photo

“Dear Reichsführer, among 10's of millions of Jews in Europe, there are, I figure, at least 2-3 millions of men and women who are fit enough to work. Considering the extraordinary difficulties the labor problem presents us with, I hold the view that those 2-3 millions should be specially selected and preserved. This can however only be done if at the same time they are rendered incapable to propagate. About a year ago I reported to you that agents of mine have completed the experiments necessary for this purpose. I would like to recall these facts once more. Sterilization, as normally performed on persons with hereditary diseases is here out of the question, because it takes too long and is too expensive. Castration by X-ray however is not only relatively cheap, but can also be performed on many thousands in the shortest time. I think that at this time it is already irrelevant whether the people in question become aware of having been castrated after some weeks or months, once they feel the effects. Should you, Reichsführer, decide to choose this way in the interest of the preservation of labor, then Reichsleiter Bouhler would be prepared to place all physicians and other personnel needed for this work at your disposal. Likewise he requested me to inform you that then I would have to order the apparatus so urgently needed with the greatest speed. Heil Hitler! Yours, Viktor Brack.”

Viktor Brack (1904–1948) SS officer

Letter written to Heinrich Himmler (23 June 1942).

“MCs be bragging about cash they collect, but them chumps are like Ray Charles cause they ain't seen no money yet”

Big L (rapper) (1974–1999) American rapper

"Represent", Showbiz & A.G., Runaway Slave (1992)

Báb photo
Hatshepsut photo
Baldassarre Castiglione photo

“Then the soul, freed from vice, purged by studies of true philosophy, versed in spiritual life, and practised in matters of the intellect, devoted to the contemplation of her own substance, as if awakened from deepest sleep, opens those eyes which all possess but few use, and sees in herself a ray of that light which is the true image of the angelic beauty communicated to her, and of which she then communicates a faint shadow to the body.”

Baldassarre Castiglione (1478–1529) Italian Renaissance author (1478-1529)

Però l'anima, aliena dai vicii, purgata dai studi della vera filosofia, versata nella vita spirituale ed esercitata nelle cose dell'intelletto, rivolgendosi alla contemplazion della sua propria sustanzia, quasi da profundissimo sonno risvegliata, apre quegli occhi che tutti hanno e pochi adoprano, e vede in se stessa un raggio di quel lume che è la vera imagine della bellezza angelica a lei communicata, della quale essa poi communica al corpo una debil umbra.
Bk. 4, ch. 68; p. 300.
Souced, Il Libro del Cortegiano (1528)

Henry Adams photo
Nicole Richie photo

“Roecker seems to have been as inspired by Todd Haynes's legendary underground film "Superstar" -- in which he told Karen Carpenter's life story with surprising tenderness using Barbie dolls and a bootlegged soundtrack -- as by the stop-motion animation of Ray Harryhausen and the "Frosty the Snowman" cartoon.”

John Roecker (1966) American film director

Ann Hornaday — quoted in The Washington Post, The Washington Post Company, One Forgettable 'Freak' Show, January 27, 2006, Ann, Hornaday http://www.washingtonpost.com/wp-dyn/content/article/2006/01/26/AR2006012600739.html,
About

Mata Amritanandamayi photo
Gregory of Nyssa photo

“Just as, in the case of the sunlight, on one who has never from the day of his birth seen it, all efforts at translating it into words are quite thrown away; you cannot make the splendour of the ray shine through his ears; in like manner, to see the beauty of the true and intellectual light, each man has need of eyes of his own; and he who by a gift of Divine inspiration can see it retains his ecstasy unexpressed in the depths of his consciousness; while he who sees it not cannot be made to know even the greatness of his loss. How should he? This good escapes his perception, and it cannot be represented to him; it is unspeakable, and cannot be delineated. We have not learned the peculiar language expressive of this beauty. … What words could be invented to show the greatness of this loss to him who suffers it? Well does the great David seem to me to express the impossibility of doing this. He has been lifted by the power of the Spirit out of himself, and sees in a blessed state of ecstacy the boundless and incomprehensible Beauty; he sees it as fully as a mortal can see who has quitted his fleshly envelopments and entered, by the mere power of thought, upon the contemplation of the spiritual and intellectual world, and in his longing to speak a word worthy of the spectacle he bursts forth with that cry, which all re-echo, "Every man a liar!"”

Gregory of Nyssa (335–395) bishop of Nyssa

I take that to mean that any man who entrusts to language the task of presenting the ineffable Light is really and truly a liar; not because of any hatred on his part of the truth, but because of the feebleness of his instrument for expressing the thing thought of.
On Virginity, Chapter 10

John Ruskin photo
Howard Zinn photo

“David Ray Griffin has done admirable and painstaking research in reviewing the mysteries surrounding the 9/11 attacks. It is the most persuasive argument I have seen for further investigation [into] that historic and troubling event.”

Howard Zinn (1922–2010) author and historian

Comment on David Ray Griffin's book The New Pearl Harbor, quoted at 911Truth.org (13 August 2004) http://www.911truth.org/article.php?story=20040525224251221

Francis Parkman photo
Robert G. Ingersoll photo

“The heretics have not thought and suffered and died in vain. Every heretic has been, and is, a ray of light.”

Robert G. Ingersoll (1833–1899) Union United States Army officer

Heretics and Heresies (1874)

Bill Mollison photo
Anton Mauve photo

“When entering a studio the most pleasant thing to see is a blank canvas. It looks so inviting to make a start, you are fresh and hoping for the best. Then a terrible time follows when everything seems lost and ruined, you fear you will never get it done, than suddenly a ray of light! And it seems you get what you wanted to tell. My best works usually are going trough such a struggle.”

Anton Mauve (1838–1888) Dutch painter (1838–1888)

translation from original Dutch, Fons Heijnsbroek, 2018
(version in original Dutch / origineel citaat van Anton Mauve, in het Nederlands:) Het meest aangename te zien wanneer men een atelier betreedt is een leeg doek. Het oogt zo uitnodigend om een begin te maken, je bent fris en hoopt op het beste. Dan volgt een vreselijke tijd waarin alles verloren en verprutst lijkt, je vreest dat je het nooit zal maken, en plotseling een lichtstraal! En het lijkt alsof je krijgt dat wat je wilde vertellen. Mijn beste werken gaan doorgaans door zulk een strijd.
Mauve's remark, later quoted by Mauve's student nl:Arina Hugenholtz, in her In memoriam mr. Anton Mauve, RKD Den Haag; as cited in The land of Mauve: utopia or a reality? / Het land van Mauve: utopie of werkelijkheid? https://www.rug.nl/research/kenniscentrumlandschap/mscripties/christina_vlasma-het_land_van_mauve-masterscriptie.pdf; master-scriptie by Christina van Staats-Vlasma; Rijksuniversiteit Groningen, La Broquerie, Manitoba Canada, Nov. 2010, p. 93
undated quotes

Nathalia Crane photo
Thomas Carlyle photo

“The Working Man as yet sought only to know his craft; and educated himself sufficiently by ploughing and hammering, under the conditions given, and in fit relation to the persons given: a course of education, then as now and ever, really opulent in manful culture and instruction to him; teaching him many solid virtues, and most indubitably useful knowledges; developing in him valuable faculties not a few both to do and to endure,—among which the faculty of elaborate grammatical utterance, seeing he had so little of extraordinary to utter, or to learn from spoken or written utterances, was not bargained for; the grammar of Nature, which he learned from his mother, being still amply sufficient for him. This was, as it still is, the grand education of the Working Man. As for the Priest, though his trade was clearly of a reading and speaking nature, he knew also in those veracious times that grammar, if needful, was by no means the one thing needful, or the chief thing. By far the chief thing needful, and indeed the one thing then as now, was, That there should be in him the feeling and the practice of reverence to God and to men; that in his life's core there should dwell, spoken or silent, a ray of pious wisdom fit for illuminating dark human destinies;—not so much that he should possess the art of speech, as that he should have something to speak!”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1850s, Latter-Day Pamphlets (1850), Stump Orator (May 1, 1850)

Filippo Tommaso Marinetti photo
Leopold Infeld photo
Edmond Rostand photo
Henry Adams photo
Orson Pratt photo
Benjamin Breckinridge Warfield photo
Letitia Elizabeth Landon photo
Winston S. Churchill photo
Jerome K. Jerome photo

“I can understand the ignorant masses loving to soak themselves in drink—oh, yes, it's very shocking that they should, of course—very shocking to us who live in cozy homes, with all the graces and pleasures of life around us, that the dwellers in damp cellars and windy attics should creep from their dens of misery into the warmth and glare of the public-house bar, and seek to float for a brief space away from their dull world upon a Lethe stream of gin. But think, before you hold up your hands in horror at their ill-living, what "life" for these wretched creatures really means. Picture the squalid misery of their brutish existence, dragged on from year to year in the narrow, noisome room where, huddled like vermin in sewers, they welter, and sicken, and sleep; where dirt-grimed children scream and fight and sluttish, shrill-voiced women cuff, and curse, and nag; where the street outside teems with roaring filth and the house around is a bedlam of riot and stench. Think what a sapless stick this fair flower of life must be to them, devoid of mind and soul. The horse in his stall scents the sweet hay and munches the ripe corn contentedly. The watch-dog in his kennel blinks at the grateful sun, dreams of a glorious chase over the dewy fields, and wakes with a yelp of gladness to greet a caressing hand. But the clod-like life of these human logs never knows one ray of light. From the hour when they crawl from their comfortless bed to the hour when they lounge back into it again they never live one moment of real life. Recreation, amusement, companionship, they know not the meaning of. Joy, sorrow, laughter, tears, love, friendship, longing, despair, are idle words to them. From the day when their baby eyes first look out upon their sordid world to the day when, with an oath, they close them forever and their bones are shoveled out of sight, they never warm to one touch of human sympathy, never thrill to a single thought, never start to a single hope. In the name of the God of mercy; let them pour the maddening liquor down their throats and feel for one brief moment that they live!”

Idle Thoughts of an Idle Fellow (1886)

John Muir photo

“The rugged old Norsemen spoke of death as Heimgang — home-going. So the snow-flowers go home when they melt and flow to the sea, and the rock-ferns, after unrolling their fronds to the light and beautifying the rocks, roll them up close again in the autumn and blend with the soil. Myriads of rejoicing living creatures, daily, hourly, perhaps every moment sink into death’s arms, dust to dust, spirit to spirit — waited on, watched over, noticed only by their Maker, each arriving at its own heaven-dealt destiny. All the merry dwellers of the trees and streams, and the myriad swarms of the air, called into life by the sunbeam of a summer morning, go home through death, wings folded perhaps in the last red rays of sunset of the day they were first tried. Trees towering in the sky, braving storms of centuries, flowers turning faces to the light for a single day or hour, having enjoyed their share of life’s feast — all alike pass on and away under the law of death and love. Yet all are our brothers and they enjoy life as we do, share heaven’s blessings with us, die and are buried in hallowed ground, come with us out of eternity and return into eternity. 'Our little lives are rounded with a sleep.”

John Muir (1838–1914) Scottish-born American naturalist and author

pages 439-440
("Trees towering … into eternity" are the next-to-last lines of the documentary film " John Muir in the New World http://www.pbs.org/wnet/americanmasters/episodes/john-muir-in-the-new-world/watch-the-full-documentary-film/1823/" (American Masters), produced, directed, and written by Catherine Tatge.)
John of the Mountains, 1938

“The sacred lamp of day
Now dipt in western clouds his parting ray.”

William Falconer (1732–1769) British writer

Canto II, line 27.
The Shipwreck (1762)

Christopher Pitt photo
Arlo Guthrie photo

“I remember the shock of seeing Ray undressed. He looked as if he had a squirrel hanging there. I had an acorn.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

Source: Memoirs, Unreliable Memoirs (1980), p. 17