Quotes about raft

A collection of quotes on the topic of raft, likeness, water, use.

Quotes about raft

Mark Twain photo
Barack Obama photo
Thor Heyerdahl photo
Mark Twain photo
Alfred, Lord Tennyson photo

“Ambition
Is like the sea wave, which the more you drink
The more you thirst—yea—drink too much, as men
Have done on rafts of wreck—it drives you mad.”

Alfred, Lord Tennyson (1809–1892) British poet laureate

The Cup, Act i, Scene 3, reported in Bartlett's Familiar Quotations, 10th ed. (1919)

Thich Nhat Hanh photo

“The raft is used to cross the river. It isn't to be carried around on your shoulders. The finger which points at the moon isn't the moon itself.”

Thich Nhat Hanh (1926) Religious leader and peace activist

Source: The Miracle of Mindfulness: An Introduction to the Practice of Meditation

Jack Kerouac photo
James Patterson photo
Rick Riordan photo

“For me, I have seen worlds and people begin and end, actually and metaphorically, and it will always be the same. It’s always fire and water.
No matter what your scientific background, emotionally you’re an alchemist. You live in a world of liquids, solids, gases and heat-transfer effects that accompany their changes of state. These are the things you perceive, the things you feel. Whatever you know about their true natures is rafted on top of that. So, when it comes to the day-to-day sensations of living, from mixing a cup of coffee to flying a kite, you treat with the four ideal elements of the old philosophers: earth, air, fire, water.
Let’s face it, air isn’t very glamorous, no matter how you look at it. I mean, I’d hate to be without it, but it’s invisible and so long as it behaves itself it can be taken for granted and pretty much ignored. Earth? The trouble with earth is that it endures. Solid objects tend to persist with a monotonous regularity.
Not so fire and water, however. They’re formless, colorful, and they’re always doing something. While suggesting you repent, prophets very seldom predict the wrath of the gods in terms of landslides and hurricanes. No. Floods and fires are what you get for the rottenness of your ways. Primitive man was really on his way when he learned to kindle the one and had enough of the other nearby to put it out. It is coincidence that we’ve filled hells with fires and oceans with monsters? I don’t think so. Both principles are mobile, which is generally a sign of life. Both are mysterious and possess the power to hurt or kill. It is no wonder that intelligent creatures the universe over have reacted to them in a similar fashion. It is the alchemical response.”

Source: Isle of the Dead (1969), Chapter 6 (pp. 137-138)

Frederick Buechner photo
Lord Dunsany photo
Simon Munnery photo

“Although no man is an island, you can make quite an effective raft out of six.”

Simon Munnery (1967) British comedian

Attention Scum! (2001), Episode One

Henry Adams photo
Pentti Linkola photo
George Henry Lewes photo

“Shakespeare is a good raft whereon to float securely down the stream of time; fasten yourself to that and your immortality is safe.”

George Henry Lewes (1817–1878) British philosopher

On Actors and the Art of Acting (Leipzig: Bernhard Tauchnitz, 1875) p. 60

Eugene McCarthy photo

“Oh, wow, what a scene that place was - that heavenly drug down sexual perversion get their rocks off health spa. I was already so bombed I don't know how I got there. I got down to the pool, where all the freaks were. I met Paul America at the pool and I told him we were probably in danger if we stayed, but we were so blasted we forgot what was good for us and what wasn't, and the whole place turned into a giant orgy... every kind of sex freak, from homosexuals to nymphomaniacs... oh, everybody eating each other on the raft, and drinking, guzzling tequila and vodka and Scotch and bourbon and shooting up every other second... losing syringes down the pool drains, the needles of the mainline scene, blocking the water infiltration system with broken syringes. Oh, it was really some night just going on an incredible sexual tailspin. Gobble, gobble, gobble. Couldn't get enough of it. It was one of the wildest scenes I've ever been in or ever hope to be in. I should be ashamed of myself. I'm not, but I should be. Sex and speed, wow! Like, oh God. A twenty-four-hour climax that can go on for days. And there's no way to explain it unless you've been through it; there's no way to tell anyone who hasn't tasted it. I'd like to turn on the whole world for just a moment... just for a moment. I'm greedy; I'd like to keep most of it for myself and a few others, a few of my friends... to keep that superlative high, just on the cusp of each day... so that I'd radiate sunshine.”

Edie Sedgwick (1943–1971) Socialite, actress, model

Ciao! Manhattan tapes, recalling its pool spa orgy scene
Edie : American Girl (1982)

Viktor Schauberger photo

“It is possible to regulate watercourses over any given distance without embankment works; to transport timber and other materials, even when heavier than water, for example ore, stones, etc., down the centre of such water-courses; to raise the height of the water table in the surrounding countryside and to endow the water with all those elements necessary for the prevailing vegetation. Furthermore it is possible in this way to render timber and other such materials non-inflammable and rot resistant; to produce drinking and spa-water for man, beast and soil of any desired composition and performance artificially, but in the way that it occurs in Nature; to raise water in a vertical pipe without pumping devices; to produce any amount of electricity and radiant energy almost without cost; to raise soil quality and to heal cancer, tuberculosis and a variety of nervous disorders… the practical implementation of this … would without doubt signify a complete reorientation in all areas of science and technology. By application of these new found laws, I have already constructed fairly large installations in the spheres of log-rafting and river regulation, which as is known, have functioned faultlessly for a decade, and which today still present insoluble enigmas to the various scientific disciplines concerned.”

Viktor Schauberger (1885–1958) austrian philosopher and inventor

Viktor Schauberger: Our Senseless Toil (1934)

Paul Cézanne photo
Fisher Ames photo
George Raymond Richard Martin photo
Nicolas Léonard Sadi Carnot photo

“There is almost as great a distance between the first apparatus in which the expansive force of steam was displayed and the existing machine, as between the first raft that man ever made and the modern vessel.”

Nicolas Léonard Sadi Carnot (1796–1832) French physicist, the "father of thermodynamics" (1796–1832)

p, 125
Reflections on the Motive Power of Heat (1824)

Alfred Hitchcock photo

“Hitchcock: You know that I think all actors are cattle?
George Raft: Yes, I know—but I'm no actor.”

Alfred Hitchcock (1899–1980) British filmmaker

On the set of The House Across the Bay; as quoted in "The New Yorker" http://www.mediafire.com/view/t6bdmd0wg1hvd8m/%20.png by Leonard Lyons, in The Washington Post (26 July 1940).

Kunti photo
Douglas Coupland photo
Gautama Buddha photo
Morrissey photo
U.G. Krishnamurti photo

“You can have the courage to climb the mountain, swim the lakes, go on a raft to the other side of the Atlantic or Pacific. That any fool can do, but the courage to be on your own, to stand on your two solid feet, is something which cannot be given by somebody.”

U.G. Krishnamurti (1918–2007) Indian philosopher

Part III: Nice Meeting You, and Goodbye
The Courage to Stand Alone (2001)
Context: You can have the courage to climb the mountain, swim the lakes, go on a raft to the other side of the Atlantic or Pacific. That any fool can do, but the courage to be on your own, to stand on your two solid feet, is something which cannot be given by somebody. You cannot free yourself of that burden by trying to develop that courage. If you are freed from the entire burden of the entire past of mankind, then what is left there is the courage.

Jacques Barzun photo

“History, like a vast river, propels logs, vegetation, rafts, and debris; it is full of live and dead things, some destined for resurrection; it mingles many waters and holds in solution invisible substances stolen from distant soils.”

Jacques Barzun (1907–2012) Historian

"History as Counter-Method and Anti-Abstraction," Clio and the Doctors (1974)
Context: History, like a vast river, propels logs, vegetation, rafts, and debris; it is full of live and dead things, some destined for resurrection; it mingles many waters and holds in solution invisible substances stolen from distant soils. Anything may become part of it; that is why it can be an image of the continuity of mankind. And it is also why some of its freight turns up again in the social sciences: they were constructed out of the contents of history in the same way as houses in medieval Rome were made out of stones taken from the Coliseum. But the special sciences based on sorted facts cannot be mistaken for rivers flowing in time and full of persons and events. They are systems fashioned with concepts, numbers, and abstract relations. For history, the reward of eluding method is to escape abstraction.

Michael Crichton photo

“The truth is, almost nobody wants to experience real nature. What people want is to spend a week or two in a cabin in the woods, with screens on the windows. They want a simplified life for a while, without all their stuff. Or a nice river rafting trip for a few days, with somebody else doing the cooking. Nobody wants to go back to nature in any real way, and nobody does.”

Michael Crichton (1942–2008) American author, screenwriter, film producer

Environmentalism as a Religion (2003)
Context: The truth is, almost nobody wants to experience real nature. What people want is to spend a week or two in a cabin in the woods, with screens on the windows. They want a simplified life for a while, without all their stuff. Or a nice river rafting trip for a few days, with somebody else doing the cooking. Nobody wants to go back to nature in any real way, and nobody does. It's all talk — and as the years go on, and the world population grows increasingly urban, it's uninformed talk. Farmers know what they're talking about. City people don't. It's all fantasy.