Quotes about progression
page 9

Aneurin Bevan photo
Jacoba van Heemskerck photo

“Every day I am thinking about the Art school [which Walden wants to start in Germany, since 1915-16]... If our pursuit is really to make great progress in future, the Art school must produce individualities who can with our assist really continue from their inside and start creating on their own, without always studying the pictures of other artists.”

Jacoba van Heemskerck (1876–1923) Dutch painter

translation from German, Fons Heijnsbroek, 2018
(original version, written by Jacoba in German:) Ich denke immer viel über die Kunstschule nach [ die Walden seit 1915/16 anfangen möchte].. .Wenn unser Streben wirklich in der Zukunft grosse Fortschritte machen soll, muss die Kunstschule Individualitäten hervorbringen, die durch uns wirklich vo inneren heraus weiter können und anfangen zu schaffen, ohne immer Bilder von anderen zu sehen.
Quote in a letter of Jacoba van Heemskerck to Herwarth Walden in Berlin, 15 August 1917; as cited in Jacoba van Heemskerck, kunstenares van het Expressionisme, Haags Gemeentemuseum The Hague, 1982, pp. 15-16
1910's

John F. Kennedy photo
Calvin Coolidge photo

“A man's ingress into the world is naked and bare,
His progress through the world is trouble and care;
And lastly, his egress out of the world, is nobody knows where.
If we do well here, we shall do well there:
I can tell you no more if I preach a whole year.”

John Edwin (1749–1790) English actor

The Eccentricities of John Edwin (second edition, 1791), vol. i. p. 74. These lines Edwin offers as heads of a "sermon". Longfellow places them in the mouth of "The Cobbler of Hagenau," as a "familiar tune". See "The Wayside Inn, part ii. The Student's Tale".

Tom Clancy photo

“I don't discuss works in progress…”

Tom Clancy (1947–2013) American author

Attributed variant: I don't discuss future works or works in progress.
2000s, GameSpy interview

Jacques Ellul photo
Jane Roberts photo
George E. P. Box photo
Benito Mussolini photo

“We want an extraordinary heavy taxation, with a progressive character, on capital, that will represent an authentic partial expropriation of all wealth; seizures of all assets of religious congregations and suppression of all the ecclesiastic Episcopal revenues, in what constitutes an enormous deficit of the nation and a privilege for a minority; revisions of all contracts made by the war ministers and seizure of 85% of all war profits.”

Benito Mussolini (1883–1945) Duce and President of the Council of Ministers of Italy. Leader of the National Fascist Party and subsequen…

From Mussolini's Fasci Italiani di Combattimento (Italian Combat Fasci), Il Popolo d'Italia newspaper, June 6, 1919. Speech published in Revolutionary Fascism, by Erik Norling, Lisbon, Finis Mundi Press (2011) p. 92.
1910s

Salvador Dalí photo

“When you are a genius, you do not have the right to die, because we are necessary for the progress of humanity..”

Salvador Dalí (1904–1989) Spanish artist

Quote, early January 1986, in: 'El País, Dalí vuelve a casa', 17 July 1986: as cited on Wikipedia: Salvador Dali
Dali was returned to the Teatro-Museo and on his return he made his last public appearance. He was taken in a wheelchair to a room where press and TV were waiting and made this brief public statement
Quotes of Salvador Dali, 1981 - 1989

Steve Blank photo

“Progress and stability are mutually exclusive.”

Steve Blank (1953) American businessman

Tweet https://twitter.com/sgblank/status/792843860506320897 at twitter.com/sgblank, 30 Oct. 2016, 10:41 PM

H.L. Mencken photo

“The great obstacle to progress is prejudice.”

Christian Nestell Bovee (1820–1904) American writer

Source: Intuitions and Summaries of Thought (1862), Volume II, p. 105.

Ivan Turgenev photo
Mahatma Gandhi photo

“I do feel that spiritual progress does demand at some stage—an inexorable demand—that we should cease to kill our fellow-creatures for satisfaction of our bodily wants.”

Mahatma Gandhi (1869–1948) pre-eminent leader of Indian nationalism during British-ruled India

Speech at Meeting in Lausanne (8 December 1931), in The Collected Works of Mahatma Gandhi (New Delhi: Publications Division Government of India, 1999 electronic edition), Volume 54 http://www.gandhiashramsevagram.org/gandhi-literature/mahatma-gandhi-collected-works-volume-54.pdf, p. 272.
1930s

Paul Karl Feyerabend photo
Jack London photo
Frank Bunker Gilbreth, Sr. photo
Anil Kumble photo
Angela Davis photo
Jean-Philippe Rameau photo
Mary Wollstonecraft photo
James Thomson (poet) photo
Andrew Sega photo
Pope Benedict XVI photo

“If technical progress is not matched by corresponding progress in man's ethical formation, in man's inner growth, then it is not progress at all, but a threat for man and for the world.”

Pope Benedict XVI (1927) 265th Pope of the Catholic Church

Encyclical Letter Spe Salvi of the Supreme Pontiff Benedict XVI to the Bishops Priests and Deacons Men and Women Religious and All the Lay Faithful On Christian Hope, 30 November 2007
2007

Ralph Bunche photo
Maxwell D. Taylor photo
Jim Baggott photo
Mahendra Chaudhry photo
Alfred P. Sloan photo
George W. Bush photo

“We're fighting on many fronts, and Iraq is now the central front. Saddam holdouts and foreign terrorists are trying desperately to undermine Iraq's progress and to throw that country into chaos. The terrorists in Iraq believe their attacks on innocent people will weaken our resolve. That's what they believe. They believe that America will run from a challenge. They're mistaken. Americans are not the running kind.”

George W. Bush (1946) 43rd President of the United States

Speech in Portsmouth, NH http://georgewbush-whitehouse.archives.gov/news/releases/2003/10/20031009-7.html (October 9, 2003) These lines have sometimes been attributed to Paul Wolfowitz, who was reported to have said them the next day, perhaps quoting the President's speech.
2000s, 2003

John F. Kennedy photo
Nur Muhammad Taraki photo
William Hague photo
Friedrich List photo

“From the nation they draw all the benefits of civilisation, enlightenment, progress, and social and political institutions, as well as advances in the arts and sciences.”

Friedrich List (1789–1846) German economist with dual American citizenship

Source: The Natural System of Political Economy (1837), p. 30

Vincent Van Gogh photo
Claude Lévi-Strauss photo
Michael Hudson (economist) photo

“So the game plan is not merely to free the income of the wealthiest class to “offshore” itself into assets denominated in harder currencies abroad. It is to scrap the progressive tax system altogether. … How stable can a global situation be where the richest nation does not tax its population, but creates new public debt to hand out to its bankers? … The “solution” to the coming financial crisis in the United States may await the dollar’s plunge as an opportunity for a financial Tonkin Gulf resolution. Such a crisis would help catalyze the tax system’s radical change to a European-style “Steve Forbes” flat tax and VAT sales-excise tax…. More government giveaways will be made to the financial sector in a vain effort to keep bad debts afloat and banks “solvent.” As in Ireland and Latvia, public debt will replace private debt, leaving little remaining for Social Security or indeed for much social spending. … The bottom line is that after the prolonged tax giveaway exacerbates the federal budget deficit – along with the balance-of-payments deficit – we can expect the next Republican or Democratic administration to step in and “save” the country from economic emergency by scaling back Social Security while turning its funding over, Pinochet-style, to Wall Street money managers to loot as they did in Chile. And one can forget rebuilding America’s infrastructure. It is being sold off by debt-strapped cities and states to cover their budget shortfalls resulting from un-taxing real estate and from foreclosures. Welcome to debt peonage. This is worse than what was meant by a double-dip recession. It will be with us much longer.”

Michael Hudson (economist) (1939) American economist

Obama's Bushism http://michael-hudson.com/2010/12/obamas-bushism/ (December 8, 2010)
Michael-Hudson.com, 1998-

Pope Benedict XVI photo
Leon R. Kass photo
H.L. Mencken photo
William McKinley photo
Andrew Carnegie photo
Roberto Mangabeira Unger photo

“The partnership between the progressive school and the deepened democracy may help to nourish the childlike intensity of ordinary people as they grow older.”

Roberto Mangabeira Unger (1947) Brazilian philosopher and politician

Source: Democracy Realizedː The Progressive Alternative (1998), p. 249

Margaret Sanger photo
Tom Stoppard photo

“Bakunin: Act first! The ideas will follow, and if not — well, it's progress”

Tom Stoppard (1937) British playwright

The Coast of Utopia: Shipwreck (2002)

Hans Freudenthal photo
Jacoba van Heemskerck photo

“.. I am so often showing my work in Germany that I belong to the German moderns... I openly want to confess you that I don't value the new painting in my home country very much. That is why I don't have a lot of acquaintances among the painters. Everything here is so little progressive. People's life is to easy here. It is very difficult to keep wide-awake since all are sleeping here. I feel much more at home in Germany.”

Jacoba van Heemskerck (1876–1923) Dutch painter

translation from Dutch, Fons Heijnsbroek, 2018
version in Dutch / citaat van Jacoba van Heemskerck, in het Nederlands vertaald: ..ik ben zo vaak met mijn werk in Duitsland dat ik helemaal tot de Duitse modernen behoor.. .Ik wil u openlijk bekennen dat ik de nieuwe schilderkunst in mijn vaderland niet erg hoog aansla. Daarom heb ik ook niet erg veel kennissen onder de schilders. Alles is hier zo weinig vooruitstrevend. De mensen herbben het veel te goed. Het is erg moeilijk wakker te blijven aangezien allen hier slapen. In Duitsland voel ik me veel meer thuis.
Quote of Jacoba van Heemskerck, in a letter of June 1921 to prof de:Hans Hildebrandt, Stuttgart Germany; as cited in Jacoba van Heemskerck van Beest, 1876 – 1923: schilderes uit roeping, A. H. Huussen jr. (ed. Marleen Blokhuis), (ISBN: 90-400-9064-5Waanders, Zwolle, 2005, p. 179
1920's

Enoch Powell photo
Daniel J. Boorstin photo
Nguyen Khanh photo
Hamid Karzai photo
Anu Partanen photo
Charles Dickens photo

“If the people at large be not already convinced that a sufficient general case has been made out for Administrative Reform, I think they never can be, and they never will be…. Ages ago a savage mode of keeping accounts on notched sticks was introduced into the Court of Exchequer, and the accounts were kept, much as Robinson Crusoe kept his calendar on the desert island. In the course of considerable revolutions of time, the celebrated Cocker was born, and died; Walkinghame, of the Tutor's Assistant, and well versed in figures, was also born, and died; a multitude of accountants, book-keepers and actuaries, were born, and died. Still official routine inclined to these notched sticks, as if they were pillars of the constitution, and still the Exchequer accounts continued to be kept on certain splints of elm wood called "tallies." In the reign of George III an inquiry was made by some revolutionary spirit, whether pens, ink, and paper, slates and pencils, being in existence, this obstinate adherence to an obsolete custom ought to be continued, and whether a change ought not to be effected.
All the red tape in the country grew redder at the bare mention of this bold and original conception, and it took till 1826 to get these sticks abolished. In 1834 it was found that there was a considerable accumulation of them; and the question then arose, what was to be done with such worn-out, worm-eaten, rotten old bits of wood? I dare say there was a vast amount of minuting, memoranduming, and despatch-boxing on this mighty subject. The sticks were housed at Westminster, and it would naturally occur to any intelligent person that nothing could be easier than to allow them to be carried away for fire-wood by the miserable people who live in that neighbourhood. However, they never had been useful, and official routine required that they never should be, and so the order went forth that they were to be privately and confidentially burnt. It came to pass that they were burnt in a stove in the House of Lords. The stove, overgorged with these preposterous sticks, set fire to the panelling; the panelling set fire to the House of Lords; the House of Lords set fire to the House of Commons; the two houses were reduced to ashes; architects were called in to build others; we are now in the second million of the cost thereof, the national pig is not nearly over the stile yet; and the little old woman, Britannia, hasn't got home to-night…. The great, broad, and true cause that our public progress is far behind our private progress, and that we are not more remarkable for our private wisdom and success in matters of business than we are for our public folly and failure, I take to be as clearly established as the sun, moon, and stars.”

Charles Dickens (1812–1870) English writer and social critic and a Journalist

"Administrative Reform" (June 27, 1855) Theatre Royal, Drury Lane Speeches Literary and Social by Charles Dickens https://books.google.com/books?id=bT5WAAAAcAAJ (1870) pp. 133-134

Jacob Bronowski photo
Patrick Buchanan photo
John McCain photo

“While I don't in any way question your honor, your patriotism or your service to our country, I do question some of the decisions, the judgments you’ve made over the past two and a half years. During that time things have gotten markedly and progressively worse.”

John McCain (1936–2018) politician from the United States

To General George Casey in his confirmation hearing as the nominee for Army Chief of Staff, before the Senate Armed Services Committee (1 February 2007) http://www.msnbc.msn.com/id/16915520/
2000s, 2007

Cato the Elder photo
Henri de Saint-Simon photo

“I have divided [the different sections of mankind] into three classes. The first, to which you and I have the honour to belong, marches under the banner of the progress of the human mind. It is composed of scientists, artists and all those who hold liberal ideas. On the banner of the second is written 'No innovation!' All proprietors who do not belong in the first category are part of the second. The third class, which rallies round the slogan of 'Equality' is made up of the rest of the people.”

Henri de Saint-Simon (1760–1825) French early socialist theorist

[J]e me propose en m'adressant à différentes fractions de l'humanité, que je divise en trois classes: la première, celle à laquelle vous et moi avons l'honneur d'appartenir, marche sous l'étendard des progrès de l'esprit humain; elle marche sous l'étendard des progrès de l'esprit humain; elle est composée des savants, des artistes et de tous les hommes qui ont des idées libérales. Sur la bannière de la seconde il est écrit: point d'innovation; tous les propriétaires qui n'entrent point dans la première sont attachés à la seconde. La troisième, qui se rallie au mot égalité, renferme le surplus de l'humanité.
Oeuvres choisies: précédées d'un essai sur sa doctrine (1839), p. 15

Rachel Carson photo
Jerry Coyne photo
George W. Bush photo
Turgut Özal photo

“The only thing not to do in a crisis situation is to remain in the status quo. Up to the present every crisis has ultimately served as a springboard for progress.”

Turgut Özal (1927–1993) Turkish politician

The Washington Institute's Eighth Annual Turgut Ozal Memorial Lecture. (June 19, 2006) http://www.defenselink.mil/transcripts/transcript.aspx?transcriptid=25
From remarks by United States Under Secretary of Defense for Policy, Ambassador Eric S. Edelman at The Washington Institute's Eighth Annual Turgut Ozal Memorial Lecture.

Leopold Infeld photo

“… mathematicians progress only by doubt, through humble and constant attempts to impinge on the immense domain of the unknown.”

Leopold Infeld (1898–1968) Polish physicist

[Leopold Infeld, Whom the Gods Love: The Story of Évariste Galois, Whittlesey House, 1948, 9]

Alfred P. Sloan photo
Albert Jay Nock photo
Paul Karl Feyerabend photo
Friedrich List photo
K. R. Narayanan photo
Samuel Gompers photo
Samuel Johnson photo

“Life is a progress from want to want, not from enjoyment to enjoyment.”

Samuel Johnson (1709–1784) English writer

May 1776
Life of Samuel Johnson (1791), Vol III

“Usually, terrible things that are done with the excuse that progress requires them are not really progress at all, but just terrible things.”

Russell Baker (1925–2019) writer and satirst from the United States

"The Fact About Progress," The New York Times (1970-02-24)

Herbert Marcuse photo

“The world of their [the bourgeois’] predecessors was a backward, pre-technological world, a world with the good conscience of inequality and toil, in which labor was still a fated misfortune; but a world in which man and nature were not yet organized as things and instrumentalities. With its code of forms and manners. with the style and vocabulary of its literature and philosophy. this past culture expressed the rhythm and content of a universe in which valleys and forests, villages and inns, nobles and villains, salons and courts were a part of the experienced reality. In the verse and prose of this pre-technological culture is the rhythm of those who wander or ride in carriages. who have the time and the pleasure to think, contemplate, feel and narrate. It is an outdated and surpassed culture, and only dreams and childlike regressions can recapture it. But this culture is, in some of its decisive elements. also a post-technological one. Its most advanced images and positions seem to survive their absorption into administered comforts and stimuli; they continue to haunt the consciousness with the possibility of their rebirth in the consummation of technical progress. They are the expression of that free and conscious alienation from the established forms of life with which literature and the arts opposed these forms even where they adorned them. In contrast to the Marxian concept, which denotes man's relation to himself and to his work in capitalist society, the artistic alienation is the conscious transcendence of the alienated existence—a “higher level” or mediated alienation. The conflict with the world of progress, the negation of the order of business, the anti-bourgeois elements in bourgeois literature and art are neither due to the aesthetic lowliness of this order nor to romantic reaction—nostalgic consecration of a disappearing stage of civilization. “Romantic” is a term of condescending defamation which is easily applied to disparaging avant-garde positions, just as the term “decadent” far more often denounces the genuinely progressive traits of a dying culture than the real factors of decay. The traditional images of artistic alienation are indeed romantic in as much as they are in aesthetic incompatibility with the developing society. This incompatibility is the token of their truth. What they recall and preserve in memory pertains to the future: images of a gratification that would dissolve the society which suppresses it”

Source: One-Dimensional Man (1964), pp. 59-60

William F. Buckley Jr. photo
Gerald Durrell photo

“Halfway up the slope, guarded by a group of tall, slim, cypress-trees, nestled a small strawberry-pink villa, like some exotic fruit lying in the greenery. The cypress-trees undulated gently in the breeze, as if they were busily painting the sky a still brighter blue for our arrival.
The villa was small and square, standing in its tiny garden with an air of pink-faced determination. Its shutters had been faded by the sun to a delicate creamy-green, cracked and bubbled in places. The garden, surrounded by tall fuschia hedges, had the flower beds worked in complicated geometrical patterns, marked with smooth white stones. The white cobbled paths, scarcely as wide as a rake's head, wound laboriously round beds hardly larger than a big straw hat, beds in the shape of stars, half-moons, triangles, and circles all overgrown with a shaggy tangle of flowers run wild. Roses dropped petals that seemed as big and smooth as saucers, flame-red, moon-white, glossy, and unwrinkled; marigolds like broods of shaggy suns stood watching their parent's progress through the sky. In the low growth the pansies pushed their velvety, innocent faces through the leaves, and the violets drooped sorrowfully under their heart-shaped leaves. The bougainvillaea that sprawled luxuriously over the tiny iron balcony was hung, as though for a carnival, with its lantern-shaped magenta flowers. In the darkness of the fuschia-hedge a thousand ballerina-like blooms quivered expectantly. The warm air was thick with the scent of a hundred dying flowers, and full of the gentle, soothing whisper and murmur of insects.”

My Family and Other Animals (1956)

Karl Wilhelm Friedrich Schlegel photo

“The romantic poetry is a progressive universal poetry.”

Karl Wilhelm Friedrich Schlegel (1772–1829) German poet, critic and scholar

Die romantische Poesie ist eine progressive Universalpoesie.
Progressive Universalpoesie (1798); in the German language, particularly in the Romantic schools, "Poesie" means both poetry as genre and faculty and the source of creativity to form poetry.

George Packer photo

“Progressives find it hard to imagine that there are others who in good faith don’t want the better world they’re offering and will fiercely resist it.”

George Packer (1960) American journalist and writer

' Witnessing the Obama Presidency, from Start to Finish https://www.newyorker.com/magazine/2018/06/18/witnessing-the-obama-presidency-from-start-to-finish' by George Packer, The New Yorker, June 18, 2018.

John W. Gardner photo
Charles Grey, 2nd Earl Grey photo
Aron Ra photo
James Buchanan photo

“All agree that under the Constitution slavery in the States is beyond the reach of any human power except that of the respective States themselves wherein it exists. May we not, then, hope that the long agitation on this subject is approaching its end, and that the geographical parties to which it has given birth, so much dreaded by the Father of his Country, will speedily become extinct? Most happy will it be for the country when the public mind shall be diverted from this question to others of more pressing and practical importance. Throughout the whole progress of this agitation, which has scarcely known any intermission for more than twenty years, whilst it has been productive of no positive good to any human being it has been the prolific source of great evils to the master, to the slave, and to the whole country. It has alienated and estranged the people of the sister States from each other, and has even seriously endangered the very existence of the Union. Nor has the danger yet entirely ceased. Under our system there is a remedy for all mere political evils in the sound sense and sober judgment of the people. Time is a great corrective. Political subjects which but a few years ago excited and exasperated the public mind have passed away and are now nearly forgotten. But this question of domestic slavery is of far graver importance than any mere political question, because should the agitation continue it may eventually endanger the personal safety of a large portion of our countrymen where the institution exists. In that event no form of government, however admirable in itself and however productive of material benefits, can compensate for the loss of peace and domestic security around the family altar. Let every Union-loving man, therefore, exert his best influence to suppress this agitation, which since the recent legislation of Congress is without any legitimate object.”

James Buchanan (1791–1868) American politician, 15th President of the United States (in office from 1857 to 1861)

Inaugural address (4 March 1857).

Werner Heisenberg photo

“In general, scientific progress calls for no more than the absorption and elaboration of new ideas — and this is a call most scientists are happy to heed.”

Werner Heisenberg (1901–1976) German theoretical physicist

Physics and Beyond : Encounters and Conversation (1971)

Ervin László photo

“Change is the parent of progress.”

Source: Life, the Truth, and Being Free (2010), p. 89

Yanis Varoufakis photo
Jane Roberts photo
African Spir photo
John F. Kennedy photo