Quotes about play
page 45

Reza Pahlavi photo

“I think [Israel attacking Iran] would be a very disastrous event if it were to occur. I have long stated that I think this would be a lose-lose proposition by and large, especially when there's a much better alternative in play, which will be much less costly and far more legitimate than trying to bring any change as a result of any kind of external measures, particularly of the violent and military kind. You have in place the best natural army in the world: namely, the Iranian people themselves, who have bravely fought this fight for years, without any help or support from anyone in the international community. Today, they are already committed to that struggle and I think this is a much better way to put pressure on the regime and abide by international rules. It's a much better way to help the Iranian people bring about whatever changes they want in Iran and nothing is being done about this while everybody contemplates striking the country just because they don’t have faith in diplomacy, which was doomed from the very beginning. I think there's still a chance for a lot of serious fundamental change that will bring an end to all the threats if Iran wants to change from this regime to a democratic nation. If it invests time and effort in helping the movement of the young people in Iran today and be supportive of their demands; be supportive of what they want; engage them after 30 years of limiting engagement to only members of the regime and its representatives. I don't think that's far too much to ask for those of us who are fighting for freedom. What I am saying is that in my opinion, not using this opportunity and going straight to conflict would be historically criminal. That option has to be given its chance but the time is limited and the window of opportunity is now. I hope that many key governments will decide to commit some of their policies to give a chance for this movement to succeed before jumping to conclusions that the only familiars we're left with are either capitulation or attacking Iran.”

Reza Pahlavi (1960) Last crown prince of the former Imperial State of Iran

As quoted by Felice Friedson, Iranian Crown Prince: Ahmadinejad's regime is "delicate and fragile" http://www.rezapahlavi.org/details_article.php?article=459&page=2, August 12, 2010.
Interviews, 2010

People , World , Faith , Hope
Jonathan Sacks photo

“Values are tapes we play on the Walkman of the mind. Any tune we chooose is fine so long as it does not disturb others.”

Jonathan Sacks (1948) British rabbi
Rodney Dangerfield photo

“I was so poor growing up…if I wasn't a boy…I'd have nothing to play with. ”

Rodney Dangerfield (1921–2004) American actor and comedian
Boy
Тони Адамс photo

“Play for the name on the front of the shirt, and they’ll remember the name on the back.”

Тони Адамс (1966) English footballer and manager

“Sometimes playing with yourself is the best kind of fun.”

Шол МакЛохлин (JackSepticEye) (1990)

“What I Like about The Sims is that I don't have a normal life at all, so I play this game where these people have these really boring, mundane lives. It"s fun. My Sims family is called the Cholly family. I don't know why I picked that name; it's kind of random.”

Джерард Артур Уэй (1977)
Life , People , Family , Game
Aldous Huxley photo

“Strange," mused the Director, as they turned away, "strange to think that even in Our Ford's day most games were played without more apparatus than a ball or two and a few sticks and perhaps a bit of netting. imagine the folly of allowing people to play elaborate games which do nothing whatever to increase consumption. It's madness.”

Aldous Huxley (1894–1963) English writer
People , Imagination , Game , Thinking
Pelé photo

“I used to tease the other kids because I played better than them. Then my father said, Come here. Don’t do this with the kids, because God gave you the gift to play football. You didn’t do anything.”

Pelé (1940–2022) Brazilian association football player
Football , God
Pelé photo

“The reason the sport has grown so big, I think, is that it’s not only for rich people. It’s not just for big people—size doesn’t exclude people. Everyone can participate. That’s why it’s become so popular worldwide. You don’t need to have any special quality in particular to play.”

Pelé (1940–2022) Brazilian association football player
Sport , Thinking , People
Pelé photo

“A team is not made up of isolated individuals. Always stay in the game. Don’t be passive. Football is a team game. No one plays alone. Success depends on your whole team being a single unit.”

Pelé (1940–2022) Brazilian association football player
Game , Football , Dependency , Success
Pelé photo

“When you play against dirty players or very tough players, it’s easy to escape because you know what they’re going to do. But when the player is tough but intelligent, it’s much more difficult.”

Pelé (1940–2022) Brazilian association football player
Intelligence
Pelé photo

“Everybody knows my life. I won a lot of tournaments and scored more than 1,000 goals, won three World Cups but I could not play in Olympic Games.”

Pelé (1940–2022) Brazilian association football player
World , Game , Life
LeBron James photo

“Ask me to play. I'll play. Ask me to shoot. I'll shoot. Ask me to pass. I'll pass. Ask me to steal, block out, sacrifice, lead, dominate. Anything. But it's not what you ask of me. It's what I ask of myself.”

LeBron James (1984) American basketball player
LeBron James photo

“In the next 15 or 20 years, I hope I'll be the richest man in the world. That's one of my goals. I want to be a billionaire. I want to get to a position where generation on generation don't have to worry about nothing. I don't want family members from my kids to my son's kids to never have to worry. And I can't do that now just playing basketball.”

LeBron James (1984) American basketball player
World , Family , Hope
LeBron James photo

“To be honest, the play that was drawn up, I scratched it. I just told coach, 'Give me the ball.' We're either going to go to overtime or I'm going to win it for us. It was that simple.”

LeBron James (1984) American basketball player
Billie Joe Armstrong photo

“After a while I started to realise that it is my passion to play live for people and it is on all levels - from a club show to playing at Milton Keynes, or something like that. It’s a thing that we love to do and I’m addicted to the adrenaline of it”

Billie Joe Armstrong (1972) American singer and guitarist
Passion , Love , Making love , People

“I'm so happy I grew up in a time where we played hide and seek and played on the street with friends rather than playing on an iPad all day.”

Ralph Smart
Time , Happiness
Greta Thunberg photo

“There are no emergency meetings, no headlines, no breaking news. No one is acting as if we were in a crisis. Even most climate scientists or green politicians keep on flying around the world, eating meat and dairy. … Today we use 100 million barrels of oil every single day. There are no politics to change that. There are no rules to keep that oil in the ground. So we can't save the world by playing by the rules. Because the rules have to be changed. Everything needs to change. And it has to start today.”

Greta Thunberg (2003) Swedish climate change activist

"School strike for climate - save the world by changing the rules" https://www.fridaysforfuture.org/greta-speeches#greta_speech_tedx, TEDxStockholm (24 November 2018)
2018

World , Change , Flying
Greta Thunberg photo

“Today we use 100 million barrels of oil every day. […] There are no rules to keep that oil in the ground. So we can't save the world by playing by the rules. Because the rules have to be changed. Everything needs to change. And it has to start today.”

Greta Thunberg book No One Is Too Small to Make a Difference

Declaration of Rebellion, Extinction Rebellion, Parliament Square, London, 31 October 2018.
Cited in No One is Too Small to Make a Difference, Penguin Books, 2019, page 12 (ISBN 9780141991740).
2018, "Almost Everything is Black and White" (October 2018)

World , Change

“Certain contemporary overenthusiastic market socialists tend, contrariwise, to forget that the market is intrinsically repugnant, because they are blinded by their belated discovery of the market's instrumental value. It is the genius of the market that it (1) recruits low-grade motives to (2) desirable ends; but (3) it also produces undesirable effects, including significant unjust inequality. In a balanced view, all three sides of that proposition must be kept in focus, but many market socialists now self-deceptively overlook (1) and (3). Both (1) and (2) were kept in focus by the pioneering eighteenth-century writer Bernard Mandeville, whose market-praising Fable of the Bees was subtitled Private Vices, Public Benefits. Many contemporary celebrants of the market play down the truth in the first part of that subtitle.”

Gerald Cohen (1941–2009) Canadian philosopher

IV. Is the Ideal Feasible?
Why Not Socialism? (2009)

Forgetting , Truth , Self-confidence , Motivation
Roberto Baggio photo

“Roberto Baggio was the best player I ever played against; he made football look very easy.”

Roberto Baggio (1967) Italian association football player

Matthew Le Tissier, Matthew Le Tissier Interview: "Roberto Baggio Was The Best Player I Ever Played Against" http://www.thehardtackle.com/2012/matthew-le-tissier-interview/, The Hard Tackle, 21 June 2012. Retrieved on 9 February 2014.

Football
Antonie Pannekoek photo

“Wars always were contests of similar competing powers, and the deepest structure of society remained the same, whether one won or the other. Contests of classes are fights for new principles, and the victory of the rising class transfers the society to a higher stage of development. Hence, compared with real war, the moral forces are of a superior kind: voluntary devoted collaboration instead of blind obedience, faith to ideals instead of fidelity to commanders, love for the class companions, for humanity, instead of patriotism. Their essential practice is not armed violence, not killing, but standing steadfast, enduring, persevering, persuading, organizing; their aim is not to smash the skulls but to open the brains. Sure, armed action will also play a role in the fight of the classes; the armed violence of the masters cannot be overcome in Tolstoian fashion like by patient suffering. It must be beaten down by force; but, by force animated by deep moral conviction.”

Antonie Pannekoek (1873–1960) Dutch astronomer and Marxist theorist

Section 2.6
Workers Councils (1947)

Faith , Making love , War , Victory

“Why should we not go to the extremes if we desire to play a part in the great world drama?...to go to the extremes is ever symptomatic of genius and greatness. Weakness is to compromise, to hesitate, to be halfhearted.”

Arthur Desmond (1859–1929) New Zealnd writer

Rival Caesars (1903)

World , Parting

“Within a remarkable short time totalitarian rule had been reimposed on half a continent using a combination of force and fraud. . . Although they were subjected to relentless assault from state-sponsored atheism, the Christian Churches remained the only licensed sanctuaries from the prevailing world of brutality and lies. Appropriately enough . . . they played an important role in the overthrow of Communism forty years later.”

Michael Burleigh (1955) American historian and writer

Sacred Causes: The Clash of Religion and Politics from the Great War to the War on Terror, New York: Harper Collins (2007), p. 344

World , Fraud , Time , Communication
Thomas Gainsborough photo

“I am much obliged to you for your last letter, and the lessons reed, before. I think I now begin to see a little into the nature of modulation and the introduction of flats and sharps ; and when we meet you shall hear me play extempore..”

Thomas Gainsborough (1727–1788) English portrait and landscape painter

his friend William Jackson of Exeter was composer and organist
letter to his friend William Jackson of Exeter, from Bath, 4 June 1768; as cited in Thomas Gainsborough, by William T, Whitley https://ia800204.us.archive.org/6/items/thomasgainsborou00whitrich/thomasgainsborou00whitrich.pdf; New York, Charles Scribner's Sons – London, Smith, Elder & Co, Sept. 1915, p. 385 (Appendix A - Letter VIII)
1760s

Thinking , Nature
Walter Raleigh (professor) photo

“Over and against the plays of Shakespeare and his fellows, as their natural counterpart, must be set the Voyages of Hakluyt; he who would understand the Elizabethan age, and what it meant for England, must know them both.”

Walter Raleigh (professor) (1861–1922) British academic

p. 151 https://babel.hathitrust.org/cgi/pt?id=yale.39002032470974;view=1up;seq=167
English Voyages of the Sixteenth Century (1906)

Understanding , Age , Nature
John Ruskin photo

“When men are rightly occupied, their amusement grows out of their work, as the colour-petals out of a fruitful flower;—when they are faithfully helpful and compassionate, all their emotions become steady, deep, perpetual, and vivifying to the soul as the natural pulse to the body. But now, having no true business, we pour our whole masculine energy into the false business of money-making; and having no true emotion, we must have false emotions dressed up for us to play with, not innocently, as children with dolls, but guiltily and darkly.”

John Ruskin (1819–1900) English writer and art critic

Sesame and Lilies

Money , Soul , Business , Children
Karl Pearson photo

“I felt somewhat taken aback. ...to have hit upon a month of roulette ...so improbable ...that it would only occur on the average once in 167,000 years of continuous roulette playing.”

Karl Pearson (1857–1936) English mathematician and biometrician

"The Scientific Aspect of Monte Carlo Roulette" (1894)

“You can’t play the role of thug all over the galaxy and not store up in the subconscious a fine line of private fears and remembered enemies.”

Andre Norton book Storm Over Warlock

Source: Storm Over Warlock (1960), Chapter 18, “Storm’s Ending” (p. 198)

Fear
Jacques Ellul photo

“Again I want to emphasize that the study of propaganda must be conducted within the context of a technological society. Propaganda is called upon to solve problems created by technology, to play on maladjustments, and to integrate the individual into a technological world.”

Jacques Ellul book Propaganda: The Formation of Men's Attitudes

From the Vintage paperback (1973), p. xvii
Propaganda: The Formation of Men's Attitudes (1962)

World , Problem , Study
Jacques Ellul photo

“Propaganda tries to surround man by all possible routes in the realm of feelings as well as ideas, by playing on his will or on his needs, through his conscious and his unconscious, assailing him in both his private and his public life. It furnishes him with a complete system for explaining the world, and provides immediate incentives to action. We are here in the presence of an organized myth that tries to take hold of the entire person. Through the myth it creates, propaganda imposes a complete range of intuitive knowledge, susceptible of only one interpretation, unique and one-sided, and precluding any divergence. This myth becomes so powerful that it invades every arena of consciousness, leaving no faculty or motivation intact. It stimulates in the individual a feeling of exclusiveness, and produces a biased attitude.”

Jacques Ellul book Propaganda: The Formation of Men's Attitudes

Propaganda: The Formation of Men's Attitudes (1962)

Personality , Knowledge , Motivation , World
Ray Bradbury photo

“I didn’t write Fahrenheit 451 about us. I wrote it about Stalin and Mussolini and Hitler. … I may not even talk about book banning if I don’t feel like it. I don’t prepare anything ahead. I have a dozen subjects to talk about because I write plays and poetry and essays, short stories and novels and screenplays and teleplays and operas. I’ll get lost, and the audience will have a wonderful time. And I’ll get a standing ovation, and they’ll go home.”

Ray Bradbury (1920–2012) American writer

Bradbury Talk Likely to Feature the Unexpected (1994)

Home , Books , Feeling , Time

“I see their role as the same as ever; the artist is to give voice to the issues that are given to us in a confused manner, so that people can understand the role that they must play…I think the role of the cultural worker is to define those things we receive from those that are in power, and give it back to the community, presented it in a more clear way.”

Malaquías Montoya (1938) American artist

On how technological advancements have not diminished the cultural role of artists (as quoted in “’What better function for art at this time than as a voice for the voiceless’: The Work of Chicano Artist Malaquías Montoya” https://nacla.org/news/2019/02/17/%E2%80%9Cwhat-better-function-art-time-voice-voiceless%E2%80%9D-work-chicano-artist-malaqu%C3%ADas; 2019 Feb 15)

Understanding , People , Communication , Thinking

“If I could change one thing about U.S. theater, theater companies would produce a wider, broader range of plays by women and men who fully represent the cultural complexity of twenty-first century U.S. culture. Theatergoers would then have access to a huge selection of diverse theatrical worlds that would challenge, entertain, delight and intrigue them…”

Anne García-Romero

On making American theater more inclusive in “I Interview Playwrights Part 287: Anne Garcia-Romero” http://aszym.blogspot.com/2010/11/i-interview-playwrights-part-287-anne.html (Adam Szymkowicz, 2010)

World , Change , Women , Men

“It’s a 21st-century play…The overarching theme is, how do we find peace in the present? Through love, understanding and learning about our cultural and religious differences.”

Anne García-Romero

On her play Paloma in “Playwright reaches into past for a better future” https://www.abqjournal.com/118454/playwright-reaches-into-past-for-a-better-future.html in the Albuquerque Journal (2012 Jul 15)

Peace , Understanding , Learning , Love

“He thinks he’s a liberal, he’s generally on our side, but he’s also ex-military, and he falls for the national security gambit every time someone plays it. Star Wars. Stealth anything. Talk about burning the flag and he gets all choked up. Funny, so many of these guys think the country stands for the flag instead of the other way around. So long as Old Glory’s whipping in the breeze, it’s okay to deal guns to kids and cheat on your taxes.”

Sheri S. Tepper (1929–2016) American fiction writer

Source: The Fresco (2000), Chapter 39, p. 283

Time , Country , Cheating , War
Raquel Welch photo

“A lot of times I would play a lot of roles a man would play…In One Million Years B.C.—yes, the costume was revealing. But I was outdoors all the time, I was fighting to survive, there was a girlfight. I was participating, it was physical, and I was independent. I wasn’t that pushover kind of a girl. And I think that left an impression.”

Raquel Welch (1940–2023) American actress

On how she felt her roles were masculine in “Body of Work: Screen Siren Raquel Welch Gets Her Lincoln Center Retrospective” https://observer.com/2012/02/body-of-work-screen-siren-raquel-welch-gets-her-lincoln-center-retrospective/ in The Observer (2012 Feb 7)

Fight , Thinking , Time , Girl
Frank Chin photo

“I am out of theatre. I will not work with any theatre, producer, writer, director, or actor who plays and lives the stereotype. So I write fiction, essays, and articles.”

Frank Chin (1940) American writer

On his leaving the theater world (as quoted in the book Notable Asian Americans http://smithsonianapa.org/wp-content/uploads/sites/8/2009/10/chin-frank.pdf)

Frank Chin photo

“That this play is the first play by an Asian American at our existence, is proof of the great success white racism has had with us. America might love us. But America’s love is not good. It’s racist love. I don’t want it.”

Frank Chin (1940) American writer

On his play The Chickencoop Chinaman (as quoted in the book Notable Asian Americans http://smithsonianapa.org/wp-content/uploads/sites/8/2009/10/chin-frank.pdf)

Love , Making love , Success
Johnny Rivers photo

“I was working at this club in downtown L.A. from four to eight at night, just Eddie Rubin, the drummer, and I. We didn’t even have a bass player down there. Then we’d pack up, get on the freeway, drive up to L.A., go to the Whisky, set up, grab some food, and play from 10 p.m. to 2 a.m. It was pretty rough work, but it was fun and we were into it. We knew we had something going and there was a big buzz. It was pretty exciting.”

Johnny Rivers (1942) American musician

Hazen, C. (2001, May 15). Johnny Rivers. Retrieved from https://www.vintageguitar.com/2800/johnny-rivers/.

Night , Food
Arundhati Roy photo

“In a situation like the one that prevails in Gujarat, when the police are reluctant to register firs, when the administration is openly hostile to those trying to gather facts, and when the killings go on unabated—then panic, fear and rumour play a pivotal role. People who have disappeared are presumed dead, people who have been dismembered and burnt cannot be identified, and people who are distraught and traumatised are incoherent…. This and other genuine errors in recounting the details of the violence in Gujarat in no way alters the substance of what journalists, fact-finding missions, or writers like myself are saying.”

Arundhati Roy (1961) Indian novelist, essayist

Arundhati Roy, To the Jaffri Family, An Apology . May 27, 2002 . Quoted from The God of false things : How Arundhati Roy creates fake news and gets away with it https://www.opindia.com/2017/05/the-god-of-false-things-how-arundhati-roy-creates-fake-news-and-gets-away-with-it/

Hostility , Dead , People , Way
Maylis de Kerangal photo

“I love when a crucial novel leaves a trace in my memory. In this, its ending plays a significant part—creating a wake effect that is never erased.”

Maylis de Kerangal (1967) French writer

On the writings that she favors in “Maylis de Kerangal by Jessica Moore” https://bombmagazine.org/articles/maylis-de-kerangal/ in Bomb Magazine (2015 Dec 15)

Love , Making love , Memory , Parting

“My parents never overtly pushed us to marry Chinese (in fact, my dad was an equal opportunity dater in his time). However, they always encouraged us to value our Chinese-ness. It was never something to be ashamed of. I grew up in a very Chinese American household; Mom cooked Chinese food almost every night, yet she loved her French cooking classes. We all played multiple classical instruments, but were also avid Broadway fans.”

Stacey Lee

On her household’s value on being Chinese American in “AN INTERVIEW WITH STACEY LEE” http://www.bookslut.com/features/2015_07_021234.php in BookSlut (Jul 2015)

Time , Night , Food , Parent
Jane Seymour photo

“When you get older, as a leading lady it gets harder…You try not to have someone else upstage or take the shine. When I play character roles I am usually playing people who are slightly over the top, so that goes fine.”

Jane Seymour (1951) English-American actress

On staying the course as a leading lady in “Jane Seymour: 'I try not to let anyone upstage me'” https://www.telegraph.co.uk/women/life/jane-seymour-i-try-not-to-let-anyone-upstage-me/ in The Telegraph (2016 Apr 10)

People
Newton Lee photo

“Biologically inspired mechanisms will encourage deeper human-machine symbiosis as computers acquire more human intuitions in problem solving. Scientists and gamers will be working and playing side-by-side with intelligent machines as equals, not subordinates.”

Newton Lee American computer scientist

The Transhumanism Handbook, 2019

Problem , Intelligence
Maurice Barrès photo

“What distinguishes an argument from a play upon words, is that the latter cannot be translated.”

Maurice Barrès (1862–1923) French novelist

Source: Pène du Bois (1897), p. 101.

Ernest Becker photo

“At first the child is amused by his anus and feces, and gaily inserts his finger into the orifice, smelling it, smearing feces on the walls, playing games of touching objects with his anus, and the like. This is a universal form of play that does the serious work of all play: it reflects the discovery and exercise of natural bodily functions; it masters an area of strangeness; it establishes power and control over the deterministic laws of the natural world; and it does all this with symbols and fancy. With anal play the child is already becoming a philosopher of the human condition. But like all philosophers he is still bound by it, and his main task in life becomes the denial of what the anus represents: that in fact, he is nothing but body so far as nature is concerned. Nature’s values are bodily values, human values are mental values, and though they take the loftiest flights they are built upon excrement, impossible without it, always brought back to it. As Montaigne put it, on the highest throne in the world man sits on his arse. Usually this epigram makes people laugh because it seems to reclaim the world from artificial pride and snobbery and to bring things back to egalitarian values. But if we push the observation even further and say men sit not only on their arse, but over a warm and fuming pile of their own excrement—the joke is no longer funny. The tragedy of man’s dualism, his ludicrous situation, becomes too real. The anus and its incomprehensible, repulsive product represents not only physical determinism and boundness, but the fate as well of all that is physical: decay and death.”

Ernest Becker book The Denial of Death

The Recasting of Some Basic Psychoanalytic Ideas
The Denial of Death (1973)

Law , Fate , Making love , Game

“I think that when you’re a teen, you can be overwhelmed with change. You’re expected to be ready for adulthood, to know what you want to do with the rest of your life, to have mature relationships. But it’s only been like 2.5 years since you had braces, or got your period, or stopped playing with Barbies! So I think it’s easy to retreat into apathy and fear and to not try. Because trying means you can fail and be embarrassed—and those are two things that are literally the worst when you’re in high school…”

Maurene Goo

On being a teenager in “Maurene Goo Dishes on Food Trucks, Frenemies, and The Way You Make Me Feel” https://www.bookish.com/articles/maurene-goo-the-way-you-make-me-feel-interview/ in Bookish (2018 May 23)

School , Life , Adulthood , Thinking
Jen Wang photo

“Frances and Sebastian accept each other right from the get go, and the world the characters live in is one that is willing to change. I think you buy it because it’s wrapped in this fairy tale theme and playing off these Disney Princess movie tropes. It would be a lot harder if I went for a strict historical theme.”

Jen Wang (1984) American comics artist

On how gender identity and other themes are addressed in The Prince and the Dressmaker in “INTERVIEW WITH JEN WANG, AUTHOR AND ARTIST OF THE PRINCE AND THE DRESSMAKER” https://bookriot.com/2018/02/06/prince-and-the-dressmaker/ in BookRiot (2018 Feb 6)

World , Change , Thinking , Princess
Joseph E. Stiglitz photo

“Innovation is important; it has transformed the lives of everyone in the world. And intellectual property laws can and should play a role in stimulating innovation. However, the contention that stronger intellectual property rights always boost economic performance is not in general correct. It is an example of how special interests—those who benefit from stronger intellectual property rights—use simplistic ideology to advance their causes.”

Joseph E. Stiglitz book Making Globalization Work

§4, p. 106
Making globalization work (2006)

World , Law
Swami Sivananda photo

“Milk, barley, wheat, cereals, butter, cheese, tomatoes, honey, dates, fruits, almonds, and sugar-candy are all Sattvic food-stuffs. They render the mind pure and calm and play a very important part in the practices of spiritual aspirants, in the mental development of the student, and in the personality- power of the leaders of mankind.”

Swami Sivananda (1887–1963) Indian philosopher
Personality , Parting , Food
Algis Budrys photo

“You know, even more than playing chess, I dislike dealing with self-righteous chess players.”

Algis Budrys book Michaelmas

Source: Michaelmas (1977), Chapter 7 (p. 98)

Self-confidence
Algis Budrys photo

“I wonder if time-traveling cultures are playing with us. I wonder if they process our history for entertainment values.”

Algis Budrys book Michaelmas

Source: Michaelmas (1977), Chapter 6 (pp. 62-63)

Travel , Time , History
Octavio Solis photo

“I’m not a poet, but I do like heightened language that can exist in the theatre. Many plays are sounding more naturalistic these days, more like TV. I still take my cues from Shakespeare. I would rather have the story exist more in the audience’s heads than on a screen.”

Octavio Solis (1958)

On avoiding the label of magical realism in “Octavio Solis’s Journey to ‘Mother Road’” https://www.americantheatre.org/2019/09/09/octavio-soliss-journey-to-mother-road/ (American Theatre; Sept 2019)

“A play is an ever-changing dynamic theatrical experience. Every director, cast, design team, audience and reader bring new life to a piece of dramatic literature. A play is not a fixed expression, but a revelation in a particular moment in time.”

Carmen Rivera (1964) American playwright

On her concept of plays in “Carmen Rivera” https://www.newschool.edu/drama/faculty/carmen-rivera/ (The New School Drama)

Life , Literature , Time , Change

“I am a solo flyer. I go by dramatist or playwright. My brand is original plays that take on aspects of our shared American history that have shaped our culture. I write serious plays, but I use as much humor as possible. I also use a lot of music (original and found), and I’m not afraid to examine my characters’ sexuality…”

Oliver Mayer Mexican American writer

On his writings in “Meet Oliver Mayer” http://voyagela.com/interview/meet-oliver-mayer-playwright-south-los-angelesusc/ in VoyageLA (2019 Jan 8)

Music , History

“I wrote the play in English because I wanted non-Latinos to see it. I tried to draw Americans into the world of the play and to have them realize that, but for an accident at birth, they, too, might have found themselves crossing a terrible desert in search of a better life…”

Carlos Lacámara (1958) American actor

On the chosen language for Nowhere on the Border (as quoted in the book Nuestras Voces: Latino Plays, Volume One https://books.google.com/books?id=FLj1AwAAQBAJ&pg=PA258&lpg=PA258&dq)

Drawing , Search , World , Life

“My play attempts to put a human face on the immigration debate. It argues that the undocumented Mexican worker and the American working man have more in common with each other than they do with the businessmen and politicians who profit from their plight…”

Carlos Lacámara (1958) American actor

On his play Nowhere on the Border (as quoted in the book Nuestras Voces: Latino Plays, Volume One https://books.google.com/books?id=FLj1AwAAQBAJ&pg=PA258&lpg=PA258&dq)

“I had Chavo Guerrero in mind a lot when I was writing this play…Chavo’s job was to make guys look better than they were, which meant he lost a lot. And he was so skilled at it that there weren’t a lot of guys who could play that same fall-guy role for him so that he could be the champion.”

Kristoffer Diaz American writer

On the inspiration for his play The Elaborate Entrance of Chad Deity in “Playwright Kristoffer Diaz steps into the ring” https://www.latimes.com/entertainment/la-xpm-2011-aug-21-la-ca-chad-deity-20110821-story.html in the Los Angeles Times (2011 Aug 21)

Guy , Making love

“If you’re a playwright who doesn’t want to do people-on-a-couch plays, there are not a lot of avenues…You can go and do television, or you can stay and fight with organizations that aren’t really equipped to support work by people of color or experiment with form.”

Kristoffer Diaz American writer

On experimenting as a playwright in “Playwright Kristoffer Diaz steps into the ring” https://www.latimes.com/entertainment/la-xpm-2011-aug-21-la-ca-chad-deity-20110821-story.html in the Los Angeles Times (2011 Aug 21)

Fight , Support , People , Color

“I feel like a citizen of the world. I have now lived outside of India, where I grew up, longer than I lived in India. I have picked up traditions and even accents from India, the United States, and Denmark. I struggle with my cultural identity – where do I really come from? And even harder, where do I really belong? Everywhere or nowhere? Since many of my stories are about women trying to find their place in society, their cultural identities play a major role in driving their narrative.”

Amulya Malladi (1974) Indian writer

On her identity struggles in “Amulya Malladi: How I Write” https://www.writermag.com/writing-inspiration/author-interviews/amulya-malladi/ in The Writer (2018 May 22)

World , Feeling , Women
Mahatma Gandhi photo

“We have to live and move and have our being in ahimsa, even as Hitler does in himsa. It is the faith and perseverance and single-mindedness with which he has perfected his weapons of destruction that commands my admiration. That he uses them as a monster is immaterial for our purpose. We have to bring to bear the same single-mindedness and perseverance in evolving our ahimsa. Hitler is awake all the 24 hours of the day in perfecting his sadhana. He wins because he pays the price. His inventions surprise his enemies. But it is his single-minded devotion to his purpose that should be the object of our admiration and emulation. Although he works all his waking hours, his intellect is unclouded and unerring. Are our intellects unclouded and unerring? A mere belief in ahimsa or the charkha will not do. It should be intelligent and creative. If intellect plays a large part in the field of violence, I hold that it plays a larger part in the field of non-violence.”

Mahatma Gandhi (1869–1948) pre-eminent leader of Indian nationalism during British-ruled India

June 1940 speech. (Mahatma Gandhi, The Collected Works of Mahatma Gandhi (New Delhi: Publications Division Government of India, 1999), vol. 78, p. 349. https://www.gandhiservefoundation.org/about-mahatma-gandhi/collected-works-of-mahatma-gandhi/
1940s

Faith , Intelligence , Perfection , Perseverance

“A play is like a free-flowing poem in some ways. The play, as you write, will tell you what the structure will be. But, sometimes you forget to ask those questions as you write and you end up spending a lot of time trying to find the essence of the play…”

Mando Alvarado actor

On how playwriting differs from television writing in “SIN MUROS: INTERVIEW WITH “LIVING SCULPTURE” PLAYWRIGHT MANDO ALVARADO” https://thetheatretimes.com/sin-muros-interview-living-sculpture-playwright-mando-alvarado/ in The Theatre Times

Way , Forgetting , Time , Question

“It’s really a play about these big ideas that don’t have any sort of definitive conclusion…What I hope people get out of it is—as uncomfortable as it is—to be able to live in these gray areas of conversation that none of us have answers to and see the humanity in people, even if you don’t agree with them.”

Hilary Bettis

On her play Queen of Basel in “After a Hit With FX’s The Americans, Hilary Bettis Is Back in Theatre” http://www.playbill.com/article/after-a-hit-with-fxs-the-americans-hilary-bettis-is-back-in-theatre in Playbill (2019 Mar 29)

Idea , People , Hope
Vivek Agnihotri photo

“Secular, as I understand, means that religion should not play any role in governance. If it’s true, then why were you quiet for last 10 years when the ruling party was continuously giving alms to Muslims? Did you and your fellow signatories utter a word when PM M.M. Singh said that minorities have first right over natural resources?”

Vivek Agnihotri (1973) director

Urban Naxals (2018)

Religion , Understanding , Nature
Radosveta Vassileva photo

“Translation from Portuguese: Many modern analysts have been focused on explaining the troubles with communism and its repercussions as seen in Eastern Europe and Russia. Communism remains a topic of study for political scientists. In contrast, the memory of fascism has slightly faded away. It is a topic of study primarily for historians. This makes it easier for politicians to muddle and play with fascist ideas.”

Radosveta Vassileva (1985) legal scholar

Muitos analistas modernos têm-se concentrado em explicar os problemas com o comunismo e as suas repercussões no leste europeu e na Rússia. O comunismo continua a ser um objeto de estudo para politólogos. Em contraste, a memória do fascismo tem-se desvanecido e é um objeto de estudo sobretudo para historiadores. Isto torna mais fácil para os políticos confundirem e brincarem com ideias fascistas.
Sete breves exemplos da aparente “retórica reconfortante” da extrema-direita e uma explicação sobre a extrema-esquerda, " https://expresso.pt/internacional/2019-11-14-Sete-breves-exemplos-da-aparente-retorica-reconfortante-da-extrema-direita-e-uma-explicacao-sobre-a-extrema-esquerda", Expresso (November 14, 2019)

Study , Communication , Memory , Idea
Krystal Ball photo

“Trump’s dig on socialism means he’s scared, Ocasio-Cortez said after his speech. What really scares the pro-plutocrats on both sides of the political aisle about her, Sanders and other democratic socialists is that they have become messengers for a compelling message with an actual vision — the simple idea that it’s up to government to intervene and equalize the playing field between the capital that owns the politicians, the system and the rewards, and the general public toiling to provide those rewards.”

Krystal Ball (1981) American journalist
Idea
Koenraad Elst photo

“Foreign scholars might have played the role which the Supreme Court judges rejected: that of independent arbitrators. But as it turned out, the established Western academics, to the extent that they cared to look into the Ayodhya debate at all, have only looked through the glasses which the India’s Marxist-Muslim combine has put on their noses.”

Koenraad Elst (1959) orientalist, writer

2000s, Ayodhya: The Case Against the Temple (2002)

Bhimrao Ramji Ambedkar photo

“Another illustration of this spirit of exploitation is furnished by the Muslim insistence upon cow-slaughter and the stoppage of music before mosques. Islamic law does not insist upon the slaughter of the cow for sacrificial purposes and no Musalman, when he goes to Haj, sacrifices the cow in Mecca or Medina. But in India they will not be content with the sacrifice of any other animal. Music may be played before a mosque in all Muslim countries without any objection. Even in Afghanistan, which is not a secularized country, no objection is taken to music before a mosque. But in India the Musalmans must insist upon its stoppage for no other reason except that the Hindus claim a right to it.”

Bhimrao Ramji Ambedkar (1891–1956) Father of republic India, champion of human rights, father of India's Constitution, polymath, revolutionary…

Pakistan or The Partition of India (1946)

Animals , Music , Law , Country
Chris Martin photo

“It’s no accident that so many fabled rock ensembles have had two contrasting leaders (Lennon and McCartney, Jagger and Richards, Plant and Page, Bono and The Edge) to play off each other and cross-pollinate and, at times, butt heads. But Chris Martin completely dominates Coldplay; there’s no yin to his smiley enraptured yang. He’s the rock-king superstar the other band members all worship, humbly, as the genius who made their fates possible, and almost every moment of the band’s creative energy is organized around what Chris is going to do next: the piano chords he’s playing around with, the lyrics he’s writing, his endless studio perfectionism.”

Chris Martin (1977) musician, co-founder of Coldplay

http://variety.com/2018/film/reviews/coldplay-a-head-full-of-dreams-review-1203031635/ source

Time , Fate
Chris Martin photo

“Wayne Coyne: Well, I really think that there’s an authenticity and a truth in Chris in the way that he sings to the audience. And even though you’d have to think there has to be some difference between playing to a couple of hundred people when they started and playing to literally tens of thousands of people now, I still see that in him. That’s why I like them so much, because he is the real deal. He’s not faking it when he gets up there and that enthusiasm still effects him. So in that way, I think they’re virtually unchanged. They haven’t become these unapproachable mega rock stars.”

Chris Martin (1977) musician, co-founder of Coldplay

http://www.coldplay.com/flaming-lips-interview/ source

Singing , Star , People , Truth
Roberto Clemente photo

“I believe I can hit with anybody in baseball. Maybe I can’t hit with the power of a Mays or a Frank Robinson or a Hank Aaron, but I can hit. As long as I play in Forbes Field, I can’t go for home runs. Line drives, yes, but not home runs.”

Roberto Clemente (1934–1972) Puerto Rican baseball player

As quoted in “Clouter Clemente: Popular Buc; Rifle-Armed Flyhawk Aims At Second Bat Crown” by Les Biederman, in The Sporting News (September 5, 1964)
Baseball-related, <big><big>1960s</big></big>

Home

“I’m obsessed with women and Latina women. I think I’m on my seventh or eighth all-Latina play. I’m really comfortable in that world. So, if I had to say what I’m interested in exploring, it’s that—class, and how it affects Latinas and people of color.”

Tanya Saracho Mexican-American actress, playwright and showrunner

On the themes that she’s most intrigued by in “An Interview with Tanya Saracho” https://www.theintervalny.com/interviews/2014/10/an-interview-with-tanya-saracho/ in The Interval (2014 Oct 29)

People , Thinking , Color , World
Theobald Wolfe Tone photo

“I see the Orange boys are playing the Devil in Ireland. I have no doubt it is the work of the Government. Please God, if I get safe into that country, I will settle those gentlemen, and their instigators also, more especially.”

Theobald Wolfe Tone (1763–1798) Irish politician

Diary (28 July 1796), quoted in T. W. Moody, R. B. McDowell and C. J. Woods (eds.), The Writings of Theobold Wolfe Tone, 1763–98, Volume II: America, France and Bantry Bay, August 1795 to December 1796 (2001), pp. 257–258

God , Boy , Country
Milton Friedman photo

“The draft is inequitable because irrelevant considerations play so large a role in determining who serves. It is wasteful because deferment of students, fathers, and married men jams colleges, raises the birth rate, and fuels divorce court. It is inconsistent with a free society because it exacts compulsory service from some and limits the freedom of others to travel abroad, emigrate, or even to talk and act freely. So long as compulsion is retained, these defects are inevitable.”

Milton Friedman (1912–2006) American economist, statistician, and writer

Source: An Economist's Protest: Columns in Political Economy (1966), p. 189 (1975 edition)

Travel , Freedom , Birth , Men

“While its true that masculinity must be forced and fostered, this is also true of any human potentiality. One must be forced, or force oneself to learn a language or play an instrument or solve mathematical equations. No one calls an accomplished dancer, painter, athlete or singer a phony because it took years of disciplined practice and some kind of nurturing environment to become what they are- for them to develop their talents to their full potential. On the contrary, to ignore these talents is considered a tragedy.”

Jack Donovan (1974) American activist, editor and writer

pg 31
A More Complete Beast (2018)

Mathematics , Learning
Matthew Lopez (playwright) photo

“A lot of people want to tell me their stories, and it’s not just the people who were alive back then. Though the play deals with AIDS, it’s about more than just the epidemic. It deals with things that plague gay men now. It’s very much about addiction, too. And the audience’s experiences run the gamut. And these audiences feel emboldened in the best way possible to not keep secrets. And they feel like they trust us enough to tell us their stories. It’s a beautiful thing.”

Matthew Lopez (playwright) (1978) American playwright

On the impact of The Inheritance in “PLAYWRIGHT MATTHEW LOPEZ WANTS TO HEAR YOUR STORIES” https://www.interviewmagazine.com/culture/matthew-lopez-the-inheritance-broadway-play-aids-gay-storytelling in Interview Magazine (2019 Nov 14)

Beauty , People , Secret , Way

“I have to totally credit that to my mother. There were two children. I was the only girl. And she just always talked to me. She would tell me things that happened to her … her dreams, her past … it’s like the monologues in my plays, it really is. Because her stories were loaded with imagery and tragedy, darkness and sarcasm and humor…”

Adrienne Kennedy (1931) African-American playwright

On how her mother’s influence appears in her works in “Adrienne Kennedy by Suzan-Lori Parks” https://bombmagazine.org/articles/adrienne-kennedy/ in BOMB Magazine (1996 Jan 1)

Dreams , Past , Children , Girl

“We’re just getting out of domestic situation plays in which we were examining our lifestyle. We’ve been portrayed as a unique, complex kind of people…and there’s a lot more that we can bring to the public. The truth is we do everything.”

Charles Fuller (1939–2022) American playwright

On how plays about Black people are changing in “Pushing Beyond the Pulitzer” https://books.google.com/books?id=9tgDAAAAMBAJ&pg=PA116&lpg=PA116&dq in Jet Magazine (Mar 1983)

Truth , People
María Irene Fornés photo

“Art is something you don’t just reproduce—what you see everyday doesn’t seem to be inspiring to them. But you do something with it so that it’s not bound by the law of reality. My work has always had that influence. I’ve never felt that it was necessary at all to write realistic plays…”

María Irene Fornés (1930–2018) American writer

On how her work (and other Latin American artists) tend to gear towards surrealism in “María Irene Fornés by Allen Frame” https://bombmagazine.org/articles/maria-irene-fornes/ in BOMB Magazine (1984 Oct 1)

Reality , Law , Art
María Irene Fornés photo

“My plays are clean. Most plays have four, five vital moments in the play and the rest of the play is just getting to it. It’s just fill. I don’t know why, whether it’s just to create the sense that it’s real or that you have to spend two hours to experience the power (you have to see not just snapshots). But I find it very boring. I go to sleep when I see plays like that, and I go to sleep writing it…”

María Irene Fornés (1930–2018) American writer

On avoiding the typical play structures in “María Irene Fornés by Allen Frame” https://bombmagazine.org/articles/maria-irene-fornes/ in BOMB Magazine (1984 Oct 1)

Sense , Sleep
María Irene Fornés photo

“Having a play directed by someone else is like going to a religious school when you’re a child, you listen and obey…”

María Irene Fornés (1930–2018) American writer

On the loss of creative control if you’re not directing in “María Irene Fornés by Allen Frame” https://bombmagazine.org/articles/maria-irene-fornes/ in BOMB Magazine (1984 Oct 1)

School
Nilo Cruz photo

“I can only respond as an artist, because that’s what I am. I’m not going to become a politician all of a sudden. I am a politician in terms of the plays that I write, the way I embrace culture, the way I embrace characters that, in my particular case, have to do with the Latino world. And I embrace the Latino experience…”

Nilo Cruz (1960) American playwright

On whether he feels pressured to represent the Latino community after winning a Pulitzer in “Nilo Cruz by Emily Mann” https://bombmagazine.org/articles/nilo-cruz/ in BOMB Magazine (2004 Jan 1)

World , Way
Migdalia Cruz photo

“I wanted to write a play about racism, about poverty, about the negative forces that haunt us and make us murderous—and the positive forces that do daily battle for us—like love, friendship, family—which lead to some kind of hope…”

Migdalia Cruz (1958) American writer

On what motivated her to write the play El Grito in “INTERVIEW WITH MIGDALIA CRUZ, PLAYWRIGHT” https://collaboraction.typepad.com/collaboraction/2009/07/interview-with-migdalia-cruz-playwright.html in Collaboraction

Family , Friendship , Hope , Love
Cary-Hiroyuki Tagawa photo

“Nothing ever stops me. Certainly coming into Hollywood, I knew that there would be certain limitations. But I also couldn’t play a woman or I couldn’t play a white hero. To play Asian and to speak with accents because I speak Japanese, it never really bothered me. All I always look for in every piece is how can I use this piece to move to the next step? So the worst thing about playing Asian bad guys would be to not be remembered…”

Cary-Hiroyuki Tagawa (1950) American actor

On being undaunted as an actor in “Comic-Con 2001: An Interview With Cary-Hiroyuki Tagawa” http://fanboyplanet.com/comic-con-2001-an-interview-with-cary-hiroyuki-tagawa/ in Fanboy Planet (2001 Jul 27)

Bad luck , Guy

“Plays are events in time and space. Plays are music. Word music. Visual music. I’ve always thought of plays as a form of composition—of text and the architecture of the experience of the full-length evening…”

Caridad Svich (1963) American writer

On how she describes plays in “Making Invisible Stories Seen, Heard and Felt Interview with Caridad Svich” http://www.critical-stages.org/3/making-invisible-stories-seen-heard-and-felt-interview-with-caridad-svich/ in The IATC webjournal/Revue web de l'AICT – Autumn 2010: Issue No 3

Music , Time

“The vanishing middle-class, distinct rich/poor class divisions in the US and poverty continue to be issues that nag and tear at the social fabric but rarely are put front and centre in plays and works for live performance. I don’t think every play needs to address these topics, of course. I do think the daily lives of citizens—the sheer struggle to get by, make do, and the increased dependency on credit (and therefore, debt) are issues that affect everyone…”

Caridad Svich (1963) American writer

On the topics rarely addressed in theater in “Making Invisible Stories Seen, Heard and Felt Interview with Caridad Svich” http://www.critical-stages.org/3/making-invisible-stories-seen-heard-and-felt-interview-with-caridad-svich/ in The IATC webjournal/Revue web de l'AICT – Autumn 2010: Issue No 3

Thinking , Making love , Tear , Dependency
George C. Wolfe photo

“Every play is rhythmic control. If you want an audience to go on a journey, it’s rhythmic control. You’re crafting when they lean in, when they push back, when they breathe, when they surrender. It takes you probably five to six minutes to build trust with an audience. A musical you can build trust in three notes. Boom, boom, boom, you’re instantly seduced. So musicals have this easy potency, but generally, in my opinion, they waste them, because a musical is incredibly hard to do…”

George C. Wolfe (1954) American playwright

On a dramatic work having its own energy in “GEORGE C. WOLFE” https://www.interviewmagazine.com/culture/george-c-wolfe in Interview Magazine (2016 May 9)

Music

“The Vietnam War was raging at that particular time, so I wanted to do a positive play about a country character who was yearning for his home, as I was doing at Christmas…I drew on my experience growing up in the country - plowing mules, cropping tobacco, bootleggers, going to church. The rest was my imagination. I wanted to do something that could be performed on the streets - I love street theater. And I wanted my character to have a conscience.”

Samm-Art Williams (1946) American playwright and screenwriter

On what inspired him to write the play Home in “Lyrical, Uplifting HOME by Samm-Art Williams Comes to ICT” https://www.broadwayworld.com/los-angeles/article/Lyrical-Uplifting-HOME-by-Samm-Art-Williams-Comes-to-ICT-20170915 in Broadway World: Los Angeles (2017 Sep 15)

Home , Time , Imagination , Country

“Jazz in itself is not struggling…That is, the music itself is not struggling. It and the baseball history you talk about are two anchors of the African American cultural community. It’s the attitude that’s in trouble. My plays insist that we should not forget or toss away our history.”

August Wilson (1945–2005) American playwright

On not tossing certain facets of African American culture as relics in “AN INTERVIEW WITH AMERICAN PLAYWRIGHT AUGUST WILSON” https://kuscholarworks.ku.edu/bitstream/handle/1808/25048/Tibbetts_AugustWIlson_2002.pdf?sequence=4&isAllowed=y (John C. Tibbetts, 2002)

Music , Forgetting , History , Communication

“Unfortunately, too many academics retreat into narrow specialisms, allow themselves to become adjuncts of the corporation, or align themselves with dominant interests that serve largely to consolidate authority rather than to critique its abuses. Refusing to take positions on controversial issues or to examine the role they might play in lessening human suffering, such academics become models of moral indifference and examples of what it means to disconnect learning from public life.”

Henry Giroux (1943) American academic

"Higher Education Under Siege: Implications for Public Intellectuals," Thought and Action (Fall 2006), p. 64

Indifference , Life , Suffering , Learning
Martin Bormann photo

“The sicker that Hitler grew and the worse the military situation became, the fewer were the number of people who could reach the dictator. Everything had to be done through this sinister guttersnipe, Bormann, and thus his methods became increasingly successful. I had repeated angry altercations with him, because over and over again he would sabotage the taking of necessary military measures for the sake of the obscure political game that he was playing. He would also attempt to interfere in matters that purely concerned the Army, always with unfortunate results. Bormann was the éminence grise of the Third Reich.”

Martin Bormann (1900–1945) Nazi leader and private secretary to Adolf Hitler

Heinz Guderian, Panzer Leader (1990), p. 449

Game , People , Success
Jim Carrey photo

“I wanted to be Arcade in a fourth X-Men movie but the prequels ruined the franchise so I became Dr. Eggman in a Sonic movie where James Marsden, the actor who played Cyclops, is the best friend of the protagonist who is a fast little animal like Wolverine.”

Jim Carrey (1962) Canadian-American actor, comedian, and producer

In Living Color

Animals , Men
Veronica Chambers photo

“Writing for TV was a huge influence on this book, partly because you realize in casting what a vast gap there was between who people are and who they play. You sometimes see Shakespearan trained actors playing janitors. And at the same time, I’ve seen actresses who are really well known for playing wealthy, super cultured women come in and they are well, let’s just say the exact opposite.”

Veronica Chambers (1970) writer

On how writing for television influenced her novel The Go-Between in “Author Interview: Veronica Chambers questions Mexican immigrant stereotypes in ‘The Go-Between’” https://www.hypable.com/author-interview-veronica-chambers-the-go-between/ in Hypable (2017 May 9)

Time , People , Books , Training
Samuel R. Delany photo

“In a sense, modern philosophy is a series of introductions to introductions to introductions, the movement between them controlled by the pro-tective/pro-textive play of forces about desire.”

Samuel R. Delany book Flight from Nevèrÿon

Appendix B, “Closures and Openings” Section 8 (p. 368; see note on Discussion page)
Flight from Nevèrÿon (1985)

Sense
Daljit Nagra photo

“Poetry was a meeting of mind and heart, I felt at one with poetry itself. I like the concentrated language, the play with form, and the way you can muck around with words in a way that you can’t in a novel. Poetry allows you to be intense, because to some degree people expect it.”

Daljit Nagra (1966) British poet, teacher and broadcaster

On how he views poetry in “Daljit Nagra” https://www.aestheticamagazine.com/daljit-nagra/ in Aesthetica

Way , People , Heart
Burkard Schliessmann photo

“People like to pigeon-hole pianists. There are, we are routinely told, the barnstormers – romantic pianists who throw the entire force of the heart and soul into their playing – and then there is the more analytical school – those who play by intellect, everything meticulously thought out and delicately weighted. By and large it’s piffle, of course; few pianists would admit to excluding head or heart in their playing and great interpretations are forged through a combination of the two, and more besides. But German-born Burkard Schliessmann rejects such divisions more than most.”

Burkard Schliessmann classical pianist

James Inverne in his article Burkard Schliessmann in STEINWAY & SONS International Pianos Magazine 2008, p. 34

School , Soul , People , Heart
J. Howard Moore photo

“Young sheep and goats leap and gambol in their play. I have noticed young goats that were being led along the streets keep up an occasional jumping as they went along, leaping first one way then another, sometimes straight up into the air, as if they were worked by some unseen spring that went off suddenly inside of them. How strange such conduct must have seemed to the pre-Darwinians. But to the evolutionists it is as plain as day.”

J. Howard Moore (1862–1916)

"The School of Nature", p. 67
Savage Survivals (1916), Wild Survivals in Domesticated Animals

Way , Spring
J. Howard Moore photo

“The doctrine of anthropocentricism has now vanished from intelligent minds, and is in the act of vanishing from unintelligent minds. It is destined to continue to fade until there is not a particle of it left. It is rank imposture. It is too silly and childish even for simpletons. Man is not a being apart. He is not a favorite of the gods, nor the subject of celestial anxiety. Nothing revolves about him or exists for him. Like all the other inhabitants of this world, he is a mere by-product of the play of cosmic forces—forces which grind on without eyes, without anxiety, and without end.”

J. Howard Moore (1862–1916)

Source: Ethics and Education (1912), The World to Be, p. 143

World , God , Intelligence
Abbie Hoffman photo

“Every group was broke cause the liberal bulge that used to support most radical causes was off on some other trip, playing around with anti-ABM campaigns and sending food to Biafra. Even though they wept and shed some blood in the streets of Chicago, they were gone for good - gone with their money. Our revolution was becoming too radical or crazy or violent or young. We were fuckin up their cocktail parties and it mattered not the blood we were shedding or the growing fascism in the country. New ways had to be found to get bread cause the days of the mailings and benefits were over. In fact, for the Yippies, they had never even begun.”

Abbie Hoffman book Woodstock Nation

The Great Rip Off
Woodstock Nation (1969)

Money , Country , Food , Support