
Song Danny Boy http://www.recmusic.org/lieder/get_text.html?TextId=22729
Song Danny Boy http://www.recmusic.org/lieder/get_text.html?TextId=22729
Source: Building Entopia - 1975, Chapter 21, The system of Networks, p. 286
“Microkernels are not a pipe dream. They represent proven technology.”
In a Usenet message, 5 Feb 1992.
The "Linux is Obsolete" Debate
Source: Permaculture: A Designers' Manual (1988), chapter 12.15
“Jack shall pipe and Gill shall dance.”
Poem on Christmas; reported in Bartlett's Familiar Quotations, 10th ed. (1919).
“Mr Chamberlain views everything through the wrong end of a municipal drain-pipe.”
David Lloyd George, as quoted in Rats! (1941) by "The Pied Piper", p. 108; similar remarks have also been attributed to Winston Churchill in later works, including Neville Chamberlain : A Biography (2006) by Robert C. Self, p. 12
About
pg. 242
The Sports and Pastimes of the People of England (1801), Sybaris
Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book VIII, Chapter VI, Sec. 11
(version in original Dutch / origineel citaat van Anton Mauve, in het Nederlands:) Je gaat naar buiten, steekt je pijpje op, fluit een deuntje en schildert wat je tegenkomt.
Mauve's advice to his students; as cited by H.L. Berckenhoff, in Anton Mauve, Etsen van Ph. Zilcken, met fascimiles naar schilderijen, teekeningen en studies, Amsterdam 1890, (microfiche RKD-Archive Den Haag: Berckenhoff, 1890, p. 20)
Mauve's way of painting was in fact the opposite of his advice: often changing and much struggle
undated quotes
Source: Eichmann Interrogated (1983), p. 75 - 76.
In 'DADA manifesto 1920'; as quoted in Manifesto: A Century of Isms, ed. Mary Ann Caws, Lincoln: University of Nebraska Press, 2001, nr. 9.16 Francis Picabia, p 318
1920's
Infant Sorrow, st. 1
1790s, Songs of Experience (1794)
Lee Chu-feng (2009) cited in " Bridge to Xiamen popular with Kinmen residents http://www.taipeitimes.com/News/taiwan/archives/2009/02/08/2003435563" on Taipei Times, 8 February 2009
Plunkitt of Tammany Hall, Chapter 3, The Curse of Civil Service Reform
Anita Singh, " Galloway falls out with Big Brother housemates http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/tv_and_radio/article718676.ece", The Times, January 24, 2006
Referring to fellow housemate Samuel Preston while in the Celebrity Big Brother 2006 house.
A Week on the Concord and Merrimack Rivers http://www.gutenberg.org/dirs/etext03/7cncd10.txt (1849), Sunday
Everyone
Song lyrics, Moondance (1970)
Lament for Long Tom, reported in Bartlett's Familiar Quotations, 10th ed. (1919).
4.7, "Use of Natural Power", p. 126
The Forgotten Revolution: How Science Was Born in 300 BC and Why It Had to Be Reborn (2004)
interview with New York Observer 2007-10-02, quoted in * Coulter: "If we took away women's right to vote, we'd never have to worry about another Democrat president"
Media Matters for America
2007-10-04
http://mediamatters.org/research/200710040011
2007
"Kant", properly pronounced, sounds much like a vulgar "C-word" which is what he was mistaken for having said The Independent, The Independent, Professor Sidney Morgenbesser: Philosopher celebrated for his withering New York Jewish humour http://www.independent.co.uk/news/obituaries/professor-sidney-morgenbesser-550224.html, 6 August 2004. The Times, Sidney Morgenbesser: Erudite and influential American linguistic philosopher with the analytical acuity of Spinoza and the blunt wit of Groucho Marx https://www.thetimes.co.uk/article/sidney-morgenbesser-5cz8gg8qfvm, September 8, 2004.
Ring of Honor, Death Before Dishonor III. June 18th, 2005.
This promo took place directly after Punk defeated Austin Aries for the ROH World Championship proceeding to turn the, at the time face, Punk heel. Directly after this promo Christopher Daniels made his first appearance in ROH in over a year to challenge for the belt. This promo also made reference to an old parable http://www.snopes.com/critters/malice/scorpion.htm about an animal doing an act of kindness to another creature that is venomous and being surprised when the animal injects the venom to the creature after the act of kindness who then proceeds to explain it is their nature to perform the act.
Ring of Honor
Source: True Grit (1968), Chapter 1, pp. 14-15 : thoughts of 'Mattie Ross'
From "OC Forum: O.C. Can You Say?" https://books.google.com/books?id=FhEEAAAAMBAJ&pg=PA8 in Orange Coast Magazine (July 1991), p. 8
Other Topics
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 112.
1910
1900's
Source: 'Le Figaro', 20 February 1909, as quoted in Futurist Manifestos, ed. Umbro Appolonio, Thames and Hudson, London, 1973
Source: The circuit flow of money, 1922, p. 262
Lucy v. Bishop of St. David's (1702), 7 Mod. 59.
Quote of Jean Dubuffet, in Indications descriptives, in Michel Tapie, Mirobolus, Macadam & Cie. (Paris, 1946). Dubuffet, 'More Modest, (1946) trans. Joachim Neugroschel in Tracks: A Journal of Artist's Writings 1:2 (Spring 1975), p 26-29
1940's
I.F. Stone's Weekly (1963-01-21)
Original Italian text:
Noi canteremo le grandi folle agitate dal lavoro, dal piacere o dalla sommossa: canteremo le maree multicolori e polifoniche delle rivoluzioni nelle capitali moderne; canteremo il vibrante fervore notturno degli arsenali e dei cantieri incendiati da violente lune elettriche; le stazioni ingorde, divoratrici di serpi che fumano; le officine appese alle nuvole pei contorti fili dei loro fumi; i ponti simili a ginnasti giganti che scavalcano i fiumi, balenanti al sole con un luccichio di coltelli; i piroscafi avventurosi che fiutano l'orizzonte, le locomotive dall'ampio petto, che scalpitano sulle rotaie, come enormi cavalli d'acciaio imbrigliati di tubi, e il volo scivolante degli aereoplani, la cui elica garrisce al vento come una bandiera e sembra applaudire come una folla entusiasta.
Source: 1900's, The Founding and Manifesto of Futurism' 1909, p. 52 : Last bullet-item in THE MANIFESTO OF FUTURISM
“At least you got him to pipe down,' she said. 'Are you okay? Mad animal.”
Source: Never Let Me Go (2005), Chapter 1, p. 12
Source: The Wind in the Willows (1908), Ch. 7
Context: A bird piped suddenly, and was still; and a light breeze sprang up and set the reeds and bulrushes rustling. Rat, who was in the stern of the boat, while Mole sculled, sat up suddenly and listened with a passionate intentness. Mole, who with gentle strokes was just keeping the boat moving while he scanned the banks with care, looked at him with curiosity.
'It's gone!' sighed the Rat, sinking back in his seat again. 'So beautiful and strange and new. Since it was to end so soon, I almost wish I had never heard it. For it has roused a longing in me that is pain, and nothing seems worth while but just to hear that sound once more and go on listening to it for ever. No! There it is again!' he cried, alert once more. Entranced, he was silent for a long space, spellbound.
'Now it passes on and I begin to lose it,' he said presently. 'O Mole! the beauty of it! The merry bubble and joy, the thin, clear, happy call of the distant piping! Such music I never dreamed of, and the call in it is stronger even than the music is sweet! Row on, Mole, row! For the music and the call must be for us.'
The Mole, greatly wondering, obeyed. 'I hear nothing myself,' he said, 'but the wind playing in the reeds and rushes and osiers.
The History of Oracles, and the Cheats of the Pagan Priests (1688)
Context: So that at length the Priests of Delphos being quite baffled with the railleries of those learned Wits, renounced all Verses, at least as to the speaking them from the Tripos; for there were still some Poets maintain'd in the Temple, who at leisure turned into Verse, what the Divine fury had inspired the Pythian Priestess withal in Prose. It was very pretty, that Men could not be contented to take the Oracle just as it came piping hot from the Mouth of their God. But perhaps, when they had come a great way for it, they thought it would look silly to carry home an Oracle in Prose.<!--pp. 221-222
Book II: On the soul; In: Aristotle (1808). Works, Vol. 4. p. 63 (412a-424b)
De Anima
“Stopping the GOVERNMENT from crawling up our pipes and listening to all we say.”
Aims in the Manifesto of The World Domination League by E. L. Wisty and Spotty Muldoon (1965)
Context: 1. Total domination of the world by 1958.
2. Domination of the astral spheres quite soon too.
3. The finding of lovely ladies for Spotty Muldoon within the foreseeable future.
4. GETTING A NUCLEAR ARM to deter with.
5. The bodily removal from this planet of C. P. Snow and Alan Freeman and their replacement with fine TREES.
6. Stopping the GOVERNMENT from crawling up our pipes and listening to all we say.
7. Training BEES for uses against foreign powers, and so on.
8. Elimination of spindly insects and encouragement of lovely little newts who dance about and are happy.
9. E. L. Wisty for GOD.
Stanza 1
Poems (1820), Ode on a Grecian Urn
Context: Thou still unravish'd bride of quietness,
Thou foster-child of silence and slow time,
Sylvan historian, who canst thus express
A flowery tale more sweetly than our rhyme:
What leaf-fringed legend haunts about thy shape?
Of deities or mortals, or of both,
In Tempe or the dales of Arcady?
What men or gods are these? What maidens loth?
What mad pursuit? What struggle to escape?
What pipes and timbrels? What wild ecstasy?
Bewilderness (DVD, 2001)
Source: The Wind in the Willows (1908), Ch. 7
Context: Perhaps he would never have dared to raise his eyes, but that, though the piping was now hushed, the call and the summons seemed still dominant and imperious. He might not refuse, were Death himself waiting to strike him instantly, once he had looked with mortal eye on things rightly kept hidden. Trembling he obeyed, and raised his humble head; and then, in that utter clearness of the imminent dawn, while Nature, flushed with fullness of incredible colour, seemed to hold her breath for the event, he looked in the very eyes of the Friend and Helper; saw the backward sweep of the curved horns, gleaming in the growing daylight; saw the stern, hooked nose between the kindly eyes that were looking down on them humourously, while the bearded mouth broke into a half-smile at the corners; saw the rippling muscles on the arm that lay across the broad chest, the long supple hand still holding the pan-pipes only just fallen away from the parted lips; saw the splendid curves of the shaggy limbs disposed in majestic ease on the sward; saw, last of all, nestling between his very hooves, sleeping soundly in entire peace and contentment, the little, round, podgy, childish form of the baby otter. All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered.
Perelandra (1943)
Context: And now, by a transition which he did not notice, it seemed that what had begun as speech was turned into sight, or into something that can be remembered only as if it were seeing. He thought he saw the Great Dance. It seemed to be woven out of the intertwining undulation of many cords or bands of light, leaping over and under one another and mutually embraced in arabesques and flower-like subtleties. Each figure as he looked at it became the master-figure or focus of the whole spectacle, by means of which his eye disentangled all else and brought it into unity — only to be itself entangled when he looked to what he had taken for mere marginal decorations and found that there also the same hegemony was claimed, and the claim made good, yet the former pattern thereby disposed but finding in its new subordination a significance greater than that which it had abdicated. He could see also (but the word "seeing" is now plainly inadequate) wherever the ribbons or serpents of light intersected minute corpuscles of momentary brightness: and he knew somehow that these particles were the secular generalities of which history tells — people, institutions, climates of opinion, civilizations, arts, sciences and the like — ephemeral coruscations that piped their short song and vanished. The ribbons or cords themselves, in which millions of corpuscles lived and died, were the things of some different kind. At first he could not say what. But he knew in the end that most of them were individual entities. If so, the time in which the Great Dance proceeds is very unlike time as we know it. Some of the thinner more delicate cords were the beings that we call short lived: flowers and insects, a fruit or a storm of rain, and once (he thought) a wave of the sea. Others were such things we think lasting: crystals, rivers, mountains, or even stars. Far above these in girth and luminosity and flashing with colours form beyond our spectrum were the lines of personal beings, yet as different from one another in splendour as all of them from the previous class. But not all the cords were individuals: some of them were universal truths or universal qualities. It did not surprise him then to find that these and the persons were both cords and both stood together as against the mere atoms of generality which lived and died in the clashing of their streams: But afterwards, when he came back to earth, he wondered. And by now the thing must have passed together out of the region of sight as we understand it. For he says that the whole figure of these enamored and inter-inanimate circlings was suddenly revealed as the mere superficies of a far vaster pattern in four dimensions, and that figure as the boundary of yet others in other worlds: till suddenly as the movement grew yet swifter, the interweaving yet more ecstatic, the relevance of all to all yet more intense, as dimension was added to dimension and that part of him which could reason and remember was dropped further and further behind that part of him which saw, even then, at the very zenith of complexity, complexity was eaten up and faded, as a thin white cloud fades into the hard blue burning of sky, and all simplicity beyond all comprehension, ancient and young as spring, illimitable, pellucid, drew him with cords of infinite desire into its own stillness. He went up into such a quietness, a privacy, and a freshness that at the very moment when he stood farthest from our ordinary mode of being he had the sense of stripping off encumbrances and awaking from a trance, and coming to himself. With a gesture of relaxation he looked about him…
Country Sentiment (1920)
Context: I am an old man
With my bones very brittle,
Though I am a poor old man
Worth very little,
Yet I suck at my long pipe
At peace in the sun,
I do not fret nor much regret
That my work is done.
"Brittle Bones".
Clifford Krauss https://www.nytimes.com/by/clifford-krauss, in ‘I Assume the Presidency’: Bolivia Lawmaker Declares Herself Leader https://www.nytimes.com/2019/11/12/world/americas/evo-morales-mexico-bolivia.html, The New York Times, (12 November 2019)
About
At the February 10, 1982, Ethernet Announcement at The World Trade Center with Bob Noyce of Intel and David Liddle of Xerox.
Source: Autobiography of a Brown Buffalo (1972), p. 100.
Adam Gadahn My Invitation From al-Qaeda http://archive.frontpagemag.com/readArticle.aspx?ARTID=2739
In a live social media broadcast on 4 July 2019, defending child labor. Bolsonaro Defends Child Labor https://www1.folha.uol.com.br/internacional/en/brazil/2019/07/bolsonaro-defends-child-labor.shtml. Folha de S.Paulo (5 July 2019).
2019
“Pipes are wonderful. They are doing wonderful things.”
The How and Why of Fitting Things Together