Quotes about peacock

A collection of quotes on the topic of peacock, thing, tail, beauty.

Quotes about peacock

Letitia Elizabeth Landon photo

“Oh this is not that sweet love
Own companion to the dove;
But a wild and wandering thing,
Varying as the lights that fling
Radiance o'er his peacock's wing.
I do weep, that Love should be
Ever linked with Vanity.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(25th January 1823) Medallion Wafers: Cupid Riding on a Peacock
The London Literary Gazette, 1823

Juvenal photo

“But you will soon pay for it, my friend, when you take off your clothes, and with distended stomach carry your peacock into the bath undigested! Hence a sudden death, and an intestate old age; the new and merry tale runs the round of every dinner-table, and the corpse is carried forth to burial amid the cheers of enraged friends!”
Poena tamen praesens, cum tu deponis amictus turgidus et crudum pavonem in balnea portas. hinc subitae mortes atque intestata senectus; it nova nec tristis per cunctas fabula cenas: ducitur iratis plaudendum funus amicis.

Poena tamen praesens, cum tu deponis amictus
turgidus et crudum pavonem in balnea portas.
hinc subitae mortes atque intestata senectus;
it nova nec tristis per cunctas fabula cenas:
ducitur iratis plaudendum funus amicis.
I, line 142.
Satires, Satire I

“Peacocks have the bright feathers. Fish have the long tails. Women have the mall.”

Janette Rallison (1966) American writer

Source: My Double Life

Cassandra Clare photo

“Only you could love such a vile, selfish peacock, Evie.”

Lisa Kleypas (1964) American writer

Source: Devil in Winter

John Ruskin photo

“Remember that the most beautiful things in the world are the most useless; peacocks and lilies for instance.”

John Ruskin (1819–1900) English writer and art critic

Also misattributed to John Steinbeck.
Source: The Works of John Ruskin: The stones of Venice, v. 1-3

John Ruskin photo

“Remember that the most beautiful things in life are often the most useless; peacocks and lilies for instance.”

Volume I, chapter II, section 17.
The Stones of Venice (1853)
Variant: Remember that the most beautiful things in the world are the most useless.
Context: You were made for enjoyment, and the world was filled with things which you will enjoy, unless you are too proud to be pleased with them, or too grasping to care for what you cannot turn to other account than mere delight. Remember that the most beautiful things in the world are the most useless: peacocks and lilies, for instance.

William Blake photo

“The pride of the peacock is the glory of God.
The lust of the goat is the bounty of God.
The wrath of the lion is the wisdom of God.
The nakedness of woman is the work of God.”

William Blake (1757–1827) English Romantic poet and artist

Source: 1790s, The Marriage of Heaven and Hell (1790–1793), Proverbs of Hell, Line 22

Alfred Noyes photo
George William Russell photo
Anton Mauve photo

“I ordered Major [transport company] tomorrow afternoon 2 o'clock to pack the paintings, I am still completely in all the paintings - as nightmares they are flying around me, now you know as of old how that is, but tomorrow afternoon at 2 o'clock I am free. I believe there are nice things among them, the drawing has become a little too fat, but there is much good in it, and it is very well-finished. I send to Peacock. The forest with wood hackers, which was hanging above the door of my studio, then the sheep [small composition-sketch of a sheep herd with shepherd] and... I believe you know them all, 7 pieces together, afterwards I have to start working for Arnold & Tripp [art-sellers in Paris], I let those guys wait and that's not right to do..”

Anton Mauve (1838–1888) Dutch painter (1838–1888)

translation from original Dutch, Fons Heijnsbroek, 2018
(version in original Dutch / origineel citaat van Anton Mauve, uit zijn brief:) Morgen middag 2 uur heb ik Majoor [transportbedrijf] besteld om de schilderijen in te pakken ik ben nu nog geheel in alle die schilderijen als nacht merries zijn ze om me heen nu je weet wel van ouds, hoe of dat is maar morgen om 2 uur ben ik vrij. Ik geloof dat er aardige dingen bij zijn, de teekening is wel wat dik geworden, doch veel goeds er in, en erg af ik verzend aan Peacock Het bosch met hout hakkers, dat boven de deur van mijn atelier hing dan de schapen [klein compositieschetsje schaapskudde met herder] en [klein compositieschetsje schapen op bospad] en [klein compositieschetsje met schaapskudde] en [klein compositieschetsje koe?] en [klein compositieschetsje schaapskudde met vliegdennen] en de teekening (schapen uit het bosch komende) ik geloof dat je ze allen kent, 7 stuks te zamen, ik moet daarna ook voor Arnold & Tripp [kunsthandelaars in Parijs] aan de gang, die luitjes laat ik maar wachten en dat mag niet..
In a letter of Mauve from Laren, 27 June 1887 original text of the letter in RKD Archive https://rkd.nl/explore/excerpts/10, The Hague
1880's

Duncan Gregory photo
Nader Shah photo

“When the Shah departed towards the close of the day, a false rumour was spread through the town that he had been severely wounded by a shot from a matchlock, and thus were sown the seeds from which murder and rapine were to spring. The bad characters within the town collected in great bodies, and, without distinction, commenced the work of plunder and destruction…. On the morning of the 11th an order went forth from the Persian Emperor for the slaughter of the inhabitants. The result may be imagined; one moment seemed to have sufficed for universal destruction. The Chandni chauk, the fruit market, the Daribah bazaar, and the buildings around the Masjid-i Jama’ were set fire to and reduced to ashes. The inhabitants, one and all, were slaughtered. Here and there some opposition was offered, but in most places people were butchered unresistingly. The Persians laid violent hands on everything and everybody; cloth, jewels, dishes of gold and silver, were acceptable spoil…. But to return to the miserable inhabitants. The massacre lasted half the day, when the Persian Emperor ordered Haji Fulad Khan, the kotwal, to proceed through the streets accompanied by a body of Persian nasakchis, and proclaim an order for the soldiers to resist from carnage. By degrees the violence of the flames subsided, but the bloodshed, the devastation, and the ruin of families were irreparable. For a long time the streets remained strewn with corpses, as the walks of a garden with dead flowers and leaves. The town was reduced to ashes, and had the appearance of a plain consumed with fire. All the regal jewels and property and the contents of the treasury were seized by the Persian conqueror in the citadel. He thus became possessed of treasure to the amount of sixty lacs of rupees and several thousand ashrafis… plate of gold to the value of one kror of rupees, and the jewels, many of which were unrivalled in beauty by any in the world, were valued at about fifty krors. The peacock throne alone, constructed at great pains in the reign of Shah Jahan, had cost one kror of rupees. Elephants, horses, and precious stuffs, whatever pleased. the conqueror’s eye, more indeed than can be enumerated, became his spoil. In short, the accumulated wealth of 348 years changed masters in a moment.”

Nader Shah (1688–1747) ruled as Shah of Iran

About Shah’s sack of Delhi, Tazrikha by Anand Ram Mukhlis. A history of Nâdir Shah’s invasion of India. In The History of India as Told by its own Historians. The Posthumous Papers of the Late Sir H. M. Elliot. John Dowson, ed. 1st ed. 1867. 2nd ed., Calcutta: Susil Gupta, 1956, vol. 22, pp. 74-98. https://www.infinityfoundation.com/mandala/h_es/h_es_tazrikha_frameset.htm

Stanley Baldwin photo
Daniel Handler photo
Edward St. Aubyn photo
David Hume photo

“Language, intelligence, and humor, along with art, generosity, and musical ability, are often described as human equivalents of the peacock’s tail. However, peacocks afford a poor analogy for the role of courtship displays in humans. Other animal models offer a better fit. In a number of nonhuman species — species as diverse as sea dragons and grebes — males and females engage in a mutual courtship “dance,” in which the two partners mirror one another’s movements. In Clark’s grebes and Western grebes, for instance, the pair bond ritual culminates in the famous courtship rush: The male and female swim side by side along the top of the water, with their wings back and their heads and necks in a stereotyped posture. If we want a nonhuman analogue for the role of creative intelligence or humor in human courtship, we should think not of ornamented peacocks displaying while drab females evaluate them. We should think instead of grebes engaged in their mating rush or sea dragons engaged in their synchronized mirror dance. Once we have one of these alternative images fixed in our minds, we can then add the proviso that there is a slight skew such that, in the early stages of courtship, men tend to display more vigorously and women tend to be choosier. However, this should be seen as a qualification to the primary message that intelligence, humor, and other forms of sexual display are part of the mutual courtship process in our species.”

Source: The Ape that Thought It Was a Peacock: Does Evolutionary Psychology Exaggerate Human Sex Differences? (2013), p. 160

Rāmabhadrācārya photo
Margaret Cho photo
Letitia Elizabeth Landon photo

“To the extent that we accept this view, we effectively mistake ourselves for highly dimorphic animals such as peacocks or deer.”

Source: The Ape that Thought It Was a Peacock: Does Evolutionary Psychology Exaggerate Human Sex Differences? (2013), p. 153

Charles Darwin photo

“The sight of a feather in a peacock’s tail, whenever I gaze at it, makes me sick!”

Charles Darwin (1809–1882) British naturalist, author of "On the origin of species, by means of natural selection"

Letter https://www.darwinproject.ac.uk/letter/DCP-LETT-2743.xml to Asa Gray, 3 April 1860
Other letters, notebooks, journal articles, recollected statements

Joseph Strutt photo
Walter de la Mare photo
John Masefield photo
James Beattie photo
William Henry Davies photo

“Go you and, with such glorious hues,
Live with proud peacocks in green parks.”

William Henry Davies (1871–1940) British poet

The Kingfisher

Subhash Kak photo

“The dance of the peacock attracts not only the peahen but also the human.”

Subhash Kak (1947) Indian computer scientist

The Loom of Time (2016)

Wallace Stevens photo

“I heard them cry — the peacocks.
Was it a cry against the twilight
Or against the leaves themselves”

"Domination of Black"
Harmonium (1923)
Context: I heard them cry — the peacocks.
Was it a cry against the twilight
Or against the leaves themselves
Turning in the wind,
Turning as the flames
Turned in the fire,
Turning as the tails of the peacocks
Turned in the loud fire,
Loud as the hemlocks
Full of the cry of the peacocks?
Or was it a cry against the hemlocks?

Wallace Stevens photo

“I felt afraid.
And I remembered the cry of the peacocks.”

"Domination of Black"
Harmonium (1923)
Context: I saw how the night came,
Came striding like the color of the heavy hemlocks.
I felt afraid.
And I remembered the cry of the peacocks.

John Ruskin photo
Dave Eggers photo
Richard Dawkins photo
Ibn Hazm photo

“You came to me just before
the Christians rang their bells.
The half-moon was rising
looking like an old man's eyebrow
or a delicate instep.
And although it was still night
when you came a rainbow
gleamed on the horizon,
showing as many colours
as a peacock's tail.”

Ibn Hazm (994–1064) Arab theologian

Gómez, translated by Cola Franzen from the Spanish versions of Emilio García (1989) https://books.google.com.pk/books?id=IEHb0lmTvS8C&printsec=frontcover&dq=Poemas+ar%C3%A1bigoandaluces&redir_esc=y&hl=en#v=onepage&q&f=false
Poetry

Mateo Alemán photo