Quotes about keyboard

A collection of quotes on the topic of keyboard, keyboarding, likeness, work.

Quotes about keyboard

“Uttering a word is like striking a note on the keyboard of the imagination.”

Ludwig Wittgenstein book Philosophical Investigations

§ 6
Philosophical Investigations (1953)

“From this day forward, somebody propose it, liberals should not be allowed to buy guns. It's just that simple. Liberals should have their speech controlled and not be allowed to buy guns. I mean if we want to get serious about this, if we want to face this head on, we’re gonna have to openly admit, liberals should not be allowed to buy guns, nor should they be allowed to use computer keyboards or typewriters, word processors or e-mails, and they should have their speech controlled. If we did those three or four things, I can’t tell you what a sane, calm, civil, fun-loving society we would have. Take guns out of the possession, out of the hands of liberals, take their typewriters and their keyboards away from ‘em, don’t let ‘em anywhere near a gun, and control their speech. You would wipe out 90% of the crime, 85 to 95% of the hate, and a hundred percent of the lies from society.”

Rush Limbaugh (1951) U.S. radio talk show host, Commentator, author, and television personality

Radio show assertions, reported in "Rush Limbaugh: Here’s way to stop 100% of lies in society" at American Grand Jury (19 January 2011) http://americangrandjury.org/rush-limbaugh-heres-way-to-stop-100-of-lies-in-society

Love, Hate

“Generally speaking, colour is a power which directly influences the soul. Colour is the keyboard, the eyes are the hammer, the soul is the strings. The artist is the hand that plays, touching one key or another, to cause vibrations in the soul.”

Wassily Kandinsky (1866–1944) Russian painter

V. The psychological working of Colour: Quoted in: Hajo Düchting (2000) Wassily Kandinsky, 1866-1944: A Revolution in Painting. p. 17
Alternative translation:
Colour is a means of exerting direct influence on the soul. Colour is the keyboard, the eyes are the hammers, the soul is the piano with many strings. The artist is the hands which plays touching one key or another purposively to cause vibrations in the Soul; in: Anna Moszynska, Abstract Art, Thames and Hudson, 1990
Source: 1910 - 1915, Concerning the Spiritual in Art, 1911

Soul

“Do Mom and Dad know you’re dating a homicidal lunatic? (Madaug)
No, and if you tell them, I’ll superglue your fingertips to your keyboard. (Eric)”

Sherrilyn Kenyon (1965) Novelist

Source: Infinity

Moms

“The telkine growled and muttered as he tapped on his keyboard. Maybe he was messaging his friends on uglyface. com”

Rick Riordan book The Last Olympian

Source: The Last Olympian

“The piano is the only keyboard instrument in which one can grandly vary the effects of the harmonics or overtones of a chord at will by balancing the sonority in different ways.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: Piano Notes: The World of the Pianist (2002), Ch. 1 Body and Mind

Way

“[another part / version of Whistler's lecture:]
Nature contains the elements, in colour and form, of all pictures, as the keyboard contains the notes of all music. But the artist is born to pick, and choose, and group with science, these elements, that the result may be beautiful—as the musician gathers his notes, and forms his chords, until he bring forth from chaos glorious harmony. To say to the painter, that Nature is to be taken as she is, is to say to the player, that he may sit on the piano. That Nature is always right, is an assertion, artistically, as untrue, as it is one whose truth is universally taken for granted. Nature is very rarely right, to such an extent even, that it might almost be said that Nature is usually wrong: that is to say, the condition of things that shall bring about the perfection of harmony worthy a picture is rare, and not common at all.”

James McNeill Whistler (1834–1903) American-born, British-based artist

1870 - 1903, his lecture 'Ten O'Clock' (1885)
Source: James McNeill Whistler (1834–1903), Weinberg, H. Barbara, 'Heilbrunn Timeline of Art History'. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd/whis/hd_whis.htm (April 2010)

Truth, Beauty, Music, Nature

“Whoever came up with "hold the shift key for eight seconds to turn on 'your keyboard is buggered' mode" should be shot.”

Linus Torvalds (1969) Finnish-American software engineer and hacker

Linus Torvalds - Google+, Torvalds, Linus, 2013-06-23, 2013-10-12 https://plus.google.com/+LinusTorvalds/posts/e4vnEUdB5kn, 2010s, 2013

“It was this indifference to the quality of his material that earned Liszt the contempt of his most distinguished contemporaries and of many of the most respectable critics and historians of posterity. It was, nevertheless, his greatest strength. It made it possible for him to manipulate the material ruthlessly, to concentrate on effects of realization with unprecedented intensity, and to integrate styles and techniques of performance into composition in a new way. His invention of novel keyboard effects and his mastery of musical gesture have always been undervalued, especially by pianists of the German school who prefer the kind of music that can be executed while soulfully regarding the ceiling. On the whole, the most genuine understanding of his music has been displayed by musicians of eastern Europe, and he may almost be considered as the founder of Russian pianism.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 8 : Liszt: On Creation as Performance

School, Music, Way, Understanding

“Yet in a relatively short creative life of twenty years or so, Chopin redrew the boundaries of Romantic music, and his self-imposed restriction to the 88 keys of the piano keyboard sublimated nothing less than the aesthetic essence of piano music. It was his total identification with the instrument which, in its radical regeneration of the lyric and the dramatic, fantasy and passion and their unique fusion, shaped a tonal language which united an aristocratic sense of style and formal Classical training and intuition with an ascetic rigor. Chopin’s precisely marshaled trains of thought permitted no experiments, and so he did not ‘wander about’ within his stylistic points of reference as Scriabin was to do. Chopin’s works may seem light and improvisatory, but they are planned in meticulous details, exactly and well calculated.”

Burkard Schliessmann classical pianist

Talkings about Chopin and Schumann

Life, Music, Sense, Light

“Dark forces dragged me away from the keyboard, swirling forces of irresistible intensity and power.”

Boris Johnson (1964) British politician, historian and journalist

"A wise guy playing the fool to win", Sunday Times, 16 July 2000, p. 17.
While at the Daily Telegraph, explaining why his work was usually late.
2000s, 2000

“And now an altogether revolutionary discovery: to adapt oneself to the contents of the paintbox is more important than [to] nature and its study. I must some day be able to improvise freely on the chromatic keyboard of the rows of watercolor cup.”

Paul Klee (1879–1940) German Swiss painter

Quote (1911), Diary # 873; as cited by Francesco Mazzaferro, in 'The Diaries of Paul Klee Part Four', : Klee as an Expressionist and Constructivist Painter http://letteraturaartistica.blogspot.nl/2015/05/paul-klee-ev27.html 1911 - 1914

Nature, Study

“I now began to search for a new path in art [from 1914, with the outbreak of World War 1. ]. It was a major task. I understood that I did not have to paint what I saw, not even what I felt, but only that which lived within me, in my soul. To put it in symbolic terms, it is like this: I felt within myself, within my breast, the keyboard of an organ and I had to make it resonate. And the nature that was in front of me served me only as a prompter. And that was a key that unlocked this organ and made it resonate. In the beginning it was very difficult. But little by little, it became easy for me to use colours and forms to find what was within my soul.”

Alexej von Jawlensky (1864–1941) Russian painter

In his letter, 12 June, 1938 to P. Willibrord Verkade, as quoted in Alexej von Jawlensky, der Maler und Mensch, , Clemens Weiler; Wiesbaden 1955, pp. 39 ff
1936 - 1941

War, World, Art, Soul

“It is a recognised fact that the greatest composers were likewise the greatest virtuosos; but did they play like the pianists of the present day, who run up and down the keyboard with passages studied beforehand? Pooh! pooh! pooh! Don't tell me! A real virtuoso, when extemporising, plays pieces which hold together and possess a form. Were the ideas in them fixed instantly on paper, they would be taken for pieces written at leisure. That is what I call playing the piano; everything else is a bad joke.”

Ludwig Van Beethoven (1770–1827) German Romantic composer

24th November, 1814
Source: Johann Wenzel Tomaschek, "A Talk with Beethoven", The Musical Times and Singing Class Circular, Vol. 33, Beethoven Supplement (Dec. 15, 1892)

Idea, Study

“Not only was I fiddling around at the keyboard but there were all these other children of all backgrounds wanting to play every sort of music bits of classical, jazz, pop, improvisation.”

Joanna MacGregor (1959) British musician

The Guardian - 26/05/2000
Childhood

Children, Music

“It is fitting that a discourse on Romantic music should commence with a meditation on the art of Bach. The Bach revival is still sometimes considered an early nineteenth-century phenomenon, although this is hardly tenable: in the 1780s Mozart was deeply affected by Bach, and at the same time Beethoven was being brought up on the Well-Tempered Keyboard. Bach was well known to European musicians as a composer of keyboard music through manuscript copies of this work long before systematic publication began in 1800. The "revival" of Bach in the Romantic period was basically a rediscovery of his choral works and a new evaluation of his technique: his art was no longer simply a model for the fugue, as it had been in the eyes of Mozart, but for the art of music as a whole. The new approach to Bach and to Baroque music in general, however, did not extend to the sound of that music on the original instruments. Few musicians in the 1820s and '30s 'had the slightest interest in the sonority of old harpsichords or Baroque organs (Ignaz Moscheles was an engaging exception). What they saw, and needed to see, in Bach was the achievement of an ideal.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 1 : Music and Sound

Art, Music, Time

“Because of the limited keyboard. This is a very strange thing. When I play the piano, I get clear down to the left edge of the piano. Now, unlike Art Tatum, I don't take runs that go up, that always end up on the extreme high "C". But I really do like the low end. Even as an organist, it has bothered me that the keyboards are five octaves and stop at "C". I've always wished that my pedal board went down to "F". My harmonic thinking gets involved clear down to that "F" and to be cut off at the "C". I can't explain it. It's as if somebody were standing right next to you while you were playing and you just kept having the feeling like: "I can't go there; I can't go there."”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

It does something to me. Whereby [sic] having the full keyboard just opens up a world of things to me. On his preference for Yamaha's 88-key PF-15 piano over the then prevalent DX7; radio interview, circa 1985, by Ben Sidran, as quoted in Talking Jazz With Ben Sidran, Volume 1: The Rhythm Section https://books.google.com/books?id=O3hZDQAAQBAJ&pg=PT457&dq=%22because+of+the+limited+keyboard%22&hl=en&sa=X&ved=0ahUKEwjOhaCoxMXRAhXB5iYKHcvbBykQ6AEIGjAA#v=onepage&q&f=false (1992, 2006, 2014)

World, Art, Feeling, Thinking

“Not all books are created equal, and for the special ones, you begin to know it sometimes even before the work is finished, but always by the time you slam that last line home and shriek, "Done! Done!," and fall head-down across your keyboard like the runner from Marathon.”

Lois McMaster Bujold (1949) Science Fiction and fantasy author from the USA

"'A Conversation With Lois McMaster Bujold", p. 54
The Vorkosigan Companion (2008)

Books, Home, Time

“There’s nothing more humbling than seeing your best quotes in a list, and thinking they could have been written by a coma patient with a keyboard and spasms.”

Scott Adams (1957) cartoonist, writer

Source: Dilbert Blog, Quotes, 2007-02-26, http://web.archive.org/20070228095118/dilbertblog.typepad.com/the_dilbert_blog/2007/02/quotes.html, 2007-02-28 http://dilbertblog.typepad.com/the_dilbert_blog/2007/02/quotes.html,

Quotes, Thinking

“It should be possible, in a 'debreviation' mode, to type 'clr' on the keyboard and have 'The Council on Library Resources, Inc.”

J. C. R. Licklider Libraries of the future

appear on the display.
Source: Libraries of the future, 1965, p. 100 as cited in: Recent advances in display media (1982). Vol. 3, p. 177.

Appearance

“By straying from the text of the Constitution, substantive due process exalts judges at the expense of the People from whom they derive their authority. Petitioners argue that by enshrining the traditional definition of marriage in their State Constitutions through voter-approved amendments, the States have put the issue 'beyond the reach of the normal democratic process'. But the result petitioners seek is far less democratic. They ask nine judges on this Court to enshrine their definition of marriage in the Federal Constitution and thus put it beyond the reach of the normal democratic process for the entire Nation. That a 'bare majority' of this Court is able to grant this wish, wiping out with a stroke of the keyboard the results of the political process in over 30 States, based on a provision that guarantees only 'due process' is but further evidence of the danger of substantive due process.”

Clarence Thomas (1948) Associate Justice of the Supreme Court of the United States

Obergefell v. Hodges http://www.supremecourt.gov/opinions/14pdf/14-556_3204.pdf (26 June 2015). 2010s

Marriage, People

“There is, of course, provision for consultation of the record by the usual scheme of indexing. If the user wishes to consult a certain book, he taps its code on the keyboard, and the title page of the book promptly appears before him, projected onto one of his viewing positions.”

Vannevar Bush book As We May Think

As We May Think (1945)

Books, Appearance

“Chinese cultural influence is virtually nil, and unlikely to increase… Indeed, high Chinese culture and art are almost all imitative of western forms: Chinese concert pianists are technically brilliant, but brilliant at Schubert and Rachmaninov. Chinese ballerinas dance to the scores of Diaghilev. The number of Chinese Nobel prizes won on home turf is zero, although there are of course legions of bright Chinese trying to escape to Stanford and Caltech… It is hard to think of a single Chinese sport at the Olympics, compared with umpteen invented by Britain, including ping-pong, I’ll have you know, which originated at upper-class dinner tables and was first called whiff-whaff. The Chinese have a script so fiendishly complicated that they cannot produce a proper keyboard for it.”

Boris Johnson (1964) British politician, historian and journalist

Have I Got Views for You, p277
2000s, 2006

Art, Home, Thinking, Sport

“Adding a column of figures is a repetitive thought process, and it was long ago properly relegated to the machine. True, the machine is sometimes controlled by the keyboard, and thought of a sort enters in reading the figures and poking the corresponding keys, but even this is avoidable.”

Vannevar Bush book As We May Think

As We May Think (1945)

Reading

“Apple has recently done more with the tablet format with the iPod Touch and iPhone then any other vendor but the jury is still largely out on this format with challenging devices from RIM, Palm, and Google often showcasing that keyboards are necessary.”

Rob Enderle (1954) American financial analyst

Why JooJoo may critically savage the Apple Tablet http://tgdaily.com/electronic/44975-why-joojoo-may-critically-savage-the-apple-tablet in TG Daily (8 December 2009)

“Just giving people devices has a really horrible track record. You really have to change the curriculum and the teacher. And it's never going to work on a device where you don't have a keyboard-type input. Students aren't there just to read things. They're actually supposed to be able to write and communicate. And so it's going to be more in the PC realm—it's going to be a low-cost PC that lets them be highly interactive.”

Bill Gates (1955) American business magnate and philanthropist

A Conversation With Bill Gates About the Future of Higher Education http://chronicle.com/article/A-Conversation-With-Bill-Gates/132591/ in The Chronicle of Higher Education (25 June 2012) 2000s

People, Communication, Teachers, Change

“"You know, I'm a big believer in touch and digital reading, but I still think that some mixture of voice, the pen and a real keyboard - in other words a netbook - will be the mainstream on that." quoted in”

Bill Gates (1955) American business magnate and philanthropist

February 2010
http://blogs.bnet.com/corporate-strategy/?p=101
2000s

Thinking, Reading

“My first serious programming work was done in the very early 1960s, in Assembler languages on IBM and Honeywell machines. Although I was a careful designer — drawing meticulous flowcharts before coding — and a conscientious tester, I realised that program design was hard and the results likely to be erroneous. Into the Honeywell programs, which formed a little system for an extremely complex payroll, I wrote some assertions, with run-time tests that halted program execution during production runs. Time constraints didn't allow restarting a run from the beginning of the tape. So for the first few weeks I had the frightening task on several payroll runs of repairing an erroneous program at the operator’s keyboard ¾ correcting an error in the suspended program text, adjusting the local state of the program, and sometimes modifying the current and previous tape records before resuming execution. On the Honeywell 400, all this could be done directly from the console typewriter. After several weeks without halts, there seemed to be no more errors. Before leaving the organisation, I replaced the run-time halts by brief diagnostic messages: not because I was sure all the errors had been found, but simply because there would be no-one to handle a halt if one occurred. An uncorrected error might be repaired by clerical adjustments; a halt in a production run would certainly be disastrous.”

Michael A. Jackson (1936) British computer scientist

Michael A. Jackson (2000), "The Origins of JSP and JSD: a Personal Recollection", in: IEEE Annals of Software Engineering, Volume 22 Number 2, pages 61-63, 66, April-June 2000.

Error, Time, Drawing

“The programmer, like the poet, works only slightly removed from pure thought-stuff. He builds his castles in the air, from air, creating by exertion of the imagination. Few media of creation are so flexible, so easy to polish and rework, so readily capable of realizing grand conceptual structures….
Yet the program construct, unlike the poet's words, is real in the sense that it moves and works, producing visible outputs separate from the construct itself. [… ] The magic of myth and legend has come true in our time. One types the correct incantation on a keyboard, and a display screen comes to life, showing things that never were nor could be.”

Fred Brooks (1931) American computer scientist

Page 7.
The Mythical Man-Month: Essays on Software Engineering (1975, 1995)

Life, Imagination, Sense, Time

“I joined my family's band, Clannad, as a teenager in 1980 to sing harmonies and play keyboards, but it wasn't musically challenging for me; I felt like an outsider. … My split from Clannad two years later caused a conflict of loyalty for a time, because I went off with their manager Nicky Ryan, who had asked me to join Clannad in the first place.”

Enya (1961) Irish singer, songwriter, and musician

You interview (2006)

Family, Music, Singing, Time

“I don’t know the why of anything, even when I pretend most diligently I do. The truth is the last time I had any idea why or what I was supposed to do I was lying in a shell hole, looking up at the sky. My mind was filled with a Bach keyboard sonata, which was one of the last I’d learned, I forget which one now. I absolutely knew I was about to die and I was completely happy and at peace, in a way I never was before or since, not even with you, in our best moments. It was so easy, you see, a kind of absolute joy and peace, because I knew it was all done and I was all square with life. Nothing left to do but let things take their course. And when I didn’t die, I didn’t know what to do. So I thought, I’ll take my revolver, go out and blow a hole through my head. Only I knew it wouldn’t work. I knew, I just knew you couldn’t do it that way. You couldn’t make it happen, not if you wanted to find peace. So, I thought, then, a sniper can do it for me. But no matter how I tried to let them no sniper ever found me. And all the other times I went out and lay in shell holes in No Man’s Land it wasn’t the same, and I knew I wouldn’t die this time, and of course I never did. I had this mad feeling I’d become some sort of Wandering Jew. And everything for so long afterwards was about dragging this living corpse of myself around, giving it things to do, because here it was, alive. And nothing made any sense and I didn’t even hope it would. I followed paths that were there to be followed, I did what others said to do.”

Basil Rathbone (1892–1967) British actor

Letter https://thegreatbaz.wordpress.com/2013/03/18/fuller-text-of-letter-quoted-in-a-life-divided/

Life, Happiness, Truth, Peace

“Only once in Chopin's music is there a direct reference to Bach, and that is, appropriately, at the beginning of his only educational work, the two sets of Etudes, Op. 10 and 25, and the three Nouvelles Etudes for Moscheles. In the first Etude, Op. 10, in C major, we find a modernized version of the Prelude no. 1 of the Well-Tempered Keyboard…”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 6 : Chopin: Virtuosity Transformed

Education, Music

“It is a far cry from the abacus to the modern keyboard accounting machine. It will be an equal step to the arithmetical machine of the future. But even this new machine will not take the scientist where he needs to go. Relief must be secured from laborious detailed manipulation of higher mathematics as well, if the users of it are to free their brains for something more than repetitive detailed transformations in accordance with established rules.”

Vannevar Bush book As We May Think

As We May Think (1945)

Mathematics, Future, Cry

“How do you type it? With your keyboard.”

Larry Wall (1954) American computer programmer and author, creator of Perl

Public Talks, "Present Continuous - Future Perfect"

“One of the side-effects of having your work appear in a public forum such as this is that people often email me asking for advice on how to break into writing, presumably figuring that if a drooling gum-brain like me can scrape a living witlessly pawing at a keyboard, there's hope for anyone.”

Charlie Brooker (1971) journalist, broadcaster and writer from England

Guardian columns

People, Hope, Appearance

“A programming language is like a natural, human language in that it favors certain metaphors, images, and ways of thinking. The language used strongly colors the computer culture. It would seem to follow that educators interested in using computers and sensitive to cultural influences would pay particular attention to the choice of language. But nothing of the sort has happened. On the contrary, educators… have accepted certain programming languages in much the same way as they accepted the QWERTY keyboard. An informative example is the way in which the programming language BASIC has established itself as the obvious language to use in teaching children how to program computers… Today, and in fact for several years now, the cost of computer memory has fallen to the point where any remaining economic advantages of using BASIC are insignificant. Yet in most high schools, the language remains almost synonymous with programming, despite the existence of other computer languages that are demonstrably easier to learn and are richer in the intellectual benefits that can come from learning them. The situation is paradoxical. The computer revolution has scarcely begun, but is already breeding its own conservatism.”

Seymour Papert book Mindstorms: Children, Computers, and Powerful Ideas

Source: Mindstorms: Children, Computers, and Powerful Ideas (1980), Chapter 1, Computers and Computer Cultures

Children, Education, School, Color

“The first song I ever wrote back then was the song that landed me the job as composer at Westwood Studios, which was remarkable for me at the time. It was basically an acoustic guitar song with electric guitar leads and keyboard strings, and raining sound effects in the background. If I had to compare it to anything, it was probably similar to an interlude Queensryche song. I never released this song before, but I've recently been thinking about re-recording it with the experience I have now and really making it sound proper. Maybe one day.”

Frank Klepacki (1974) American musician, video game music composer and sound director

Gameplay magazine

Thinking, Time

“Two centuries ago Leibnitz invented a calculating machine which embodied most of the essential features of recent keyboard devices, but it could not then come into use. The economics of the situation were against it: the labor involved in constructing it, before the days of mass production, exceeded the labor to be saved by its use, since all it could accomplish could be duplicated by sufficient use of pencil and paper. Moreover, it would have been subject to frequent breakdown, so that it could not have been depended upon; for at that time and long after, complexity and unreliability were synonymous.”

Vannevar Bush book As We May Think

As We May Think (1945)

Time, Dependency

“While it is becoming increasingly obvious that the fundamental architecture of a system has a profound Influence on the quality of its human factors, the vast majority of human factors studies concern the surface of hardware (keyboards, screens) or the very surface of the software”

Lewis M. Branscomb (1926) physicist and science policy advisor

command names, menu formats
L.M. Branscomb, J.C. Thomas (1984) "Ease of use: a system design challenge". in: IBM Systems Journal. Vol 23.3, Sept 1984. Pages 224-235

Study

“The music broke from the piano like clear cold water from a prophet-touched rock, pouring and splashing around us while her fingers leaped and spread, curled and stiffened and melted and flickered in magic pass and streaked lightning above the keyboard. Never before had she played for me… because we were lovers now, was she free to play…?”

Richard Bach book The Bridge Across Forever

The Bridge Across Forever (1984)

Music, Lovers, Water

“The original cut of Ridley Scott's recent retelling of the Robin Hood legend contained a puzzling interlude during which Russell Crowe recited the URL for a pornographic website. The scene was dropped from the theatrical release at the last minute when it was discovered that a script supervisor had inadvertently pasted the contents of their clipboard into the script while trying to find the keyboard shortcut for "print."”

Charlie Brooker (1971) journalist, broadcaster and writer from England

The Guardian 4 October 2010 http://www.theguardian.com/commentisfree/2010/oct/04/charlie-brooker-jonathan-franzen-book-pulped Guardian columns

Past

“I was a colleague of Armen's, at the Rand Corporation "think tank," during the 1950s, and hold no economist in higher regard. When I sat down at my keyboard just now it was to find out what happened to Armen's works. One Google response was someone saying that Armen should get a Nobel Prize. I concur. My own Nobel Prize in Economics was awarded in 1990 along with the prize for Wm. Sharpe. I see in Wikipedia that Armen "influenced" Bill, and that Armen is still alive and is 96 years old.”

Harry Markowitz (1927) American economist

On Armen Alchian http://www.amazon.com/review/R3CH9E5B3QGZ0C

Thinking

“Prokofiev was especially active as a pianist during his years in the United States. The titles of numerous reviews seem to refer as much to his compositions as to his performances: “A titan of a pianist,” “Volcanic eruption at the keyboard,” “Russian chaos in music,” among others.”

Boris Berman (1948) Russian/American musician

Prokofiev’s piano sonatas : a guide for the listener and the performer (2008), Prokofiev the pianist

Music

“Quite frankly, several of the people who contributed to the article should be banned from coming near a keyboard until they have learned to engage in proper encyclopedia writing.”

Jimmy Wales (1966) Wikipedia co-founder and American Internet entrepreneur

Source: In a discussion about Wikipedia article http://en.wikipedia.org/w/index.php?title=Talk:BonziBUDDY&diff=74314772&oldid=74246581 (07 September 2006)

People, Learning

“Above all, Chopin was the greatest master of counterpoint since Mozart. This will appear paradoxical only if we equate counterpoint with strict fugue, and Chopin wrote no formal fugues except as an academic exercise. His chief training, in both composition and keyboard playing, however, came from a study of Bach, and it was a study that engaged him all his life and which he always recommended to his pupils.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 5 : Chopin: Counterpoint and the Narrative Forms

Life, Exercises, Study, Appearance

“Whenever logical processes of thought are employed — that is, whenever thought for a time runs along an accepted groove — there is an opportunity for the machine. Formal logic used to be a keen instrument in the hands of the teacher in his trying of students' souls. It is readily possible to construct a machine which will manipulate premises in accordance with formal logic, simply by the clever use of relay circuits. Put a set of premises into such a device and turn the crank, and it will readily pass out conclusion after conclusion, all in accordance with logical law, and with no more slips than would be expected of a keyboard adding machine.”

Vannevar Bush book As We May Think

As We May Think (1945)

Law, Soul, Teachers, Time

“Without the beat in the background, Jazz basically sounds like an armadillo was let loose on the keyboard”

Bill Bailey (1965) English comedian, musician, actor, TV and radio presenter and author

Tinselworm (2008)

“I stare longingly at the bare chunk of space on the desktop. There may be a keyboard stitched into the lining of my cummerbund, but without a machine to plug it into it’s about as much use as a chocolate hacksaw.”

Charles Stross The Laundry Files

Source: The Laundry Files, The Jennifer Morgue (2006), Chapter 12, “Power Breakfast” (p. 234)

“Rose water and raw spirit…weird amalgam of the bearded star gazer and the red haired pianist pounding away at her keyboard.”

Amrita Sher-Gil (1913–1941) Hungarian Indian artist

Malcolm Muggeridge who had an serious affair with her in The Triumph of Modernism: India's Artists and the Avant-garde, 1922-1947, page=46

Star, Water

“You are twenty-two years old, trained down to the last pound like a boxer. You do not over-eat, smoke or drink and you work six to eight hours a day at a piano with a special keyboard in which the keys are so hard to press down that when you come to your concert grand at night you seem, literally, to be riding a fleecy cloud, so easy is its keyboard action. Before each concert, of course, you eat nothing at all.”

George Antheil (1900–1959) American avant-garde composer, pianist, author and inventor

Drink, Training, Night

“If the tune stays in my mind the next morning then it means that it has potential! The next step is to throw some chords with the keyboard and record a demo with my voice, which you can then work on quietly.”

Prevale (1983) Italian DJ and producer

From the interview «Carlo Prevale: il DJ che trasmette emozioni con le sue canzoni!» http://www.prevale.net/news-and-releases.html, Corriereinformazione.it Original: (it) [Come nascono le tue song?] Le mie song nascono dal nulla, spontanee, niente di studiato a tavolino, di solito è di notte che l'ispirazione mi porta delle buone idee... magari sono in qualsiasi punto del mio studio e canticchio, canticchio e poi esclamo: "Mmm carino questo motivo...". Se la mattina seguente il motivetto mi rimane in mente allora vuol dire che ha delle potenzialità! Il passo successivo è quello di buttare degli accordi con la tastiera e registrare una demo con la mia voce, sulla quale poi lavorarci tranquillamente. [How are your songs born?] My songs come out of nothing, spontaneous, nothing studied at the table, usually it is at night that inspiration brings me good ideas ... maybe they are anywhere in my studio and I hum, hum and then exclaim: "Mmm cute this reason ... ". Source: From the interview by Federico Valenti, «Carlo Prevale: il DJ che trasmette emozioni con le sue canzoni!», Corriereinformazione.it, August 22, 2010; on Prevale.net http://www.prevale.net/news-and-releases.html.