Quotes about jump
page 6

Laurence Sterne photo

“Great wits jump.”

Book III (1761-1762), Ch. 9. Compare: "Great wits jump", John Byrom, The Nimmers; Earl of Buckingham, The Chances, act. iv, scene 1; "Good wits jump", Miguel de Cervantes, Don Quixote, part II, ch. 38.
The Life and Opinions of Tristram Shandy, Gentleman (1760-1767)

Norbert Wiener photo

“We know that for a long time everything we do will be nothing more than the jumping off point for those who have the advantage of already being aware of our ultimate results.”

Norbert Wiener (1894–1964) American mathematician

Source: I am a mathematician, the later life of a prodigy (1953), p. 266
Context: We mathematicians who operate with nothing more expensive than paper and possibly printers' ink are quite reconciled to the fact that, if we are working in an active field, our discoveries will commence to be obsolete at the moment that they are written down or even at the moment they are conceived. We know that for a long time everything we do will be nothing more than the jumping off point for those who have the advantage of already being aware of our ultimate results. This is the meaning of the famous apothegm of Newton, when he said, "If I have seen further than other men, it is because I have stood on the shoulders of giants".

Elie Wiesel photo

“In mysticism you can jump from A to Z. But the ultimate objective is the same. It's knowledge. It's truth.”

Elie Wiesel (1928–2016) writer, professor, political activist, Nobel Laureate, and Holocaust survivor

In a 1978 interview with John S. Friedman, published in The Paris Review 26 (Spring 1984); and in Elie Wiesel : Conversations (2002) edited by Robert Franciosi, p. 87
Context: Miracles in mysticism don't occupy such an important place. It's metaphor, for the peasants, for the crowds, to impress people. What does mysticism really mean? It means the way to attain knowledge. It's close to philosophy, except in philosophy you go horizontally while in mysticism you go vertically. You plunge into it. Philosophy is a slow process of logic and logical discourse: A bringing B bringing C and so forth. In mysticism you can jump from A to Z. But the ultimate objective is the same. It's knowledge. It's truth.

Bill Bailey photo

“And just as he said that a feminist jumped out of a manhole - just jumped up and oh, and she didn't like that.”

Bill Bailey (1965) English comedian, musician, actor, TV and radio presenter and author

That she didn't like that.
Cosmic Jam (tour 1995, DVD 2005, 2006)

Robert A. Heinlein photo

“The husband's behavior was heroic … but what we expect of a husband toward his wife: his right, and his proud privilege, to die for his woman. But what of this nameless stranger? Up to the very last second he could have jumped clear. He did not. He was still trying to save this woman he had never seen before in his life, right up to the very instant the train killed him. And that's all we'll ever know about him.
This is how a man dies.
This is how a man … lives!”

Robert A. Heinlein (1907–1988) American science fiction author

The Pragmatics of Patriotism (1973)
Context: I said that "Patriotism" is a way of saying "Women and children first." And that no one can force a man to feel this way. Instead he must embrace it freely. I want to tell about one such man. He wore no uniform and no one knows his name, or where he came from; all we know is what he did.
In my home town sixty years ago when I was a child, my mother and father used to take me and my brothers and sisters out to Swope Park on Sunday afternoons. It was a wonderful place for kids, with picnic grounds and lakes and a zoo. But a railroad line cut straight through it.
One Sunday afternoon a young married couple were crossing these tracks. She apparently did not watch her step, for she managed to catch her foot in the frog of a switch to a siding and could not pull it free. Her husband stopped to help her.
But try as they might they could not get her foot loose. While they were working at it, a tramp showed up, walking the ties. He joined the husband in trying to pull the young woman's foot loose. No luck —
Out of sight around the curve a train whistled. Perhaps there would have been time to run and flag it down, perhaps not. In any case both men went right ahead trying to pull her free... and the train hit them.
The wife was killed, the husband was mortally injured and died later, the tramp was killed — and testimony showed that neither man made the slightest effort to save himself.
The husband's behavior was heroic... but what we expect of a husband toward his wife: his right, and his proud privilege, to die for his woman. But what of this nameless stranger? Up to the very last second he could have jumped clear. He did not. He was still trying to save this woman he had never seen before in his life, right up to the very instant the train killed him. And that's all we'll ever know about him.
This is how a man dies.
This is how a man... lives!

Gordon Lightfoot photo

“You can't jump a jet plane
Like you can a freight train
So I'll best be on my way
In the early morning rain”

Gordon Lightfoot (1938) Canadian singer-songwriter

Early Morning Rain, Track 7, UAS-6487 The Song That Changed Everything http://www.youtube.com/watch?v=ZFJ5Bj_put0
Lightfoot! (1966)
Context: The liquor tasted good and here the women all were fast...
You can't jump a jet plane
Like you can a freight train
So I'll best be on my way
In the early morning rain

Herman Melville photo

“As soon as you say Me, a God, a Nature, so soon you jump off from your stool and hang from the beam. Yes, that word is the hangman. Take God out of the dictionary, and you would have Him in the street.”

Herman Melville (1818–1891) American novelist, short story writer, essayist, and poet

Letter to Nathaniel Hawthorne, including bits of a review of his work that he had written (c. 16 April 1851); published in Nathaniel Hawthorne and His WIfe Vol, I (1884) by Julian Hawthorne, Ch. VIII : Lenox, p. 388
Context: There is a certain tragic phase of humanity which, in our opinion, was never more powerfully embodied than by Hawthorne. We mean the tragedies of human thought in its own unbiassed, native, and profounder workings. We think that into no recorded mind has the intense feeling of the usable truth ever entered more deeply than into this man's. By usable truth, we mean the apprehension of the absolute condition of present things as they strike the eye of the man who fears them not, though they do their worst to him, — the man who, like Russia or the British Empire, declares himself a sovereign nature (in himself) amid the powers of heaven, hell, and earth. He may perish; but so long as he exists he insists upon treating with all Powers upon an equal basis. If any of those other Powers choose to withhold certain secrets, let them; that does not impair my sovereignty in myself; that does not make me tributary. And perhaps, after all, there is no secret. We incline to think that the Problem of the Universe is like the Freemason's mighty secret, so terrible to all children. It turns out, at last, to consist in a triangle, a mallet, and an apron, — nothing more! We incline to think that God cannot explain His own secrets, and that He would like a little information upon certain points Himself. We mortals astonish Him as much as He us. But it is this Being of the matter; there lies the knot with which we choke ourselves. As soon as you say Me, a God, a Nature, so soon you jump off from your stool and hang from the beam. Yes, that word is the hangman. Take God out of the dictionary, and you would have Him in the street.
There is the grand truth about Nathaniel Hawthorne. He says NO! in thunder; but the Devil himself cannot make him say yes. For all men who say yes, lie; and all men who say no,—why, they are in the happy condition of judicious, unincumbered travellers in Europe; they cross the frontiers into Eternity with nothing but a carpet-bag, — that is to say, the Ego. Whereas those yes-gentry, they travel with heaps of baggage, and, damn them! they will never get through the Custom House. What's the reason, Mr. Hawthorne, that in the last stages of metaphysics a fellow always falls to swearing so? I could rip an hour.

R. A. Lafferty photo

“All the circumstances stand ready. The fructifying minerals are literally jumping out of the ground. And nothing grows.”

R. A. Lafferty (1914–2002) American writer

The Day After the World Ended, notes for a speech at DeepSouthCon'79, New Orleans (21 July 1979), later published in It's Down the Slippery Cellar Stairs (1995)
Context: In its flexibility and in its wide-open opportunities, this is the total Utopia. Anything that you can conceive of, you can do in this non-world. Nothing can stop you except a total bankruptcy of creativity. The seedbed is waiting. All the circumstances stand ready. The fructifying minerals are literally jumping out of the ground. And nothing grows. And nothing grows. And nothing grows. Well, why doesn't it?

“I got madder and madder as we drove along, and just as we drove by the Chelsea Hotel I did something. I've never done anything to hurt anyone, and yet I was so furious that I pressed the button and rolled down the window screen - the glass plate between the front and back seats - and I told the chauffeur that the man in the back was molesting me; he was a junkie! I was so horrified by what I'd said, so flipped out by that, that I jumped out of the car into the path of the oncoming traffic, certain that my head would be crushed.”

Edie Sedgwick (1943–1971) Socialite, actress, model

Edie describing a low point in her relationship with Bob Neuwirth
Edie : American Girl (1982)
Context: It was really sad - Bobby's and my affair. The only true, passionate, and lasting love scene, and I practically ended up in the psychopathic ward. I had really learned about sex from him, making love, loving, giving. It just completely blew my mind - it drove me a little insane. I was like a sex slave to this man. I could make love for forty-eight hours, forty-eight hours, without getting tired. But the minute he left me alone, I felt so empty and lost that I would start popping pills. He had more or less quit using drugs... When I first knew him, a friend of his used to come up with him to my apartment and they'd do a number in the bathroom. This guy eventually died of a heroin overdose, and Bobby left drugs alone after that. But if I wasn't practically in the act of lovemaking, I would be thinking of how to get hold of drugs. I really loved this man.... What happened was that Bobby said, "Let's go to a party. They're making an underground movie," and he said that I, the Warhol heiress, queen, star, socialite, blah, should be there. Bobby really wanted to go. I had a bad scene with him. I pulled out a knife and I wasn't going to let him out the door until he made love to me. I always get really dreadful. But we finally went. I went through it all. I was furious - this after about two years of our continuing relationship. Finally I said, "Now I'm going to leave this party. I'm fed up." He said that was all right: he'd met all the people he wanted to meet, and he'd watched the film begin shot. So we got into my limousine and he said, "Where would you like to eat?" I thought I was going to explode. Where would I like to eat? I screeched at him, "Why the hell can't you make up your own mind where we're going to eat? Why do I have to make all the decisions?" I was just livid, out of hand. I got madder and madder as we drove along, and just as we drove by the Chelsea Hotel I did something. I've never done anything to hurt anyone, and yet I was so furious that I pressed the button and rolled down the window screen - the glass plate between the front and back seats - and I told the chauffeur that the man in the back was molesting me; he was a junkie! I was so horrified by what I'd said, so flipped out by that, that I jumped out of the car into the path of the oncoming traffic, certain that my head would be crushed. All that happened was the I got bruised, badly bruised, but no broken bones. I mean, I was conscious, not destroyed at all. But I'd done such a terrible thing! I couldn't reconcile that. I had been about to explode. The hotel people came out, and they and Bobby carried me in. I had to pretend I was unconscious because I couldn't comprehend the fact that I had tried to get him busted, to hurt him seriously. He was the only person I had ever gotten violent about. I take out whatever violence comes into my system much more heavily on myself than on anyone else. But that was a pretty tight squeeze. I really craved making love to him.

J. B. S. Haldane photo

“Another possible mode of making rapid evolutionary jumps is by hybridisation.”

Source: The Causes of Evolution (1932), Ch. IV Natural Selection, pp. 104-106.
Context: Where natural selection slackens, new forms may arise which would not survive under more rigid competition, and many ultimately hardy combinations will thus have a chance of arising.... Thus the distinction between the principal mammalian orders seems to have arisen during an orgy of variation in the early Eocene which followed the doom of the great reptiles... Since that date mammalian evolution has been a slower affair, largely a progressive improvement of the types originally laid down in the Eocene.
Another possible mode of making rapid evolutionary jumps is by hybridisation.... hybridisation (where the hybrids are fertile) usually causes an epidemic of variation in the second generation which may include new and valuable types which could not have arisen within a species by slower evolution.

Charles Mingus photo

“Good jazz is when the leader jumps on the piano, waves his arms, and yells.”

Charles Mingus (1922–1979) American jazz double bassist, composer and bandleader

Quoted in "What'd I Say?" : The Atlantic Story : 50 Years of Music (2001) by Ahmet M. Ertegun; also partially quoted in What Is This Thing Called Jazz?: African American Musicians As Artists, Critics, and Activists (2002) by Eric C. Porter, p. 118, and Freedom Is, Freedom Ain't: Jazz And the Making of the Sixties (2005) by Scott Saul, p. 154
Context: Good jazz is when the leader jumps on the piano, waves his arms, and yells. Fine jazz is when a tenorman lifts his foot in the air. Great jazz is when he heaves a piercing note for 32 bars and collapses on his hands and knees. A pure genius of jazz is manifested when he and the rest of the orchestra run around the room while the rhythm section grimaces and dances around their instruments.

“Some old man memory jumps to a child
— Spark from the days of energy.
And the child hoards it like a bitter toy.”

Stephen Spender (1909–1995) English poet and man of letters

"Fall of a City"
Selected Poems (1941)
Context: All the lessons learned, unlearned;
The young, who learned to read, now blind
Their eyes with an archaic film;
The peasant relapses to a stumbling tune
Following the donkey`s bray;
These only remember to forget. But somewhere some word presses
On the high door of a skull and in some corner
Of an irrefrangible eye
Some old man memory jumps to a child
— Spark from the days of energy.
And the child hoards it like a bitter toy.

Maxwell D. Taylor photo

“A standard question for a new man was why he had volunteered for parachuting and whether he enjoyed it. On one occasion, a bright-eyed recruit startled me by replying to the latter question with a resounding "No, sir." "Why, then, if you don't like jumping did you volunteer to be a parachutist?" I asked. "Sir, I like to be with people who do like to jump," was the reply. I shook his hand vigorously and assured him that there were at least two of us of the same mind in the Division.”

Maxwell D. Taylor (1901–1987) United States general

Source: Swords and Plowshares (1972), p. 105
Context: A recruit arriving in a new unit feels lonely, homesick, and insecure. Someone has to welcome him when he arrives and make him understand that he is truly wanted. That responsibility is shared by every officer in the channel of command, beginning with the division commander. I made it a point to try to meet every new soldier joining the Division, usually assembling them in small groups for a handshake and an informal talk. A standard question for a new man was why he had volunteered for parachuting and whether he enjoyed it. On one occasion, a bright-eyed recruit startled me by replying to the latter question with a resounding "No, sir." "Why, then, if you don't like jumping did you volunteer to be a parachutist?" I asked. "Sir, I like to be with people who do like to jump," was the reply. I shook his hand vigorously and assured him that there were at least two of us of the same mind in the Division.

Bill Bailey photo

“Even if you’re not particularly religious, then you have to admit that religion surrounds us even in the most mundane aspects of our lives. I was trying to rent a car, and the bloke said to me: "You’re not covered for acts of God."
I said: "What do you mean by that?", he said: [waving arms] "Woooooh!"
I said, "Can you be a bit more specific?", and he went, [vaguely gesticulating] "Eh… ooooh… uh?"
I said, "I’m intrigued because you said 'acts of God', and not gods, or spirits, or jinn, or nymphs, but 'God', a capital God, a monotheistic religion, maybe a Judeo-Christian religion, which would imply a belief system, which would perhaps lead to free-will and determinism, so logically anything that man does directly or indirectly is in fact an act of God, so I’m not covered for anything!"
He said, "I’ll get the manager."
Then I said, "What do you mean by an act of God? What do you mean by that?"
He said, "I dunno, a plague of locusts or something."
"'A plague of locusts'? They swarm round the vehicle, rip the wing mirrors off, and I’m liable for a fifty pound excess?”
And he said, "No, like, rain or something."
I said, "Yeah, but how much rain? It’s drizzling a bit now, is that an act of God? At what point does the rain reach a certain level beyond which it takes on the more apocalyptic mantle of the water-based punishment of the Lord!?"
And he said, [despairing] "I just work Saturdays."
I said "You can’t answer me, can you? Your policy is riddled with theological inconsistency. You disgust me. You twist and turn. You remind me of the Siberian hunting spider, which adopts a highly-convincing limp in three of its eight legs in order to attract its main prey, the so-called Samaritan squirrel, which takes pity on the spider, and then the spider jumps on it and injects the paralysing venom, and the squirrel remains bafflingly philosophical about the whole thing. Not to be confused with the Ukrainian hunting spider, which actually has got a limp and is, as such, completely harmless, and a little bit bitter about the whole thing: [imitating spider] 'Siberian spider have good leg, have nice day, can catch fly, can make web, can catch fly for family, I can do nothing, my leg, it drags behind! It drags! [audience laughs] And you laugh! You make fun! Oh, ha, big joke! I am failure! I am freak! [singing] But in my dreams I can fly, I'm the greatest spider in town. But I wake and it's cold, and I feel so old, and my legs are dragging me down.'"
And then the manager came out, and he said: “Stop all that spider singing."”

Bill Bailey (1965) English comedian, musician, actor, TV and radio presenter and author

Pointed to a sign on the wall: a spider with a line through it. "Oh, fair enough."
He said "I can offer you an upgrade, fifty quid, and we can include in it policies set in place by the Marquis de Laplace, the French scientist who declared that all things in the universe are predetermined, so you would be covered even if time-travel was invented during the period of rental.”
I said, "Nah, probably leave it."
Part Troll (2004)

P. J. O'Rourke photo
Jorge Luis Borges photo

“Whoever hears me assert that the grey cat playing just now in the yard is the same one that did jumps and tricks there five hundred years ago will think whatever he likes of me, but it is a stranger form of madness to imagine that the present-day cat is fundamentally an entirely different one.”

Jorge Luis Borges (1899–1986) Argentine short-story writer, essayist, poet and translator, and a key figure in Spanish language literature

"A History of Eternity" in Selected Non-Fictions Vol. 1, (1999), edited by Eliot Weinberger
Context: I turn to the most promising example: the bird. The habit of flocking; smallness; similarity of traits; their ancient connection with the two twilights, the beginnings of days, and the endings; the fact of being more often heard than seen — all of this moves us to acknowledge the primacy of the species and the almost perfect nullity of individuals. Keats, entirely a stranger to error, could believe that the nightingale enchanting him was the same one Ruth heard amid the alien corn of Bethlehem in Judah; Stevenson posits a single bird that consumes the centuries: "the nightingale that devours time." Schopenhauer — impassioned, lucid Schopenhauer — provides a reason: the pure corporeal immediacy in which animals live, oblivious to death and memory. He then adds, not without a smile: Whoever hears me assert that the grey cat playing just now in the yard is the same one that did jumps and tricks there five hundred years ago will think whatever he likes of me, but it is a stranger form of madness to imagine that the present-day cat is fundamentally an entirely different one.

Kit Carson photo

“When he seed that he give a big yell, for my scalp, an' at me he jumped. …then the Injun killed me.”

Kit Carson (1809–1868) American frontiersman and Union Army general

One of Carson's yarns, as quoted by an old trapper in Edwin Legrand Sabin, Kit Carson Days (1809-1868) (1914) p. 505
Context: Well, I'll tell ye. I war down on the plains, an' the Comanches got after me. Thar war 'bout five hundred of 'em, an' they chased me. We run an' we run, an' my hoss war killed an' I clum a sort o' butte. Thar war a leetle split or cañon in it, an' I run up this. One big red rascal kep' right on my heels; my gun war busted, but I had my knife. The split narrered an' narrered, an got smaller an' smaller, an' suddenly it pinched out; an' thar I war, at the end. So I turned, with my knife, an' when he come on I struck at him. But the walls o' the split war so near together that I hit the rock, an' busted my knife squar' off at the hilt. When he seed that he give a big yell, for my scalp, an' at me he jumped.... then the Injun killed me.

Erwin Schrödinger photo
Reza Pahlavi photo

“I think [Israel attacking Iran] would be a very disastrous event if it were to occur. I have long stated that I think this would be a lose-lose proposition by and large, especially when there's a much better alternative in play, which will be much less costly and far more legitimate than trying to bring any change as a result of any kind of external measures, particularly of the violent and military kind. You have in place the best natural army in the world: namely, the Iranian people themselves, who have bravely fought this fight for years, without any help or support from anyone in the international community. Today, they are already committed to that struggle and I think this is a much better way to put pressure on the regime and abide by international rules. It's a much better way to help the Iranian people bring about whatever changes they want in Iran and nothing is being done about this while everybody contemplates striking the country just because they don’t have faith in diplomacy, which was doomed from the very beginning. I think there's still a chance for a lot of serious fundamental change that will bring an end to all the threats if Iran wants to change from this regime to a democratic nation. If it invests time and effort in helping the movement of the young people in Iran today and be supportive of their demands; be supportive of what they want; engage them after 30 years of limiting engagement to only members of the regime and its representatives. I don't think that's far too much to ask for those of us who are fighting for freedom. What I am saying is that in my opinion, not using this opportunity and going straight to conflict would be historically criminal. That option has to be given its chance but the time is limited and the window of opportunity is now. I hope that many key governments will decide to commit some of their policies to give a chance for this movement to succeed before jumping to conclusions that the only familiars we're left with are either capitulation or attacking Iran.”

Reza Pahlavi (1960) Last crown prince of the former Imperial State of Iran

As quoted by Felice Friedson, Iranian Crown Prince: Ahmadinejad's regime is "delicate and fragile" http://www.rezapahlavi.org/details_article.php?article=459&page=2, August 12, 2010.
Interviews, 2010

Ramsey Clark photo
Chögyam Trungpa photo
Robert Sheckley photo
Ivan Krylov photo
Matt Damon photo

“It was offered to me. When Spielberg says jump, bitches say how high?”

Matt Damon (1970) American actor, screenwriter, and producer

On why he took the role in Saving Private Ryan, in ViewAskew.com WWW Boards (17 March 1998)

Daniel Abraham photo
Chris Martin photo
Questlove photo

“I jumped in the river and there’s piranhas and sharks, but I have a 500-foot lead on them.”

Questlove (1971) American rapper, multi-instrumentalist and journalist from Pennsylvania

On what he would tell his teenaged self in “The Last Word: Questlove on Why He Doesn’t Drink, Idolizing Dave Chappelle” https://www.rollingstone.com/music/music-features/the-last-word-questlove-on-why-he-doesnt-drink-idolizing-dave-chappelle-629466/ in Rolling Stone (2018 Apr 19)

J. Howard Moore photo
Damon Runyon photo

“Some day, somewhere … a guy is going to come to you and show you a nice brand-new deck of cards on which the seal is never broken, and this guy is going to offer to bet you that the jack of spades will jump out of this deck and squirt cider in your ear. But, son … do not bet him, for as sure as you do you are going to get an ear full of cider.”

Damon Runyon (1880–1946) writer

From the short story The Idyll of Miss Sarah Brown, Collier's Weekly, January 28, 1933. Used with slightly different wording in the musical Guys and Dolls -- both the 1950 stage and the 1955 film versions.

Balasaraswati photo

“There used to be beggar, a sort of maniac, who would jump up and dance like a monkey while singing tat tarigappa tei ta, tat tarigappa tei ta.”

Balasaraswati (1918–1984) Indian dancer

Bala would imitate him, both dancing like monkeys... All of us tried to snub him but the beggar could not be turned out. It meant a few coins for him; he made a regular visit to our house and the two used to dance. That was the real starting point for Bala’s dancing mania.

Jussi Halla-aho photo

“I am throughly confused as to why muslims have such a great desire to inflict pain on those who are in a weaker position, such as animals, children and women. I think this pattern is pretty clear. Why do muslims jump around ululating with their dicks hard whenever heads get chopped off or someone gets whipped?”

Jussi Halla-aho (1971) Finnish Slavic linguist, blogger and a politician

Jussi Halla-aho (2005), published in the blog Scripta Mietteitä kansainvaelluksesta http://www.halla-aho.com/scripta/mietteita_kansainvaelluksesta.html, April 20, 2005
2005-09

Rajinikanth photo

“If one analyses his career graph closely, one can understand that the arrow always pointed upwards. There were no major jumps, no deep plummeting…”

Rajinikanth (1950) Indian actor

Dr Gayathri Sreekanth, in her well researched biography of the actor titled, The Name is Rajinikanth. “
Decoding Rajinikanth

Rahul Gandhi photo

“Stop jumping with joy every time a crime happens, Mr Rahul Gandhi. The state has already assured strict and prompt action. You divide the society in every manner possible for electoral gains and then shed crocodile tears. Enough is enough. You are a MERCHANT OF HATE.”

Rahul Gandhi (1970) Indian politician

Finance Minister Piyush Goyal, as quoted in BJP minister describes Rahul Gandhi as "merchant of hate" https://economictimes.indiatimes.com/news/politics-and-nation/bjp-minister-describes-rahul-gandhi-as-merchant-of-hate/articleshow/65105505.cms The Economic Times, Jul 23, 2018

William S. Burroughs photo
Jamelle Bouie photo
Arthur C. Clarke photo

“This sounded promising, and my coefficient of cupidity jumped several points.”

I Remember Babylon, p. 705
2000s and posthumous publications, The Collected Stories of Arthur C. Clarke (2001)

Daniel Abraham photo

“Amazing how much we’ve managed to do, considering how we’re doing it all with jumped-up social primates and evolutionary behaviors from the Pleistocene.”

Daniel Abraham (1969) speculative fiction writer from the United States

Source: Nemesis Games (2015), Chapter 31 (p. 325)

Daniel Abraham photo

“Long story, but the point is that if you hear hoofbeats in the distance, your first guess is that they’re horses, not zebras. And you’re hearing hoofbeats and jumping straight to unicorns.”
“So what are you saying?”

Daniel Abraham (1969) speculative fiction writer from the United States

“I’m saying let’s go see if we can find some horses or zebras before we start a unicorn hunt.”
Source: Nemesis Games (2015), Chapter 8 (p. 86)

Jonathan Mitchell photo

“One girl said I was like a Jew that sympathized with Nazis and I would gladly jump into [a] crematorium.”

Jonathan Mitchell (1955) American writer and activist

The Debate Over an Autism Cure Turns Hostile

David Lloyd George photo

“There is no greater mistake than to try to leap an abyss in two jumps.”

David Lloyd George (1863–1945) Former Prime Minister of the United Kingdom

[Lloyd George, David, David Lloyd George, War Memoirs, New, 1, 1938, Odhams Press Limited, London, 445, XXIV: Disintegration of the Liberal Party]
War Memoirs

Anthony Fauci photo

“I can't jump in front of the microphone and push him down. OK, he said it. Let's try and get it corrected for the next time.”

Anthony Fauci (1940) American immunologist and head of the U.S. National Institute of Allergy and Infectious Diseases

On his response to misstatements by Donald Trump during COVID-19 press briefings, in Jon Cohen, " ‘I’m going to keep pushing.’ Anthony Fauci tries to make the White House listen to facts of the pandemic https://www.sciencemag.org/news/2020/03/i-m-going-keep-pushing-anthony-fauci-tries-make-white-house-listen-facts-pandemic", Science (March 22, 2020).

Goldie Hawn photo

“Before you go to bed, think of three things that went well today. I don’t care if it’s a little crazy thing – it doesn’t matter…Take some music you love and if you can’t dance, go do 10 minutes of jumping jacks. Get yourself all cheered up.”

Goldie Hawn (1945) American actress, film director, and producer.

On remaining centered and positive in “Goldie Hawn: ‘I was born with a high set point for happiness’” https://www.theguardian.com/film/2020/apr/13/goldie-hawn-i-was-born-with-a-high-set-point-for-happiness in The Guardian (2020 Apr 13)

Colin Powell photo
Nikita Khrushchev photo

“We cannot expect the Americans to jump from capitalism to communism, but we can aid their elected leaders in giving them small doses of socialism until suddenly they awake to find that they have communism.”

Nikita Khrushchev (1894–1971) First Secretary of the Communist Party of the Soviet Union

Allegedly said shortly before his 1959 visit to the United States. Subsequent investigation by the Library of Congress and the US Information Agency found no source. The Communist Party of the Soviet Union (following Lenin in State and Revolution) considered socialism a necessary transitional stage to communism, and Khrushchev affirmed this position in regard to existing communist-led states, not the United States. See " Khrushchev Could Have Said It http://speccoll.library.arizona.edu/online-exhibits/files/original/809230f1ccf3f96b76341d3a02b6506b.pdf" by Morris K. Udall.
Disputed

Bruno Heller photo

“No jump is good if the landing is bad.”

Source: The Practice of Natural Movement: Reclaim Power, Health, and Freedom (2019), p.344

Stephen Wolfram photo

“If you think about things that happen, as being computations... a computation in the sense that it has definite rules... You follow them many steps and you get some result. ...If you look at all these different computations that can happen, whether... in the natural world... in our brains... in our mathematics, whatever else, the big question is how do these computations compare. ...Are there dumb ...and smart computations, or are they somehow all equivalent? ...[T]he thing that I ...was ...surprised to realize from ...experiments ...in the early 90s, and now we have tons more evidence for ...[is] this ...principle of computational equivalence, which basically says that when one of these computations ...doesn't seem like it's doing something obviously simple, then it has reached this ...equivalent layer of computational sophistication of everything. So what does that mean? ...You might say that ...I'm studying this tiny little program ...and my brain is surely much smarter ...I'm going to be able to systematically outrun [it] because I have a more sophisticated computation ...but ...the principle ...says ...that doesn't work. Our brains are doing computations that are exactly equivalent to the kinds of computations that are being done in all these other sorts of systems. ...It means that we can't systematically outrun these systems. These systems are computationally irreducible in the sense that there's no ...shortcut ...that jumps to the answer.”

Stephen Wolfram (1959) British-American computer scientist, mathematician, physicist, writer and businessman

Stephen Wolfram: Fundamental Theory of Physics, Life, and the Universe (Sep 15, 2020)

Stephen Wolfram photo

“[S]cience has become used to... using the little... pockets of computational reducibility ([A]n inevitable consequence of computational irreducibility... There have to be these pockets ...scattered around.) to be able to find those cases where you can jump ahead.”

Stephen Wolfram (1959) British-American computer scientist, mathematician, physicist, writer and businessman

Stephen Wolfram: Fundamental Theory of Physics, Life, and the Universe (Sep 15, 2020)

Winston S. Churchill photo

“The truth is incontrovertible. Malice may attack it, ignorance may deride it, but in the end, there it is. Most people, sometime in their lives, stumble across truth. Most jump up, brush themselves off, and hurry on about their business, as if nothing happened.”

Winston S. Churchill (1874–1965) Prime Minister of the United Kingdom

As quoted in, but without a documented source: Joseph Romanella (2012): Adam's Dream: Is Everything We Think, Believe, and Perceive Real—or Is It All Imaginary? https://books.google.de/books?id=vjQvJ1EITDkC&pg=PR30&lpg=PR30&dq=The+truth+is+incontrovertible.+Malice+may+attack+it,+ignorance+may+deride+it,+but+in+the+end,+there+it+is.+source&source=bl&ots=2z1rN6iBG6&sig=ACfU3U20jzEJtXfaAFYwx1K2zhzOOFzkog&hl=de&sa=X&ved=2ahUKEwjQuemItuLpAhUNxqYKHR_LDccQ6AEwAnoECAUQAQ#v=onepage&q=The%20truth%20is%20incontrovertible.%20Malice%20may%20attack%20it%2C%20ignorance%20may%20deride%20it%2C%20but%20in%20the%20end%2C%20there%20it%20is.%20source&f=false, page xxx. ISBN: 978-1-4525-0823-8 (sc). ISBN: 978-1-4525-0824-5 (e). Bloomington, Indiana, United States of America: Balboa Press, a division of Hay House.
Disputed

Pierre Bouvier photo
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Mary Elizabeth Winstead photo

“But as an actor you do want to challenge yourself and step outside what you have done in the past and that what I like to do, I like to jump around and try different things and stretch myself.”

Mary Elizabeth Winstead (1984) American actress and singer

"Exclusive Mary Elizabeth Winstead Interview (Page 2)" in Female First (29 July 2008) https://www.femalefirst.co.uk/movies/Exclusive+Mary+Elizabeth+Winstead+Interview-153677-page2.html

Mwanandeke Kindembo photo

“Warriors do not win victories by beating their heads against walls, but by overtaking the walls. Warriors jump over walls; they don't demolish them.”

Source: The Wheel of Time: Shamans of Ancient Mexico, Their Thoughts About Life, Death and the Universe], (1998), Quotations from "Tales of Power" (Chapter 10)

Jules Van Praet photo

“Always tell the truth, even if it should make him jump out of his shoe.”

Jules Van Praet (1806–1887) Belgian diplomat

Source: All the King's Men' A search for the colonial ideas of some advisers and "accomplices" of Leopold II (1853-1892). (Hannes Vanhauwaert), 4. Viceroys without colonial aspirations? Jules Van Praet (1806-1887) http://www.ethesis.net/leopold_II/leopold_II.htm#2.%20 He certainly did not play his role of chief of staff to the king as that of a submissive slave: this is apparent from a preserved quote from him in Bruges in which he was determined to be his king. VIAENE, V. “Leopold I, Belgian Diplomacy and the Culture of the European Concert, 1831-1865”, 130. Van Praet then rebelled against the fact that Leopold I had already had several mistresses there, which according to the private secretary was detrimental to the popularity of the monarchy.

Bill Maher photo
Tania Raymonde photo

“I feel like all directing, writing, acting… all things feed into one another in a cool way. It’s just one of those jobs where it’s not too difficult to jump around because they’re all interconnected so to speak.”

Tania Raymonde (1988) American actress

Source: Interview: Tania Raymonde Talks ‘Deep Blue Sea 3’ https://www.thehollywoodnews.com/2020/08/20/interview-tania-raymonde-talks-deep-blue-sea-3/ (Aug 20, 2020)

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Bill Engvall photo

“I discovered two very important facts that day - Number one: The springs will pull the hair out of your legs, and Number two: the dog doesn't like to jump.”

Bill Engvall (1957) American comedian and actor

about trampolines
Source: Blue Collar Comedy Tour, Blue Collar Comedy Tour: One For the Road (2006)

Emo Philips photo
Margaret Cho photo

“You will never make love, laugh, fight, eat, go to the movies, kiss, smile, dance, sing, run, skate, play the piano, buy candy for, argue jokingly, tell stories, look longingly at, jump on the bed with, pet the dogs with your faces, sing along with the song in the car and get the words wrong, share a secret, gossip, cop a feel, go hear a band that you both love, share a really good meal, carpool with people you don't like and make fun of them secretly later, cry, comfort, scratch backs, insist on pizza, catch them staring at you, put your arms around them, stay up too late, lean against warm bodies, feel safe with their feet sliding next to yours in bed, raise your children, go to boring dinner parties and get too drunk to drive home so you sleep in the car, spend alternate holidays with each others families, have uncontrollable lust with, followed by mind blowing fuck sessions lasting for hours and hours at a time, take a bath so hot one of you has to get out, all naked and wet and red and dizzy but not embarrassed because this is who you love and rarely are you shy with them, watch a TV show you both hate because the remote control is broken--merely happily, and maybe sometimes unhappily, share your life, and be with them, but you can't, because they're dead. Suddenly, unjustly, untimely, irretrievably--unconscionably dead.”

Margaret Cho (1968) American stand-up comedian

From Her Books, I Have Chosen To Stay And Fight, DEATH

“Who escaped the father steps T the Iowan the flight before jump pull the fiare”

Twice the capture the ex cuff the