Quotes about jeans
page 2

Sid Vicious photo

“We had a death pact. I have to keep my half of the bargain. Please bury me next to my baby in my leather jacket, jeans and motor cycle boots. Goodbye.”

Sid Vicious (1957–1979) English bassist and vocalist

Reported in George Gimarc, Punk Diary: The Ultimate Trainspotter's Guide to Underground Rock, 1970-1982 (2005), p 183.

Derren Brown photo
Włodzimierz Ptak photo

“Half the campus was designed by Bottom the Weaver, half by Ludwig Mies van der Rohe; Benton had been endowed with one to begin with, and had smiled and sweated and and spoken for the other. A visitor looked under black beams, through leaded casements (past apple boughs, past box, past chairs like bath-tubs on broomsticks) to a lawn ornamented with one of the statues of David Smith; in the months since the figure had been put in its place a shrike had deserted for it a neighboring thorn tree, and an archer had skinned her leg against its farthest spike. On the table in the President’s waiting-room there were copies of Town and Country, the Journal of the History of Ideas, and a small magazine—a little magazine—that had no name. One walked by a mahogany hat-rack, glanced at the coat of arms on an umbrella-stand, and brushed with one’s sleeve something that gave a ghostly tinkle—four or five black and orange ellipsoids, set on grey wires, trembled in the faint breeze of the air-conditioning unit: a mobile. A cloud passed over the sun, and there came trailing from the gymnasium, in maillots and blue jeans, a melancholy procession, four dancers helping to the infirmary a friend who had dislocated her shoulder in the final variation of The Eye of Anguish.”

Source: Pictures from an Institution (1954) [novel], Chapter 1: “The President, Mrs., and Derek Robbins”, p. 3; opening paragraph of novel

Brad Paisley photo
Amy Winehouse photo
Cameron Diaz photo

“I'm like every other woman: a closet full of clothes, but nothing to wear: So I wear jeans.”

Cameron Diaz (1972) American actress

Cameron Diaz on fashionhttp://www.bbc.co.uk/films/2006/12/04/cameron_diaz_the_holiday_2006_interview.shtml

Richard Pipes photo
Julius Streicher photo

“Moreover I want to tell Dr. Süßheim -- who wants to portray every anti-Semite as a psychopath -- about his racial fellow Dr. Otto Weininger, who as an honest Jew wrote down his thoughts in the book "Sex and Character":
"Jewry seems to be somewhat anthropologically related to the Negroes and the Mongolians. To the Negro points the readily curling hair, to an admixture of Mongolian blood points the very Chinese or Malayan formed skull, that one finds so often among Jews, which matches the usually yellowish complexion … The fact that excellent men have almost always been anti-Semites (Tacitus, Pascal, Voltaire, Goethe, Kant, Jean Paul, Schopenhauer, Grillparzer, Richard Wagner) can be explained in the following way: they, who have so much more in their own nature than other men, can also better understand Jewry."”

Julius Streicher (1885–1946) German politician

Ferner möchte ich Herrn Dr. Süßheim, der jeden Antisemiten als Psychopathen hinstellen möchte, seinen Rassegenossen Dr. Otto Weininger nennen, der als ehrlicher Jude seine Gedanken in einem Buch "Geschlecht und Charakter" niedergeschrieben hat:
"Das Judentum scheint anthropologisch mit den Negern wie mit den Mongolen eine gewisse Verwandtschaft zu besitzen. Auf den Neger weisen die so gern sich ringelnden Haare, auf Beimischung von Mongolenblut die ganz chinesisch oder malaiisch geformten Gesichtsschädel, die man oft unter Juden antrifft, und denen regelmäßig gelbe Hautfärbung entspricht, hin … Daß hervorragende Menschen fast stets Antisemiten waren (Tacitus, Pascal, Voltaire, Goethe, Kant, Jean Paul, Schopenhauer, Grillparzer, Richard Wagner) geht eben darauf zurück, daß sie, die soviel mehr in sich haben als andere Menschen, auch das Judentum besser verstehen als diese."
12/9/1925, Streicher's pleading when sued because of ani-Semitic slurs; courthouse in Nuremberg ("Kampf dem Weltfeind", Stürmer publishing house, Nuremberg, 1938)

“If I were Osama, and the United States government were actually looking for me, I'd be clean-shaven by now, crewcutted, wearing jeans and a ZZ Top T-shirt, and living in a nice little house in Lincoln, Nebraska.”

L. Neil Smith (1946) American writer

"Enquiring Minds and the Oil War," http://www.ncc-1776.org/tle2010/tle578-20100711-02.html 11 July 2010.

Ryan Adams photo
Johannes Grenzfurthner photo

“Hasta la victoria siempre! Never forget! And let anthropomorphized kiwis puke evil provitamins on Jean-Luc Picard!”

Johannes Grenzfurthner (1975) Austrian artist, writer, curator, and theatre and film director

from documentary Traceroute

Mark Satin photo
Ben Croshaw photo
Adolphe Quetelet photo
Richard Holbrooke photo

“Dayton shook the leadership elite of post-Cold War Europe. The Europeans were grateful to the United States for the leading the effort that finally ended the war in Bosnia, but some European officials were embarassed that American involvement had been necessary. Jacque Poos's 1991 assertion that Europe's "hour had dawned" lay in history's dustbin, alongside James Baker's view that we had no dog in that fight. "One cannot call it an American peace", French Foreign Minister de Charette told the press, "even if President Clinton and the Americans have tried to pull the blanket over to their side. The fact is that the Americans looked at this affair in ex-Yugoslavia from a great distance for nearly four years and basically blocked the progression of things." But de Charette also acknowledged that "Europe as such was not present, and this, it is true, was a failure of the European Union." Prime Minister Alain Juppé, after praising the Dayton agreement, could not resist adding, "Of course, it resembles like a twin the European plan we presented eighteen months ago" - when he was Foreign Minister. Agence France-Presse reported that many European diplomats were "left smarting" at Dayton. In an article clearly inspired by someone at the French Foreign Ministry, Le Figaro said that "Richard Holbrooke, the American mediator, did not leave his European collegues with good memories from the air base at Dayton." They quoted an unnamed Franch diplomat as saying, "He flatters, he lies, he humiliates: he is a sort of brutal and schizophrenic Mazarin." President Chirac's national security assistant, Jean-David Levitte, called to apologize for this comment, saying it did not represent the views of his boss. I replied that such minidramas were inevitable given the pressures and frustrations we faced at Dayton and were inconsequential considering that the war was over.”

Richard Holbrooke (1941–2010) American diplomat

Source: 1990s, To End a War (1998), p. 318

Gabrielle Roy photo
Margot Grahame photo

“Margot Grahame, the countess, was a pouty siren known as "the Aluminum Blonde" — Britain's answer to Jean Harlow.”

Margot Grahame (1911–1982) actress

Lee Miller: a Life by Carolyn Burke (2005), p. 115.
About

Scott Lynch photo
Terry Jones photo
William Cowper photo

“I shall not ask Jean Jacques Rousseau
If birds confabulate or no.”

William Cowper (1731–1800) (1731–1800) English poet and hymnodist

Pairing Time Anticipated.
Bartlett's Familiar Quotations, 10th ed. (1919)

Arthur Guirdham photo
Marcel Duchamp photo
Scott Lynch photo
Peter Greenaway photo
Tom Wolfe photo
William Blum photo
Samuel Bowles photo
Miley Cyrus photo

“I can mix and match a cute shirt with some skinny jeans under a leather jacket and it looks fun and unique.”

Miley Cyrus (1992) American actor and singer-songwriter

Reading Eagle http://www.readingeagle.com/article.aspx?id=118422 (December 20, 2008)

“I disagree with Les. We always found good cunt at the Lyceum. Friendly cunt, clean cunt, spare cunt, jeans and knicker stuffed full of nice juicy hairy cunt, handfuls of cunt, palmful grabbing the cunt by the stem, or the root – infantile memories of cunt – backrow slides – slithery oily cunt, the cunt that breathes – the cunt that’s neatly wrapped in cotton, in silk, in nylon, that announces, that speaks or thrusts, that winks that’s squeezed in a triangle of furtive cloth backed by an arse that’s creamy, springy billowy cushiony tight, knicker lined, knicker skinned, circumscribed by flowers and cotton, by views, clinging knicker, juice ridden knicker, hot knicker, wet knicker, swelling vulva knicker, witty cunt, teeth smiling the eyes biting cunt, cultured cunt, culture vulture cunt, finger biting cunt, cunt that pours, cunt that spreads itself over your soft lips, that attacks, cunt that imagines – cunt you dream about, cunt you create as a Melba, a meringue with smooth sides – remembered from school boys’ smelly first cunt, first foreign cunt, amazing cunt – cunt that’s cruel. Cunt that protects itself and makes you want it even more cunt – cunt that smells of the air, of the earth, of bakeries, of old apples, of figs, of sweat of hands of sour yeast of fresh fish cunt. So – are we going Les? We might pick up a bit of crumpet.”

East (1975), Scene 17

Marlon Brando photo
Taylor Swift photo
Scott Lynch photo

““This entire situation is insane.” Jean slammed his book shut in disgust.
“It was insane before; now it’s become malicious.””

Source: The Lies of Locke Lamora (2006), Chapter 6 “Limitations” section 2 (p. 330)

Bruce Springsteen photo

“It's bad to use words like 'genius' unless you are talking about the late Jean-Michel Basquiat, the black Chatterton of the 80s who, during a picturesque career as sexual hustler, addict and juvenile art-star, made a superficial mark on the cultural surface by folding the conventions of street graffiti into those of art brut before killing himself with an overdose at the age of twenty-seven. The first stage of Basquiat's fate, in the mid-80s, was to be effusively welcomed by an art industry so trivialized by fashion and blinded by money that it couldn't tell a scribble from a Leonardo. Its second stage was to be dropped by the same audience, when the novelty of his work wore off. The third was an attempt at apotheosis four years after his death, with a large retrospective at the Whitney Museum designed to sanitise his short, frantic life and position him as a kind of all-purpose, inflatable martyr-figure, thus restoring the dollar value of his oeuvre in a time of collapsing prices for American contemporary art. One contributor to the catalogue proclaimed that "Jean remains wrapped in the silent purple toga of immortality"; another opined that "he is as close to Goya as American painting has ever produced." A third, not to be outdone, extolled Basquiat's "punishing regime of self-abuse" as part of "the disciplines imposed by the principle of inverse ascetism to which he was so resolutely committed."”

Robert Hughes (1938–2012) Australian critic, historian, writer

These disciplines of inverse ascetism, one sees, mean shooting smack until you drop dead.
Page 195
Culture of Complaint (1993)

Roméo Dallaire photo

“I’m a showman. I believe that you’re a character every time you put on clothes. Tomorrow I may be another in hoops and tight jeans and a bomber. Clothes, to me, or wardrobe express characters.”

Erika Jayne (1969) American singer, actress and television personality

Erika Jayne interview to Vogue https://www.vogue.com/article/erika-girardi-jayne-real-housewives-of-beverly-hills-bella-gigi-hadid-tom-ford-celebrity-style (2017)

Derren Brown photo

“Our society, it turns out, can use modern art. A restaurant, today, will order a mural by Míro in as easy and matter-of-fact a spirit as, twenty-five years ago, it would have ordered one by Maxfield Parrish. The president of a paint factory goes home, sits down by his fireplace—it looks like a chromium aquarium set into the wall by a wall-safe company that has branched out into interior decorating, but there is a log burning in it, he calls it a firelace, let’s call it a fireplace too—the president sits down, folds his hands on his stomach, and stares at two paintings by Jackson Pollock that he has hung on the wall opposite him. He feels at home with them; in fact, as he looks at them he not only feels at home, he feels as if he were back at the paint factory. And his children—if he has any—his children cry for Calder. He uses thoroughly advanced, wholly non-representational artists to design murals, posters, institutional advertisements: if we have the patience (or are given the opportuity) to wait until the West has declined a little longer, we shall all see the advertisements of Merrill Lynch, Pierce, Fenner, and Smith illustrated by Jean Dubuffet.
This president’s minor executives may not be willing to hang a Kandinsky in the house, but they will wear one, if you make it into a sport shirt or a pair of swimming-trunks; and if you make it into a sofa, they will lie on it. They and their wives and children will sit on a porcupine, if you first exhibit it at the Museum of Modern Art and say that it is a chair. In fact, there is nothing, nothing in the whole world that someone won’t buy and sit in if you tell him it is a chair: the great new art form of our age, the one that will take anything we put in it, is the chair. If Hieronymus Bosch, if Christian Morgenstern, if the Marquis de Sade were living at this hour, what chairs they would be designing!”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“The Taste of the Age”, pp. 19–20
A Sad Heart at the Supermarket: Essays & Fables (1962)

Steve Jobs photo

“It is hard to think that a $2 billion company with 4,300-plus people couldn't compete with six people in blue jeans.”

Steve Jobs (1955–2011) American entrepreneur and co-founder of Apple Inc.

On Apple's lawsuit against him, following his resignation to form NeXT, as quoted in Newsweek (30 September 1985)
1980s

Margaret Atwood photo
Albert Gleizes photo
Scott Lynch photo

““You needed a bath,“ Jean interrupted. “You were covered in self-pity.“”

Reminiscence “The Capa of Vel Virazzo” section 5 (p. 63)
Red Seas Under Red Skies (2007)

Mona Charen photo
Harry Chapin photo
Jack White photo

“I'm not saying I came up with anything [laughs]. It's like people thinking we would be more real if we went onstage in jeans and T-shirts. How ignorant is that, to think that because they don't wear a suit onstage that someone is giving you the real deal? People do come and see us and think, "Look at all these gimmicks."”

Jack White (1975) American musician and record producer

Go ahead, man. Go ahead and think that.
From the article White on White from Rolling Stone Magazine
In response to a question about his relationship with Meg being false
On 'gimmicks

Kate Winslet photo
Orson Welles photo
Jonathan Safran Foer photo
Scott Lynch photo
Thomas Carlyle photo
Thomas Piketty photo

“I am trying to put the distributional question and the study of long-run trends back at the heart of economic analysis. In that sense, I am pursuing a tradition which was pioneered by the economists of the 19th century, including David Ricardo and Karl Marx. One key difference is that I have a lot more historical data. With the help of Tony Atkinson, Emmanuel Saez, Facundo Alvaredo, Gilles Postel-Vinay, Jean-Laurent Rosenthal, Gabriel Zucman and many other scholars, we have been able to collect a unique set of data covering three centuries and over 20 countries. This is by far the most extensive database available in regard to the historical evolution of income and wealth. This book proposes an interpretative synthesis based upon this collective data collection project.”

Thomas Piketty (1971) French economist

Eduardo Porter, " Q&A: Thomas Piketty on the Wealth Divide http://economix.blogs.nytimes.com/2014/03/11/qa-thomas-piketty-on-the-wealth-divide/?_php=true&_type=blogs&_r=0," economix.blogs.nytimes.com, March 11, 2014.
In answer of the question: "Your book fits oddly into the canon of contemporary economics. It focuses not on growth and its determinants, but on how the spoils of growth are divided. In that sense, it reminds us of similar concerns in a book of similar title written 150 years ago: Karl Marx’s “Capital.” What parallels would you draw between the two?"

Revilo P. Oliver photo

“In the first four centuries A. D. the world was full of Gnostics peddling special revelations, and, of course, Christ was only one of the Saviors: others were Baruch, Gamaliel, Tat (= the Egyptian god Toth), Seth (Egyptian god), Balaam, Ezechiel, Adam (whose books had just been discovered), Moses, Enoch, Marsanes, Nicotheus, Phosilampes, Mithra, Zoroaster, Zervan, et al., et al. In the early centuries of our era, the Near East was a Bedlam filled with the insane ravings of fakirs peddling their Saviors and their forged Gospels, and at this distance it is impossible to tell the difference between madmen, hallucinés who got visions of god from eating the sacred mushroom, Amanita muscaria, and shysters fleecing the yokels with mystic gabble. One cannot read much of the gibberish without feeling queasy and dizzy, but for a quick survey of the stuff that our holy men want to sweep under the rug, see Jean Doresse, Les livres secrets des Gnostiques d'Égypte, Paris, 1959, which surveys the books found at Chenoboskion a few years before. The one significant thing is that the peddlers of all forms of Gnosticism (including Christian cults before the Third Century) were almost all Jews. If you will look in your Scientific American for January 1973, pp. 80-87, you will note that the author has to admit that "it becomes increasingly evident that much of Gnosticism is probably of Jewish origin." He is naturally cautious, wary of offending God's Peculiar People. Although I admit that one cannot identify the race of some of the more prominent Salvation-hucksters, I think it significant that those whom one can identify racially always turn out to be Jews, and I would delete "much of" and "probably" in the author's statement.”

Revilo P. Oliver (1908–1994) American philologist

The Jewish Strategy, Chapter 12 "Christianity"
1990s, The Jewish Strategy (2001)

Brian Mulroney photo

“It's pretty hard to tell somebody who won 211 seats the first time out, having started way behind, and then 169 the next time out, that he can't do it a third time against Jean Chrétien, Preston Manning and Audrey McLaughlin. Give me a break.”

Brian Mulroney (1939) 18th Prime Minister of Canada

[Newman, Peter, The Secret Mulroney Tapes: Unguarded Confessions of a Prime Minister, 2005, Random House Canada, Toronto, 0-679-31351-6], p. 159.

John Fante photo
Berthe Morisot photo
Rod McKuen photo

“While the hills are ablaze with the moon's yellow haze
Come into my arms, bonnie Jean.”

Rod McKuen (1933–2015) American poet, songwriter, composer, and singer

Music to The Prime of Miss Jean Brodie (1968)
Context: Till the sheep in the valley come home my way
Till the stars fall around me and find me alone
When the sun comes a-singin' I'll still be waitin' For Jean, Jean, roses are red
And all of the leaves have gone green
While the hills are ablaze with the moon's yellow haze
Come into my arms, bonnie Jean.

Henry Adams photo

“As educator, Jean Jacques was, in one respect, easily first; he erected a monument of warning against the Ego.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

The Education of Henry Adams (1907)
Context: As educator, Jean Jacques was, in one respect, easily first; he erected a monument of warning against the Ego. Since his time, and largely thanks to him, the Ego has steadily tended to efface itself, and, for purposes of model, to become a manikin on which the toilet of education is to be draped in order to show the fit or misfit of the clothes. The object of study is the garment, not the figure. The tailor adapts the manikin as well as the clothes to his patron's wants. The tailor's object, in this volume, is to fit young men, in universities or elsewhere, to be men of the world, equipped for any emergency; and the garment offered to them is meant to show the faults of the patchwork fitted on their fathers.

Jackson Browne photo
Yvonne De Carlo photo

“You want to know about the title, right. The most beautiful girl in the world. . . It was a straight publicity thing but it ballooned. Of course, I never could wear blue jeans to the market after that. I had a reputation to uphold.”

Yvonne De Carlo (1922–2007) Canadian-American actress, dancer, and singer

Source: As quoted in " A girl no longer, but . . . De Carlo's a beauty still https://www.newspapers.com/newspage/459624330/" (1975)

Ian McEwan photo
Ivanka Trump photo

“During my punk phase in the nineties, I was really into Nirvana. My wardrobe consisted of ripped corduroy jeans and flannel shirts. One day after school, I dyed my hair blue. Mom wasn't a fan of this decision.”

Ivanka Trump (1981) American businesswoman, socialite, fashion model and daughter of Donald Trump

10 October 2017, Raising Trump page 74 https://books.google.ca/books?id=gQ5aDgAAQBAJ&pg=PT74
2017

Mahesh Sharma photo

“You run an NGO, wear jeans ripped at the knees, move about in society, children are with you, what values you will teach?”

Mahesh Sharma (1959) Indian politician

Criticizing a random woman he met on a plane, as quoted in " Why India is talking about ripped jeans and knees https://www.bbc.com/news/world-asia-india-56453929" by Geeta Pandey, BBC News (22 March 2021)