Quotes about goddess
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(version in original Dutch / origineel citaat van Anton Mauve, uit zijn brief:) onze Godin [hoe het schilderen verloopt] is soms zoo grillig, juist als je haar wil spreken, houd zij zich schuil en als je niet direct aan haar dacht, komt ze onophoudelijk hándjes geven en is zoo vriendelijk, enfin - wij zullen zien..
In a letter to Willem Witsen, from The Hague, 28 Dec. 1884?]; original copy from website DBNL https://www.dbnl.org/tekst/wits009brie01_01/wits009brie01_01_0025.php; location of resource: Koninklijke Bibliotheek, Den Haag: no. KB75 C51
1880's
These were his last words.
Source: Dream of the Red Chamber (1958), pp. 89–90
Hindu View of Christianity and Islam (1992)
Major Richard Sharpe, p. 311
Sharpe (Novel Series), Sharpe's Enemy (1984)
“It was all a matter of a Goddess – dark, hidden, deadly, horribly desirable.”
Fiction, Nothing Like the Sun (1964)
Source: Theory and Practice of Muslim State in India (1999), ch. 2
Source: Things Fall Apart (1958), Chapter 13 (p. 118)
Source: 1910s, Prejudices, First Series (1919), Ch. 16
"Intense Ornate" interview with Amazon.co.uk (1999) http://www.elizabethhand.com/interview99.shtml
Context: So much fantasy relies on the author's having read Fraser's The Golden Bough or Robert Graves' The White Goddess and nothing else. The White Goddess is a crank book, a crank book of genius of course, but all the same... Mind you, I found Waking the Moon cited in an article in a pagan magazine as an authority for the idea that there was a patriarchal brotherhood, the Benandanti, that have been running things since antiquity, with no mention of the fact that it is a novel, and a fantasy at that. People want to believe something, and so they swallow anything.
Toward an Activist Spirituality (2003)
Context: Much of our magic and our community work is about creating spaces of refuge from a harsh and often hostile world, safe places where people can heal and regenerate, renew our energies and learn new skills. In that work, we try to release guilt, rage, and frustration, and generally turn them into positive emotions.
Safety and refuge and healing are important aspects of spiritual community. But they are not the whole of spirituality. Feeling good is not the measure by which we should judge our spiritual work. Ritual is more than self-soothing activity.
Spirituality is also about challenge and disturbance, about pushing our edges and giving us the support we need to take great risks. The Goddess is not just a light, happy maiden or a nurturing mother. She is death as well as birth, dark as well as light, rage as well as compassion — and if we shy away from her fiercer embrace we undercut both her own power and our own growth.
Epigram 5; translation by Jonathan Swift, cited from Anthologia Polyglotta (1849), edited by Henry Wellesley, p. 47
Epigrams
Upon the Sovereign Sun (362)
Context: Unto men Athene gives good things — namely, wisdom, understanding, and the creative arts; and she dwells in their citadels, I suppose, as being the founder of civil government through the communication of her own wisdom.
Now for a few words about Aphrodite, whom the Phoenician theologians agree in making co-operate in the work of creation with the last-mentioned goddess — and I believe they are right. She, then, is the mingling together of the celestial deities, and of the harmony of the same, for the purposes of love and unification. For she being near to the Sun, and running her course together with him, and approaching close to him, she fills the heavens with a good temperament, she imparts to the earth the generative power, whilst she herself provides for the perpetuity of generation of animals, of which generation the Sovereign Sun contains the final efficient cause. She, however, is joint cause with him, enthralling our souls by the aid of pleasure, whilst she sheds down from the aether upon the earth her rays so delightful and pure, more lustrous than gold itself.
The American Credo: A Contribution toward the Interpretation of the National Mind (1920)
1920s
Context: The American of today, in fact, probably enjoys less personal liberty than any other man of Christendom, and even his political liberty is fast succumbing to the new dogma that certain theories of government are virtuous and lawful, and others abhorrent and felonious. Laws limiting the radius of his free activity multiply year by year: It is now practically impossible for him to exhibit anything describable as genuine individuality, either in action or in thought, without running afoul of some harsh and unintelligible penalty. It would surprise no impartial observer if the motto “In God we trust” were one day expunged from the coins of the republic by the Junkers at Washington, and the far more appropriate word, “verboten,” substituted. Nor would it astound any save the most romantic if, at the same time, the goddess of liberty were taken off the silver dollars to make room for a bas-relief of a policeman in a spiked helmet. Moreover, this gradual (and, of late, rapidly progressive) decay of freedom goes almost without challenge; the American has grown so accustomed to the denial of his constitutional rights and to the minute regulation of his conduct by swarms of spies, letter-openers, informers and agents provocateurs that he no longer makes any serious protest.
Source: Sex, Art and American Culture : New Essays (1992), Rape and Modern Sex War, p. 68
Context: I am saying that many of the problems between the sexes are coming from something prior to socialization, a turbulence that has to do with every boy’s origin in a woman’s body, and the way he is overwhelmed by this huge, matriarchal shadow of a goddess figure from his childhood. And I feel, after so many decades of studying this, that men are suffering from a sense of dependence on women, their sense that at any moment they could be returned to that slavery and servitude they experienced under a woman’s thumb, when they were a boy in the shadow of the mother. I got this from studying all world culture, and comparing and noticing how often there were these similar patterns in many different cultures. Many things that erupt in rape or violence, or battery and so on, are happening when a woman is pushing that button of fear and dependency.
Source: Where Angels Fear to Tread (1905), Ch. 10
Context: This woman was a goddess to the end. For her no love could be degrading: she stood outside all degradation. This episode, which she thought so sordid, and which was so tragic for him, remained supremely beautiful. To such a height was he lifted, that without regret he could now have told her that he was her worshipper too. But what was the use of telling her? For all the wonderful things had happened.
"Thank you," was all that he permitted himself. "Thank you for everything."
“I’ve always been interested in the Mother Goddess.”
The Paris Review interview (1982)
Context: I’ve always been interested in the Mother Goddess. Not long ago, a young person, whom I don’t know very well, sent a message to a mutual friend that said: “I’m an addict of Mary Poppins, and I want you to ask P. L. Travers if Mary Poppins is not really the Mother Goddess.” So, I sent back a message: “Well, I’ve only recently come to see that. She is either the Mother Goddess or one of her creatures — that is, if we’re going to look for mythological or fairy-tale origins of Mary Poppins.”
I’ve spent years thinking about it because the questions I’ve been asked, very perceptive questions by readers, have led me to examine what I wrote. The book was entirely spontaneous and not invented, not thought out. I never said, “Well, I’ll write a story about Mother Goddess and call it Mary Poppins.” It didn’t happen like that. I cannot summon up inspiration; I myself am summoned.
Once, when I was in the United States, I went to see a psychologist. It was during the war when I was feeling very cut off. I thought, Well, these people in psychology always want to see the kinds of things you’ve done, so I took as many of my books as were then written. I went and met the man, and he gave me another appointment. And at the next appointment the books were handed back to me with the words: “You know, you don’t really need me. All you need to do is read your own books.”
That was so interesting to me. I began to see, thinking about it, that people who write spontaneously as I do, not with invention, never really read their own books to learn from them. And I set myself to reading them. Every now and then I found myself saying, “But this is true. How did she know?” And then I realized that she is me. Now I can say much more about Mary Poppins because what was known to me in my blood and instincts has now come up to the surface in my head.
the Terebinth-god, the Thunder-god, the Pomegranate-god, the Bull-god, the Goat-god, the Antelope-god, the Calf-god, the Porpoise-god, the Ram-god, the Ass-god, the Barley-god, the god of Healing, the Moon-god, the god of the Dog-star, the Sun-god. Later (if it is permitted to write in this style) he did exactly what his Roman counterpart, Capitoline Jove, has done: he formed a supernal Trinity in conjunction with two of the Goddess's three persons, namely, Anatha of the Lions and Ashima of the Doves, the counterparts of Juno and Minerva; the remaining person, a sort of Hecate named Sheol, retiring to rule the infernal regions.
King Jesus (1946)
“Rage—Goddess, sing the rage of Peleus' son Achilles”
I. 1–5 (tr. Robert Fagles).
Iliad (c. 750 BC)
Context: Rage—Goddess, sing the rage of Peleus' son Achilles,
murderous, doomed, that cost the Achaeans countless losses,
hurling down to the House of Death so many sturdy souls,
great fighters' souls, but made their bodies carrion,
feasts for the dogs and birds.
Source: Archetypal Dimensions of the Psyche (1994), The Self, p. 324 - 325
1950s, Conquering Self-centeredness (1957)
Context: And there needs to be something in your life of a goddess of Nemesis which pulls you down when you get too high and pulls you up when you feel the sense of inadequacy and that is what religion at its best does. It keeps you to the point that you don’t feel like you are too low and you don’t feel like you are too high but you’ll maintain that type of balance. And you come to see that you’re an adjective, not a noun. It is only God that is a noun, you are a dependent clause not an independent clause. You come to see through great religion, somehow, there is only one being in this universe that can say “I am” unconditionally. We turn over to Genesis and we read of God saying, “I am that I am,” and that’s the only being that can say that. But man is a child of God and he must always say, “I am, because of.” And when you come to see that, you see that your existence is adjectival; it is dependent on something else. Your existence is dependent on the existence of a higher power and you can’t walk around the universe with arrogance. You can’t walk about the universe with a haughty spirit because you know that there is a God in this universe that you are dependent on.
Bodhi Tree lecture (1999)
Context: The Goddess religion asserts that the earth is alive, and that everything on the earth is part of a living being. We believe that you can celebrate life in many different images and forms, that life moves in cycles of birth and growth and death and rebirth, and that the same spirit moves through nature, through the cycles of the seasons, through the birth and growth and death of plants and animals, and through our lives as human beings. There is a multiplicity of images that you can draw upon for understanding and power, but the reason we focus on the goddess is partly to counterbalance the 5,000 years worth of focus on male holy images, and partly to affirm that bringing life into the world is sacred. Our goal is not to get out of the world or to get out of life, but to integrate it, to celebrate it, to embrace it fully, and to embrace all the different cycles within it
As quoted in Womanspirit Rising: A Feminist Reader in Religion (1979) by Carol P. Christ and Judith Plaskow
Context: Much of what is written on the craft is biased in one way or another, so weed out what is useful to you and ignore the rest. I see the next few years as being crucial in the transformation of our culture away from the patriarchal death cults and toward the love of life, of nature, of the female principle. The craft is only one path among the many opening up for women, and many of us will blaze new trails as we explore the uncharted country of our own interiors. The heritage, the culture, the knowledge of the ancient priestesses, healers, poets, singers, and seers were nearly lost, but a seed survived the flames that will blossom in a new age into thousands of flowers. The long sleep of Mother Goddess is ended. May She awaken in each of our hearts — Merry meet, merry part, and blessed be.
The Paris Review interview (1982)
Context: I’ve always been interested in the Mother Goddess. Not long ago, a young person, whom I don’t know very well, sent a message to a mutual friend that said: “I’m an addict of Mary Poppins, and I want you to ask P. L. Travers if Mary Poppins is not really the Mother Goddess.” So, I sent back a message: “Well, I’ve only recently come to see that. She is either the Mother Goddess or one of her creatures — that is, if we’re going to look for mythological or fairy-tale origins of Mary Poppins.”
I’ve spent years thinking about it because the questions I’ve been asked, very perceptive questions by readers, have led me to examine what I wrote. The book was entirely spontaneous and not invented, not thought out. I never said, “Well, I’ll write a story about Mother Goddess and call it Mary Poppins.” It didn’t happen like that. I cannot summon up inspiration; I myself am summoned.
Once, when I was in the United States, I went to see a psychologist. It was during the war when I was feeling very cut off. I thought, Well, these people in psychology always want to see the kinds of things you’ve done, so I took as many of my books as were then written. I went and met the man, and he gave me another appointment. And at the next appointment the books were handed back to me with the words: “You know, you don’t really need me. All you need to do is read your own books.”
That was so interesting to me. I began to see, thinking about it, that people who write spontaneously as I do, not with invention, never really read their own books to learn from them. And I set myself to reading them. Every now and then I found myself saying, “But this is true. How did she know?” And then I realized that she is me. Now I can say much more about Mary Poppins because what was known to me in my blood and instincts has now come up to the surface in my head.
The Eye of Spirit : An Integral Vision for a World Gone Slightly Mad (1997)
Context: The Realization of the Nondual traditions is uncompromising: There is only Spirit, there is only God, there is only Emptiness in all its radiant wonder. All the good and all the evil, the very best and the very worst, the upright and the degenerate — each and all are radically perfect manifestations of Spirit precisely as they are. There is nothing but God, nothing but the Goddess, nothing but Spirit in all directions, and not a grain of sand, not a speck of dust, is more or less Spirit than any other.
Book I, line 1, p. 1
The Iliads of Homer, Prince of Poets (1611)
Context: Achilles' baneful wrath resound, O Goddess, that imposed
Infinite sorrows on the Greeks, and many brave souls loosed
From breasts heroic, sent them far to that invisible cave
That no light comforts, and their limbs to dogs and vultures gave;
To all which Jove's will gave effect; from whom first strife begun
Betwixt Atrides, king of men, and Thetis' godlike son.
“She is either the Mother Goddess or one of her creatures”
The Paris Review interview (1982)
Context: I’ve always been interested in the Mother Goddess. Not long ago, a young person, whom I don’t know very well, sent a message to a mutual friend that said: “I’m an addict of Mary Poppins, and I want you to ask P. L. Travers if Mary Poppins is not really the Mother Goddess.” So, I sent back a message: “Well, I’ve only recently come to see that. She is either the Mother Goddess or one of her creatures — that is, if we’re going to look for mythological or fairy-tale origins of Mary Poppins.”
I’ve spent years thinking about it because the questions I’ve been asked, very perceptive questions by readers, have led me to examine what I wrote. The book was entirely spontaneous and not invented, not thought out. I never said, “Well, I’ll write a story about Mother Goddess and call it Mary Poppins.” It didn’t happen like that. I cannot summon up inspiration; I myself am summoned.
Once, when I was in the United States, I went to see a psychologist. It was during the war when I was feeling very cut off. I thought, Well, these people in psychology always want to see the kinds of things you’ve done, so I took as many of my books as were then written. I went and met the man, and he gave me another appointment. And at the next appointment the books were handed back to me with the words: “You know, you don’t really need me. All you need to do is read your own books.”
That was so interesting to me. I began to see, thinking about it, that people who write spontaneously as I do, not with invention, never really read their own books to learn from them. And I set myself to reading them. Every now and then I found myself saying, “But this is true. How did she know?” And then I realized that she is me. Now I can say much more about Mary Poppins because what was known to me in my blood and instincts has now come up to the surface in my head.
IX. On Providence, Fate, and Fortune.
On the Gods and the Cosmos
IV. That the species of myth are five, with examples of each.
On the Gods and the Cosmos
Context: The mixed kind of myth may be seen in many instances: for example they say that in a banquet of the Gods Discord threw down a golden apple; the Goddesses contended for it, and were sent by Zeus to Paris to be judged. Paris saw Aphrodite to be beautiful and gave her the apple. Here the banquet signifies the hypercosmic powers of the Gods; that is why they are all together. The golden apple is the world, which being formed out of opposites, is naturally said to be "thrown by Discord." The different Gods bestow different gifts upon the world, and are thus said to "contend for the apple." And the soul which lives according to sense — for that is what Paris is — not seeing the other powers in the world but only beauty, declares that the apple belongs to Aphrodite.
Devdutt Pattanaik in: The Rise of Alakshmi http://devdutt.com/articles/modern-mythmaking/the-rise-of-alakshmi.html, Speaking Tree, The Times of India, 2 May 2010, Retrieved 7 September 2017
Devdutt Pattanaik, in "Myth = Mithya (2008)", p. 200.
Devdutt Pattanaik, in "Myth = Mithya (2008)", p. 146-147.
Volume 1, Introduction
The Greek Myths (1955)
"The Scientific Aspect of Monte Carlo Roulette" (1894)
Source: Storm Over Warlock (1960), Chapter 15, “Dragon Slayer” (p. 164)
Josephine Livingstone, “Comics’ Filthy Grandfather and the Woman Who Loves Him” https://newrepublic.com/article/140387/comics-filthy-grandfather-woman-loves, The New Republic, (February 3, 2017).
About
Malabar Manual, Page 142 https://archive.org/details/MalabarLogan/page/n154
Malabar Manual (1887)
The Creation of Patriarchy, ch. 8, pp. 178-179
The Creation of Patriarchy (1986)
The Creation of Patriarchy, ch. 7, pp. 141-142
The Creation of Patriarchy (1986)
Artemis Fowl: The Eternity Code (2003)
Why was he incensed? A prolonged exchange failed to illuminate me. No godless person can comprehend those minute distinctions in doctrine that provide true believers excuse for mayhem. It is hard enough to accept the fact that they really believe the nonsense of their faiths. I always wonder if they are pulling my leg with a straight face.
Source: Dreams of Steel (1990), Chapter 58 (pp. 414-415)
“Can you really kill the Goddess?”
Jane asked.
“You stupid gobbet of flesh! Don’t you understand yet? There is no Goddess.”
“No,” Jane cried. “You said yourself—”
“I lied,” the dragon said with a fearful complacency. “Everyone you have ever met has lied to you. Life exists, and all who live are born to suffer. The best moments are fleeting and bought with the coin of exquisite torment. All attachments end. All loved ones die. All that you value passes away. In such a vexatious existence laughter is madness and joy is folly. Shall we accept that it all happens for no reason, with no cause? That there is nobody to blame but ourselves but that accepting the responsibility is pointless for doing so cannot ease, defer, or deaden the pain? Not likely! It is so much more comforting to erect a straw figure on which to blame it all.
“Some bow down before the Goddess and others curse her every name. There is not a fart’s difference between the two approaches. They cling to the fiction of the Goddess because admitting the alternative is unbearable.”
Source: The Iron Dragon's Daughter (1993), Chapter 19 (pp. 339-340)
To H. G. Wells (11 September 1906)
1920s, The Letters of William James (1920)
Eminent Historians: Their Technology, Their Line, Their Fraud (1998)
Romila Thapar, quoted from Ayodhya: The Case Against the Temple (2002) by K. Elst.
Jaya Bharata Jananiya Tanujate (1930)
Source: In his essay Illusions, quoted in Gokhale, Balkrishna Govind India in the American mind Bombay: PopularPrakashan, 1992.