Quotes about expression

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The World in Six Songs (2008)
Context: Both poetry and lyrics and all visual arts draw their power from their ability to express abstractions of reality.... that is a feature of the musical brain.

Source: The Revolt of the Angels (1914), Ch. XXXV
Context: The archangel Michael took supreme command. He reassured their minds by his serenity. His countenance, wherein his soul was visible, expressed contempt for danger. By his orders, the chiefs of the thunderbolts, the Kerûbs, grown dull with the long interval of peace, paced with heavy steps the ramparts of the Holy Mountain, and, letting the gaze of their bovine eyes wander over the glittering clouds of their Lord, strove to place the divine batteries in position. After inspecting the defences, they swore to the Most High that all was in readiness. They took counsel together as to the plan they should follow. Michael was for the offensive. He, as a consummate soldier, said it was the supreme law. Attack, or be attacked, — there was no middle course.
"Moreover," he added, "the offensive attitude is particularly suitable to the ardour of the Thrones and Dominations."
Beyond that, it was impossible to obtain a word from the valiant chief, and this silence seemed the mark of a genius sure of himself.

Source: What then must we do? (1886), Chapter XXIX
Context: When I started life Hegelianism was the basis of everything: it was in the air, found expression in magazine and newspaper articles, in novels and essays, in art, in histories, in sermons, and in conversation. A man unacquainted with Hegel had no right to speak: he who wished to know the truth studied Hegel. Everything rested on him; and suddenly forty years have gone by and there is nothing left of him, he is not even mentioned — as though he had never existed. And what is most remarkable is that, like pseudo-Christianity, Hegelianism fell not because anyone refuted it, but because it suddenly became evident that neither the one nor the other was needed by our learned, educated world.

The Debs Decision https://ia902703.us.archive.org/33/items/TheDebsDecision/Debs.htm (1919)
Context: Compared with the necessity of protecting ruling class privileges and prerogatives, the right of a man to express his mind goes for nothing. That is the lesson of history and that is what we are witnessing today. Men who have stirred up the people; men who have raised their voices in protest; men who thought straight; men who have loved their fellow men too much; men who have had conviction and courage and purpose; men who were willing to stick by their ideals—such men have suffered in every age.

250 U.S. at 630.
1910s, Abrams v. United States, 250 U.S. 616 (1919)

in La formation scientifique, Une communication du Prix Nobel d’économie, Maurice Allais http://www.canalacademie.com/Maurice-Allais-la-formation.html, address to the Académie des Sciences Morales et Politiques (1997).
Context: Any author who uses mathematics should always express in ordinary language the meaning of the assumptions he admits, as well as the significance of the results obtained. The more abstract his theory, the more imperative this obligation.
In fact, mathematics are and can only be a tool to explore reality. In this exploration, mathematics do not constitute an end in itself, they are and can only be a means.

Source: The Art of Loving (1956), Ch. 2
Context: In the dominant Western religious system, the love of God is essentially the same as the belief in God, in God’s existence, God’s justice, God’s love. The love of God is essentially a thought experience. In the Eastern religions and in mysticism, the love of God is an intense feeling experience of oneness, inseparably linked with the expression of this love in every act of living.

Upon the Sovereign Sun (362)
Context: Come then, and let us celebrate in the best way we can the anniversary festival which the imperial city is keeping by sacrifices, with unusual splendour. And yet I feel how difficult it is for the human mind even to form a conception of that Sun who is not visible to the sense, if our notion of Him is to be derived from the Sun that is visible; but to express the same in language, however inadequately, is, perhaps, beyond the capability of man! To fitly explain His glory, I am very well aware, is a thing impossible; in lauding it, however, mediocrity seems the highest point to which human eloquence is able to attain.

Source: The Conquest of Fear (1921), Chapter III : God And His Self-Expression, § VIII
Context: I was to see myself as God's Self-Expression working with others who were also His Self-Expression to the same extent as I. It was in the fact of our uniting together to produce His Self-Expression that I was to look for my security. No one could effectively work against me while I was consciously trying to work with God. Moreover, it was probable that no one was working against me, or had any intention of working against me, but that my own point of view being wrong I had put the harmonious action of my life out of order. Suspicion always being likely to see what it suspects the chances were many that I was creating the very thing I suffered from.
This does not mean that in our effort to reproduce harmonious action we should shut our eyes to what is evidently wrong, or blandly ignore what is plainly being done to our disadvantage. Of course not! One uses all the common-sense methods of getting justice for oneself and protecting one's own interests. But it does mean that when I can no longer protect my own interests, when my affairs depend upon others far more than on myself — a condition in which we all occasionally find ourselves — I am not to fret myself, not to churn my spirit into nameless fears. I am not a free agent. Those with whom I am associated are not free agents. God is the one supreme command. He expresses Himself through me; He expresses Himself through them; we all.

Black Boy (1945)

Source: Why We Fail as Christians (1919), p. 89-91
Context: It was this spirit of the masses and the revolt of the poor which so often found voice in the words of Jesus. But these condemnations are not solely expressive of the intense heat that so often burns in the heart of great agitators and reformers, they are also expressions of the conviction of Jesus that material possessions corrupt and destroy the souls of men.... censure for the rich and love for the poor both in spirit and in worldly goods helped him to drive home a great truth that you cannot love God and mammon.

1850s, The Present Aspect of the Slavery Question (1859)
Context: And as I understand the Republican party, while it steadily holds that slavery is in itself a wrong, it does not forget human conditions and the actual state of things, and, therefore, that the questions of planting slavery in fresh territory and of removing it where it is in wrought in a system of society are very different, as different as the prevention and the cure of disease. The question of the moment, then, is simply whether the most unrelenting and permanent despotism can be justified by the Constitution of the United States. That is, whether the makers of the government meant that the democratic-republican principle should gradually, but surely, disappear from that government. There are, therefore, but two parties, one holding that a system of free society, the other that one of slave society, is the real intention of the government. These parties are sectionally divided in situation, but they both aim to have their idea become the national policy. The party of slavery, indeed, is divided in its own camp, but only upon a minor question. The point of difference between Mr. Douglas and Mr. Buchanan is not whether all men under this government have rights, but simply in what way those who deprive them of those rights shall be most securely protected. Mr. Douglas argues that the slave party is the only national party; 'because', he says, 'so long as we live under a common Constitution, any political creed which cannot be proclaimed wherever that Constitution is the supreme law of the land must be ruinous and fatal'. He makes short work of it For it is a matter of fact that the creed of equal human and consequent political rights cannot be proclaimed everywhere in the country; and therefore whoever, in the present juncture of our affairs, can proclaim his entire political creed as frankly in Charleston as in Boston, can do it only because he has stricken from the list our distinctive national principle, without which we are not Americans at all — the natural equal rights of men. If Washington or Jefferson or Madison should utter upon his native soil today the opinions he entertained and expressed upon this question, he would be denounced as a fanatical abolitionist. To declare the right of all men to liberty is sectional, because slavery is afraid of liberty and strikes the mouth that speaks the word. To preach slavery is not sectional — no: because freedom respects itself and believes in itself enough to give an enemy fair play. Thus Boston asked Senator Toombs to come and say what he could for slavery. I think Boston did a good thing, but I think Senator Toombs is not a wise man, for he went. He went all the way from Georgia to show Massachusetts how slavery looks, and to let it learn what it has to say. When will Georgia ask Wendell Phillips or Charles Sumner to come down and show her how liberty looks and speaks?

This comprehensive statement was arrived at by examining the statutes of those seven states that have remained in the Dark Ages, so that I might satisfy their definitions of blasphemy.
Skeptic Magazine, 1995 (Volume 3, No. 4) http://www.petting-zoo.net/~deadbeef/archive/383.html, stated in an unsuccessful effort to be officially charged with blasphemy http://www.celebatheists.com/?title=James_Randi.

"It Was Winter" (1964), trans. Czesław Miłosz, Robert Hass, Robert Pinsky and Renata Gorczynski
Bobo's Metamorphosis (1965)
Context: And here I am walking the eternal earth.
Tiny, leaning on a stick.
I pass a volcanic park, lie down at a spring,
Not knowing how to express what is always and everywhere:
The earth I cling to is so solid
Under my breast and belly that I feel grateful
For every pebble, and I don't know whether
It is my pulse or the earth's that I hear,
When the hems of invisible silk vestments pass over me,
Hands, wherever they have been, touch my arm,
Or small laughter, once, long ago over wine,
With lanterns in the magnolias, for my house is huge.

Revised edition, London, Smith, Elder & Co., 1889, p. 114
The Town: Its Memorable Characters and Events (1848)
Context: Fishes do not roar; they cannot express any sound of suffering; and therefore the angler chooses to think they do not suffer, more than it is convenient for him to fancy. Now it is a poor sport that depends for its existence on the want of a voice in the sufferer, and of imagination in the sportsman.

Independence Day speech (1828)
Context: In continental Europe, of late years, the words patriotism and patriot have been used in a more enlarged sense than it is usual here to attribute to them, or than is attached to them in Great Britain. Since the political struggles of France, Italy, Spain, and Greece, the word patriotism has been employed, throughout continental Europe, to express a love of the public good; a preference for the interests of the many to those of the few; a desire for the emancipation of the human race from the thrall of despotism, religious and of the human race from the thrall of despotism, religious and civil; in short, patriotism there is used rather to express the interest felt in the human race in general, than that felt for any country, or inhabitants of a country, in particular. And patriot, in like manner, is employed to signify a lover of human liberty and human improvement, rather than a mere lover of the country in which he lives, or the tribe to which he belongs. Used in this sense, patriotism is a virtue, and a patriot a virtuous man. With such an interpretation, a patriot is a useful member of society, capable of enlarging all minds, and bettering all hearts with which he comes in contact; a useful member of the human family, capable of establishing fundamental principles, and of merging his own interests, those of his associates, and those of his nation, in the interests of the human race. Laurels and statues are vain things, and mischievous as they are childish; but, could we imagine them of use, on such a patriot alone could they be with any reason bestowed.

The Chinese Novel (1938)
Context: The street is noisy and the men and women are not perfect in the technique of their expression as the statues are. They are ugly and imperfect, incomplete even as human beings, and where they come from and where they go cannot be known. But they are people and therefore infinitely to be preferred to those who stand upon the pedestals of art.

Source: Anarcho-Syndicalism (1938), Ch. 1 "Anarchism: Its Aims and Purposes"
Context: The economic dictatorship of the monopolies and the political dictatorship of the totalitarian state are the outgrowth of the same political objectives, and the directors of both have the presumption to try to reduce all the countless expressions of social life to the mechanical tempo of the machine and to tune everything organic to the lifeless machine of the political apparatus. Our modern social system has split the social organism in every country into hostile classes internally, and externally it has broken the common cultural circle up into hostile nations; and both classes and nations confront one another with open antagonism and by their ceaseless warfare keep the communal social life in continual convulsions.

The Principles of Success in Literature (1865)
Context: I would not have the reader conclude that because I advocate plain-speaking even of unpopular views, I mean to imply that originality and sincerity are always in opposition to public opinion. There are many points both of doctrine and feeling in which the world is not likely to be wrong. But in all cases it is desirable that men should not pretend to believe opinions which they really reject, or express emotions they do not feel. And this rule is universal. Even truthful and modest men will sometimes violate the rule under the mistaken idea of being eloquent by means of the diction of eloquence. This is a source of bad Literature.

Eminent Historians: Their Technology, Their Line, Their Fraud
Context: The real crime of these eminences does not lie in the loss they have inflicted in terms of money. It lies in the condition to which they have reduced institutions. It lies in their dereliction – because of which projects that were important for our country have languished. It lies even more in the use to which they have put those institutions.
They have used them to have a comfortable time, of course. They have used them to puff up each other’s reputations, of course. But the worst of it is that they have used their control of these institutions to pervert public discourse, and thereby derail public policy.
They have made India out to have been an empty land, filled by successive invaders. They have made present-day India, and Hinduism even more so, out to be a zoo – an agglomeration of assorted, disparate specimens. No such thing as ‘India’, just a geographical expression, just a construct of the British; no such thing as Hinduism, just a word used by Arabs to describe the assortment they encountered, just an invention of the communalists to impose a uniformity – that has been their stance. For this they have blackened the Hindu period of our history, and, as we shall see, strained to whitewash the Islamic period. They have denounced ancient India’s social system as the epitomy of oppression, and made totalitarian ideologies out to be egalitarian and just.
They have belittled our ancient culture and exaggerated syncretistic elements which survived and made them out to have been an entire ‘culture’, the ‘composite culture’ as they call it. Which culture isn’t? And all the while they have taken care to hide the central facts about these common elements in the life of our people: that they had survived in spite of the most strenuous efforts spread over a thousand years of Islamic rulers and the ulema to erase them, that they had survived in spite of the sustained efforts during the last one hundred and fifty years of the missionaries and British rulers to make us forget and shed these elements, that the elements had survived their efforts to instead inflame each section to see its ‘identity’ and essence in factors which, if internalized, would set it apart. Most of all, these intellectuals and the like have completely diverted public view from the activities in our own day of organizations like the Tabhligi jamaat and the Church which are exerting every nerve, and deploying uncounted resources to get their adherents to discard every practice and belief which they share with their Hindu neighbours.
These intellectuals and their patrons have worked a diabolic inversion: the inclusive religion, the pluralist spiritual search of our people and land, they have projected as intolerant, narrow-minded, obscurantist; and the exclusivist, totalitarian, revelatory religions and ideologies – Islam, Christianity, Marxism-Leninism – they have made out to be the epitomes of tolerance, open-mindedness, democracy, secularism!

John Williams, quoted from the E.T. the Extra-Terrestrial CD liner notes

American Diplomacy (1951), World War I
Context: There are certain sad appreciations we have to come to about human nature on the basis of these recent wars. One of them is that suffering does not always make men better. Another is that people are not always more reasonable than governments; that public opinion, or what passes for public opinion, is not invariably a moderating force in the jungle of politics. It may be true, and I suspect it is, that the mass of people everywhere are normally peace-loving and would accept many restraints and sacrifices in preference to the monstrous calamities of war. But I also suspect that what purports to be public opinion in most countries that consider themselves to have popular government is often not really the consensus of the feelings of the mass of the people at all, but rather the expression of the interests of special highly vocal minorities — politicians, commentators, and publicity-seekers of all sorts: people who live by their ability to draw attention to themselves and die, like fish out of water, if they are compelled to remain silent. These people take refuge in the pat and chauvinistic slogans because they are incapable of understanding any others, because these slogans are safer from the standpoint of short-term gain, because the truth is sometimes a poor competitor in the market place of ideas — complicated, unsatisfying, full of dilemma, always vulnerable to misinterpretation and abuse. The counsels of impatience and hatred can always be supported by the crudest and cheapest symbols; for the counsels of moderation, the reasons are often intricate, rather than emotional, and difficult to explain. And so the chauvinists of all times and places go their appointed way: plucking the easy fruits, reaping the little triumphs of the day at the expense of someone else tomorrow, deluging in noise and filth anyone who gets in their way, dancing their reckless dance on the prospects for human progress, drawing the shadow of a great doubt over the validity of democratic institutions. And until people learn to spot the fanning of mass emotions and the sowing of bitterness, suspicion, and intolerance as crimes in themselves — as perhaps the greatest disservice that can be done to the cause of popular government — this sort of thing will continue to occur.

"The Music of This Sphere"
The Lives of a Cell: Notes of a Biology Watcher (1974)
Context: The need to make music, and to listen to it, is universally expressed by human beings. I cannot imagine, even in our most primitive times, the emergence of talented painters to make cave paintings without there having been, near at hand, equally creative people making song. It is, like speech, a dominant aspect of human biology.

Source: The Sacred Depths of Nature (1998), p. 59
Context: Patterns of gene expression are to organisms as melodies and harmonies are to sonatas. It's all about which sets of proteins appear in a cell at the same time (the chords) and which sets come before or after other sets (the themes) and at what rate they appear (the tempos) and how they modulate one another (the developments and transitions). When these patterns go awry we may see malignancy. When they change by mutation we can get new kinds of organisms. When they work, we get a creature.

Internet Encyclopedia of Philosophy
Context: Conceptual expressions are tentative and provisional... [because] the intellectual account... are constructed theories of experience. [And he cautions us to] distinguish between the immediate experience or intuition which might conceivably be infallible and the interpretation which is mixed up with it.

Lectures XIV and XV, "The Value of Saintliness"
1900s, The Varieties of Religious Experience (1902)
Context: I am well aware of how anarchic much of what I say may sound. Expressing myself thus abstractly and briefly, I may seem to despair of the very notion of truth. But I beseech you to reserve your judgment until we see it applied to the details which lie before us. I do indeed disbelieve that we or any other mortal men can attain on a given day to absolutely incorrigible and unimprovable truth about such matters of fact as those with which religions deal. But I reject this dogmatic ideal not out of a perverse delight in intellectual instability. I am no lover of disorder and doubt as such. Rather do I fear to lose truth by this pretension to possess it already wholly.

The Almost Perfect State (1921)
Context: The individual aspiration is always defeated of its perfect fruition and expression, but it is never lost; it passes into the conglomerate being of the race.
The way to encourage yourself about the human race is to look at it first from a distance; look at the lights on the high spots.

Interview by Elisabeth Niebuhr in "The Paris Review Interviews: Writers at Work, Second Series" (1963) [the interview took place in March 1961]
Context: I suppose everyone continues to be interested in the quest for the self, but what you feel when you’re older, I think, is that — how to express this — you really must make the self. It's absolutely useless to look for it, you won’t find it, but it’s possible in some sense to make it.

Government (1820)
Context: The end of Government has been described in a great variety of expressions. By Locke it was said to be "the public good;" by others it has been described as being " the greatest happiness of the greatest number." These, and equivalent expressions, are just; they are only defective, inasmuch as the particular ideas which they embrace are indistinctly announced; and different combinations are by means of them raised indifferent minds, and even in the same mind on different occasions.
It is immediately obvious, that a wide and difficult field is opened, and that the whole science of human nature must be explored to lay a foundation for the science of Government. To understand what is included in the happiness of the greatest number, we must understand what is included in the happiness of the individuals of whom it ii composed.
That dissection of human nature which would be necessary to show, on proper evidence, the primary elements into which human happiness may be resolved, it is not compatible with the present design to undertake. We must content ourselves with assuming certain results.
We may allow, for example, in general terms, that the lot of every human being is determined by his pains and pleasures; and that his happiness corresponds with the degree in which his pleasures are great, and his pains are small.
Human pains and pleasures are derived from two sources :—They are produced, either by our fellow-men, or by causes independent of other men.
We may assume it as another principle, that the concern of Government is with the former of these two sources; and that its business is to increase to the utmost the pleasures, and diminish to the utmost the pains which men derive from one another.

1930s, Fireside Chat in the night before signing the Fair Labor Standards (1938)
Context: In nine cases out of ten the speaker or writer who, seeking to influence public opinion, descends from calm argument to unfair blows hurts himself more than his opponent.
The Chinese have a story on this — a story based on three or four thousand years of civilization: Two Chinese coolies were arguing heatedly in the midst of a crowd. A stranger expressed surprise that no blows were being struck. His Chinese friend replied: "The man who strikes first admits that his ideas have given out."

As quoted in Man Ray : The Rigour of Imagination (1977) by Arturo Schwarz, p. 10 <!-- also in Man Ray : Photographs and Objects (1980) by Birmingham Museum of Art -->
Variant: I paint what cannot be photographed, that which comes from the imagination or from dreams, or from an unconscious drive. I photograph the things that I do not wish to paint, the things which already have an existence.
As quoted in an interview "Man Ray: Photographer" published in Camera (1981) edited by Philippe Sers <!-- and in The Columbia Dictionary of Quotations (1993) edited by Robert Andrews, p. 686 -->
Context: l paint what cannot be photographed, and l photograph what l do not wish to paint. lf it is a portrait that interests me, a face, or a nude, I will use my camera. It is quicker than making a drawing or a painting. But if it is something I cannot photograph, like a dream or a subconscious impulse I have to resort to drawing or painting. To express what I feel I use the medium best suited to express that idea, which is also always the most economical one. l am not at all interested in being consistent as a painter, and object-maker or a photographer. I can use several different techniques, like the old masters who were engineers, musicians and poets at the same time. I have never shared the contempt shown by painters for photography: there is no competition involved, painting and photography are two media engaged in different paths. There is no conflict between the two.

Letter to Sister Mary James Power (1 October 1934); published in The Wild God of the World : An Anthology of Robinson Jeffers (2003), edited by Albert Gelpi, p. 189; also partly quoted in the essay "Robinson Jeffers, Pantheist Poet" http://web.archive.org/20011119074326/members.aol.com/PHarri5642/jeffers.htm by John Courtney
Context: I believe that the Universe is one being, all its parts are different expressions of the same energy, and they are all in communication with each other, therefore parts of one organic whole. (This is physics, I believe, as well as religion.) The parts change and pass, or die, people and races and rocks and stars, none of them seems to me important in itself, but only the whole. This whole is in all its parts so beautiful, and is felt by me to be so intensely in earnest, that I am compelled to love it and to think of it as divine. It seems to me that this whole alone is worthy of the deeper sort of love and there is peace, freedom, I might say a kind of salvation, in turning one's affections outward toward this one God, rather than inwards on one's self, or on humanity, or on human imaginations and abstractions — the world of spirits.
I think it is our privilege and felicity to love God for his beauty, without claiming or expecting love from him. We are not important to him, but he to us.

Source: Black Boy (American Hunger) (1991), p. 278

Speech to the Commonwealth Club of San Francisco (1939), reported in Eugene C. Gerhart, America's Advocate: Robert H. Jackson (1958), p. 456

Source: Gargantua and Pantagruel (1532–1564), Fifth Book (1564), Chapter 20 : How the Quintessence cured the sick with a song
Context: Queen Whims, or Queen Quintessence (which you please), perceiving that we stood as mute as fishes, said: Your taciturnity speaks you not only disciples of Pythagoras, from whom the venerable antiquity of my progenitors in successive propagation was emaned and derives its original, but also discovers, that through the revolution of many retrograde moons, you have in Egypt pressed the extremities of your fingers with the hard tenants of your mouths, and scalptized your heads with frequent applications of your unguicules. In the school of Pythagoras, taciturnity was the symbol of abstracted and superlative knowledge, and the silence of the Egyptians was agnited as an expressive manner of divine adoration; this caused the pontiffs of Hierapolis to sacrifice to the great deity in silence, impercussively, without any vociferous or obstreperous sound. My design is not to enter into a privation of gratitude towards you, but by a vivacious formality, though matter were to abstract itself from me, excentricate to you my cogitations.
Having spoken this, she only said to her officers, Tabachins, a panacea; and straight they desired us not to take it amiss if the queen did not invite us to dine with her; for she never ate anything at dinner but some categories, jecabots, emnins, dimions, abstractions, harborins, chelemins, second intentions, carradoths, antitheses, metempsychoses, transcendent prolepsies, and such other light food.

Journal entry (2 March 1861), Ch. 5 : The Beginning of the War.
Lucy Larcom : Life, Letters, and Diary (1895)
Context: Eternal life and eternal death; what do these words mean? This is the question that comes up again and again. It has recently been brought up by those whom I am appointed to instruct; and the question with its answer, brings new and fearful responsibility with every return. I am more and more convinced that the idea of duration is not the one that affects us most: for here it has proved that those who are least careful about what they are in heart and life, are trying hardest to convince themselves and others that the "doctrine of eternal punishment" is not true. By making themselves believe that to be the all-important question, they draw off their own and others' attention from the really momentous one, — "Am I living the eternal life? Is it begun in me now?"
And now I see why I have questioned whether it was right in me to express my own doubts of this very doctrine. The final renovation of all souls, their restoration to life in holiness and love, is certainly a hope of mine that is not without a strong infusion of confidence; but I dare not say it is a belief; because both reason and revelation have left it in deep mystery; and the expression of any such belief does not seem to me likely to help others much; certainly not those who are indolent or indifferent regarding the true Christian life.
Then the "loss of the soul" is in plain language spoken of by our Lord as possible. What can that mean, but the loss of life in Him? the loss of ennobling aspirations, of the love of all good, of the power of seeing and seeking truth? And if this is possible to us now, by our own choice, why not forever? — since, as free beings, our choice must always be in our own power?
The truth that we must all keep before us, in order to be growing better forever, is that life is love and holiness; death, selfishness and sin; then it is a question of life and death to be grappled with in the deep places of every soul.

A Pluralistic Universe (1909) http://www.gutenberg.org/files/11984/11984-8.txt, Lecture I
1900s
Context: Reduced to their most pregnant difference, empiricism means the habit of explaining wholes by parts, and rationalism means the habit of explaining parts by wholes. Rationalism thus preserves affinities with monism, since wholeness goes with union, while empiricism inclines to pluralistic views. No philosophy can ever be anything but a summary sketch, a picture of the world in abridgment, a foreshortened bird's-eye view of the perspective of events. And the first thing to notice is this, that the only material we have at our disposal for making a picture of the whole world is supplied by the various portions of that world of which we have already had experience. We can invent no new forms of conception, applicable to the whole exclusively, and not suggested originally by the parts. All philosophers, accordingly, have conceived of the whole world after the analogy of some particular feature of it which has particularly captivated their attention. Thus, the theists take their cue from manufacture, the pantheists from growth. For one man, the world is like a thought or a grammatical sentence in which a thought is expressed. For such a philosopher, the whole must logically be prior to the parts; for letters would never have been invented without syllables to spell, or syllables without words to utter.
Another man, struck by the disconnectedness and mutual accidentality of so many of the world's details, takes the universe as a whole to have been such a disconnectedness originally, and supposes order to have been superinduced upon it in the second instance, possibly by attrition and the gradual wearing away by internal friction of portions that originally interfered.
Another will conceive the order as only a statistical appearance, and the universe will be for him like a vast grab-bag with black and white balls in it, of which we guess the quantities only probably, by the frequency with which we experience their egress.
For another, again, there is no really inherent order, but it is we who project order into the world by selecting objects and tracing relations so as to gratify our intellectual interests. We carve out order by leaving the disorderly parts out; and the world is conceived thus after the analogy of a forest or a block of marble from which parks or statues may be produced by eliminating irrelevant trees or chips of stone.
Some thinkers follow suggestions from human life, and treat the universe as if it were essentially a place in which ideals are realized. Others are more struck by its lower features, and for them, brute necessities express its character better.
All follow one analogy or another; and all the analogies are with some one or other of the universe's subdivisions. Every one is nevertheless prone to claim that his conclusions are the only logical ones, that they are necessities of universal reason, they being all the while, at bottom, accidents more or less of personal vision which had far better be avowed as such; for one man's vision may be much more valuable than another's, and our visions are usually not only our most interesting but our most respectable contributions to the world in which we play our part. What was reason given to men for, said some eighteenth century writer, except to enable them to find reasons for what they want to think and do?—and I think the history of philosophy largely bears him out, "The aim of knowledge," says Hegel, "is to divest the objective world of its strangeness, and to make us more at home in it." Different men find their minds more at home in very different fragments of the world.

Introduction to the publication of Tolstoy's A Letter to a Hindu, Indian opinion, 25 December, (1909)
1900s
Context: Leo Tolstoy's life has been devoted to replacing the method of violence for removing tyranny or securing reform by the method of non­resistance to evil. He would meet hatred expressed in violence by love expressed in self­suffering. He admits of no exception to whittle down this great and divine law of love. He applies it to all the problems that trouble mankind.

Conclusion
Physics in my generation (1956)
Context: The scientist's urge to investigate, like the faith of the devout or the inspiration of the artist, is an expression of mankind's longing for something fixed, something at rest in the universal whirl: God, Beauty, Truth.
Truth is what the scientist aims at. He finds nothing at rest, nothing enduring, in the universe. Not everything is knowable, still less predictable. But the mind of man is capable of grasping and understanding at least a part of Creation; amid the flight of phenomena stands the immutable pole of law.

Ideology and Utopia (1929)
Context: This first non-evaluative insight into history does not inevitably lead to relativism, but rather to relationism. Knowledge, as seen in the light of the total conception of ideology, is by no means an illusory experience, for ideology in its relational concept is not at all identical with illusion. Knowledge arising out of our experience in actual life situations, though not absolute, is knowledge none the less. The norms arising out of such actual life situations do not exist in a social vacuum, but are effective as real sanctions for conduct. Relationism signifies merely that all of the elements of meaning in a given situation have reference to one another and derive their significance from this reciprocal interrelationship in a given frame of thought. Such a system of meanings is possible and valid only in a given type of historical existence, to which, for a time, it furnishes appropriate expression. When the social situation changes, the system of norms to which it had previously given birth ceases to be in harmony with it. The same estrangement goes on with reference to knowledge and to the historical perspective. All knowledge is oriented toward some object and is influenced in its approach by the nature of the object with which it is pre-occupied. But the mode of approach to the object to be known is dependent upon the nature of the knower.

Source: The Life of Poetry (1949), p. 181
Context: The creation of a poem, or mathematical creation, involves so much sense of arrival, so much selection, so much of the desire that makes choice — even though one or more of these may operate in the unconscious or partly conscious work-periods before the actual work is achieved — that the questions raised are very pertinent.... The poet chooses and selects and has that sense of arrival as the poem ends; he is expressing what it feels like to arrive at his meanings. If he has expressed that well, his reader will arrive at his meanings. The degree of appropriateness of expression depends on the preparing. By preparing I mean allowing the reader to feel the interdependences, the relations, within the poem.
These inter-dependences may be proved, if you will allow the term, in one or more ways: the music by which the syllables resolve may lead to a new theme, as in a verbal music, or to a climax, a key-relationship which makes — for the moment — an equilibrium; the images may have established their own progression in such a way that they serve to mark the poem’s development; the tensions and attractions between the poem’s meanings may mark its growth, as they must if the poem is to achieve its form.
A poem is an imaginary work, living in time, indicated in language. It is and it expresses; it allows us to express.

Government (1820)
Context: The end of Government has been described in a great variety of expressions. By Locke it was said to be "the public good;" by others it has been described as being " the greatest happiness of the greatest number." These, and equivalent expressions, are just; they are only defective, inasmuch as the particular ideas which they embrace are indistinctly announced; and different combinations are by means of them raised indifferent minds, and even in the same mind on different occasions.
It is immediately obvious, that a wide and difficult field is opened, and that the whole science of human nature must be explored to lay a foundation for the science of Government. To understand what is included in the happiness of the greatest number, we must understand what is included in the happiness of the individuals of whom it ii composed.
That dissection of human nature which would be necessary to show, on proper evidence, the primary elements into which human happiness may be resolved, it is not compatible with the present design to undertake. We must content ourselves with assuming certain results.
We may allow, for example, in general terms, that the lot of every human being is determined by his pains and pleasures; and that his happiness corresponds with the degree in which his pleasures are great, and his pains are small.
Human pains and pleasures are derived from two sources :—They are produced, either by our fellow-men, or by causes independent of other men.
We may assume it as another principle, that the concern of Government is with the former of these two sources; and that its business is to increase to the utmost the pleasures, and diminish to the utmost the pains which men derive from one another.

The Questing Spirit: Religion in the Literature of Our Time (1947), p. 42
Context: Expressions of sharp and even violent criticism of religion and the church have been welcomed, for they usually imply sincerity of thought. If caustic criticism of religious institutions and practices is irreligious, then Amos, Isaiah, and Jesus were very irreligious men. In fact, that is exactly what many of their contemporaries took them to be.

NOW interview (2004)
Context: We're animals. We're violent. We're criminal. We're not so far away from the gorillas and the apes, those beautiful creatures. … And then, we're supposed to be civilized. We're supposed to go to work every day. We're supposed to be nice to our friends and send Christmas cards to our parents.
We're supposed to do all these things which trouble us deeply because it's so against what we naturally would want to do. And if I've done anything, I've had kids express themselves as they are, impolitely, lovingly — they don't mean any harm. They just don't know what the right way is.
And as it turns out sometimes the so-called "right way" is utterly the wrong way. What a monstrous confusion.

Statement on his website (12 September 2001), quoted in "Cat Stevens Condemns Attack" in Rolling Stone (17 September 2001) http://uk.real.com/music/artist/Cat_Stevens/articles/364932/-related-articles-page-1/
Context: I wish to express my heartfelt horror at the indiscriminate terrorist attacks committed against innocent people of the United States yesterday. While it is still not clear who carried out the attacks, it must be stated that no right thinking follower of Islam could possibly condone such an action: the Qur'an equates the murder of one innocent person with the murder of the whole of humanity. We pray for the families of all those who lost their lives in this unthinkable act of violence as well as all those injured; I hope to reflect the feelings of all Muslims and people around the world whose sympathies go out to the victims at this sorrowful moment.

22 September 1907
India's Rebirth
Context: It is the nature of human institutions to degenerate, to lose their vitality, and decay, and the first sign of decay is the loss of flexibility and oblivion of the essential spirit in which they were conceived. The spirit is permanent, the body changes; and a body which refuses to change must die. The spirit expresses itself in many ways while itself remaining essentially the same but the body must change to suit its changing environments if it wishes to live. There is no doubt that the institution of caste degenerated. It ceased to be determined by spiritual qualifications which, once essential, have now come to be subordinate and even immaterial and is determined by the purely material tests of occupation and birth. By this change it has set itself against the fundamental tendency of Hinduism which is to insist on the spiritual and subordinate the material and thus lost most of its meaning. The spirit of caste arrogance, exclusiveness and superiority came to dominate it instead of the spirit of duty, and the change weakened the nation and helped to reduce us to our present conditions.

As quoted in Womanspirit Rising: A Feminist Reader in Religion (1979) by Carol P. Christ and Judith Plaskow
Context: I am a witch, by which I mean that I am somebody who believes that the earth is sacred, and that women and women's bodies are one expression of that sacred being. My spirituality has always been linked to my feminism. Feminism is about challenging unequal power structures. So, it also means challenging inequalities in race, class, sexual preference. What we need to be doing is not just changing who holds power, but changing the way we conceive of power. There is the power we're all familiar with — power over. But there is another kind of power — power from within. For a woman, it is the power to be fertile either in terms of having babies or writing books or dancing or baking bread or being a great organizer. It is the kind of power that doesn't depend on depriving someone else.

“Relativism and the Use of Language,” pp. 124-126.
Language is Sermonic (1970)
Context: One type of critic today tends to attack language as a means of communication on this very ground — the ground that words are conventional in their meaning and are therefore falsifying. The point of the criticism is that a convention is something abstracted and, therefore, untrue, a generalized sign of the thing itself, which we use because we are unable or unwilling to render the thing in itself in its fullness. A word in this conception is nothing but a stereotype, and “stereotype” is here an expression of disparagement, because it is felt that “typing” anything that is real distorts the thing by presenting it in something less than its full individuality and concreteness. Let us suppose that I make reference to a tree standing in my yard. The term “tree” does not designate the object with any degree of particularity. It does not tell whether the tree is young or old, low or tall, an oak, pine, or maple. The term is, therefore, merely a utility symbol, which I employ in communicating because in my laziness or incompetence I cannot find a fuller and more individualizing way of expressing this tree. If I were really communicating, the argument goes, I would reject the falsifying stereotype and produce something more nearly like the picture of the tree. But if the analysis I have offered earlier is correct, these critics are beginning at the wrong end. They are assuming that individual real objects are carriers of meaning, that the meaning is found in them as redness is found in an apple, and that it ought to be expressed with the main object of fidelity to the particular. What they overlook is that meaning does not exist in this sense, that it is something that we create for purposes of cognition and communication, and that the ideal construct has the virtue of its ideality. Hence it appears that they misconceive the function of the word as conventional sign or “typifier.” For if it is true that the word conveys something less than the fullness of the thing signified, it is also true that it conveys something more. A word in this role is a generalization. the value of a generalization is that while it leaves out the specific feature that are of the individual or of the moment, it expresses features that are general to a class and may be lacking or imperfect in the single instance.

Source: The Life of Poetry (1949), p. 181
Context: The creation of a poem, or mathematical creation, involves so much sense of arrival, so much selection, so much of the desire that makes choice — even though one or more of these may operate in the unconscious or partly conscious work-periods before the actual work is achieved — that the questions raised are very pertinent.... The poet chooses and selects and has that sense of arrival as the poem ends; he is expressing what it feels like to arrive at his meanings. If he has expressed that well, his reader will arrive at his meanings. The degree of appropriateness of expression depends on the preparing. By preparing I mean allowing the reader to feel the interdependences, the relations, within the poem.
These inter-dependences may be proved, if you will allow the term, in one or more ways: the music by which the syllables resolve may lead to a new theme, as in a verbal music, or to a climax, a key-relationship which makes — for the moment — an equilibrium; the images may have established their own progression in such a way that they serve to mark the poem’s development; the tensions and attractions between the poem’s meanings may mark its growth, as they must if the poem is to achieve its form.
A poem is an imaginary work, living in time, indicated in language. It is and it expresses; it allows us to express.

B 11
Aphorisms (1765-1799), Notebook B (1768-1771)
Context: We can see nothing whatever of the soul unless it is visible in the expression of the countenance; one might call the faces at a large assembly of people a history of the human soul written in a kind of Chinese ideograms.

As quoted in Debussy (1989) by Paul Holmes, p. 36
Context: Music would take over at the point at which words become powerless, with the one and only object of expressing that which nothing but music could express. For this, I need a text by a poet who, resorting to discreet suggestion rather than full statement, will enable me to graft my dream upon his dream — who will give me plain human beings in a setting belonging to no particular period or country. … Then I do not wish my music to drown the words, nor to delay the course of the action. I want no purely musical developments which are not called for inevitably by the text. In opera there is always too much singing. Music should be as swift and mobile as the words themselves.

As quoted in "The PopWatch Interview: St. Vincent's Annie Clark" in PopWatch (11 July 2007) http://popwatch.ew.com/popwatch/2007/07/the-popwatch-in.html
Context: I always looked at any instrument as just a tool, an expressive voice to write with. It even differs from guitar to guitar. Some guitars demand that you play them delicately and really respect the instrument, and some beg to be abused. Same with piano. I know with guitar, I'm intimate with it enough to know when I put my fingers here, it will sound like this. I prefer writing on piano because it's always a surprise.

Source: Patriotism and Christianity http://en.wikisource.org/wiki/Patriotism_and_Christianity (1896), Ch. 17
Context: One free man will say with truth what he thinks and feels amongst thousands of men who by their acts and words attest exactly the opposite. It would seem that he who sincerely expressed his thought must remain alone, whereas it generally happens that every one else, or the majority at least, have been thinking and feeling the same things but without expressing them.
And that which yesterday was the novel opinion of one man, to-day becomes the general opinion of the majority.
And as soon as this opinion is established, immediately by imperceptible degrees, but beyond power of frustration, the conduct of mankind begins to alter.
Whereas at present, every man, even, if free, asks himself, "What can I do alone against all this ocean of evil and deceit which overwhelms us? Why should I express my opinion? Why indeed possess one? It is better not to reflect on these misty and involved questions. Perhaps these contradictions are an inevitable condition of our existence. And why should I struggle alone with all the evil in the world? Is it not better to go with the stream which carries me along? If anything can be done, it must be done not alone but in company with others."
And leaving the most powerful of weapons — thought and its expression — which move the world, each man employs the weapon of social activity, not noticing that every social activity is based on the very foundations against which he is bound to fight, and that upon entering the social activity which exists in our world every man is obliged, if only in part, to deviate from the truth and to make concessions which destroy the force of the powerful weapon which should assist him in the struggle. It is as if a man, who was given a blade so marvelously keen that it would sever anything, should use its edge for driving in nails.
We all complain of the senseless order of life, which is at variance with our being, and yet we refuse to use the unique and powerful weapon within our hands — the consciousness of truth and its expression; but on the contrary, under the pretext of struggling with evil, we destroy the weapon, and sacrifice it to the exigencies of an imaginary conflict'.

Introduction to the Art gallery at his website (2006) http://robertfulghum.com/index.php/fulghumweb/artshowentry/introduction2/
Context: I don't do art to address other people but to address myself. I've never done art with a thought of being a professional artist who makes a living by selling his art. I've never had a commercial show in a gallery. I suppose I'm like those who write poetry or songs without seeking publication. I make art in and for the experience itself — to satisfy a need to express myself in a creative, colorful, non-verbal way.

Give Me Liberty (1936)
Context: Representative government cannot express the will of the mass of the people, because there is no mass of the people; The People is a fiction, like The State. You cannot get a Will of the Mass, even among a dozen persons who all want to go on a picnic. The only human mass with a common will is a mob, and that will is a temporary insanity. In actual fact, the population of a country is a multitude of diverse human beings with an infinite variety of purposes and desires and fluctuating wills.

The Magic of Images: Word and Picture in a Media Age (2004)
Context: The computer, with its multiplying forums for spontaneous free expression from e-mail to listservs and blogs, has increased facility and fluency of language but degraded sensitivity to the individual word and reduced respect for organized argument, the process of deductive reasoning. The jump and jitter of us commercial television have demonstrably reduced attention span in the young.

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter II, Sec. 2

Black Boy (1945)

Values for Survival (1946)
Context: If we are to create balanced human beings, capable of entering into world-wide co-operation with all other men of good will — and that is the supreme task of our generation, and the foundation of all its other potential achievements — we must give as much weight to the arousal of the emotions and to the expression of moral and esthetic values as we now give to science, to invention, to practical organization. One without the other is impotent. And values do not come ready-made: they are achieved by a resolute attempt to square the facts of one's own experience with the historic patterns formed in the past by those who devoted their whole lives to achieving and expressing values. If we are to express the love in our own hearts, we must also understand what love meant to Socrates and Saint Francis, to Dante and Shakespeare, to Emily Dickinson and Christina Rossetti, to the explorer Shackleton and to the intrepid physicians who deliberately exposed themselves to yellow fever. These historic manifestations of love are not recorded in the day's newspaper or the current radio program: they are hidden to people who possess only fashionable minds.

Man's Rise to Civilization (1968)
Context: Before the passage of the Removal Act of 1830, a group of Cherokee chiefs went to the Senate committee that was studying this legislation to report on what they had already achieved... They expressed the hope that they would be permitted to enjoy in peace "the blessings of civilization and Christianity on the soil of their rightful inheritance." Instead they were... denied even the basic protection of the federal government. The Removal Act was carried out almost everywhere with total lack of compassion, but in the case of the Cherokee—civilized and Christianized as they were—it was particularly brutal.

Essays, On Authorship and Style
Context: The law of simplicity and naïveté applies to all fine art, for it is compatible with what is most sublime.
True brevity of expression consists in a man only saying what is worth saying, while avoiding all diffuse explanations of things which every one can think out for himself; that is, it consists in his correctly distinguishing between what is necessary and what is superfluous. On the other hand, one should never sacrifice clearness, to say nothing of grammar, for the sake of being brief. To impoverish the expression of a thought, or to obscure or spoil the meaning of a period for the sake of using fewer words shows a lamentable want of judgment.

Civil-suit deposition against the Herring-Curtiss Company (1909), reported in The Dayton News (31 May 1912) http://home.dayton.lib.oh.us/archives/wbcollection/wbscrapbooks1/WBScrapbooks10079.html
Context: My brother and I became seriously interested in the problem of human flight in 1899... We knew that men had by common consent adopted human flight as the standard of impossibility. When a man said, “It can’t be done; a man might as well try to fly,” he was understood as expressing the final limit of impossibility. Our own growing belief that man might nevertheless learn to fly was based on the idea that while thousands of the most dissimilar body structures, such as insects, fish, reptiles, birds and mammals, were flying every day at pleasure, it was reasonable to suppose that man might also fly... We accordingly decided to write to the Smithsonian Institution and inquire for the best books relating to the subject.... Contrary to our previous impression, we found that men of the very highest standing in the profession of science and invention had attempted to solve the problem... But one by one, they had been compelled to confess themselves beaten, and had discontinued their efforts. In studying their failures we found many points of interest to us.
At that time there was no flying art in the proper sense of the word, but only a flying problem. Thousands of men had thought about flying machines and a few had even built machines which they called flying machines, but these were guilty of almost everything except flying. Thousands of pages had been written on the so-called science of flying, but for the most part the ideas set forth, like the designs for machines, were mere speculations and probably ninety per cent was false. Consequently those who tried to study the science of aerodynamics knew not what to believe and what not to believe. Things which seemed reasonable were often found to be untrue, and things which seemed unreasonable were sometimes true. Under this condition of affairs students were accustomed to pay little attention to things that they had not personally tested.

Sakharov Prize for Freedom of Thought Acceptance Speech (2013)
Context: Why is one of the most important words in any language. You have to know why the world is the way it is or you have to want to know. If you do not have this curiosity and if you do not have the intelligence in order to be able to express this curiosity in terms that others can understand than we will not be able to contribute to progress in our world. How many of our people over these past few decades ever ask themselves why that had to submit to the authority of people who did not have the mandate of the general public. I do not think very many did. It was taken for granted that those who had power and authority could do exactly as they please. This was something that we could not accept.

Minersville School District v. Gobitis, 310 U.S. 586, 604 (1940).

Source: Archetypal Dimensions of the Psyche (1994), The Self, p. 324 - 325

The Pathway of Peace (1923)
Context: The only real progress to abiding peace is found in the friendly disposition of peoples and … facilities for maintaining peace are useful only to the extent that this friendly disposition exists and finds expression. War is not only possible, but probable, where mistrust and hatred and desire for revenge are the dominant motives. Our first duty is at home with our own opinion, by education and unceasing effort to bring to naught the mischievous exhortation of chauvinists; our next is to aid in every practicable way in promoting a better feeling among peoples, the healing of wounds, and the just settlement of differences.

A Battle For Life (July 1958)
Context: According to the world's highest medical authorities, burns extending over 75 per cent of a person's body are regarded as likely to prove fatal. The burns of these two patients were not only extensive but also deep, even involving their muscles in many places. Therefore all the experienced surgeons frowned, shook their heads, and expressed their utter inability to save the lives of these men. One of them said, "It is only a matter of three or four days." Another suggested, "At most three days." Still a third one said, "Whether medicine is used or not is immaterial, for in spite of all efforts the patients will die." Everybody seemed to agree on one conclusion "death." In this way the joint consultation was concluded in a very pessimistic and hopeless atmosphere. On the basis of mortality statistics in international medical literature it seemed that these badly burned patients were doomed to die.
But the Party organization of the hospital would not agree to such a pessimistic view. The secretary of the general Party branch and the assistant secretary of the medical department branch immediately summoned the doctors treating the patients for a talk, and following that a meeting of all the responsible doctors was convened. The problem was analysed from a class viewpoint, and it was stressed that in capitalist countries it was impossible to obtain the full use of all resources to save the lives of burned workers, but that in our socialist country it was possible to mobilize everything available to save them. For this reason we should not always accept the medical statistics of capitalist countries and allow them to influence us. The Party secretary called the attention of the doctors specially to the following points: First, that they must try to rid themselves of their blind reliance on established bourgeois medical experience, and they must try to think, speak and act in bold new ways. Secondly, they must follow the mass line and depend more upon the power of the people. Finally he said, "The Party will do everything possible to save these steel workers who have created vast wealth for the nation."

'The Continuing Insult to the English Language' (The Monthly, May 2006)
Essays and reviews
Context: ... by now some of the editors and subeditors [on Fleet Street] are themselves products of the anti-educational orthodoxy by which expressiveness counts above precision. It would, if the two terms were separable. But they aren't. Beyond a certain point - and that point is reached early - precision is what expressiveness depends on.

The Never-Ending Wrong (1977)
Context: I remember small, slender Mrs. Sacco with her fine copper-colored hair and dark brown, soft, dazed eyes moving from face to face but still smiling uncertainly, surrounded in our offices by women pitying and cuddling her, sympathetic with her as if she were a pretty little girl; they spoke to her as if she were five years old or did not understand — this Italian peasant wife who, for seven long years, had shown moral stamina and emotional stability enough to furnish half a dozen women amply. I was humiliated for them, for their apparent insensibility. But I was mistaken in my anxiety — their wish to help, to show her their concern, was real, their feelings were true and lasting, no matter how awkwardly expressed; their love and tenderness and wish to help were from the heart. All through those last days in Boston, those strangely innocent women enlisted their altar societies, their card clubs their literary round tables, their music circles and their various charities in the campaign to save Sacco and Vanzetti. On their rounds, they came now and then to the office of my outfit in their smart thin frocks, stylish hats, and their indefinable air of eager sweetness and light, bringing money they had collected in the endless, wittily devious ways of women's organizations. They would talk among themselves and to her about how they felt, with tears in their eyes, promising to come again soon with more help. They were known as "sob sisters" by the cynics and the hangers-on of the committee I belonged to who took their money and described their activities as "sentimental orgies," of course with sexual overtones, and they jeered at "bourgeois morality." "Morality" was a word along with "charitable" and "humanitarian" and "liberal," all, at one time, in the odor of sanctity but now despoiled and rotting in the gutter where suddenly it seemed they belonged. I found myself on the side of the women; I resented the nasty things said about them by these self-appointed world reformers and I thought again, as I had more than once in Mexico, that yes, the world was a frightening enough place as it was, but think what a hell it would be if such people really got the power to do the things they planned.

What is Art? (1897)
Context: The partisans of aesthetic theory denied that it was their own invention, and professed that it existed in the nature of things and even that it was recognized by the ancient Greeks. But... among the ancient Greeks, due to their low grade (compared to the Christian) moral ideal, their conception of the good was not yet sharply distinguished from their conception of the beautiful. That highest conception of goodness (not identical with beauty and for the most part, contrasting with it) discerned by the Jews even in the time of Isaiah and fully expressed by Christianity, was unknown to the Greeks. It is true that the Greek's foremost thinkers — Socrates, Plato, Aristotle — felt that goodness may not coincide with beauty.... But notwithstanding all this, they could not quite dismiss the notion that beauty and goodness coincide. And consequently in the language of that period a compound word (καλο-κάγαθια, beauty-goodness) came into use to express that notion. Evidently the Greek sages began to draw close to the perception of goodness which is expressed in Buddhism and in Christianity, but they got entangled in defining the relationship between goodness and beauty. And it was just this confusion of ideas that those Europeans of a later age … tried to elevate into law. … On this misunderstanding the new science of aesthetics was built.

"The Evolution of Chastity" (February 1934), as translated in Toward the Future (1975) edited by by René Hague, who also suggests "space" as an alternate translation of "the ether."
Variants:
"One day after mastering the winds, the waves, the tides and gravity" — after all the scientific and technological achievements — "we shall harness for God the energies of love. And then, for the second time in the history of the world, man will have discovered fire."
As quoted by R. Sargent Shriver, Jr. in his speech accepting the nomination as the Democratic candidate for vice president, in Washington, D. C. (8 August 1972); this has sometimes been published as if Shriver's interjection "after all the scientific and technological achievements" were part of the original statement, as in The New York Times (9 August 1972), p. 18
What paralyzes life is lack of faith and lack of audacity. The difficulty lies not in solving problems but identifying them.
As translated in The The Ignatian Tradition (2009) edited by Kevin F. Burke, Eileen Burke-Sullivan and Phyllis Zagano, p. 86
Love is the only force which can make things one without destroying them. … Some day, after mastering the winds, the waves, the tides and gravity, we shall harness for God the energies of love, and then, for the second time in the history of the world, man will have discovered fire.
As quoted in Seed Sown : Theme and Reflections on the Sunday Lectionary Reading (1996) by Jay Cormier, p. 33
The day will come when, after harnessing space, the winds, the tides, gravitation, we shall harness for God the energies of love. And, on that day, for the second time in the history of the world, humanity will have discovered fire.
As quoted in Fire of Love : Encountering the Holy Spirit (2006) by Donald Goergen, p. 92
The day will come when, after harnessing space, the winds, the tides, gravitation, we shall harness for God the energies of love. And, on that day, for the second time in the history of the world, man will have discovered fire.
As quoted in Read for the Cure (2007) by Eileen Fanning, p. v
Context: What paralyzes life is lack of faith and lack of audacity. The difficulty lies not in solving problems but expressing them. And so we cannot avoid this conclusion: it is biologically evident that to gain control of passion and so make it serve spirit must be a condition of progress. Sooner or later, then, the world will brush aside our incredulity and take this step : because whatever is the more true comes out into the open, and whatever is better is ultimately realized. The day will come when, after harnessing the ether, the winds, the tides, gravitation, we shall harness for God the energies of love. And, on that day, for the second time in the history of the world, man will have discovered fire.

1880s, Agnosticism (1889)
Context: Agnosticism is not properly described as a "negative" creed, nor indeed as a creed of any kind, except in so far as it expresses absolute faith in the validity of a principle which is as much ethical as intellectual. This principle may be stated in various ways, but they all amount to this: that it is wrong for a man to say that he is certain of the objective truth of any proposition unless he can produce evidence which logically justifies that certainty. This is what agnosticism asserts; and, in my opinion, it is all that is essential to agnosticism. That which agnostics deny and repudiate as immoral is the contrary doctrine, that there are propositions which men ought to believe, without logically satisfactory evidence; and that reprobation ought to attach to the profession of disbelief in such inadequately supported propositions. The justification of the agnostic principle lies in the success which follows upon its application, whether in the field of natural or in that of civil history; and in the fact that, so far as these topics are concerned, no sane man thinks of denying its validity.

Liquidation (2003)

Speech to the Virginia Convention (1861)
Context: In the first place, I say that the North hates slavery, and, in using that expression I speak wittingly. In saying that the Black Republican party of the North hates slavery, I speak intentionally. If there is a doubt upon that question in the mind of any one who listens to me, a few of the multitude of proofs which could fill this room, would, I think, be sufficient to satisfy him. I beg to refer to a few of the proofs that are so abundant; and the first that I shall adduce consists in two extracts from a speech of Lincoln's, made in October 1858. They are as follows: 'I have always hated slavery as much as any abolitionist; I have always been an old line Whig; I have always hated it and I always believed it in the course of ultimate extinction, and if I were in Congress and a vote should come up on the question, whether slavery should be excluded from the territory, in spite of the Dred Scott decision, I would vote that it should.

Source: Sculpting in Time (1986), p. 192
Context: Art must must carry man's craving for the ideal, must be an expression of his reaching out towards it; that art must give man hope and faith. And the more hopeless the world in the artist's version, the more clearly perhaps must we see the ideal that stands in opposition — otherwise life becomes impossible! Art symbolises the meaning of our existence.

Section 1 : Give Responsibility to Vitally Necessary Work!
Variant translation: Work democracy introduces into liberal thinking a decisive new insight: the working masses who carry the burden of social existence are not conscious of their social responsibility. Nor are they — as the result of thousands of years of suppression of rational thinking, of the natural love function and of the scientific comprehension of living functioning — capable of the responsibility for their own freedom. Another insight contributed by work democracy is the finding that politics is in itself and of necessity unscientific: it is an expression of human helplessness, impoverishment and suppression.
The Mass Psychology of Fascism (1933), Ch. 10 : Work Democracy
Context: Work-democracy adds a decisive piece of knowledge to the scope of ideas related to freedom. The masses of people who work and bear the burden of social existence on their shoulders neither are conscious of their social responsibility nor are they capable of assuming the responsibility for their own freedom. This is the result of the century-long suppression of rational thinking, the natural functions of love, and scientific comprehension of the living. Everything related to the emotional plague in social life can be traced back to this incapacity and lack of consciousness. It is work-democracy's contention that, by its very nature, politics is and has to be unscientific, i. e., that it is an expression of human helplessness, poverty, and suppression.

Preface of M. Quetelet
A Treatise on Man and the Development of His Faculties (1842)
Context: The words cited from my work, when viewed isolatedly, are far from expressing the idea which I wished to attach to them. The works of genius upon which our judgments bear are in general complex; for there is no work, constructed by genius, which does not suppose the exercise of various of its faculties. A skilful analysis could alone make out the part of each of them...

Source: Patriotism and Christianity http://en.wikisource.org/wiki/Patriotism_and_Christianity (1896), Ch. 17
Context: Only the truth and its expression can establish that new public opinion which will reform the ancient obsolete and pernicious order of life; and yet we not only do not express the truth we know, but often even distinctly give expression to what we ourselves regard as false.
If only free men would not rely on that which has no power, and is always fettered — upon external aids; but would trust in that which is always powerful and free — the truth and its expression!

Editorial written in remembrance of Elijah Parish Lovejoy, Presbyterian minister, journalist, newspaper editor and abolitionist, who was murdered by a pro-slavery mob in Alton, Illinois during their attack on his warehouse to destroy his press and abolitionist materials.

Context: The right to discuss freely and openly, by speech, by the pen, by the press, all political questions, and to examine and animadvert upon all political institutions, is a right so clear and certain, so interwoven with our other liberties, so necessary, in fact to their existence, that without it we must fall at once into depression or anarchy. To say that he who holds unpopular opinions must hold them at the peril of his life, and that, if he expresses them in public, he has only himself to blame if they who disagree with him should rise and put him to death, is to strike at all rights, all liberties, all protection of the laws, and to justify and extenuate all crimes.

This incident was the source of a statement commonly attributed to Goldman that occurs in several variants:
If I can't dance, it's not my revolution!
If I can't dance, I don't want your revolution!
If I can't dance, I don't want to be part of your revolution.
A revolution without dancing is not a revolution worth having.
If there won't be dancing at the revolution, I'm not coming.
Living My Life (1931)
Context: At the dances I was one of the most untiring and gayest. One evening a cousin of Sasha, a young boy, took me aside. With a grave face, as if he were about to announce the death of a dear comrade, he whispered to me that it did not behoove an agitator to dance. Certainly not with such reckless abandon, anyway. It was undignified for one who was on the way to become a force in the anarchist movement. My frivolity would only hurt the Cause.
I grew furious at the impudent interference of the boy. I told him to mind his own business. I was tired of having the Cause constantly thrown into my face. I did not believe that a Cause which stood for a beautiful ideal, for anarchism, for release and freedom from convention and prejudice, should demand the denial of life and joy. I insisted that our Cause could not expect me to become a nun and that the movement would not be turned into a cloister. If it meant that, I did not want it. "I want freedom, the right to self-expression, everybody's right to beautiful, radiant things." Anarchism meant that to me, and I would live it in spite of the whole world — prisons, persecution, everything. Yes, even in spite of the condemnation of my own closest comrades I would live my beautiful ideal. (p. 56)

Interview in Playboy (January 1965) https://web.archive.org/web/20080706183244/http://www.playboy.com/arts-entertainment/features/mlk/04.html
1960s
Context: One cannot be in my position, looked to by some for guidance, without being constantly reminded of the awesomeness of its responsibility. I live with one deep concern: Am I making the right decisions? Sometimes I am uncertain, and I must look to God for guidance. There was one morning I recall, when I was in the Birmingham jail, in solitary, with not even my lawyers permitted to visit, and I was in a nightmare of despair. The very future of our movement hung in the balance, depending upon capricious turns of events over which I could have no control there, incommunicado, in an utterly dark dungeon. This was about ten days after our Birmingham demonstrations began. Over 400 of our followers had gone to jail; some had been bailed out, but we had used up all of our money for bail, and about 300 remained in jail, and I felt personally responsible. It was then that President Kennedy telephoned my wife, Coretta. After that, my jail conditions were relaxed, and the following Sunday afternoon -- it was Easter Sunday -- two S. C. L. C. attorneys were permitted to visit me. The next day, word came to me from New York that Harry Belafonte had raised $50,000 that was available immediately for bail bonds, and if more was needed, he would raise that. I cannot express what I felt, but I knew at that moment that God's presence had never left me, that He had been with me there in solitary.

Global Ideas from Pluto's Challenger (May 21, 2009)
Context: Creativity is seeing what everyone else sees, but then thinking a new thought that has never been thought before and expressing it somehow. It could be with art, a sculpture, music or even in science. The difference, however, between scientific creativity and any other kind of creativity, is that no matter how long you wait, no one else will ever compose "Beethoven's Ninth Symphony" except for Beethoven. No matter what you do, no one else will paint Van Gogh's "Starry Night." Only Van Gogh could do that because it came from his creativity.Whereas in science, you can't just make stuff up and presume that it is a proper account of nature. At the end of the day, you have to answer to nature. Since everyone has nature to answer to, your creativity is simply discovering something about the natural world that somebody else would have eventually discovered exactly the same way. They might have come through a different path, but they would have landed in the same place.Even though we name theorems and equations after the people who discover them — Newton's laws of gravity, Kepler's laws of planetary motion — somebody else would have discovered them afterward. It's that simple. Your creativity is not a boundless creativity.

[4] Symbol
Semiotics and the Philosophy of Language (1984)
Context: What is a symbol? Etymologically speaking, the word σύμβολον comes from σνμβάλλω, to throw-with, to make something coincide with something else: a symbol was originally an identification mark made up of two halves of a coin or of a medal. Two halves of the same thing, either one standing for the other, both becoming, however, fully effective only when they matched to make up, again, the original whole. … in the original concept of symbol, there is the suggestion of a final recomposition. Etymologies, however, do not necessarily tell the truth — or, at least, they tell the truth, in terms of historical, not of structural, semantics. What is frequently appreciated in many so-called symbols is exactly their vagueness, their openness, their fruitful ineffectiveness to express a 'final' meaning, so that with symbols and by symbols one indicates what is always beyond one's reach.

The trial of Charles B. Reynolds for blasphemy (1887)
Context: Gentlemen, you can never make me believe — no statute can ever convince me, that there is any infinite Being in this universe who hates an honest man. It is impossible to satisfy me that there is any God, or can be any God, who holds in abhorrence a soul that has the courage to express his thought. Neither can the whole world convince me that any man should be punished, either in this world or in the next, for being candid with his fellow-men. If you send men to the penitentiary for speaking their thoughts, for endeavoring to enlighten their fellows, then the penitentiary will become a place of honor, and the victim will step from it — not stained, not disgraced, but clad in robes of glory.
Let us take one more step.
What is holy, what is sacred? I reply that human happiness is holy, human rights are holy. The body and soul of man — these are sacred. The liberty of man is of far more importance than any book; the rights of man, more sacred than any religion — than any Scriptures, whether inspired or not.
What we want is the truth, and does any one suppose that all of the truth is confined in one book — that the mysteries of the whole world are explained by one volume?
All that is — all that conveys information to man — all that has been produced by the past — all that now exists — should be considered by an intelligent man. All the known truths of this world — all the philosophy, all the poems, all the pictures, all the statues, all the entrancing music — the prattle of babes, the lullaby of mothers, the words of honest men, the trumpet calls to duty — all these make up the bible of the world — everything that is noble and true and free, you will find in this great book.
If we wish to be true to ourselves, — if we wish to benefit our fellow-men — if we wish to live honorable lives — we will give to every other human being every right that we claim for ourselves.

Inside Information p. 7
The Book on the Taboo Against Knowing Who You Are (1966)

Essays, On Authorship and Style
Context: Truth that is naked is the most beautiful, and the simpler its expression the deeper is the impression it makes; this is partly because it gets unobstructed hold of the hearer’s mind without his being distracted by secondary thoughts, and partly because he feels that here he is not being corrupted or deceived by the arts of rhetoric, but that the whole effect is got from the thing itself.

Source: A Farewell to Arms (1929), Ch. 27
Context: I was always embarrassed by the words sacred, glorious and sacrifice and the expression in vain. We had heard them, sometimes standing in the rain almost out of earshot, so that only the shouted words came through, and had read them, on proclamations that were slapped up by billposters over other proclamations, now for a long time, and I had seen nothing sacred, and the things that were glorious had no glory and the sacrifices were like the stockyards at Chicago if nothing was done with the meat except to bury it.

Sect. I : An Enquiry whether the Commission given by our Lord to his Disciples be not still binding on us.
An Enquiry into the Obligations of Christians (1792)
Context: Our Lord Jesus Christ, a little before his departure, commissioned his apostles to Go, and teach all nations; or, as another evangelist expresses it, Go into all the world, and preach the gospel to every creature. This commission was as extensive as possible, and laid them under obligation to disperse themselves into every country of the habitable globe, and preach to all the inhabitants, without exception, or limitation. They accordingly went forth in obedience to the command, and the power of God evidently wrought with them.

Mont Saint Michel and Chartres (1904)
Context: The schoolmen saw their duty in one direction; Francis saw his in another; and [... ] the two paths seem to be the only roads that can exist, if man starts by taking for granted that there is an object to be reached at the end of his journey. The Church embracing all mankind, had no choice but to march with caution, seeking God by every possible means of intellect and study. Francis, acting only for himself, could throw caution aside and trust implicitly in God [.... ] He carried to its last point the mystical Union wth God, and its necessary consequence of contempt and hatred of human intellectual processes. Even Saint Bernard would have thought his ideas wanting in that mesure which the French mind so much prizes. At the same time we had best try, as innocently as may be, to realise that no final judgement has yet been pronounced, either by the Church or by Society or by Science, on either or any of these points; and until mankind finally settles to a certainty where it means to go, or whether it means to go anywhere,— what its object is, or whether it has an object,— Saint Francis may still prove to have been its ultimate expression. In that case, his famous Chant,— the Cantico del Sole,— will be the last word of religion, as it was probably its first.

Introduction : The absurdity of the Absurd
The Theatre of the Absurd (1961)
Context: The Theatre of the Absurd strives to express its sense of the senselessness of the human condition and the inadequacy of the rational approach by the open abandonment of rational devices and discursive thought. While Sartre or Camus express the new content in the old convention, the Theatre of the Absurd goes a step further in trying to achieve a unity between its basic assumptions and the form in which these are expressed. In some senses, the theatre of Sartre and Camus is less adequate as an expression of the philosophy of Sartre and Camus — in artistic, as distinct from philosophic, terms — than the Theatre of the Absurd.

Narration for Crash! (1971), a short film by Harley Cokeliss
Context: I think the key image of the 20th century is the man in the motor car. It sums up everything: the elements of speed, drama, aggression, the junction of advertising and consumer goods with the technological landscape. The sense of violence and desire, power and energy; the shared experience of moving together through an elaborately signalled landscape.
We spend a substantial part of our lives in the motor car, and the experience of driving condenses many of the experiences of being a human being in the 1970s, the marriage of the physical aspects of ourselves with the imaginative and technological aspects of our lives. I think the 20th century reaches its highest expression on the highway. Everything is there: the speed and violence of our age; the strange love affair with the machine, with its own death.

Archimedes or the Future of Physics (1927)
Context: The question of the reversibility of natural processes provides the key to a great intellectual struggle which is now behind the complexities of philosophic and scientific thought. The issue can be formulated thus: Is there a real temporal process in nature? Is the passage of irreversible time a necessary element in any view of the structure of nature? Or, alternatively, is the subjective experience of time a mere illusion of the mind which cannot be given objective expression? These are not metaphysical questions that can still be neglected with impunity. For just as Einstein made his advance by analysing conceptions such as simultaneity, which had been thought to be adequately understood for the purposes of experimental science, so the next development of physical theory will probably be made by carrying on the analysis of time from the point at which Einstein left it.

The Saviors of God (1923)
Context: How can you reach the womb of the Abyss to make it fruitful? This cannot be expressed, cannot be narrowed into words, cannot be subjected to laws; every man is completely free and has his own special liberation.
No form of instruction exists, no Savior exists to open up the road. No road exists to be opened.

1950s, Loving Your Enemies (Christmas 1957)
Context: Second we must recognize that the evil deed of the enemy-neighbor, the thing that hurts, never quite expresses all that he is. An element of goodness may be found even in our worst enemy. Each of us is something of a schizophrenic personality, tragically divided against ourselves. A persistent civil war rages within all or our lives. Something within us causes us to lament with Ovid, the Latin poet, "I see and approve the better things, but follow the worse," or to agree with Plato that human personality is like a charioteer having two headstrong horses, each wanting to be go in a different direction, or to repeat with the Apostle Paul, "The good that I would I do not, but the evil which I would not, I do."

Source: Fares, Please! (1915), Everything Upside Down, p. 186
Context: Charles Lamb, in one of his most delightful essays, sets high worth on the observance of All Fools' Day, because it says to a man: "You look wise. Pray correct that error!" Christmas brings the universal message to men: "You look important and great; pray correct that error." It overturns the false standards that have blinded the vision and sets up again in their rightful magnitude those childlike qualities by which we enter the Kingdom.
Christmas turns things inside out. Under the spell of the Christmas story the locked up treasures of kindliness and sympathy come from the inside of the heart, where they are often kept imprisoned, to the outside of actual expression in deed and word. … It is the vision of the Christ-child which enables all men to get at the best treasures of their lives and offer them for use.

The Captive Mind (1953)
Context: What is the significance of the lives of the people he passes, of the senseless bustle, the laughter, the pursuit of money, the stupid animal diversions? By using a little intelligence he can easily classify the passers-by according to type; he can guess their social status, their habits and their preoccupations. A fleeting moment reveals their childhood, manhood, and old age, and then they vanish. A purely physiological study of one particular passer-by in preference to another is meaningless. If one penetrates into the minds of these people, one discovers utter nonsense. They are totally unaware of the fact that nothing is their own, that everything is part of their historical formation — their occupations, their clothes, their gestures and expressions, their beliefs and ideas. They are the force of inertia personified, victims of the delusion that each individual exists as a self. If at least these were souls, as the Church taught, or the monads of Leibnitz! But these beliefs have perished. What remains is an aversion to an atomized vision of life, to the mentality that isolates every phenomenon, such as eating, drinking, dressing, earning money, fornicating. And what is there beyond these things? Should such a state of affairs continue? Why should it continue? Such questions are almost synonymous with what is known as hatred of the bourgeoisie.

From Critique of Everyday Life: Volume 1 (1947/1991)
Context: The method of Marx and Engels consists precisely in a search for the link which exists between what men think, desire, say and believe for themselves and what they are, what they do. This link always exists. It can be explored in two directions. On the one hand, the historian or the man of action can proceed from ideas to men, from consciousness to being - i. e. towards practical, everyday reality - bringing the two into confrontation and thereby achieving archieving criticism of ideas by action and realities. That is the direction which Marx and Engels nearly always followed in everything they wrote; and it is the direction which critical and constructive method must follow initially if it is to take a demonstrable shape and achieve results.
But it is equally possible to follow this link in another direction, taking real life as the point of departure in an investigation of how the ideas which express it and the forms of consciousness which reflect it emerge. The link, or rather the network of links between the two poles will prove to be complex. It must be unravelled, the thread must be carefully followed. In this way we can arrive at a criticism of life by ideas which in a sense extends and completes the first procedure.

The Status Of Linguistics As A Science (1929), p. 69 <!-- 1958 edition -->
Context: Human beings do not live in the objective world alone, nor alone in the world of social activity as ordinarily understood, but are very much at the mercy of the particular language which has become the medium of expression for their society. It is quite an illusion to imagine that one adjusts to reality essentially without the use of language and that language is merely an incidental means of solving specific problems of communication or reflection. The fact of the matter is that the "real world" is to a large extent unconsciously built upon the language habits of the group. No two languages are ever sufficiently similar to be considered as representing the same social reality. The worlds in which different societies live are distinct worlds, not merely the same world with different labels attached … We see and hear and otherwise experience very largely as we do because the language habits of our community predispose certain choices of interpretation.

Letter to George Devine (10 March 1964), printed in Kenneth Tynan : A Life by Dominic Shellard<!-- Yale University Press, 2003, --> , p. 292
Context: I believe in neither a director’s nor a writer’s theatre, but a theatre of intelligent audiences. I count myself as a member of an intelligent audience, and I wrote to you as such. That you should disagree with me I can understand, but that you should resent my expressing my opinions is something that frankly amazes me. I thought we had outgrown the idea of theatre as a mystic rite born of secret communion between author, director, actors and an empty auditorium.