Quotes about configuration

A collection of quotes on the topic of configuration, other, world, life.

Quotes about configuration

Theodor W. Adorno photo

“The center of intellectual self-discipline as such is in the process of decomposition. The taboos that constitute a man’s intellectual stature, often sedimented experiences and unarticulated insights, always operate against inner impulses that he has learned to condemn, but which are so strong that only an unquestioning and unquestioned authority can hold them in check. What is true of the instinctual life is no less of the intellectual: the painter or composer forbidding himself as trite this or that combination of colors or chords, the writer wincing at banal or pedantic verbal configurations, reacts so violently because layers of himself are drawn to them. Repudiation of the present cultural morass presupposes sufficient involvement in it to feel it itching in one’s finger-tips, so to speak, but at the same time the strength, drawn from this involvement, to dismiss it. This strength, though manifesting itself as individual resistance, is by no means of a merely individual nature. In the intellectual conscience possessed of it, the social movement is no less present than the moral super-ego. Such conscience grows out of a conception of the good society and its citizens. If this conception dims—and who could still trust blindly in it—the downward urge of the intellect loses its inhibitions and all the detritus dumped in the individual by barbarous culture—half-learning, slackness, heavy familiarity, coarseness—comes to light. Usually it is rationalized as humanity, desire to be understood by others, worldly-wise responsibility. But the sacrifice of intellectual self-discipline comes much too easily to him who makes it for us to believe his assurance that it is one.”

Das Zentrum der geistigen Selbstdisziplin als solcher ist in Zersetzung begriffen. Die Tabus, die den geistigen Rang eines Menschen ausmachen, oftmals sedimentierte Erfahrungen und unartikulierte Erkenntnisse, richten sich stets gegen eigene Regungen, die er verdammen lernte, die aber so stark sind, daß nur eine fraglose und unbefragte Instanz ihnen Einhalt gebieten kann. Was fürs Triebleben gilt, gilt fürs geistige nicht minder: der Maler und Komponist, der diese und jene Farbenzusammenstellung oder Akkordverbindung als kitschig sich untersagt, der Schriftsteller, dem sprachliche Konfigurationen als banal oder pedantisch auf die Nerven gehen, reagiert so heftig gegen sie, weil in ihm selber Schichten sind, die es dorthin lockt. Die Absage ans herrschende Unwesen der Kultur setzt voraus, daß man an diesem selber genug teilhat, um es gleichsam in den eigenen Fingern zucken zu fühlen, daß man aber zugleich aus dieser Teilhabe Kräfte zog, sie zu kündigen. Diese Kräfte, die als solche des individuellen Widerstands in Erscheinung treten, sind darum doch keineswegs selber bloß individueller Art. Das intellektuelle Gewissen, in dem sie sich zusammenfassen, hat ein gesellschaftliches Moment so gut wie das moralische Überich. Es bildet sich an einer Vorstellung von der richtigen Gesellschaft und deren Bürgern. Läßt einmal diese Vorstellung nach—und wer könnte noch blind vertrauend ihr sich überlassen—, so verliert der intellektuelle Drang nach unten seine Hemmung, und aller Unrat, den die barbarische Kultur im Individuum zurückgelassen hat, Halbbildung, sich Gehenlassen, plumpe Vertraulichkeit, Ungeschliffenheit, kommt zum Vorschein. Meist rationalisiert es sich auch noch als Humanität, als den Willen, anderen Menschen sich verständlich zu machen, als welterfahrene Verantwortlichkeit. Aber das Opfer der intellektuellen Selbstdisziplin fällt dem, der es auf sich nimmt, viel zu leicht, als daß man ihm glauben dürfte, daß es eines ist.
E. Jephcott, trans. (1974), § 8
Minima Moralia (1951)

Reinhold Niebuhr photo

“Human existence is obviously distinguished from animal life by its qualified participation in creation. Within limits it breaks the forms of nature and creates new configurations of vitality.”

Reinhold Niebuhr (1892–1971) American protestant theologian

The Nature and Destiny of Man: A Christian Interpretation (1941)
Context: Human existence is obviously distinguished from animal life by its qualified participation in creation. Within limits it breaks the forms of nature and creates new configurations of vitality. Its transcendence over natural process offers it the opportunity of interfering with the established forms and unities of vitality as nature knows them.

T.S. Eliot photo
Timothy Leary photo
Tom Stoppard photo

“Public postures have the configuration of private derangement.”

Henry, Act I, scene II
The Real Thing (1982)

George Steiner photo

“The journalistic vision sharpens to the point of maximum impact every event, every individual and social configuration; but the honing is uniform.”

George Steiner (1929–2020) American writer

Source: Real Presences (1989), I: A Secondary City, Ch. 6 (p. 27).

Johann Gottlieb Fichte photo
Bruno Schulz photo
David Cronenberg photo
Frank Stella photo
Louis de Broglie photo

“It seems a little paradoxical to construct a configuration space with the coordinates of points which do not exist.”

Louis de Broglie (1892–1987) French physicist

La nouvelle dynamique des quanta (1928), translation by [Bacciagaluppi, G., Valentini, A., Quantum Theory at the Crossroads: Reconsidering the 1927 Solvay Conference, Cambridge University Press, 2009, 0521814219, 380]

Patrick Matthew photo

“Every production network has spatiality - the particular geographical configuration and extent of its component elements and the links between them.”

Peter Dicken (1938) British geographer

Source: Global Shift (2003) (Fourth Edition), Chapter 2, A New Geo-Economy, p. 19

Max Scheler photo

“The “noble” person has a completely naïve and non-reflective awareness of his own value and of his fullness of being, an obscure conviction which enriches every conscious moment of his existence, as if he were autonomously rooted in the universe. This should not be mistaken for “pride.” Quite on the contrary, pride results from an experienced diminution of this “naive” self-confidence. It is a way of “holding on” to one’s value, of seizing and “preserving” it deliberately. The noble man’s naive self-confidence, which is as natural to him as tension is to the muscles, permits him calmly to assimilate the merits of others in all the fullness of their substance and configuration. He never “grudges” them their merits. On the contrary: he rejoices in their virtues and feels that they make the world more worthy of love. His naive self-confidence is by no means “compounded” of a series of positive valuations based on specific qualities, talents, and virtues: it is originally directed at his very essence and being. Therefore he can afford to admit that another person has certain “qualities” superior to his own or is more “gifted” in some respects—indeed in all respects. Such a conclusion does not diminish his naïve awareness of his own value, which needs no justification or proof by achievements or abilities. Achievements merely serve to confirm it. On the other hand, the “common” man (in the exact acceptation of the term) can only experience his value and that of another if he relates the two, and he clearly perceives only those qualities which constitute possible differences. The noble man experiences value prior to any comparison, the common man in and through a comparison. For the latter, the relation is the selective precondition for apprehending any value. Every value is a relative thing, “higher” or “lower,” “more” or “less” than his own. He arrives at value judgments by comparing himself to others and others to himself.”

Max Scheler (1874–1928) German philosopher

Source: Das Ressentiment im Aufbau der Moralen (1912), L. Coser, trans. (1973), pp. 54-55

Larry Wall photo

“Your csh still thinks true is false. Write to your vendor today and tell them that next year Configure ought to 'rm /bin/csh' unless they fix their blasted shell.”

Larry Wall (1954) American computer programmer and author, creator of Perl

Source code, <code>Configure</code>

Archie Carr photo
Tejinder Virdee photo

“The shapes of molecules influence their behavior and function, especially the ease with which they can fit into various guest-host configurations important in biology and biochemistry.”

David W. Oxtoby (1951) President of Pomona college

Principles of Modern Chemistry (7th ed., 2012), Ch. 3 : Classical Bonding: The Classical Description

Johannes Kepler photo
Joseph Beuys photo
Linus Pauling photo

“A substance showing resonance between two or more valence-bond structures does not contain molecules with the configurations and properties usually associated with these structures.”

Linus Pauling (1901–1994) American scientist

The Nature of Chemical Bond (1939), Ch 14. A Summarizing Discussion of Resonance and Its Significance for Chemistry.

Sean Carroll photo
Mark Rothko photo

“Isc remains deeply apologetic that prior versions of BIND did not properly catch the configuration error that you appear to have built your business on.”

Paul Vixie (1963) American internet pioneer

IETF/namedroppers mailing list http://ops.ietf.org/lists/namedroppers/namedroppers.2001/msg00041.html (2001)

Peter Sloterdijk photo
Larry Wall photo

“OOPS! You naughty creature! You didn't run Configure with sh! I will attempt to remedy the situation by running sh for you…”

Larry Wall (1954) American computer programmer and author, creator of Perl

Source code, <code>Configure</code>

Margaret Mead photo
Michael Halliday photo

“[Register] is set of meanings, the configuration of semantic patterns, that are typically drawn upon under the specified conditions, along with the words and structures that are used in the realization of these meanings.”

Michael Halliday (1925–2018) Australian linguist

Source: 1970s and later, Cohesion in English (English Language), 1976, p. 23 cited in: Helen Leckie-Tarry (1998) Language and Context. p. 6.

Igor Ansoff photo
Bill Bryson photo
Pope Benedict XVI photo

“The market does not exist in the pure state. It is shaped by the cultural configurations which define it and give it direction.”

Pope Benedict XVI (1927) 265th Pope of the Catholic Church

2009, Cartias in Vertitate (29 June 2009)

“Every magnitude, every dimension, requires a new configuration.”

Fritz Wotruba (1907–1975) Austrian sculptor (23 April 1907, Vienna – 28 August 1975, Vienna)

Source: The Human Form: Sculpture, Prints, and Drawings, 1977, p. 10.

Koenraad Elst photo
Octavio Paz photo
Willoughby Sharp photo
Marshall McLuhan photo

“Logos is the formal cause of the kosmos and all things, responsible for their nature and configuration.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1980s, Laws of Media: The New Science (with Eric McLuhan) (1988), p. 37

Octavio Paz photo

“time in an allegory of itself imparts to us lessons of wisdom which the moment they are formulated are immediately destroyed by the merest flickers of light or shadow which are nothing more than time in its incarnations and disincarnations which are the phrases that I am writing on this paper and that disappears as I read them:
they are not the sensations, the perceptions, the mental images, and the thoughts which flare up and die away here, now, as I write or as I read what I write: they are not what I see or what I have seen, they are the reverse of what is seen and of the power of sight—but they are not the invisible: they are the unsaid residuum;
they are not the other side of reality but, rather, the other side of language, what we have on the tip of our tongue that vanishes before it is said, the other side that cannot be named because it is the opposite of a name:
what is not said is not this or that which we leave unsaid, nor is it neither-this-nor-that: it is not the tree that I say I see but the sensation that I feel on sensing that I see it at the moment when I am just about to say that I see it, an insubstantial but real conjunction of vibrations and sounds and meanings that on being combined suggest the configuration of a green-bronze-black-woody-leafy-sonorous-silent presence;
no, it is not that either, if it is not a name it surely cannot be the description of a name or the description of the sensation of the name or the name of the sensation:
a tree is not the name tree, nor is it the sensation of tree: it is the sensation of a perception of tree that dies away at the very moment of the perception of the sensation of tree;
names, as we already know, are empty, but what we did not know, or if we did know, had forgotten, is that sensations are perceptions of sensations that die away, sensations that vanish on becoming perceptions, since if they were not perceptions, how would we know that they are sensations?;
sensations that are not perceptions are not sensations, perceptions that are not names—what are they?
if you didn’t know it before, you know now: everything is empty;
and the moment I say everything-is-empty, I am aware that I am falling into a trap: if everything is empty, this everything-is-empty is empty too;
no, it is full, full to overflowing, everything-is-empty is replete with itself, what we touch and see and taste and smell and think, the realities that we invent and the realities that touch us, look at us, hear us, and invent us, everything that we weave and unweave and everything that weaves and unweaves us, momentary appearances and disappearances, each one different and unique, is always the same full reality, always the same fabric that is woven as it is unwoven: even total emptiness and utter privation are plenitude (perhaps they are the apogee, the acme, the consummation and the calm of plenitude), everything is full to the brim, everything is real, all these invented realities and all these very real inventions are full of themselves, each and every one of them, replete with their own reality;
and the moment I say this, they empty themselves: things empty themselves and names fill themselves, they are no longer empty, names are plethoras, they are donors, they are full to bursting with blood, milk, semen, sap, they are swollen with minutes, hours, centuries, pregnant with meanings and significations and signals, they are the secret signs that time makes to itself, names suck the marrow from things, things die on this page but names increase and multiply, things die in order that names may live:”

Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature

Source: The Monkey Grammarian (1974), Ch. 9

“I had no idea what I was doing when I wrote Search. There was no carefully designed work plan. There was no theory that I was out to prove. I went out and talked to genuinely smart, remarkably interesting, first-rate people. I had an infinite travel budget that allowed me to fly first class and stay at top-notch hotels and a license from McKinsey to talk to as many cool people as I could all around the United States and the world.
I went to see Karl Weick, who had totally influenced my life. I had read his work a thousand times, and I'd never met him. I went to Oslo to talk with Einar Thorsrud, who had studied empowerment on oil tankers. I went to the Tavistock Institute in London, where the leading thinkers on organizational development were looking at why people work together effectively in team configurations under certain circumstances.
Word of the meeting got back to McKinsey USA, and I was invited to give a presentation to the top management of PepsiCo… The time was drawing near for the Pepsi presentation to take place. One morning at about 6, I sat down at my desk overlooking the San Francisco Bay from the 48th floor of the Bank of America Tower, and I closed my eyes. Then I leaned forward, and I wrote down eight things on a pad of paper. Those eight things haven't changed since that moment. They were the eight basic principles of Search.”

Tom Peters (1942) American writer on business management practices

Tom Peters (2001) "Tom Peters's True Confessions" in Fast Company, December 2001 ( online http://www.fastcompany.com/44077/tom-peterss-true-confessions, Nov 31, 2001).

Baruch Spinoza photo
William Styron photo

“In many of Albrecht Dürer’s engravings there are harrowing depictions of his own melancholia; the manic wheeling stars of Van Gogh are the precursors of the artist’s plunge into dementia and the extinction of self. It is a suffering that often tinges the music of Beethoven, of Schumann and Mahler, and permeates the darker cantatas of Bach. The vast metaphor which most faithfully represents this fathomless ordeal, however, is that of Dante, and his all-too-familiar lines still arrest the imagination with their augury of the unknowable, the black struggle to come:
Nel mezzo del cammin di nostra vita
Mi ritrovai per una selva oscura,
Ché la diritta via era smarrita.
In the middle of the journey of our life
I found myself in a dark wood,
For I had lost the right path.
One can be sure that these words have been more than once employed to conjure the ravages of melancholia, but their somber foreboding has often overshadowed the last lines of the best-known part of that poem, with their evocation of hope. To most of those who have experienced it, the horror of depression is so overwhelming as to be quite beyond expression, hence the frustrated sense of inadequacy found in the work of even the greatest artists. But in science and art the search will doubtless go on for a clear representation of its meaning, which sometimes, for those who have known it, is a simulacrum of all the evil of our world: of our everyday discord and chaos, our irrationality, warfare and crime, torture and violence, our impulse toward death and our flight from it held in the intolerable equipoise of history. If our lives had no other configuration but this, we should want, and perhaps deserve, to perish; if depression had no termination, then suicide would, indeed, be the only remedy. But one need not sound the false or inspirational note to stress the truth that depression is not the soul’s annihilation; men and women who have recovered from the disease — and they are countless — bear witness to what is probably its only saving grace: it is conquerable.”

Source: Darkness Visible (1990), X

Michael Halliday photo

“[A register is constituted by] the linguistic features which are typically associated with a configuration of situational features - with particular values of the field, mode and tenor.”

Michael Halliday (1925–2018) Australian linguist

Source: 1970s and later, Cohesion in English (English Language), 1976, p. 22 cited in: Helen Leckie-Tarry (1998) Language and Context. p. 6.

Edwin Abbott Abbott photo

“For my own part, I find it best to assume that a good sound scolding or castigation has some latent and strengthening influence on my Grandson's Configuration; though I own that I have no grounds for thinking so. At all events I am not alone in my way of extricating myself from this dilemma; for I find that many of the highest Circles, sitting as Judges in law courts, use praise and blame towards Regular and Irregular Figures; and in their homes I know by experience that, when scolding their children, they speak about "right" or "wrong" as vehemently and passionately as if they believed that these names represented real existences, and that a human Figure is really capable of choosing between them.Constantly carrying out their policy of making Configuration the leading idea in every mind, the Circles reverse the nature of that Commandment which in Spaceland regulates the relations between parents and children. With you, children are taught to honour their parents; with us — next to the Circles, who are the chief object of universal homage — a man is taught to honour his Grandson, if he has one; or, if not, his Son. By "honour", however, is by no means meant "indulgence", but a reverent regard for their highest interests: and the Circles teach that the duty of fathers is to subordinate their own interests to those of posterity, thereby advancing the welfare of the whole State as well as that of their own immediate descendants.”

Source: Flatland: A Romance of Many Dimensions (1884), PART I: THIS WORLD, Chapter 12. Of the Doctrine of our Priests

Albert Einstein photo

“May they not forget to keep pure the great heritage that puts them ahead of the West: the artistic configuration of life, the simplicity and modesty of personal needs, and the purity and serenity of the Japanese soul.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

Comment made after a six-week trip to Japan in November-December 1922, published in Kaizo 5, no. 1 (January 1923), 339. Einstein Archive 36-477.1. Appears in The New Quotable Einstein by Alice Calaprice (2005), p. 269
1920s

Truman Capote photo
Koenraad Elst photo
Charles Lyell photo
Noam Elkies photo
Joseph Massad photo
Edward Said photo
F. J. Duarte photo
Peter L. Berger photo
Edward O. Wilson photo
Roberto Mangabeira Unger photo
Edwin Abbott Abbott photo

“As to the doctrine of the Circles it may briefly be summed up in a single maxim, "Attend to your Configuration."”

Source: Flatland: A Romance of Many Dimensions (1884), PART I: THIS WORLD, Chapter 12. Of the Doctrine of our Priests
Context: As to the doctrine of the Circles it may briefly be summed up in a single maxim, "Attend to your Configuration." Whether political, ecclesiastical, or moral, all their teaching has for its object the improvement of individual and collective Configuration — with special reference of course to the Configuration of the Circles, to which all other objects are subordinated.It is the merit of the Circles that they have effectually suppressed those ancient heresies which led men to waste energy and sympathy in the vain belief that conduct depends upon will, effort, training, encouragement, praise, or anything else but Configuration.

Haruki Murakami photo

“I put a stop to my thoughts and let time pass. Let time carry me along. Carry me to where a new darkness was configuring yet newer patterns.”

Haruki Murakami (1949) Japanese author, novelist

Source: A Wild Sheep Chase: A Novel (1982), Chapter 38, And So Time Passes
Context: Time. Particles of darkness configured mysterious patterns on my retina. Patterns that degenerated without a sound, only to be replaced by new patterns. Darkness but darkness alone was shifting, like mercury in motionless space. I put a stop to my thoughts and let time pass. Let time carry me along. Carry me to where a new darkness was configuring yet newer patterns.

Marshall McLuhan photo

“He is setting up a mosaic configuration or galaxy for insight … Innis makes no effort to "spell out" the interrelations between the components in his galaxy. He offers no consumer packages in his later work, but only do-it-yourself kits…”

Source: The Gutenberg Galaxy (1962), p. 216; this paragraph was quoted as "context (0) - THE INNIS MODE" by John Brunner, the epigraph or first chapter in his novel Stand on Zanzibar (1968)
Context: There is nothing willful or arbitrary about the Innis mode of expression. Were it to be translated into perspective prose, it would not only require huge space, but the insight into the modes of interplay among forms of organisation would also be lost. Innis sacrificed point of view and prestige to his sense of the urgent need for insight. A point of view can be a dangerous luxury when substituted for insight and understanding. As Innis got more insight he abandoned any mere point of view in his presentation of knowledge. When he interrelates the development of the steam press with 'the consolidation of the vernaculars' and the rise of nationalism and revolution he is not reporting anybody's point of view, least of all his own. He is setting up a mosaic configuration or galaxy for insight … Innis makes no effort to "spell out" the interrelations between the components in his galaxy. He offers no consumer packages in his later work, but only do-it-yourself kits...

Philip K. Dick photo

“You have seen these things. You know a great deal. And you are not coordinated with the new configuration.”

Adjustment Team (1954)
Context: "I get the picture." His voice was almost inaudible. A chilling premonition moved through him. "I was supposed to be changed like the others. But I guess something went wrong."
"Something went wrong. An error occurred. And now a serious problem exists. You have seen these things. You know a great deal. And you are not coordinated with the new configuration."
"Gosh," Ed muttered. "Well, I won't tell anybody." Cold sweat poured off him. "You can count on that. I'm as good as changed."

Marshall McLuhan photo
Haruki Murakami photo

“Time. Particles of darkness configured mysterious patterns on my retina. Patterns that degenerated without a sound, only to be replaced by new patterns. Darkness but darkness alone was shifting, like mercury in motionless space.”

Haruki Murakami (1949) Japanese author, novelist

Source: A Wild Sheep Chase: A Novel (1982), Chapter 38, And So Time Passes
Context: Time. Particles of darkness configured mysterious patterns on my retina. Patterns that degenerated without a sound, only to be replaced by new patterns. Darkness but darkness alone was shifting, like mercury in motionless space. I put a stop to my thoughts and let time pass. Let time carry me along. Carry me to where a new darkness was configuring yet newer patterns.

Robert Sheckley photo
Marilyn Ferguson photo
Alan Turing photo

“[T]he m-configuration may be changed.”

On Computable Numbers, with an Application to the Entscheidungsproblem (1936)

Alan Turing photo
Alan Turing photo
Romila Thapar photo

“References to what have been interpreted as configurations of stars have been used to suggest dates of about 4000 BC for these hymns”, .... [but] “planetary positions could have been observed in earlier times and such observations been handed down as part of an oral tradition”, [so that they] “do not constitute proof of the chronology of the Vedic hymns.”

Romila Thapar (1931) Indian historian

Romila Thapar: “The Perennial Aryans”, Seminar, December 1992., quoted in Elst, Koenraad (1999). Update on the Aryan invasion debate https://web.archive.org/web/20100412074243/http://www.bharatvani.org/books/ait/ New Delhi: Aditya Prakashan.

James Howard Kunstler photo