Quotes about completion
page 14

Robert Falcon Scott photo

“The Beardmore Glacier is not difficult in fine weather, but on our return we did not get a single completely fine day; this with a sick companion enormously increased our anxieties.”

Robert Falcon Scott (1868–1912) Royal Navy officer and explorer

Journal, 29 March 1912 http://www.spri.cam.ac.uk/museum/diaries/scottslastexpedition/

John Muir photo
Dane Cook photo
Ernst Ludwig Kirchner photo

“I found it very difficult to suddenly depart [from Berlin] since this year I had risen completely in the landscape and life and hardly needed awareness to access this place.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

original German version: 'Es fiel mir schwer, so plötzlich abzureisen, da ich dies Jahr vollständig in der Landschaft und dem Leben da oben aufging und nur fast ohne Bewusstsein zuzugreifen brauchte.'
as quoted in: Ernst Ludwig Kirchner: ein Künstlerleben in Selbstzeugnissen, Andreas Gabelmann; Hatje Cantz Verlag, Ostfildern, Germany 2010, p. 41 (transl. Claire Albiez )
As Kirchner had been busying himself with nature images since the Summer of 1913, the outbreak of World War 1. brought him back to reality; as he describes here
undated

Nassim Nicholas Taleb photo
Nakayama Miki photo
Raymond Poincaré photo

“The fact that he was a Lorrainer, born and brought up in sight of the German eagle waving over the ravished provinces of France, bred in him an implacable enmity for Germany and all Germans. Anti-clericalism was with him a conviction; anti-Germanism was a passion. That gave him a special hold on France that had been ravaged by the German legions in the Great War. It was a disaster to France and to Europe. Where a statesman was needed who realised that if it is to be wisely exploited victory must be utilised with clemency and restraint, Poincaré made it impossible for any French Prime Minister to exert these qualities. He would not tolerate any compromise, concession or conciliation. He was bent on keeping Germany down. He was more responsible than any other man for the refusal of France to implement the disarmament provisions of the Treaty of Versailles. He stimulated and subsidised the armaments of Poland and Czecho-Slovakia which created such a ferment of uneasiness in disarmed Germany. He encouraged insurrection in the Rhineland against the authority of the Reich. He intrigued with the anti-German elements in Britain to thwart every effort in the direction of restoring goodwill in Europe and he completely baffled Briand's endeavour in that direction. He is the true creator of modern Germany with its great and growing armaments, and should this end in another conflict the catastrophe will have been engineered by Poincaré. His dead hand lies heavy on Europe to-day.”

Raymond Poincaré (1860–1934) 10th President of the French Republic

David Lloyd George, The Truth about the Peace Treaties. Volume I (London: Victor Gollancz, 1938), p. 252.
About

Eugène Delacroix photo
Lee Smolin photo
Tad Williams photo
Adolf A. Berle photo
Wassily Kandinsky photo

“The more freely abstract the form becomes, the purer, and also the more primitive it sounds. Therefore, in a composition in which corporeal elements are more or less superfluous, they can be more or less omitted and replaced by purely abstract forms, or by corporeal forms that have been completely abstracted... Here we are confronted by the question: Must we not then renounce the object altogether, throw it to the winds and instead lay bare the purely abstract? This is a question that naturally arises, the answer to which is at once indicated by an analysis of the concordance of the two elements of form (the objective and the abstract). Just as every word spoken (tree, sky, man) awakens an inner vibration, so too does every pictorially represented object. To deprive oneself of the possibility of this calling up vibrations would be to narrow one's arsenal of expressive means. At least, that is how it is today. But apart from today's answer, the above question receives the eternal answer to every question in art that begins with 'must.”

Wassily Kandinsky (1866–1944) Russian painter

There is no 'must' in art, which is forever free.
Quote from: Kandinsky: Complete Writings on Art, eds. Kenneth C. Lindsay and Peter Vergo, 2 Vols. (transl. Peter Vergo); Boston: G.K. Hall & Co., (1982), p. 195; as cited in: Samet, Jennifer Sachs. Painterly Representation in New York, 1945-1975. Dissertation, The City University of New York, 2010. p. 25
1910 - 1915

Mehmed Talat photo

“Necessary preparations have been discussed and taken for the complete and fundamental elimination of this concern, which occupies an important place in the exalted state's list of vital issues.”

Mehmed Talat (1874–1921) Grand Vizier of the Ottoman Empire and Minister of the Interior

Letter to head of parliament, May 26, 1915. Quoted in "A Shameful Act: The Armenian Genocide and the Question of Turkish Responsibility" - by Taner Akçam, Paul Bessemer - History - 2006 - Page 8

David Eugene Smith photo
Oliver Lodge photo
Mata Amritanandamayi photo
Arthur Schopenhauer photo

“As the biggest library if it is in disorder is not as useful as a small but well-arranged one, so you may accumulate a vast amount of knowledge but it will be of far less value to you than a much smaller amount if you have not thought it over for yourself; because only through ordering what you know by comparing every truth with every other truth can you take complete possession of your knowledge and get it into your power. You can think about only what you know, so you ought to learn something; on the other hand, you can know only what you have thought about.”

Vol. 2, Ch. 22, § 257 "On Thinking for Yourself" as translated in Essays and Aphorisms(1970) as translated by R. J. Hollingdale
Variant translation: Just as the largest library, badly arranged, is not so useful as a very moderate one that is well arranged, so the greatest amount of knowledge, if not elaborated by our own thoughts, is worth much less than a far smaller volume that has been abundantly and repeatedly thought over.
Parerga and Paralipomena (1851), Counsels and Maxims

Gancho Tsenov photo
Piet Mondrian photo

“I am very glad that the criticism is what it is. It is all right that way. In complete opposition to our direction. Otherwise we [De Stijl-artists] would have nothing to do. I got another impression from your letter, but it is much better this way. There we see again: we have straightly to oppose the whole to-do, à part.”

Piet Mondrian (1872–1944) Peintre Néerlandais

Quote of Mondrian in a letter to Theo van Doesburg, 17 May, 1920; as cited in 'Stijl' catalogue, 1951, p. 72; quoted in De Stijl 1917-1931 - The Dutch Contribution to Modern Art, by H.L.C. Jaffé http://www.dbnl.org/tekst/jaff001stij01_01/jaff001stij01_01.pdf; J.M. Meulenhoff, Amsterdam 1956, p 19
1920's

Vincent Van Gogh photo
Julia Serano photo
Fred Astaire photo

“The fact that Fred and I were in no way similar - nor were we the best male dancers around never occurred to the public or the journalists who wrote about us…Fred and I got the cream of the publicity and naturally we were compared. And while I personally was proud of the comparison, because there was no-one to touch Fred when it came to "popular" dance, we felt that people, especially film critics at the time, should have made an attempt to differentiate between our two styles. Fred and I both got a bit edgy after our names were mentioned in the same breath. I was the Marlon Brando of dancers, and he the Cary Grant. My approach was completely different from his, and we wanted the world to realise this, and not lump us together like peas in a pod. If there was any resentment on our behalf, it certainly wasn't with each other, but with people who talked about two highly individual dancers as if they were one person. For a start, the sort of wardrobe I wore - blue jeans, sweatshirt, sneakers - Fred wouldn't have been caught dead in. Fred always looked immaculate in rehearsals, I was always in an old shirt. Fred's steps were small, neat, graceful and intimate - mine were ballet-oriented and very athletic. The two of us couldn't have been more different, yet the public insisted on thinking of us as rivals…I persuaded him to put on his dancing shoes again, and replace me in Easter Parade after I'd broken my ankle. If we'd been rivals, I certainly wouldn't have encouraged him to make a comeback.”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

Gene Kelly interviewed in Hirschhorn, Clive. Gene Kelly, A Biography. W.H Allen, London, 1984. p. 117. ISBN 0491031823.

Mircea Eliade photo

“It would be frightening to think that in all the cosmos, which is so harmonious, so complete and equal to itself, that only human life is happening randomly, that only one's destiny lacks meaning.”

Mircea Eliade (1907–1986) Romanian historian of religion, fiction writer and philosopher

Attributed in The Little Book of Romanian Wisdom (2011) edited by Diana Doroftei and Matthew Cross.

C. N. R. Rao photo
Ben Croshaw photo
H. G. Wells photo

“A proven theorem of game theory states that every game with complete information possesses a saddle point and therefore a solution.”

Richard Arnold Epstein (1927) American physicist

Source: The Theory of Gambling and Statistical Logic (Revised Edition) 1977, Chapter Two, Mathematical Preliminaries, p. 36

Bill Hicks photo
Barbara Jordan photo

“My faith in the Constitution is whole; it is complete; it is total. I am not going to sit here and be an idle spectator to the diminution, the subversion, the destruction of the Constitution.”

Barbara Jordan (1936–1996) American politician

Statement before the House Judiciary Committee considering impeachment of President Richard M. Nixon (25 July 1974). (See External links)

Gottfried Helnwein photo
Franklin D. Roosevelt photo
Wilhelm Liebknecht photo
Marshall McLuhan photo
Giorgio de Chirico photo
John Cage photo
Felix Adler photo

“There is a city to be built, the plan of which we carry in our heads, in our hearts. Countless generations have already toiled at the building of it. The effort to aid in completing it, with us, takes the place of prayer. In this sense we say, "Laborare est orare."”

Felix Adler (1851–1933) German American professor of political and social ethics, rationalist, and lecturer

Laborare est orare.: To work is to pray. Section 2 : Religion
Founding Address (1876), Life and Destiny (1913)

Max Weber photo
Stanley Baldwin photo
Robert Rauschenberg photo

“It is completely irrelevant that I am making them. 'Today' is their creator.”

Robert Rauschenberg (1925–2008) American artist

Quote, c. 1950; as cited in Abstract Art, Anna Moszynska, Thames and Hudson 1990, p. 199
Rauschenberg's comment on his series 'White Paintings'
1950's

Thomas Robert Malthus photo
Joseph M. Juran photo
Georg Wilhelm Friedrich Hegel photo

“Architecture is treated as crystallisation; sculpture, as the organic modelling of the material in its sensuous and spatial totality; painting, as the coloured surface and line; while in music, space, as such, passes into the point of time possessed of content within itself, until finally the external medium is in poetry depressed into complete insignificance.”

Die Architektur ist dann die Kristallisation, die Skulptur die organische Figuration der Materie in ihrer sinnlich-räumlichen Totalität; die Malerei die gefärbte Fläche und Linie; während in der Musik der Raum überhaupt zu dem in sich erfüllten Punkt der Zeit übergeht; bis das äußere Material endlich in der Poesie ganz zur Wertlosigkeit herabgesetzt ist.
Part III https://www.marxists.org/reference/archive/hegel/works/ae/ch03.htm
Lectures on Aesthetics (1835)

K. R. Narayanan photo
Tina Fey photo
Leonid Hurwicz photo
Francisco De Goya photo

“[the painting 'Yard with Lunatics' shows].. a yard with lunatics, and two of them fighting completely naked while their warder beats them, and others in sacks; (it is a scene I witnessed at first hand in Zaragoza).”

Francisco De Goya (1746–1828) Spanish painter and printmaker (1746–1828)

letter to his friend Bernardo de Iriarte, 7 Jan, 1794; as quoted by Jane Kromm, in The art of frenzy, 2002, p. 194 https://en.wikipedia.org/wiki/Yard_with_Lunatics
The painting 'Yard with Lunatics' (Spanish: Corral de locos) is a small oil-on-tinplate painting completed by Goya between 1793 and 1794; Goya says here that the painting was informed by scenes of institutions he witnessed in his youth in Zaragoza
1790s

Russ Feingold photo

“Something is happening in this country tonight. I don’t understand it completely. I don’t think anybody does.”

Russ Feingold (1953) Wisconsin politician; three-term U.S. Senator

Concession speech to supporters after losing his 2016 bid for the Senate, in [Blumberg, Nick, How Wisconsin Went Red: New Book Traces Fall of ‘Progressive Bastion’, https://chicagotonight.wttw.com/2018/07/30/how-wisconsin-went-red-new-book-traces-fall-progressive-bastion, 20 August 2018, Chicago Tonight, July 30, 2018]
2016

Howard Scott photo
Alfred P. Sloan photo
Marco Rubio photo
Bill Gates photo
Luther H. Gulick photo
Mario Cuomo photo

“You want calamities? What about the Ice Age? … God made this world, but didn't complete it.”

Mario Cuomo (1932–2015) American politician, Governor of New York

As quoted in "Analysis : Tragedies of nature, terror leave vulnerable feeling" by Charles Passy, in The Palm Beach Post (12 September 2005) http://www.palmbeachpost.com/pbccentral/content/local_news/epaper/2005/09/12/m1a_vulnerability_0912.html

“I am complete but I'm not finished.”

Source: Life, the Truth, and Being Free (2010), p. 155

John Banville photo
Alexandra Kollontai photo
George Lucas photo
Wisława Szymborska photo

“Everything the dead predicted has turned out completely different.
Or a little bit different — which is to say, completely different.”

Wisława Szymborska (1923–2012) Polish writer

"The Letters of the Dead"
Poems New and Collected (1998), Could Have (1972)

Max Scheler photo

“The “noble” person has a completely naïve and non-reflective awareness of his own value and of his fullness of being, an obscure conviction which enriches every conscious moment of his existence, as if he were autonomously rooted in the universe. This should not be mistaken for “pride.” Quite on the contrary, pride results from an experienced diminution of this “naive” self-confidence. It is a way of “holding on” to one’s value, of seizing and “preserving” it deliberately. The noble man’s naive self-confidence, which is as natural to him as tension is to the muscles, permits him calmly to assimilate the merits of others in all the fullness of their substance and configuration. He never “grudges” them their merits. On the contrary: he rejoices in their virtues and feels that they make the world more worthy of love. His naive self-confidence is by no means “compounded” of a series of positive valuations based on specific qualities, talents, and virtues: it is originally directed at his very essence and being. Therefore he can afford to admit that another person has certain “qualities” superior to his own or is more “gifted” in some respects—indeed in all respects. Such a conclusion does not diminish his naïve awareness of his own value, which needs no justification or proof by achievements or abilities. Achievements merely serve to confirm it. On the other hand, the “common” man (in the exact acceptation of the term) can only experience his value and that of another if he relates the two, and he clearly perceives only those qualities which constitute possible differences. The noble man experiences value prior to any comparison, the common man in and through a comparison. For the latter, the relation is the selective precondition for apprehending any value. Every value is a relative thing, “higher” or “lower,” “more” or “less” than his own. He arrives at value judgments by comparing himself to others and others to himself.”

Max Scheler (1874–1928) German philosopher

Source: Das Ressentiment im Aufbau der Moralen (1912), L. Coser, trans. (1973), pp. 54-55

Calvin Coolidge photo
Carl Menger photo

“There is no better means of reducing a fallacious variety of thought to absurdity than to let it live itself out completely.”

Carl Menger (1840–1921) founder of the Austrian School of economics

Attributed to Carl Menger in: Ludwig Von Mises, " Comments about the mathematical treatment of economic problems https://mises.org/journals/jls/1_2/1_2_2.pdf." Journal of Libertarian Studies, Spring 1977, 1(2), p. 100

Richard Nixon photo
Ben Klassen photo

“True silence is the speech of lovers. For only love knows its beauty, completeness and utter joy.”

Catherine Doherty (1896–1985) Religious order founder; Servant of God

Source: Poustinia (1975), Ch. 1

Narendra Modi photo

“I bow my head to the love shown by the public in Vadodara. Each voter worked like Narendra Modi. You completed a very big responsibility.”

Narendra Modi (1950) Prime Minister of India

2014, "Election results 2014 LIVE: Vadodara goes wild as hero Modi arrives", 2014

Ian Fleming photo
Christopher Marlowe photo

“I'm armed with more than complete steel,—
The justice of my quarrel.”

Christopher Marlowe (1564–1593) English dramatist, poet and translator

Lust's Dominion (c. 1600), Act iii. scene 4. Compare: "Thrice is he armed that hath his quarrel just, And he but naked, though locked up in steel, Whose conscience with injustice is corrupted", William Shakespeare, Henry VI, Act iii. scene 2.
Misattributed

“I am very driven when it comes to poetry, a complete obsessive of the truth be told.”

Dennis O'Driscoll (1954–2012) Irish poet, critic

Poetry Quotes

Gustave Courbet photo
James Montgomery photo

“Hymns should have unity, graduation and mutual dependence in the thoughts, a conscious progress, a sense of completeness.. and be easily understood.”

James Montgomery (1771–1854) British editor, hymn writer, and poet

Introductory Essay-Christian Psalmist,or Hymns Selected & Original (1825).
Other

Filippo Tommaso Marinetti photo

“People have success with this method and it gets them excited. It gets them hooked. You can put layers of thick paint on thin paint and that allows you to complete a painting in one sitting.”

Bob Ross (1942–1995) American painter, art instructor, and television host

Source: Mike Flannagan (October 1, 1992) "TV Artist Bob Ross Watches Paint Dry, Turns It Into a Successful Career", The Knoxville News-Sentinel, p. B1.

Barrett Brown photo

“Being an atheist is like not owning a TV – completely rational, but best kept to one's self.”

Barrett Brown (1981) American journalist, essayist and satirist

True/Slant, "The Most Bizarre E-mail I Have Ever Received" http://trueslant.com/barrettbrown/2010/06/30/the-most-bizarre-e-mail-i-have-ever-received/, 30 June 2010.

John Gray photo
Jeremy Corbyn photo
Mick Jagger photo

“We have not had any disagreements about clothes, smoking or L'Wren, and this is all very hurtful for her… It is completely untrue to say that L'Wren has caused a rift between myself and the rest of the band. This is all nonsense, everyone has their own style.”

Mick Jagger (1943) British rock musician, member of The Rolling Stones

Statement released in response to media reports of a rift in the band attributed to Jagger's new girlfriend at the time. " Jagger: No 'Yoko' girlfriend rift https://web.archive.org/web/20081212024811/http://www.cnn.com/2005/SHOWBIZ/Music/10/05/jagger.girlfriend/index.html", CNN (October 5, 2005).

Johannes Warnardus Bilders photo

“People call this beautiful? - no, they are crazy, or I am mad! – How I learned now at Oosterbeek [c. 1834-36 that I should look at Nature completely different! In the beginning I could not make anything good; I soon realized that I had to start all over again.”

Johannes Warnardus Bilders (1811–1890) painter from the Northern Netherlands

version in original Dutch (citaat van Johannes Warnardus Bilders, in Nederlands): Moet dat nu mooi heeten? - neen, de menschen zijn gek, of ik! - Wat leerde ik nu te Oosterbeek die Natuur gansch anders aankijken! In 't begin kon ik niets goeds maken; ik zag al gauw, dat ik weer van voren af aan moest beginnen.
p. 78
1880's, Johannes Warnardus Bilders' (1887/1900)

Sean Carroll photo
Václav Havel photo
Nicholas Sparks photo
John Stuart Mill photo
P. D. Ouspensky photo
Bram van Velde photo
M. K. Hobson photo