Quotes about beginner
A collection of quotes on the topic of beginner, most, people, doing.
Quotes about beginner

“That is what Castle's work needed: a beginner's eye”
Flicker (1991)
Context: That is what Castle's work needed: a beginner's eye—my eye, before it became too schooled and guarded, while it was still in touch with the vulgar foundations of the art, still vulnerably naive enough to receive that faint and flickering revelation of the dark god whose scriptures are the secret history of the movies.

Source: I. Asimov

“In the beginner's mind there are many possibilities, in the expert's there are few.”
Prologue
Zen Mind, Beginner's Mind (1973)
Variant: In the beginner’s mind there are many possibilities, but in the expert’s there are few
Source: Zen Mind, Beginner's Mind: Informal Talks on Zen Meditation and Practice

“I figured all your classes were stuff like Slaughter 101 and Beheading for Beginners.”
Clary to Jace, pg. 97
Source: The Mortal Instruments, City of Bones (2007)

1960s, Portrait of a Genius As a Young Chess Master (1961)

“Young people, who are beginners in everything, cannot yet know love: they have to learn it.”
Letter Seven (14 May 1904)
Letters to a Young Poet (1934)

Letter Seven (14 May 1904)
Letters to a Young Poet (1934)
Context: The demands which the difficult work of love makes upon our development are more than life-size, and as beginners we are not up to them. But if we nevertheless hold out and take this love upon us as burden and apprenticeship, instead of losing ourselves in all the light and frivolous play, behind which people have hidden from the most earnest earnestness of their existence — then a little progress and alleviation will perhaps be perceptible to those who come long after us; that would be much.

The Glass Bead Game (1943)
Context: Under the shifting hegemony of now this, now that science or art, the Game of games had developed into a kind of universal language through which the players could express values and set these in relation to one another. Throughout its history the Game was closely allied with music, and usually proceeded according to musical and mathematical rules. One theme, two themes, or three themes were stated, elaborated, varied, and underwent a development quite similar to that of the theme in a Bach fugue or a concerto movement. A Game, for example, might start from a given astronomical configuration, or from the actual theme of a Bach fugue, or from a sentence out of Leibniz or the Upanishads, and from this theme, depending on the intentions and talents of the player, it could either further explore and elaborate the initial motif or else enrich its expressiveness by allusions to kindred concepts. Beginners learned how to establish parallels, by means of the Game's symbols, between a piece of classical music and the formula for some law of nature. Experts and Masters of the Game freely wove the initial theme into unlimited combinations.

The Eighteenth Brumaire of Louis Bonaparte (1852)
Context: Men make their own history, but they do not make it as they please; they do not make it under self-selected circumstances, but under circumstances existing already, given and transmitted from the past. The tradition of all dead generations weighs like a nightmare on the brains of the living. And just as they seem to be occupied with revolutionizing themselves and things, creating something that did not exist before, precisely in such epochs of revolutionary crisis they anxiously conjure up the spirits of the past to their service, borrowing from them names, battle slogans, and costumes in order to present this new scene in world history in time-honored disguise and borrowed language. Thus Luther put on the mask of the Apostle Paul, the Revolution of 1789-1814 draped itself alternately in the guise of the Roman Republic and the Roman Empire, and the Revolution of 1848 knew nothing better to do than to parody, now 1789, now the revolutionary tradition of 1793-95. In like manner, the beginner who has learned a new language always translates it back into his mother tongue, but he assimilates the spirit of the new language and expresses himself freely in it only when he moves in it without recalling the old and when he forgets his native tongue.
When we think about this conjuring up of the dead of world history, a salient difference reveals itself. Camille Desmoulins, Danton, Robespierre, St. Just, Napoleon, the heroes as well as the parties and the masses of the old French Revolution, performed the task of their time – that of unchaining and establishing modern bourgeois society – in Roman costumes and with Roman phrases.

1860s, Fourth of July Address to Congress (1861)
Context: Our popular Government has often been called an experiment. Two points in it our people have already settled — the successful establishing and the successful administering of it. One still remains — its successful maintenance against a formidable internal attempt to overthrow it. It is now for them to demonstrate to the world that those who can fairly carry an election can also suppress a rebellion; that ballots are the rightful and peaceful successors of bullets, and that when ballots have fairly and constitutionally decided there can be no successful appeal back to bullets; that there can be no successful appeal except to ballots themselves at succeeding elections. Such will be a great lesson of peace, teaching men that what they can not take by an election neither can they take it by a war; teaching all the folly of being the beginners of a war.
Boxing
Source: Comments From Wong Shun Leung and Tsui Shan Ting, by Ray Van Raamsdonk http://www.springtimesong.com/wcqanda.htm

Absolute Beginners (1986)
Song lyrics

Source: The Unfinished Autobiography (1951), Chapter I, Part 2
Source: Homage to the square' (1964), A conversation with Josef Albers' (1970), p. 459
Source: Lectures on Teaching, (1906), pp. 267-268.

Sadhana - spiritual practice
Source: "I am That." P.74.

As quoted in Toole, Betty Alexandra (1998), Ada, the Enchantress of Numbers: Prophet of the Computer Age, Strawberry Press, ISBN 0912647183. p. 99

" Philosophy" (a lecture delivered at Columbia University in the series on science, philosophy and art, March 4, 1908) https://archive.org/details/philosophyalect00butlgoog"

Letter to Bernt Michael Holmboe (ca. 1826) as quoted by Øystein Ore, Niels Henrik Abel: Mathematician Extraordinary (1957)

Ted Nelson motto http://sydney.edu.au/news/84.html?newsstoryid=6681

This way of stating it will, no doubt, create a desire in most minds to discover the method of solving the problem; and however little taste people may possess for real science, they will be tempted to try iheir ingenuity in finding the answer to such a question at this.
Source: Preface to Recreations in Mathematics and Natural Philosophy. (1803), p. ii; As cited in: Tobias George Smollett. The Critical Review: Or, Annals of Literature http://books.google.com/books?id=T8APAAAAQAAJ&pg=PA410, Volume 38, (1803), p. 410

Source: On the Study and Difficulties of Mathematics (1831), Chapter I. Introductory Remarks on the Nature and Objects of Mathematics.

Light on Life: B.K.S. Iyengar's Yoga Insights

The Differential and Integral Calculus (1836)

As quoted in numerous reports of a response she made to a question by Jenni Falconer during joint interview sessions http://film.guardian.co.uk/venice/story/0,15051,1300356,00.html with Nicole Kidman at the Venice Film Festival (8 September 2004) She, Kidman and others have indicated that the remarks were inaccurately quoted and taken out of context. (see also the Larry King interview)

The Taste Gap: Ira Glass on the Secret of Creative Success, Animated in Living Typography http://www.brainpickings.org/2014/01/29/ira-glass-success-daniel-sax/ at brainpickings.org
This American Life
Source: The Romantic Generation (1995), Ch. 6 : Chopin: Virtuosity Transformed

The Conduct Of Life (1951)
Context: Now life is the only art that we are required to practice without preparation, and without being allowed the preliminary trials, the failures and botches, that are essential for the training of a mere beginner. In life, we must begin to give a public performance before we have acquired even a novice's skill; and often our moments of seeming mastery are upset by new demands, for which we have acquired no preparatory facility. Life is a score that we play at sight, not merely before we have divined the intentions of the composer, but even before we have mastered our instruments; even worse, a large part of the score has been only roughly indicated, and we must improvise the music for our particular instrument, over long passages. On these terms, the whole operation seems one of endless difficulty and frustration; and indeed, were it not for the fact that some of the passages have been played so often by our predecessors that, when we come to them, we seem to recall some of the score and can anticipate the natural sequence of the notes, we might often give up in sheer despair. The wonder is not that so much cacophony appears in our actual individual lives, but that there is any appearance of harmony and progression.

“When you're absolute beginners,
It's a panoramic view”
"For Beginners"
Hold Time (2009)
Context: When you're absolute beginners,
It's a panoramic view,
From Her Majesty, Mt. Zion,
And the Kingdom is for you.

“Each time you do something, you must return to your beginner’s mind, and give it your best.”
40
Ki Sayings (2003)
Context: !-- People who are fast learners tend to pick things up so quickly that they lose out on the opportunity for repetitious learning. --> Even if you learn something quickly with your conscious mind, you will easily forget it after you stop practicing. That which is learned with the subconscious mind is not easily forgotten. Therefore to learn something with the subconscious mind, requires months and years of training. Just because you were able to do it before, do not assume that you can do it as well the second time. Each time you do something, you must return to your beginner’s mind, and give it your best.

As quoted in The Jewish Encyclopedia (12 vols. 1901-1906) http://www.jewishencyclopedia.com/view.jsp?artid=905&letter=M
Guide for the Perplexed (c. 1190), Introduction
Context: I have composed this work neither for the common people, nor for beginners, nor for those who occupy themselves only with the Law as it is handed down without concerning themselves with its principles. The design of this work is rather to promote the true understanding of the real spirit of the Law, to guide those religious persons who, adhering to the Torah, have studied philosophy and are embarrassed by the contradictions between the teachings of philosophy and the literal sense of the Torah.
“My observations are those of a beginner.”
Mount Analogue (1952)
Context: My observations are those of a beginner. As they are completely fresh in my mind and concern the first difficulties a beginner encounters, they may be more useful to beginners making their first ascents than treatises written by professionals. These are no doubt more methodical and complete, but are intelligible only after a little preliminary experience. The entire aim of these notes is to help the beginner acquire this preliminary experience a little faster.

LXI : Redemption an Ongoing Process, as translated by Rabbi Bezalel Naor, p. 139 http://www.orot.com/lights.html
Orot
Context: The redemption continues. The redemption from Egypt and the complete redemption of the future are one unending action: the action of the strong hand and outstretched arm, which began in Egypt and works though all eventualities. Moses and Elijah are redeemers in a single redemption; the beginner and the ender, the opener and closer together fill the unit. The spirit of Israel hears the sound of the movements, the redemptive actions, brought about through all eventualities until the sprouting of redemption will be complete, in all its plentitude and [goodness].

414
Leaves of Morya’s Garden: Book One (The Call) (1924)

Foreword (dated 15 May 1950) to The Grasses & Pastures of South Africa, D. Meredith (ed.), 1954

2000s, Address at Stanford University (2005)

“Even the greatest was once a beginner. Don't be afraid to take that first step”