Quotes about archives

A collection of quotes on the topic of archives, likeness, use, time.

Quotes about archives

Susan Sontag photo

“My library is an archive of longings.”

Susan Sontag (1933–2004) American writer and filmmaker, professor, and activist

Source: As Consciousness is Harnessed to Flesh: Journals and Notebooks, 1964-1980

Tom Robbins photo
Kage Baker photo
Carlos Drummond de Andrade photo

“Love is what we learn on the brink,
after we've archived all our inherited
and acquired science. Love begins late.”

Carlos Drummond de Andrade (1902–1987) Brazilian poet

Amor é o que se aprende no limite,
depois de se arquivar toda a ciência
herdada, ouvida. Amor começa tarde.
"Amor e seu tempo" ["The Time of Love"]
As Impurezas do Branco [Impurities of White] (1973)

Jeremiah O'Donovan Rossa photo
Benjamin N. Cardozo photo
Jeffrey Moussaieff Masson photo
Lee Kuan Yew photo

“The final verdict will not be in the obituaries. The final verdict will be when the PhD students dig out the archives, read my old papers, assess what my enemies have said, sift the evidence and seek the truth. I'm not saying that everything I did was right, but everything I did was for an honourable purpose”

Lee Kuan Yew (1923–2015) First Prime Minister of Singapore

Interview with the New York Times, September 2010 http://www.nas.gov.sg/archivesonline/data/pdfdoc/20100920006/transcript_of_minister_mentor_lee_kuan_yew.pdf
2010s

David Crystal photo
Ralph Waldo Emerson photo

“Language is the archives of history … Language is fossil poetry.”

1840s, Essays: Second Series (1844), The Poet

David Crystal photo
Indro Montanelli photo
Jeffrey Moussaieff Masson photo

“I called Anna Freud in London to tell her what was about to happen. It was a strange, honest conversation.
"Miss Freud, I am sure you have heard that Dr. Eissler is going to fire me from the Archives."
"Yes. And I disagree with him. I did not like that second article in the New York Times. And I think you are wrong in your views. But I do not see why you should be so severely punished for holding them. On one point, however, I feel that I was deceived by Dr. Eissler. He never told me that you were going to live in my house. My understanding was that you were to be in charge of the library and of the research, but not actually live in the house." I never did find out why Eissler never explained this to Anna Freud. Perhaps he was being discreet, not wanting to bring up the matter of her death, or perhaps he knew she would not like the idea of my living in the house. Of course, as things turned out, I never did live in the Freud house.
"Did the idea of my living in your house upset you?"
"Frankly, yes it did."
"Why?"
"Because my father would not have wanted it."
"You mean he would not have liked me?"
"I am not saying that. But he would not have wanted somebody like you living in the house. He would have wanted somebody quiet, modest, unobtrusive. You would have been everywhere, searching for everything, going through boxes, drawers, closets, bringing people in, opening things up. My father would not have wanted this." She was right.”

Jeffrey Moussaieff Masson (1941) American writer and activist

Source: Final Analysis (1990), pp. 196-197

Vernor Vinge photo

“We've watched the Homo Sapiens interest group since the first appearance of the Blight. Where is this "Earth" the humans claim to be from? "Half way around the galaxy," they say, and deep in the Slow Zone. Even their proximate origin, Nyjora, is conveniently in the Slowness. We see an alternative theory: Sometime, maybe further back than the last consistent archives, there was a battle between Powers. The blueprint for this "human race" was written, complete with communication interfaces. Long after the original contestants and their stories had vanished, this race happened to get in position where it could Transcend. And that Transcending was tailor-made, too, re-establishing the Power that had set the trap to begin with.We're not sure of the details, but a scenario such as this is inevitable. What we must do is also clear. Straumli Realm is at the heart of the Blight, obviously beyond all attack. But there are other human colonies. We ask the Net to help in identifying all of them. We ourselves are not a large civilization, but we would be happy to coordinate the information gathering, and the military action that is required to prevent the Blight's spread in the Middle Beyond. For nearly seventeen weeks, we've been calling for action. Had you listened in the beginning, a concerted strike might have been sufficient to destroy the Straumli Realm. Isn't the Fall of Relay enough to wake you up? Friends, if we act together we still have a chance.Death to vermin.”

Source: A Fire Upon the Deep (1992), p. 245.

“Science Fiction Gods; Do they take much of an interest in us? I doubt it. How much entertainment does an ant's nest provide you with?
'Adepticus Sir, that bunch of Ornithoids on Artoc 4 that you asked me to observe, well they've just trashed their planet.'
'Oh that is a pity Initiatus Jones. What was it this time, ecological screw up or nuclear winter?'
'Worse than that sir, i looks lke they were mucking around with vacuum energy without having first invented the Mobius sphere.'
'Ah yes, the old classic mistake, we loose a few like that.'
'Could we not have tipped them off about it Sir?'
'I'm afraid not Jones, stupidity must remain its own reward, it's regrettable but there you are. Did you salvage anything?'
'They composed some fairly good poetry a couple of centuries ago, and some rather fine cloud sculptures fairly recently, I've logged some records in the archives.'
'Splendid Jones, I'll peruse them this evening. What about those Apes on Sol 3, how are they getting on?'
'Quit a bit of warfare as usual Sir, mostly based on chemical explosives these days, but with the occasional use of plutonium. Many of them have developed a belief in a big bang theory, and they reckon that they have the maths to prove it.'
'Really? Smith in anthropology will probably find that hilarious, I'm sure she would appreciate the data. It was one of her old Stomping grounds you know?'
'No I didnt know that Sir'
'It was a long time ago Jones, and a bit of a fiasco actually, she gave them a piece of her mind about some of their barbaric behavior which then abruptly became worse. Ever since then they have been obsessed with the number plate on her craft, it read 'JHVH'. The department gave her a desk job after that.”

Peter J. Carroll (1953) British occultist

Source: The Apophenion (2008), p. 107-108

Alexander Mackenzie photo
Robert J. Marks II photo

“There is no foundational mathematical or physical reason the relationship between Pythagorean and tempered western music should exist. It just does. The rich flexibility of the tempered scale and the … bountiful archives of western music are a testimonial to this wonderful coincidence provided by nature.”

Robert J. Marks II (1950) American electrical engineering researcher and intelligent design advocate

"Handbook of Fourier Analysis and Its Applications" (Oxford University Press, 2009), p. 623, Robert J. Marks II, 2009, 2011-04-29 http://books.google.com/books?id=Sp7O4bocjPAC&printsec=frontcover&dq=Handbook+of+Fourier+Analysis+and+Its+Applications&hl=en&ei=wcm5TaPvJYba0QHYi7nRDw&sa=X&oi=book_result&ct=result&resnum=1&ved=0CDEQ6AEwAA#v=onepage&q&f=false,

François-Noël Babeuf photo

“It was in the dust of the seigneurial archives that I discovered the frightful mysteries of the usurpations of the noble caste.”

François-Noël Babeuf (1760–1797) French political agitator and journalist of the French Revolutionary period

Ce fut dans la poussière des archives seigneuriales que je découvris les affreux mystères des usurpations de la caste noble.
[in Gracchus Babeuf avec les Egaux, Jean-Marc Shiappa, Les éditions ouvrières, 1991, 16, 27082 2892-7]
On feudalism

Justina Robson photo
Claude Lévi-Strauss photo
Ray Kurzweil photo
Margaret Fuller photo

“Heroes have filled the zodiac of beneficent labors, and then given up their mortal part to the fire without a murmur. Sages and lawgivers have bent their whole nature to the search for truth, and thought themselves happy if they could buy, with the sacrifice of all temporal ease and pleasure, one seed for the future Eden. Poets and priests have strung the lyre with heart-strings, poured out their best blood upon the altar which, reare'd anew from age to age, shall at last sustain the flame which rises to highest heaven. What shall we say of those who, if not so directly, or so consciously, in connection with the central truth, yet, led and fashioned by a divine instinct, serve no less to develop and interpret the open secret of love passing into life, the divine energy creating for the purpose of happiness; — of the artist, whose hand, drawn by a preexistent harmony to a certain medium, moulds it to expressions of life more highly and completely organized than are seen elsewhere, and, by carrying out the intention of nature, reveals her meaning to those who are not yet sufficiently matured to divine it; of the philosopher, who listens steadily for causes, and, from those obvious, infers those yet unknown; of the historian, who, in faith that all events must have their reason and their aim, records them, and lays up archives from which the youth of prophets may be fed. The man of science dissects the statement, verifies the facts, and demonstrates connection even where he cannot its purpose·”

Woman in the Nineteenth Century (1845)

Indro Montanelli photo

“No, Travaglio kills no one. With a knife. He uses a weapon much more refined and unendictable in court: the archive.”

Indro Montanelli (1909–2001) Italian journalist

cited in Marco Travaglio, Montanelli e il Cavaliere: storia di un grande e di un piccolo uomo.
2000s - 2010s

Ernst Gombrich photo
Jeffrey Moussaieff Masson photo
Conrad Black photo
Ben Croshaw photo
Ratko Mladić photo

“With one exception, the following quotes are taken directly from archival footage shot by VRS military cameramen. The arrival of the Bosnian Serb army is covered, as well as their subsequent rush to Potočari, the site of the Dutch base where tens of thousands of Bosnian Muslim refugees had taken cover, seeking protection from the United Nations.”

Ratko Mladić (1943) Commander of the Bosnian Serb military

Krle, Krstić, come on. Record that flag. Tear that flag down so it doesn't fly any more. Pull it down. Bravo! Towards Potočari! Towards Potočari and Bratunac! Don't stop, come on! Go in front of me the whole way, come on. Come on, boys, forward!
Here we are, on the eleventh of July of the year 1995, in Serbian Srebrenica. On the eve of yet another great Serb holiday we present this town as a gift to the Serb nation. The moment has finally arrived that, after the revolt against the Dahijas, we will have vengeance against the turks in this place."
There are so many! It is going to be a feast. There will be blood up to your knees. Nedzida Sadikovic, as quoted by Roy Gutman, Newsday News Service, August 9, 1995.
"Don't be afraid of anything, just take it easy, easy. Let the women and children go first. Thirty buses are coming, we're send you off toward Kladanj. Don't be afraid of anything, nobody is going to do anything to you. Thank you, thank you. Thanks, be safe. Nobody knows anything. Everything is done on my order."
Srebrenica Massacre

“In our online descriptions and program literature we describe the cloisters as a public sphere for networked interaction, the gathering place for students, professors, and librarians engaged in planning, evaluating, or reviewing the efforts of research and study utilizing the whole range of technologies of literacy. We go further and describe the task of the cloisters as to "channel flows of research, learning and teaching between the increasingly networked world of the library and the intimacy and engagement of our classrooms and other campus spaces". There we continue to explore the "collectible object", which I tentatively described in Othermindedness in terms of maintaining an archive of "the successive choices, the errors and losses, of our own human community" and suggesting that what constitutes the collectible object is the value which suffuses our choices. It seemed to me then that electronic media are especially suited to tracking such "changing change".
I think it still seems so to me now but I do fear we have lost track of the beauty and nimbleness of new media in representing and preserving the meaning-making quotidian, the ordinary mindfulness which makes human life possible and valuable.
It is interesting, I think, that recounting and rehearsing this notion leaves this interview layered and speckled with (self) quotations, documentations, implicit genealogies, images, and traditions of continuity, change, and difference. Perhaps the most quoted line of afternoon over the years has been the sentence "There is no simple way to say this."”

Michael Joyce (1945) American academic and writer

The same is true of any attempt to describe the way in which the collectible object participates in (I use this word as a felicitous shorthand for the complex of ideas involved in what I called "representing and preserving the meaning-making quotidian" above) the library as living archive.
An interview with Michael Joyce and review of Liam’s Going at Trace Online Writing Centre Archive (2 December 2002) http://tracearchive.ntu.ac.uk/review/index.cfm?article=33

Will Eisner photo

“1920
The Times
London, Saturday, May 8, 1920.
“The Jewish peril.”
A disturbing pamphlet
Call for inquiry.
(From a correspondent.)
The Times has not as yet noticed this singular little book. Its diffusion is, however, increasing, and its reading is likely to perturb the thinking public. Never before have a race and a creed been accused of a more sinister conspiracy. We in this country, who live in good fellowship with numerous representatives of Jewry, may well ask that some authoritative criticism should deal with it., and either destroy the ugly “Semitic” body or assign their proper place to the insidious allegations of this kind of literature.
In spite of the urgency of impartial and exhaustive criticism, the pamphlet has been allowed, so far, to pass almost unchallenged. The Jewish Press announced, it is true, that the anti-semitism of the “Jewish Peril” was going to be exposed. But save for an unsatisfactory article in the March 5 issue of the ‘’Jewish Guardian’’ and for an almost equally unsatisfactory article in the March 5 issue of contribution to the ‘’Nation’’ of March 27, this exposure is yet to come. The article of the ‘’Jewish Guardian’’ is unsatisfactory, because it deals mainly with the personality of the author of the book in which the pamphlet is embodied, with Russian reactionary propaganda, and the Russian secret police. It does not touch the substance of the “Protocols of the Learned Elders of Zion.” The purely Russian side of the book and its fervid “Orthodoxy.” Is not its most interesting feature. Its author-Professor S. Nilus-who was a minor official in the Department of Foreign Religions at Moscow, had, in all likelihood, opportunities of access to many archives and unpublished documents. On the other hand, the world-wide issue raised by the “Protocols” which he incorporated in his book and are now translated into English as “The Jewish Peril,” cannot fail not only to interest, but to preoccupy. What are the these of the “Protocols” with which, in the absence of public criticism, British readers have to grapple alone and unaided?”

Will Eisner (1917–2005) American cartoonist

The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005)

John Wallis photo
Kenneth Goldsmith photo
Ernesto Che Guevara photo

“Everything we thought and felt in that past period ought to be deposited in an archive, and a new type of human being created.”

Ernesto Che Guevara (1928–1967) Argentine Marxist revolutionary

On Revolutionary Medicine (1960)

O. Henry photo
Burkard Schliessmann photo

“To approach Bach, one has to realize that 100 years after Bach’s death, Bach and his music totally had been forgotten. Even while he was still alive, Bach himself believed in the polyphonic power and the resulting symmetric architectures of well-proportioned music. But this had been an artificial truth - even for him. Other composers, including his sons, already composed in another style, where they found other ideals and brought them to new solutions. The spirit of the time already had changed while Bach was still alive. A hundred years later, it was Mendelssohn who about 1850 discovered Bach anew with the performance of the St. Matthew Passion. Now a new renaissance began, and the world learned to know the greatness of Bach. To become acquainted with Bach, many transcriptions were done. But the endeavors in rediscovering Bach had been - stylistically - in a wrong direction. Among these were the orchestral transcriptions of Leopold Stokowski, and the organ interpretations of the multitalented Albert Schweitzer, who, one has to confess, had a decisive effect on the rediscovery of Bach. All performances had gone in the wrong direction: much too romantic, with a false knowledge of historic style, the wrong sound, the wrong rubato, and so on. The necessity of artists like Rosalyn Tureck and Glenn Gould - again 100 years later - has been understandable: The radicalism of Glenn Gould pointed out the real clarity and the internal explosions of the power-filled polyphony in the best way. This extreme style, called by many of his critics refrigerator interpretations, however really had been necessary to demonstrate the right strength to bring out the architecture in the right manner, which had been lost so much before. I’m convinced that the style Glenn Gould played has been the right answer. But there has been another giant: it was no less than Helmut Walcha who, also beginning in the 1950, started his legendary interpretations for the DG-Archive productions of the complete organ-work cycle on historic organs (Silbermann, Arp Schnitger). Also very classical in strength of speed and architectural proportions, he pointed out the polyphonic structures in an enlightened but moreover especially humanistic way, in a much more smooth and elegant way than Glenn Gould on the piano. Some years later it was Virgil Fox who acquainted the U. S. with tours of the complete Bach cycle, which certainly was effective in its own way, but much more modern than Walcha. The ranges of Bach interpretations had become wide, and there were the defenders of the historical style and those of the much more modern romantic style. Also the performances of the orchestral and cantata Bach had become extreme: on one side, for example, Karl Richter, who used a big and rich-toned orchestra; on the other side Helmut Rilling, whose Bach was much more historically oriented.”

Burkard Schliessmann classical pianist

Talkings on Bach

Miranda July photo
George Steiner photo
Robert Charles Wilson photo
Alastair Reynolds photo
Ted Nelson photo

“I hope, that in our archives and historical filings of the future, we do not allow the techie traditions of hierarchy and false regularity to be superimposed to the teeming, fantastic disorderlyness of human life.”

Ted Nelson (1937) American information technologist, philosopher, and sociologist; coined the terms "hypertext" and "hypermedia"

http://www.raphkoster.com/2011/10/13/gdco2011-its-all-games-now/

Glenn Greenwald photo
Nico Perrone photo
Richard Dawkins photo

“Natural selection is all about the differential success of rival DNA in getting itself transmitted vertically in the species archives.”

Source: The Blind Watchmaker (1986), Chapter 5 “The Power and the Archives” (p. 122)

Henry Fairfield Osborn photo

“Direct observation of the testimony of the earth … is a matter of the laboratory, of the field naturalist, of indefatigable digging among the ancient archives of the earth's history.”

Henry Fairfield Osborn (1857–1935) American geologist, paleontologist, and eugenist

"Evolution and Religion", The New York Times (5 March 1922), p. 91; written in response to an article a few days earlier in which William Jennings Bryan challenged the theory of evolution as lacking proof.
Context: Direct observation of the testimony of the earth... is a matter of the laboratory, of the field naturalist, of indefatigable digging among the ancient archives of the earth's history. If Mr. Bryan, with an open heart and mind, would drop all his books and all the disputations among the doctors and study first hand the simple archives of Nature, all his doubts would disappear; he would not lose his religion; he would become an evolutionist.

Charles Stross photo
William Dalrymple photo
Dharampal photo
Chuck Palahniuk photo
Leopold II of Belgium photo
Anne Applebaum photo

“The archival record backs up the testimony of the survivors. Neither crop failure nor bad weather caused the famine in Ukraine.”

Anne Applebaum (1964) journalist

Red Famine: Stalin’s War on Ukraine (2017) quoted at "Ukraine in the Flames of the 1917 Revolution" (Harvard Ukrainian Research Institute, September 13, 2017) https://huri.harvard.edu/news/ukraine-flames-1917-revolution

Prevale photo

“In art it is not enough to have talent. A true artist with the mind must never lack imagination and order his body to perform, remember and then archive.”

Prevale (1983) Italian DJ and producer

Original: Nell'arte non basta avere talento. Un vero artista con la mente non deve mai mancare di immaginazione ed ordinare al proprio corpo di eseguire, ricordare e poi archiviare.
Source: prevale.net