Quotes about art
page 44

“A real atheist, needless to say, will disregard what the dervishes think it expedient to say about the "New Testament" when they make their pitch to the ignorant. He will read the myths for himself and objectively consider and appraise them as a whole, including the social gospel that is, indeed, the most important and operative part of them. And he will shudder at the Judaic malevolence that inspires them, the vicious hatred of culture and civilization. They were designed to create a foul and squalid world in which every instinctive value of our race is negated and aborted--a world in which the natural ties of family and property have been severed, leaving only rootless and helpless individuals, isolated and lost in the terrible loneliness of crowds--a world without history, without philosophy, without science, without reason--a world without beauty of any kind, without art, without literature, without culture--a world without real love, the love that unites men and women, and without even the Aryan's instinctive feeling for the beauty of women and physical health.”

Revilo P. Oliver (1908–1994) American philologist

"The Bear in the Bush", Liberty Bell (September 1990)
1990s

Love, Women, Men, Health

“It is a great art to saunter.”

Henry David Thoreau (1817–1862) 1817-1862 American poet, essayist, naturalist, and abolitionist

April 26, 1841
Journals (1838-1859)

“I smiled, remembering Art's line about doctors being illpolitical. He meant it the way you used words like illiterate. Art always said doctors not only held no political views, but also were incapable of them. "It's like the military," he had once said. "Political views are considered unprofessional."”

Michael Crichton book A Case of Need

A Case of Need (1968)

Smile, Way

“It [angling] deserves commendations;… it is an art worthy the knowledge and practice of a wise man.”

Izaak Walton book The Compleat Angler

Part I, ch. 1.
The Compleat Angler (1653-1655)

Knowledge

“I am constantly observing things and believe that I am coming closer to beauty. In the last few days I have discovered form and have been thinking much about it. Until now I've had no real feeling for the antique. I could find it very beautiful by itself. But I could never find any thread leading from it to modern art. Now I've found it, and that's what I believe is called progress.”

Paula Modersohn-Becker (1876–1907) German artist

excerpt of her Journal, 1899; as quoted in Voicing our visions, – Writings by women artists; ed. Mara R. Witzling, Universe New York, 1991, p. 198
1899

Beauty, Feeling, Thinking

“It cannot be emphasized too strongly that art, as such, does not "pay," to use an American expression – at least, not in the beginning – and that the art that has to pay its own way is apt to become vitiated and cheap.”

Antonín Dvořák (1841–1904) Czech composer

"Music in America", Harper's Monthly Magazine, February 1895. http://web.archive.org/20050103002435/homepage.mac.com/rswinter/DirectTestimony/Pages/129.html

Way

“For 12 years I have had the honor of teaching geometry and mechanics applied to the arts, in favor of the industrial class… on the most important questions to the well-being, education, and morality of the workers, to the progress of national industry, to the development of all means of prosperity that work can produce for the splendor and happiness of our country.”

Charles Dupin (1784–1873) French mathematician

Charles Dupin (1831), Discours sur le Sort des Ouvriers [Discourse on the Condition of the Workers] Paris: Bachelier Librairie. p. 1. ; Translation Wren & Bedeian (2005, 73)

Happiness, Education, Question, Country

“Degas isn't enough of a painter; he doesn't have enough of that! With a little bit of temperament one can manage to be a painter, It's enough to have a sense of art, and that sense is no doubt what the bourgeoisie fear most... For a painter, sensation is at the bottom of everything. I will go on repeating it forever. Procedures are not what I advocate.”

Paul Cézanne (1839–1906) French painter

Source: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), pp. 184-185 in: 'What he told me – II. The Louvre'

Fear, Sense

“Philosophy is the art of saying something incredibly stupid and making it sound incredibly intelligent.”

Piero Scaruffi (1955) Italian writer

Piero Scaruffi quotes (as selected by his readers) http://www.scaruffi.com/quotes.html

Stupidity, Intelligence

“In time truth and science and nature will adapt themselves to art. Things will happen logically, and the villain be discomfited instead of being elected to the board of directors. But in the meantime fiction must not only be divorced from fact, but must pay alimony and be awarded custody of the press despatches.”

O. Henry (1862–1910) American short story writer

"The Plutonian Fire"
The Voice of the City (1908)

Truth, Nature, Science, Time

“Being involved in sciences or various arts is not a reason for neglecting the causes of social problems.”

Taraneh Javanbakht (1974) Iranian scientist, faculty, poet, translator, playwright and writer

Source: Committee of human rights reporters, 2011 http://archive.is/0d2i

Problem, Science

“I spend very little time just doing '“art as art.'”

Ai Weiwei (1957) Chinese concept artist

Jones, Alice. “ Ten People Who Changed the World: Ai Weiwei, Chinese Artist, Became a Truly Global Force http://www.independent.co.uk/arts-entertainment/art/features/ten-people-who-changed-the-world-ai-weiwei-chinese-artist-became-a-truly-global-force-6282327.html.” Independent, December 31, 2011. 2010-, 2011

Time

“When Heracles was quite a young man and was nearly of the age at which you yourselves are now, while he was deliberating which of the two roads he should take, the one leading through toils to virtue, or the easiest, two women approached him, and these were Virtue and Vice. Now at once, although they were silent, the difference between them was evident from their appearance. For the one had been decked out for beauty through the art of toiletry, and was overflowing with voluptuousness, and she was leading a whole swarm of pleasures in her train; now these things she displayed, and promising still more than these she tried to draw Heracles to her. But the other was withered and squalid, and had an intense look, and spoke quite differently; for she promised nothing dissolute or pleasant, but countless sweating toils and labours and dangers through every land and sea. But the prize to be won by these was to become a god, as the narrative of Prodicus expressed it; and it was this second woman that Heracles in the end followed.”

Basil of Caesarea (329–379) Christian Saint

Source: On Greek Literature, p. 399

Women, God, Pleasure, Age

“Mordeen said: "I used to wonder why this love seemed sweeter than I had ever known, better than many people ever know. And then one day the reason came to me. There are very few great Anythings in the world. In work and art and emotion—the great is very rare. And I have one of the great and beautiful. Now say your yah, yah, Victor, like a child unanswerably answering Wisdom. You will have to do that, I think."”

John Steinbeck book Burning Bright

Mordeen on her love for Joe Saul in Act One: The Circus
Burning Bright (1950)

Love, Wisdom, People, World

“Yes, there was a lot of fuss about it, then [c. 1879-80].... [that] I also was permitted to enter the nude class [c. at the Art Academy in Rotterdam, evening classes! ].. that was never done before me by other ladies. I was the first who claimed it. And even in a local newspaper they cried shame about it: a young woman who painted nude model. And moreover.. a teacher with so many girls under her guidance.”

Suze Robertson (1855–1922) Dutch painter

at the Dutch Highschool
(version in original Dutch / origineel citaat van Suze Robertson:) Ja, dat is toen nog een heel ding geweest [c. 1879-80].. ..[dat] ik ook toegelaten werd tot de naaktklasse [c. op de Kunst-academie in Rotterdam, avondlessen!].. ..dat werd vóór mij nooit door dames gedaan. Ik was de eerste die er aanspraak op maakte. En tot zelfs in een plaatselijk blad werd er schande van gesproken: een jonge vrouw, die schilderde naar naakt model. En dan nog wel een lerares met zóóveel meisjes onder haar leiding. [op de Rotterdamse H.B.S.]
Source: 1900 - 1922, Onder de Menschen: Suze Robertson' (1912), p. 31

Girl, Teachers, Painting

“The destiny of photography has taken it far beyond the role to which it was originally thought to be limited: to give more accurate reports on reality (including works of art). Photography is the reality; the real object is often experienced as a letdown.”

Susan Sontag book On Photography

"Photographic Evangels", p. 147
On Photography (1977)

Reality

“The art of biography seems to have fallen on evil times in England. … With us, the most delicate and humane of all the branches of the art of writing has been relegated to the journeymen of letters; we do not reflect that it is perhaps as difficult to write a good life as to live one.”

Lytton Strachey book Eminent Victorians

Preface.
Eminent Victorians (1918)

Life, Evil, Time

“Art will never get its own, nor do its proper work in the discipline of life, until the sense of its sacred character comes once more into the general judgment, and masses of men look upon it as the few great spirits have looked who have been its true masters and interpreters”

George Holmes Howison (1834–1916) American philosopher

Source: The Limits of Evolution, and Other Essays, Illustrating the Metaphysical Theory of Personal Ideaalism (1905), The Art-Principle as Represented in Poetry, p.200

Life, Men, Sense

“All true poets are, of course, primarily concerned with artifact, the making of a verbal construct, a durable work of art.”

Vernon Scannell (1922–2007) British boxer and poet

Not Without Glory, 1976

“Art is anything you can do well. Anything you can do with Quality.”

Robert M. Pirsig (1928–2017) American writer and philosopher

NPR Interview http://www.npr.org/templates/story/story.php?storyId=4612364 with Pirsig (1974)

“.. an original Jewish art can only come into existence when the Jews have own ground under their feet and live in freedom [Bainin asked him: 'is that not what Zionism wants to reach?'] Yes, Zionism is a noble thought, but who knows whether they will reach their goal? Herzl visited me [in The Hague, Oct. 1898], he is a noble man and believes in his idea. But who will know... Now it is our duty to fight against Antisemitism, to protest against the injustice and violence that is done to us.... what is the essence of Jewish art should be determined by writers and art critics: we painters must work and not philosophize.”

Jozef Israëls (1824–1911) Dutch painter

translation from the original Dutch: Fons Heijnsbroek
version in Dutch (citaat van Jozef Israëls, in het Nederlands): ..een oorspronkelijke joodse kunst [kan] alleen tot stand komen, wanneer de joden eigen grond onder de voeten hebben en een vrij leven leiden [Bainin vroeg hem dan: 'is dat niet wat het Zionisme wil?'] Ja, het nl:Zionisme is een edele gedachte, maar wie weet of ze hun doel bereiken? Herzl heeft mij bezocht [in Den Haag, Oct. 1898], hij is een nobel mens en gelooft in zijn idee. Maar wie weet.. .Nu is het onze plicht het antisemitisme te bestrijden, tegen het onrecht en het geweld dat ons wordt aangedaan te protesteren.. ..wat het wezen is van de joodse kunst moeten schrijvers en kunstcritici maar bepalen: wij schilders moeten werken en niet filosoferen.
Quote in an interview with interviewer Bainin, 27 April 1902; as cited in Jozef Israëls, 1824 – 1911, ed. Dieuwertje Dekkers; Waanders, Zwolle 1999, p. 59
At the moment Jozef was working on his painting 'De joodse wetschrijver' or 'De Joodse Bruiloft'
Quotes of Jozef Israels, after 1900

Idea, Freedom, Fight

“One is to know that art is not national, that to be merely an American or a French artist is to be nothing; to fail to overcome one's initial environment is never to reach the human... Thus when we say one of the ideals of modern art has been internationalism, it is.... as a natural consequence of dealing with reality on a certain level.”

Robert Motherwell (1915–1991) American artist

quote in 1946
As quoted in Abstract Expressionist Painting in America, W.C, Seitz, Cambridge Massachusetts, 1983, p. 439
1940s

Quotes, Nature, Reality

“The dinner was the best style of women's-magazine art, whereby the salad was served in hollowed apples, and everything but the invincible fried chicken resembled something else.”

Sinclair Lewis book Babbitt

Babbitt (1922), Ch. 8

Women

“This long preamble just to tell you not to judge your own work as you are the last person to see it (with true eyes) – What you see neither redeems nor condemns it – All words used to explain or praise it are false translations of what is going on beyond sensations.
You are, as we all are, obsessed by the accumulation of principles or anti-principles which generally cloud your mind with their terminology and, without knowing it, you are a prisoner of what you think is a liberated education –
In your particular case, you are certainly the victim of the 'Ecole de Paris' [French abstract art movement which developed after world War 2. ], a joke that’s lasted for 60 years.”

Marcel Duchamp (1887–1968) French painter and sculptor

Quote in a letter to Jean Crotti (Duchamp's brother-in-law) and his sister Suzanne Duchamp, New York 17 Augustus 1952; as cited in The Duchamp Book, ed. Gavin Parkinson, Tate Publishing, London 2008 p. 167
1951 - 1968

War, World, Education, Thinking

“Why settle for the art world when you can have the whole world?”

Martin Firrell (1963) British artist and activist

Quoted in the documentary The Question Mark Inside broadcast in the UK by Sky Arts (30 October 2009).

World

“1978. If thou art wise, thou knowest thy own Ignorance; and thou art ignorant if thou knowest not thy self.”

Thomas Fuller (writer) (1654–1734) British physician, preacher, and intellectual

Introductio ad prudentiam: Part II (1727)

“Conceptual art, for me, means work in which the idea is paramount and the material form is secondary, lightweight, ephemeral, cheap, unpretentious and/or "dematerialized."”

Lucy R. Lippard (1937) American art curator

Source: Six Years: The Dematerialization of the Art Object from 1966 to 1972 (1973), p. vii.

Idea

“Our point of view on this question of the function of art is the same in all cases: there's no more an art of the insane than there is an art of dyspeptic people or the art of people with knee problems.”

Jean Dubuffet (1901–1985) sculptor from France

Quote of Dubuffet on 'Art brut', in 'Art Brut Preferred to the Cultural Arts' (1949); (trans. Joachim Neugroschel), in Mildred Glimcher, Jean Dubuffet: Towards an Alternative Reality, New York: Abbeville Press, 1987, p. 104
1940's

People, Question, Problem

“There have indeed been civilizations upon your planet that understood as well as you, and without your kind of technology, the workings of the planets, the positioning of the stars -- people who even foresaw "later" global changes. They used a mental physics. There were men before you who brought back data quite as "scientific" and pertinent. There were those who understood the "origin" of your solar system far better than you. Some of these civilizations did not need spaceships. Instead, highly trained men combining the abilities of dream-art scientists and mental physicists cooperated at journeys not only through time but through space.”

Jane Roberts (1929–1984) American Writer

Source: The “Unknown” Reality: Volume One, (1977), p. 196, Session 702

Men, People, Dreams, Star

“I strongly suspect that most of the great knowers of Suchness paid very little attention to art.… (To a person whose transfigured and transfiguring mind can see the All in every this, the first-rateness or tenth-rateness of even a religious painting will be a matter of the most sovereign indifference.) Art, I suppose, is only for beginners, or else for those resolute dead-enders, who have made up their minds to be content with the ersatz of Suchness, with symbols rather than with what they signify, with the elegantly composed recipe in lieu of actual dinner.”

Aldous Huxley book The Doors of Perception

The Doors of Perception (1954)

Painting, Personality, Dead, Indifference

“So that being with Law-Suites, and Riots, wearied and disabled to prosecute his Art and. Invention at present, even until the first Patent was extinct: Nothwithstanding the Author his sad. Sufferings, Imprisonments wrongfully for several thousand pound in the Counter in London, yet did obtaine a new Patent, dated the 2d of May, Anno 14. Caroli Primi of ever Blessed Memory, not only for the making of Iron into cast-works, and bars, but also for the Melting, Extracting, Refing and Reducing of all Mines, Minerals and. Mettals, with Pit-cole, Sea-cole, Peat, and Turf, for the preservation of Wood and Timber of this Island; into which Patent, the Author, for the better support and management of his Invention, so much opposed formerly at the Court, at the Parliament, and at the Law, took in David Ramasey, Esquire, Resident at the Court; Sir George Horsey, at the Parliament; Roger Foulke, Esquire, a Counsellour of the Temple, and an Ingenious Man; and also an Iron Master, my Neighbour, and one who did well know my former Sufferings, and what I had done in the Invention of making of Iron with Pit-cole, etc.”

Dud Dudley (1600–1684) British metallurgist

Source: Metallum Martis, 1665, p. 16-17

Sadness, Law, Support, Suffering

“Hockey is an art. It requires speed, precision, and strength like other sports, but it also demands an extraordinary intelligence to develop a logical sequence of movements, a technique which is smooth, graceful and in rhythm with the rest of the game.”

Jacques Plante (1929–1986) Canadian ice hockey player

Quoted in Kevin Shea, "One on One with Jacques Plante," http://www.legendsofhockey.net/html/spot_oneononep197802.htm Legends of Hockey.net (2005-05-24)

Game, Intelligence, Sport, Speed

“A lot of art today doesn't convey much hope, and I hope mine does. I try to paint what I think the future holds and my innermost feelings about God's promise for the future.”

Margaret Keane (1927) American artist

1999, Cited by Amy M. Spindler

God, Hope, Feeling, Thinking

“Attempts to juggle domestic responsibilities with artistic production have often resulted in smaller bodies of work, and often works smaller in scale, than those produced by male contemporaries. Yet art history continues to privilege prodigious output and monumental scale or conception over the selective and the intimate.”

Whitney Chadwick (1943)

Women, Art, and Society: Fourth Edition (2007) ISBN 0-500-20393-8

History

“There still remained, for all men to share, the linked worlds of love and art. Linked, because love without art is merely the slaking of desire, and art cannot be enjoyed unless it is approached with love.”

Arthur C. Clarke book The City and the Stars

Source: The City and the Stars (1956), Chapter 5 (p. 37)

Love, Men, World

“.. the word 'abstract' comes from the light tower of the philosophers.... one of their spotlights that they have particularly focused on 'Art'....(abstraction was) not so much what you could paint but rather what you could not paint. You could not paint a house or a tree or a mountain. It was then that subject matter came into existence as something you ought not have.”

Willem de Kooning (1904–1997) Dutch painter

Willem de Kooning, MOMA Bull., pp. 4, 6; as quoted in Abstract Expressionist Painting in America, W.C, Seitz, Cambridge Massachusetts, 1983, p. 104.
1980's

Mountain, Tree, Light, Painting

“ARTS is a somewhat conservative magazine but it is not uniformly, simply or blindly conservative, and the several conservative writers vary. And I am certainly not a conservative and neither is Miss Harrison. I decidedly disagree with the basic positions of Mr. Kramer, Miss Raynor and Mr. Tillim, though not with some of their evaluations, both of conservative and nonconservative artists. I think Ben Johnson's paintings, for example, are relatively uninteresting and powerless and that the work of some of the dop artists is full of true emotion. uninteresting and powerless and that the work of some of the dop artists is full of true emotion. The conservatism of Mr. Kramer and Mr. Mellow as successive editors lies only in the publication of more articles on conservative artists than on unconservative ones. Neither editors ever suggested to me that the magazine should have a uniform position or attempt to control my reviews, which are often contrary to Mr. Kramer’s opinions.”

Donald Judd (1928–1994) artist

1960s
Source: Arts Magazine, Vol. 38, (1963) p. 7

Thinking, Success, Painting

“There is in reality no such thing as modern art. Art is carried on up and down in immense cycles through centuries and civilizations.”

Hans Hofmann (1880–1966) American artist

statement in Hans Hofmann: Recent Paintings (1952) Kootz Gallery
1950s

Reality

“There really is no such thing as Art. There are only artists.”

Ernst Gombrich (1909–2001) art historian

E. H. Gombrich, (1950, p. 15) cited in: Paul Smith, ‎Carolyn Wilde (2008). A Companion to Art Theory, p. 428.

“Futurism and Cubism are comparable in importance tot the invention of perspective, for which they substituted a new concept op space. All subsequent movements were latent in them or brought about by them.... the two movements cannot be regarded as in opposition to each other, even though they started from opposite points; I maintain (an idea approved by Apollinaire and later by Matisse) that they are two extremes of the same sign, tending to coincide at certain points which only the poetic instinct of the painter can discover: poetry being the content and raison d'être of art.”

Gino Severini (1883–1966) Italian painter

Source: The Life of a Painter - autobiography', 1946, Letters of the great artists', 1963, p. 248-249

Idea, Future

“When I blow up a balloon, I am breathing my soul into an object that becomes eternal. [Manzoni's quote of 1960, referring to his art-work 'Artist's Breath']”

Piero Manzoni (1933–1963) Italian artist

Source: 'Piero Manzoni', exhibition catalogue, Serpentine Gallery, London 1998, p.144

Quotes, Soul

“In art progress consists not in extension but in the knowledge of its limits.”

Georges Braque (1882–1963) French painter and sculptor

Quote from the review 'Nord-Sud', December 1917
a remark of Braque's writings, he wrote during his long convalescence in the hospital, after he was seriously wounded in World War 1, in 1915
1908 - 1920

Knowledge

“Moreover, according to Alexander, the “troubled mathematical martyr,” exemplified not only by Galois but also by Abel, János Bolyai, Riemann, Cantor, Gödel, Turing, John Nash, Grothendieck, Perelman, and even, in a certain sense, Cauchy, remains to this day the dominant image of the “ideal mathematician,” long after the romantic paradigm was exhausted in the arts.”

Michael Harris (1954) American mathematician

Source: Mathematics without Apologies: Portrait of a Problematic Vocation, 2015, pp. 147-148

Mathematics, Sense

“We have been attempting to relieve ourselves and the other nations from the old theory of competitive armaments. In spite of all the arguments in favor of great military forces, no nation ever had an army large enough to guarantee it against attack in time of peace or to insure its victory in time of war. No nation ever will. Peace and security are more likely to result from fair and honorable dealings, and mutual agreements for a limitation of armaments among nations, than by any attempt at competition in squadrons and battalions. No doubt this country could, if it wished to spend more money, make a better military force, but that is only part of the problem which confronts our Government. The real question is whether spending more money to make a better military force would really make a better country. I would be the last to disparage the military art. It is an honorable and patriotic calling of the highest rank. But I can see no merit in any unnecessary expenditure of money to hire men to build fleets and carry muskets when international relations and agreements permit the turning of such resources into the making of good roads, the building of better homes, the promotion of education, and all the other arts of peace which minister to the advancement of human welfare. Happily, the position of our country is such among the other nations of the world that we have been and shall be warranted in proceeding in this direction.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, Toleration and Liberalism (1925)

Men, Money, War, World

“Directing films obviously there’s a ton more responsibility rather than just coming in and directing the action on the film because you’re responsible for every little nuance in the film from fingernail polish to jewelry to wardrobe to hair and you’re dealing with actors, you’re dealing with studio critics, and studios. You’re responsible for budget, more responsibility on all fronts, but it’s a great art form!”

David R. Ellis (1952–2013) American film director and actor

Exclusive Interview with David R. Ellis https://geektyrant.com/news/2011/8/31/exclusive-interview-with-david-r-ellis-director-of-shark-nig.html (August 31, 2011)

“I don't have any particular wish to be polemical or didactic; I don't have a "message", but what I do thoroughly enjoy are those works of art, not necessarily in the cinema, but in the other arts as well, which have an encyclopaedic world.”

Peter Greenaway (1942) British film director

From an interview in Art and Design, no. 49
Interviews

World

“This book [Zen in the Art of Archery], by Herrigel, which I discovered a few years ago, seems to me fundamental to our profession as photographers. Matisse wrote similarly about drawing: set a discipline, make rigor a rule, forget oneself completely. And in photography the attitude must be the same: detach oneself, do not try to prove anything at all. My sense of freedom is the same: a frame that allows any variation. This is the basis of Zen Buddhism, the evidence: that you go in with great force and then you succeed in forgetting yourself.”

Henri Cartier-Bresson (1908–2004) French photographer

Source: Henri Cartier-Bresson: Interviews and Conversations, 1951-1998, Only Geometricians May Enter: Interview with Yves Bourde (1974), p. 65

Books, Sense, Freedom, Drawing

“Could we ever know each other in the slightest without the arts?”

Gabrielle Roy (1909–1983) French Canadian fiction writer

Gabrielle Roy, in the back of the Canadian $20 bill (On September 29, 2004, the Bank of Canada issued a $20 bank note in the Canadian Journey Series which included a quotation from Gabrielle Roy book The Hidden Mountain- La Montagne secrète - 1961)

“[The title] was the last thing that I chose, after all the songs and the cover art were finished. So none of the songs directly allude to that myth. But the main themes that emerge out of that myth are really close to the themes on the record -- mortality, decadence, an excess of water, isolation, rebirth. The myth is also significant to me because of the way that I encountered it, which relates to one of the huge events the record is about.
I also liked the power of the word itself. I liked how violent and cryptic it felt; it's such a daunting word to encounter. I like how it contrasted this finely rendered, carefully composed front cover -- the painting is information-dense, formal, and stylized; it looks the way something looks when a painter spends a year on it, which is what Benjamin [Vierling] did. So it has all this detail and carefulness to it, which was really important to me and relates very closely to the record. But I also felt like it needed some sort of ballast, or balance, next to it, to reflect the other elements of the record; its innate violence. I wanted a word that was like throwing a brick at the visual on the front cover; I liked that whenever someone looked at that cover they also had to encounter this short, weird word.”

Joanna Newsom (1982) American musician

Interview with Pitchfork (2006)

Way, Water, Painting

“Through play, we renew contact with childhood - My art is childlike.”

Karel Appel (1921–2006) Dutch painter, sculptor, and poet

Karel Appel – the complete sculptures,' (1990) not-paged

Childhood

“Making art means not only using languages, but also creating new ones. To do this, new tools are indispensable. Even returning to more traditional languages such as linear poetry or narration, after being enriched by the experience of hypertext, hypermedia and multimedia, allows us to rethink the older forms of expression and transfer the lessons of the new media into even the more traditional modalities of language, such as narrative, for example.”

Caterina Davinio (1957) Italian writer

Source: Virtual Mercury House. Planetary & Interplanetary Events, p. 48

“Since not even sufficient time for my main business remains to me. Production is taking a larger magnitude at a faster tempo, and can no longer wholly keep up with these children. They [very probably: his new art] issue forth.”

Paul Klee (1879–1940) German Swiss painter

Paul Klee to his son Felix Paul Klee, 29.12.1939; as quoted in 'Klee & Kandinsky', 2015 exhibition text, Lenbachhaus und Kunstbau Munich, 2015-2016 https://www.zpk.org/en/exhibitions/review_0/2015/klee-kandinsky-969.html 1931 -1940

Children, Business, Time

“I wanted to proclaim a return to simplicity by ways of an immediate art without any subtlety, comprehensible to all. I love Louis David, because he is so anti-impressionist... I love the dryness in his work and also in that of Ingres. That was my way, and it touched me, instantly.”

Fernand Léger (1881–1955) French painter

Quote from Kunst und Zeugnis, Dora Vallier, Zürich 1967, p. 62
Quotes of Fernand Leger, 1960's

Love, Way

Cornel West (1953) African-American philosopher and political/civil rights activist

"Cornel West interviewed by bell hooks" in Breaking Bread: Insurgent Black Intellectual Life (1991)

People, World, Religion, Music

“Logic is neither a science nor an art, but a dodge.”

Benjamin Jowett (1817–1893) Theologian, classical scholar, and academic administrator

Letters

Science

“The most irresistible compulsion for me is that of doubt. I have doubts about all, including my own doubtfulness. I believe little, and that not fully. Scepticism is for me not a "fine art" but an integral part of my existence.”

Karlheinz Deschner (1924–2014) German writer and activist

Am wenigsten widerstehen kann ich dem Zweifel. Ich bezweifle alles, selbst meinen Zweifel. Ich glaube wenig und auch das nicht ganz. Skepsis ist für mich keine der «schönen Künste », sondern Teil meiner Existenz. deschner.info http://www.deschner.info/de/person/zitate.htm

Parting

“And Music is an art which likes people to laugh and sing and dance. It cares nothing for melancholy, nor for a man who sorrows over what is of no importance, but ignores, instead, such folk. It brings joy everywhere it's present; it comforts the disconsolate, and just hearing it makes people rejoice.”

Guillaume de Machaut (1300–1377) French poet and composer

Et musique est une science
Qui veut qu'on rie et chante et dance.
Cure n'a de merencolie,
Ne d'homme qui merencolie
A chose qui ne puet valoir,
Eins met tels gens en nonchaloir.
Partout ou elle est joie y porte;
Les desconfortez reconforte,
Et nes seulement de l'oir
Fait elle les gens resjoir.
"Le Prologue", line 85; translation from Ross W. Duffin (ed.) A Performer's Guide to Medieval Music (Bloomington: Indiana University Press, 2000) p. 190.

People, Music, Singing, Joy

“I am glad I have that artistic life in me... [I'm] a nobody in my field of art... I don't overestimate myself at all, and that's why I can't get that comfort from my work [landscape painting], which the Great [artists] have in their field of art. What else to say! 50 years after my death!! I laughed about it. Do you think they will remember me after only one year? [after her death] Dear heaven! No, that is really my least concern.”

Marie Bilders-van Bosse (1837–1900) painter from the Netherlands

translation from the original Dutch: Fons Heijnsbroek
version in original Dutch (citaat uit een brief van Marie Bilders-van Bosse, in het Nederlands:) Ik ben blij dat ik dat artistieke leven in mij heb.. ..[ik ben] een prul op mijn gebied.. ..Ik overschat mijzelven niemendal, en daarom kan ik uit mijn werk [landschap-schilderen] niet dien troost putten die de Grooten op een gebied daaruit halen. En verder! 50 jaar na mijn dood!! Ik heb er om gelachen. Denk je dat ze één jaar daarna nog aan mij zullen denken? Lieve hemel! Nee, dat is mijn minste zorg.
Quote from Marie Bilders-van Bosse in her letter from The Hague, 29 March 1896, to her friend Cornelia M. Beaujon-van Foreest; as cited in Marie Bilders-van Bosse 1837-1900 – Een Leven voor Kunst en Vriendschap, Ingelies Vermeulen & Ton Pelkmans; Kontrast ( ISBN 978-90-78215-54-7), 2008, p. 29
Marie wrote her letter shortly after a quarrel with her friend Cornelia

Life, Death, Thinking, Painting

“Art leads to a more profound concept of life, because art itself is a profound expression of feeling. The artist is born, and art is the expression of his overflowing soul. Because his soul is rich, he cares comparatively little about the superficial necessities of the material world; he sublimates the pressure of material affairs in an artistic experience.”

Hans Hofmann (1880–1966) American artist

'Painting and Culture' p. 56
Search for the Real and Other Essays (1948)

Life, World, Feeling, Soul

“[In that vision] nothing is seen other than Thyself, [for Thou] art Thyself the object of Thyself (for Thou seest, and art That which is seen, and art the sight as well)”

Nicholas of Cusa (1401–1464) German philosopher, theologian, jurist, and astronomer

De visione Dei (On The Vision of God) (1453)

“This is the visual world, using the most advanced advertising techniques that are familiar to the crowds in their daily life.... What kind of representational art do you want to inflict on these men then, when they’re solicited everyday by the cinema, radio, huge photo montages and advertising hoardings? How can you compete with these enormous modern mechanisms, which give you art to the 1000th degree?”

Fernand Léger (1881–1955) French painter

Quote, 1950, in: Fernand Léger - The Later Years, catalogue ed. Nicolas Serota, published by the Trustees of the Whitechapel Art gallery, London, Prestel Verlag, 1988, p. 58
Quotes of Fernand Leger, 1950's

Life, Men, World, Photo

“Making art has first of all to do with honesty. My first lesson was to see objectively, to erase all 'meaning' of the thing seen. Then only, could the real meaning of it be understood and felt.”

Ellsworth Kelly (1923–2015) American painter, sculptor, and printmaker

Source: 1969 - 1980, In: "Ellsworth Kelly: Works on Paper," 1987, p. unknown : 'Notes from 1969'

“Art is the closest we can come to understanding how a stranger really feels.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

"Living Testament" speech http://video.cpt12.org/video/2364991008 at 11th Hour, Colorado Public Television (1994)

Feeling, Understanding

“If the physician clearly perceives what is to be cured in diseases, that is to say, in every individual case of disease (knowledge of disease, indication), if he clearly perceives what is curative in medicines, that is to say, in each individual medicine (knowledge of medical powers), and if he knows how to adapt, according to clearly defined principles, what is curative in medicines to what he has discovered to be undoubtedly morbid in the patient, so that the recovery must ensue - to adapt it, as well in respect to the suitability of the medicine most appropriate according to its mode of action to the case before him (choice of the remedy, the medicine indicated), as also in respect to the exact mode of preparation and quantity of it required (proper dose), and the proper period for repeating the dose; - if, finally, he knows the obstacles to recovery in each case and is aware how to remove them, so that the restoration may be permanent, then he understands how to treat judiciously and rationally, and he is a true practitioner of the healing art.”

Samuel Hahnemann (1755–1843) German physician best known for creating a system of alternative medicine called homeopathy

Aphorism 3 of The Organon of the Healing Art http://www.homeopathyhome.com/reference/organon/organon.html.

Disease, Understanding, Knowledge

“Our society, it turns out, can use modern art. A restaurant, today, will order a mural by Míro in as easy and matter-of-fact a spirit as, twenty-five years ago, it would have ordered one by Maxfield Parrish. The president of a paint factory goes home, sits down by his fireplace—it looks like a chromium aquarium set into the wall by a wall-safe company that has branched out into interior decorating, but there is a log burning in it, he calls it a firelace, let’s call it a fireplace too—the president sits down, folds his hands on his stomach, and stares at two paintings by Jackson Pollock that he has hung on the wall opposite him. He feels at home with them; in fact, as he looks at them he not only feels at home, he feels as if he were back at the paint factory. And his children—if he has any—his children cry for Calder. He uses thoroughly advanced, wholly non-representational artists to design murals, posters, institutional advertisements: if we have the patience (or are given the opportuity) to wait until the West has declined a little longer, we shall all see the advertisements of Merrill Lynch, Pierce, Fenner, and Smith illustrated by Jean Dubuffet.
This president’s minor executives may not be willing to hang a Kandinsky in the house, but they will wear one, if you make it into a sport shirt or a pair of swimming-trunks; and if you make it into a sofa, they will lie on it. They and their wives and children will sit on a porcupine, if you first exhibit it at the Museum of Modern Art and say that it is a chair. In fact, there is nothing, nothing in the whole world that someone won’t buy and sit in if you tell him it is a chair: the great new art form of our age, the one that will take anything we put in it, is the chair. If Hieronymus Bosch, if Christian Morgenstern, if the Marquis de Sade were living at this hour, what chairs they would be designing!”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“The Taste of the Age”, pp. 19–20
A Sad Heart at the Supermarket: Essays & Fables (1962)

Children, Lie, Age, World

“The main trouble with avant-garde art and literature, from the point of view of fascists and Stalinists, is not that they are too critical, but that they are too "innocent," that it is too difficult to inject effective propaganda, that kitsch is more pliable to this end.”

Clement Greenberg (1909–1994) American writer and artist

"Avant-Garde and Kitsch" http://www.sharecom.ca/greenberg/kitsch.html (1939), p. 19 1960s, Art and Culture: Critical Essays, (1961)

Literature

“.. Every work of art is a transposition, a caricature, the passionate equivalent of a sensation received.”

Maurice Denis (1870–1943) French painter

Nouvelles théories sur l'art moderne..., 1922

Passion

“How glad I was to paint that for the soldiers it is very beautiful, how much respect and even love for art there is in human beings, in spite of everything, and who would have thought that my style, which seemed so modern and incomprehensible to critics and public at rotten exhibitions in the cities, would now be able to speak and convey something to men to whom I make a gift of it.”

Erich Heckel (1883–1970) German artist

In a letter to de:Gustave Schiefler, from Flanders, at Christmas 1915; as quoted by de:Wolf-Dieter Dube, in Expressionism, de:Wolf-Dieter Dube; Praeger Publishers, New York, 1973, p. 62 Heckel wrote Schiefler about his 'Madonna'-painting, he painted in Ostende, Flander in 1915. Heckel was a medical orderly in Flanders together with Max Beckmann, in World War 1. Both artists got a lot of free time in the army for their artistic activities. The 'Madonna' got destroyed in World War 2. https://www.bildindex.de/document/obj00001491

Love, Men, Beauty, Painting

“… confess now- could you lie with the wife of your friend? could you debauch his sister? could you defraud a poor creditor? could you by gambling rejoice in the outwitting a novice of all his possessions?- No! why then thou art a silly fellow, incumbered with three abominable inmates; to wit- Conscience, Honesty, and Good-nature”

Ignatius Sancho (1729–1780) British composer, writer and grocer

(from vol 2, letter 43: 17 Oct 1779, to Mr M___ ).

Lie, Nature, Sister

“The finest achievement of the new woman has been personal liberty. This is the foundation of civilization; and as long as any one class is watched suspiciously, even fondly guarded, and protected, so long will that class not only be weak, and treacherous, individually, but parasitic, and a collective danger to the community. Who has not heard wives commended for wheedling their husbands out of money, or joked [about] because they are hopelessly extravagant? As long as caprice and scheming are considered feminine virtues, as long as man is the only wage-earner, doling out sums of money, or scattering lavishly, so long will women be degraded, even if they are perfectly contented, and men are willing to labor to keep them in idleness!

Although individual women from pre-historic times have accomplished much, as a class they have been set aside to minister to men's comfort. But when once the higher has been tried, civilization repudiates the lower. Men have come to see that no advance can be made with one half-humanity set apart merely for the functions of sex; that children are quite liable to inherit from the mother, and should have opportunities to inherit the accumulated ability and culture and character that is produced only by intellectual and civil activity. The world has tried to move with men for dynamos, and "clinging" women impeding every step of progress, in arts, science, industry, professions, they have been a thousand years behind men because forced into seclusion. They have been over-sexed. They have naturally not been impressed with their duties to society, in its myriad needs, or with their own value as individuals.

The new woman, in the sense of the best woman, the flower of all the womanhood of past ages, has come to stay — if civilization is to endure. The sufferings of the past have but strengthened her, maternity has deepened her, education is broadening her — and she now knows that she must perfect herself if she would perfect the race, and leave her imprint upon immortality, through her offspring or her works.”

Winnifred Harper Cooley (1874–1967) American author and lecturer

The New Womanhood (New York, 1904) 31f.

Women, Men, Money, Children

“Art is a jealous mistress.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

Wealth
1860s, The Conduct of Life (1860)

“Like the dew on the mountain,
Like the foam on the river,
Like the bubble on the fountain,
Thou art gone, and forever!”

Walter Scott (1771–1832) Scottish historical novelist, playwright, and poet

Canto III, stanza 16 (Coronach, stanza 3). The Lady of the Lake http://www.gutenberg.org/etext/3011 (1810)

Mountain

“I assert that the art of sculpture, among all the arts connected with design, is at least seven times greater than any other, for the following reason: why, sir, a statue of true sculpture ought to have seven points of view, which ought all to boast equal excellence.”

Benvenuto Cellini (1500–1571) Florentine sculptor and goldsmith

Dico, che l'arte della Scultura infra tutte l'arte, che s'interviene disegno, è maggiore sette volte, perchè una statua di Scultura deve avere otto vedute, e conviene che la sieno tutte di egual bontà.
Letter to Benedetto Varchi, January 28, 1546, cited from G. P. Carpani (ed.) Vita di Benvenuto Cellini (Milano: Nicolo Bettoni, 1821) vol. 3, p. 183; translation from Thomas Nugent (trans.) The Life of Benvenuto Cellini, a Florentine Artist (London: Hunt and Clarke, 1828) vol. 2, p. 264.

Time

“The techniques for making art thus morally acceptable, of drawing its fangs, are endless; and each generation finds its own. Just now the democratic machinery for rendering art safe is so efficient that it seems that the system can absorb anything. It would be exciting to think that somewhere in Europe there was a man making art which was so violent and true that the system could not take it.”

Patrick Swift (1927–1983) British artist

X magazine (1959-62)

Thinking, Drawing

“The main virtue of geometric shapes is that they aren't organic, as all art otherwise is. A form that's neither geometric or organic would be a great discovery.”

Donald Judd (1928–1994) artist

Donald Judd (1967), quoted in: Alexander Alberro, ‎Blake Stimson (1999) Conceptual Art: A Critical Anthology. p. 204
1960s

“I am not working for myself alone, I believe in the absolute necessity for a new art of color, of design, and - of the artistic life..”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in his letter to brother Theo, from Arles, Spring 1888; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 469) p. 22 1880s, 1888

Life, Color

“The chief function of the city is to convert power into form, energy into culture, dead matter into the living symbols of art, biological reproduction into social creativity.”

Lewis Mumford book The City in History

Source: The City in History (1961), Ch. 18

Dead

“Unless we are to condemn all modern painting, we must regard cubism as legitimate, for it continues modern methods, and we should see in it the only conception of pictorial art now possible. In other words, at this moment cubism is painting.”

Albert Gleizes (1881–1953) French painter

1910s, Du Cubisme (1912)

Painting

“Where the artist is concerned it is a question of the conscious immersion in himself, through which, once he has got beyond the individual and contingent level, he can probe deep down to reach the living germs of total humanity. Everything that is humanly communicable is derived from this, and it is through the discovery of the psychic substrata that all men have in common that the relationship of author-work-spectator is made possible. In this way the work of art has the totemic value of living myth, without symbolic or descriptive dispersion: it is a primary and direct expression.”

Piero Manzoni (1933–1963) Italian artist

Source: For the Discovery of a Zone of Images', Piero Manzoni, 1957, pp. 16-17

Men, Way, Question

“I do not think the coerced mind ever really learns an art.”

Poul Anderson book The Enemy Stars

Source: The Enemy Stars (1959), Chapter 3 (p. 20)

Thinking, Learning

“Thou art a retailer of phrases, and dost deal in remnants of remnants, like a maker of pincushions; thou art in truth (metaphorically speaking) a speaker of shorthand.”

William Congreve The Way of the World

Act IV, scene ix
The Way of the World (1700)

Truth

“Art and music make manifest, by bringing into conscious awareness, that which has previously been felt only tentatively and internally. Art, in its widest sense, is a form of play that lies at the origin of all making, of language, and of the mind's awareness of its place within the world. Art, in all its forms, makes manifest the spiritual dimension of the cosmos, and expresses our relationship to the natural world. This may have been the cause of that natural light which first illuminated the preconscious minds of early hominids.”

F. David Peat (1938–2017) British physicist

Pathways of Chance (2007).

World, Music, Nature, Sense

“The other conclusion is that art is the complement of science. Science as I have said is concerned wholly with relations, not with individuals. Art, on the other hand, is not only the disclosure of the individuality of the artist but also a manifestation of individuality as creative of the future, in an unprecedented response to conditions as they were in the past. Some artists in their vision of what might be, but is not, have been conscious rebels. But conscious protest and revolt is not the form which the labor of the artist in creation of the future must necessarily take. Discontent with things as they are is normally the expression of the vision of what may be and is not, art in being the manifestation of individuality is this prophetic vision.”

John Dewey (1859–1952) American philosopher, psychologist, and educational reformer

Time and Individuality (1940)

Science, Past, Future

“Although the great revolution of 1793 changed the whole face of France both politically and socially, it failed to emancipate the twin arts of painting and literature. In each case one tradition was succeeded by another, and nearly forty years elapsed before the new spirit completely broke through the barriers set up by a past generation.”

Wynford Dewhurst (1864–1941) British artist

Source: Impressionist Painting: its genesis and development. (1904), p. 1: Ch. 1. The evolution of the impressionistic idea.

Literature, Change, Past, Painting

“For an artist there is no more serious and, at the same time, more joyous task than to create, through art, a new aesthetic, and ultimately, a new way of being.”

Karel Zeman (1910–1989) Czech film director, artist and animator

Quoted in Pauline Sameshima, Seeing Red: A Pedagogy of Parallax: an Epistolary Bildungsroman on Artful Scholarly Inquiry http://books.google.com/books?id=rvbxuB9KioIC&pg=PA157 (Youngstown, NY: Cambria Press, 2007), pp. 156–157, accessed 26 August 2013

Way, Time

“In my own field, the History of Art, it was Alois Riegl who, at the turn of the century, worked out his own translation of the Hegelian system into psychological terms.”

Ernst Gombrich (1909–2001) art historian

In Search of Cultural History (1969)

History

“My father was a violinist, my mother a pianist. I was born into a world of music... The practicing of my father's pupils accompanied every thought and action of my childish life.... Then when I was thirty [c. 1906], my career as musician was brought to an end by Vollard [art-dealer in Paris] who bought all the pictures I possessed, pictures which I had painted over several years with unbounded enthusiasm during such hours of freedom as I was able to spare between [music]-lessons to my pupils.”

Maurice de Vlaminck (1876–1958) French painter

Source: Quotes dated, Dangerous Corner', 1929, p. 27

Life, World, Music, Freedom

“The Foundation of Empire is Art & Science Remove them or Degrade them & the Empire is No More — Empire follows Art & Not Vice Versa as Englishmen suppose.”

William Blake (1757–1827) English Romantic poet and artist

Annotations to Sir Joshua Reynolds's Discourses
1790s

Science

“I will soon have finished another drawing [= watercolor], in the spirit as Den Tessaro [art-seller in Antwerp] wished another one, that is 'airy' and 'thin', with 'lots of space', etc.-. (translation from original Dutch: Fons Heijnsbroek)”

Willem Roelofs (1822–1897) Dutch painter and entomologist (1822-1897)

(original Dutch: citaat van Willem Roelofs, in het Nederlands:) Ik zal binnenkort eene andere teekening [= aquarel] gereed hebben, in den geest zoals Den Heer Tessaro [kunst-handelaar in Antwerpen] er nog een wenschte, namenlijk 'luchtig' en 'dun', met 'veel ruimte', etc.-.
In a letter to art-seller Frans Buffa in Amsterdam, 1874; ; as cited in Willem Roelofs 1822-1897 De Adem der natuur, ed. Marjan van Heteren & Robert-Jan te Rijdt; Thoth, Bussum - ISBN13 * 978 90 6868 4322, 2006, p. 57
1870's

Drawing

“To me the prevailing tone of Rembrandt's mind, as shown in his art, is serenity. Where the subject allows him, his natural disposition seems always tranquil. He is the painter of repos”

Charles Robert Leslie (1794–1859) British painter (1794-1859)

A Handbook for Young Painters

Nature

“I've made a lot of box art do a lot of horrible things over the years in the name of critique. SOPA could stop my dirty foreigner ways.”

Ben Croshaw (1983) English video game journalist

18 January 2012
Twitter

Way, Box

“I had measured the difference that separated art prior to 1900 from the art which I felt was being born. I knew that all instruction was at an end. The age of personal expression had finally begun. The value of an artist was no longer to be judged by the finish of his execution, or by the analogies his work suggested with such-and-such an archetype. It would be judged – exclusively – by what distinguished this artist from all the others. The age of the master and pupil was finally over; I could see about me only a handful of creators and whole colonies of monkeys. But I could not ask Gleizes to see it that way. Happily, nothing of his social or mystical opinions remained when he was engaged in the work of painting. The work of reconciling an oval and a lozenge, a yellow and a blue, prevailed and saved him.”

Jean Metzinger (1883–1956) French painter

Cubism was born

Age, Way, Painting, Personality

“We here have… an architectural discovery which may prove of inestimable value to future art. …Like fire, it is a good servant but a bad master. The danger is that it may lead to a cramped and mechanical design. One may easily become a slave to the module, and do things because of it which his taste or reason would not otherwise commend. …How can the danger be avoided and the benefits secured?”

Ernest Flagg (1857–1947) American architect

Small Houses: Their Economic Design and Construction (1922)

Future

“Iron and heat are… the supporters, the bases, of the mechanic arts.”

Nicolas Léonard Sadi Carnot (1796–1832) French physicist, the "father of thermodynamics" (1796–1832)

p, 125
Reflections on the Motive Power of Heat (1824)

Support

“Imperfectualism: (is) art that cannot be easily replicated by machine. An imperfectualist looks to slow automation through their art.”

Lorin Morgan-Richards (1975) American poet, cartoonist, and children's writer

Coined term on social media on March 16, 2018.
Quotes as Marcil d'Hirson Garron

“Art is the sanctification of the nature, of that nature found in everyone who is content to live.”

Maurice Denis (1870–1943) French painter

2 Quotes from Denis' 1906 essay 'The Sun'; as cited on Wikipedia: Maurice Denis https://en.wikipedia.org/wiki/Maurice_Denis - reference [29] 1890 - 1920

Nature

“In my view, the composer, just as the poet, the sculptor or the painter, is in duty bound to serve Man, the people. He must beautify human life and defend it. He must be a citizen first and foremost, so that his art might consciously extol human life and lead man to a radiant future. Such is the immutable code of art as I see it.”

Sergei Prokofiev (1891–1953) Ukrainian & Russian Soviet pianist and composer

Page 136; from his "Music and Life" (1951).
Sergei Prokofiev: Autobiography, Articles, Reminiscences (1960)

Life, People, Future

“There is a special irony that this disappearance [of Catholic artists visibility despite Catholics constituting one-quarter of the US population] has occurred during a period when celebrating cultural diversity has become an explicit goal across the American arts. Some kinds of diversity are evidently more equal than others.”

Dana Gioia (1950) American writer

Essays, Can Poetry Matter? (1991), The Catholic Writer Today (2013)

“Have the courage to analyze great emotions to create characters who shall be lofty and true. The whole art of the analytical novel lies there.”

Paul Bourget (1852–1935) French writer

Pierre Fauchery, as quoted by the character "Jules Labarthe"
The Age for Love

Courage

“In contrast to the asexual chasteness of official communist art, Nazi art is both prurient and idealizing. A utopian aesthetics (physical perfection; identity as a biological given) implies an ideal eroticism: sexuality converted into the magnetism of leaders and the joy of followers. The fascist ideal is to transform sexual energy into a "spiritual" force, for the benefit of the community.”

Susan Sontag (1933–2004) American writer and filmmaker, professor, and activist

"Fascinating Fascism" (1974), published in The New York Review of Books (6 February 1975) and reprinted in Sontag's Under the Sign of Saturn (1980), p. 93

Communication, Joy, Perfection

Quotes about art page 44

Quotes about art
page 44