Works
Woman in the Nineteenth Century
Margaret FullerFamous Margaret Fuller Quotes
"Good Sense" in a dialogue between Free Hope, Old Church, Good Sense, and Self -Poise. p. 127.
Summer on the Lakes, in 1843 (1844)
Context: All around us lies what we neither understand nor use. Our capacities, our instincts for this our present sphere are but half developed. Let us confine ourselves to that till the lesson be learned; let us be completely natural; before we trouble ourselves with the supernatural. I never see any of these things but I long to get away and lie under a green tree and let the wind blow on me. There is marvel and charm enough in that for me.
“Let every woman, who has once begun to think, examine herself”
Source: Woman in the Nineteenth Century
Margaret Fuller Quotes about life
“There are noble books but one wants the breath of life sometimes.”
Letter to Ralph Waldo Emerson (1 March 1838); published in The Letters of Margaret Fuller vol. I, p. 327, , edited by Robert N. Hudspeth (1983).
Context: There are noble books but one wants the breath of life sometimes. And I see no divine person. I myself am more divine than any I see — I think that is enough to say about them...
“Very early, I knew that the only object in life was to grow.”
Memoirs of Margaret Fuller Ossoli (1852), Vol. I, p. 132.
“You are intellect, I am life!”
To Ralph Waldo Emerson, as quoted in "Humanity, said Edgar Allan Poe, is divided into Men, Women, and Margaret Fuller" Joseph Jay Deiss in American Heritage magazine, Vol. 23, Issue 5 (August 1972).
Letter (17 November 1847).
Memoirs of Margaret Fuller Ossoli (1852)
Woman in the Nineteenth Century (1845)
"American Literature" in Papers on Literature and Art (1846), p. 122.
Margaret Fuller Quotes about nature
“Nature provides exceptions to every rule.”
Woman in the Nineteenth Century (1845)
Context: Male and female represent the two sides of the great radical dualism. But, in fact, they are perpetually passing into one another. Fluid hardens to solid, solid rushes to fluid. There is no wholly masculine man, no purely feminine woman.
History jeers at the attempts of physiologists to bind great original laws by the forms which flow from them. They make a rule; they say from observation what can and cannot be. In vain! Nature provides exceptions to every rule. She sends women to battle, and sets Hercules spinning; she enables women to bear immense burdens, cold, and frost; she enables the man, who feels maternal love, to nourish his infant like a mother.
Woman in the Nineteenth Century (1845)
Life Without and Life Within (1859), Prophecy and Fulfilment
“See the wild herd nobly ranging,
Nature varying, not changing,
Lawful in their lawless ranging.”
Life Without and Life Within (1859), The Captured Wild Horse
Context: p>On the boundless plain careering
By an unseen compass steering, Wildly flying, reappearing, —
With untamed fire their broad eyes glowing
In every step a grand pride showing,
Of no servile moment knowing, —Happy as the trees and flowers, In their instinct cradled hours,
Happier in fuller powers, —See the wild herd nobly ranging,
Nature varying, not changing,
Lawful in their lawless ranging.</p
Margaret Fuller: Trending quotes
“Existence is as deep a verity:
Without the dual, where is unity?”
Life Without and Life Within (1859), The One In All
Context: Existence is as deep a verity:
Without the dual, where is unity?
And the "I am"" cannot forbear to be;But from its primal nature forced to frame
Mysteries, destinies of various name,
Is forced to give that it has taught to claim.
“Men disappoint me so, I disappoint myself so, yet courage, patience, shuffle the cards …”
Letter to Reverend William Henry Channing http://web.csustan.edu:80/english/reuben/pal/chap4/channing_henry.html (21 February 1841) quoted in Margaret Fuller Ossoli (1898) by Thomas Wentworth Higginson, p. 112.
“It was thy kiss, Love, that made me immortal.”
Probably derived from "Make me immortal with a kiss" in Faustus by Christopher Marlowe.
Dryad Song (1900)
Margaret Fuller Quotes
Woman in the Nineteenth Century (1845)
Life Without and Life Within (1859), Sub Rosa, Crux
Context: The pass-word now is lost
To that initiation full and free;
Daily we pay the cost
Of our slow schooling for divine degree.
We know no means to feed an undying lamp;
Our lights go out in every wind or damp.
Woman in the Nineteenth Century (1845)
Context: What I mean by the Muse is that unimpeded clearness of the intuitive powers, which a perfectly truthful adherence to every admonition of the higher instincts would bring to a finely organized human being. It may appear as prophecy or as poesy. … and should these faculties have free play, I believe they will open new, deeper and purer sources of joyous inspiration than have as yet refreshed the earth.
Let us be wise, and not impede the soul. Let her work as she will. Let us have one creative energy, one incessant revelation. Let it take what form it will, and let us not bind it by the past to man or woman, black or white.
“God will transplant the root, if he wills to rear it into fruit-bearing.”
Letter (Spring 1850).
Memoirs of Margaret Fuller Ossoli (1852)
Context: I feel perfectly willing to stay my threescore years and ten, if it be thought I need so much tuition from this planet; but it seems to me that my future upon earth will soon close. It may be terribly trying, but it will not be so very long, now. God will transplant the root, if he wills to rear it into fruit-bearing.
“With equal sweetness the commissioned hours
Shed light and dew upon both weeds and flowers.”
Life Without and Life Within (1859), The Thankful and the Thankless
Context: With equal sweetness the commissioned hours
Shed light and dew upon both weeds and flowers.
The weeds unthankful raise their vile heads high,
Flaunting back insult to the gracious sky;
While the dear flowers, wht fond humility,
Uplift the eyelids of a starry eye
In speechless homage, and, from grateful hearts,
Perfume that homage all around imparts.
Life Without and Life Within (1859), The One In All
Context: A single thought transfuses every form;
The sunny day is changed into the storm,
For light is dark, hard soft, and cold is warm.One presence fill and floods the whole serene;
Nothing can be, nothing has ever been,
Except the one truth that creates the scene.</p
"Poets of the People" in Art, Literature and the Drama (1858).
Context: There are two modes of criticism. One which … crushes to earth without mercy all the humble buds of Phantasy, all the plants that, though green and fruitful, are also a prey to insects or have suffered by drouth. It weeds well the garden, and cannot believe the weed in its native soil may be a pretty, graceful plant.
There is another mode which enters into the natural history of every thing that breathes and lives, which believes no impulse to be entirely in vain, which scrutinizes circumstances, motive and object before it condemns, and believes there is a beauty in natural form, if its law and purpose be understood.
Letter XXIV (19 April 1848), ** Part II, Things and Thoughts of Europe, p. 326.
At Home And Abroad (1856)
Context: My friends write to urge my return the talk of our country as the land of the future. It is so, but that spirit which made it all it is of value in my eyes, which gave me all hope with which I can sympathize for that future, is more alive here at present than in America. My country is at present spoiled by prosperity, stupid with the lust of gain, soiled by crime in its willing perpetuation of slavery, shamed by an unjust war, noble sentiment much forgotten even by individuals, the aims of politicians selfish or petty, the literature frivolous and venal. In Europe, amid the teachings of adversity, a nobler spirit is struggling — a spirit which cheers and animates mine. I hear earnest words of pure faith and love. I see deeds of brotherhood. This is what makes my America. I do not deeply distrust my country. She is not dead, but in my time she sleepeth, and the spirits of our fathers flame no more, but lies hid beneath the ashes. It will not be so long; bodies cannot live when the soul gets too overgrown with gluttony and falsehood.
It weeds well the garden, and cannot believe the weed in its native soil may be a pretty, graceful plant.
There is another mode which enters into the natural history of every thing that breathes and lives, which believes no impulse to be entirely in vain, which scrutinizes circumstances, motive and object before it condemns, and believes there is a beauty in natural form, if its law and purpose be understood.
"Poets of the People" in Art, Literature and the Drama (1858).
Though "the Bard" is often reference to William Shakespeare, Fuller here probably uses the term in a generic sense, and in tribute to the poet-philosopher she considered in some ways her mentor, Ralph Waldo Emerson, who may have made such a statement, which she elsewhere quotes as "I have witnessed many a shipwreck, yet still beat noble hearts".
Woman in the Nineteenth Century (1845)
Context: I stand in the sunny noon of life. Objects no longer glitter in the dews of morning, neither are yet softened by the shadows of evening. Every spot is seen, every chasm revealed. Climbing the dusty hill, some fair effigies that once stood for symbols of human destiny have been broken; those I still have with me show defects in this broad light. Yet enough is left, even by experience, to point distinctly to the glories of that destiny; faint, but not to be mistaken streaks of the future day. I can say with the bard,
"Though many have suffered shipwreck, still beat noble hearts."
Always the soul says to us all, Cherish your best hopes as a faith, and abide by them in action. Such shall be the effectual fervent means to their fulfilment.
Life Without and Life Within (1859), My Seal-Ring
Context: Mercury has cast aside
The signs of intellectual pride,
Freely offers thee the soul:
Art thou noble to receive?
Canst thou give or take the whole,
Nobly promise and believe?
Then thou wholly human art,
A spotless, radiant, ruby heart,
And the golden chain of love
Has bound thee to the realm above.
“I am absurdly fearful, and various omens have combined to give me a dark feeling.”
Letter (Spring 1850)
I am absurdly fearful about this voyage. Various little omens have combined to give me a dark feeling.... Perhaps we shall live to laugh at these. But in case of mishap I should perish with my husband and child, perhaps to be transferred to some happier state.
Letter to Marchioness Visconti Arconati (6 April 1850) as quoted in Margaret Fuller Ossoli by Thomas Wentworth Higginson, p. 274, the differences could be from differing translations or from omissions, as Emerson is said to have highly edited many of the letters as published in Memoirs of Margaret Fuller Ossoli.
Memoirs of Margaret Fuller Ossoli (1852)
Context: I am absurdly fearful, and various omens have combined to give me a dark feeling. I am become indeed a miserable coward, for the sake of Angelino. I fear heat and cold, fear the voyage, fear biting poverty. I hope I shall not be forced to be as brave for him, as I have been for myself, and that, if I succeed to rear him, he will be neither a weak nor a bad man. But I love him too much! In case of mishap, however, I shall perish with my husband and my child, and we may be transferred to some happier state.
"Free Hope" p. 127.
Summer on the Lakes, in 1843 (1844)
Context: Who sees the meaning of the flower uprooted in the ploughed field? The ploughman who does not look beyond its boundaries and does not raise his eyes from the ground? No — but the poet who sees that field in its relations with the universe, and looks oftener to the sky than on the ground. Only the dreamer shall understand realities, though, in truth, his dreaming must not be out of proportion to his waking!
Life Without and Life Within (1859), The One In All
"Free Hope" p. 131.
Summer on the Lakes, in 1843 (1844)
Context: Thou art greatly wise, my friend, and ever respected by me, yet I find not in your theory or your scope, room enough for the lyric inspirations, or the mysterious whispers of life. To me it seems that it is madder never to abandon oneself, than often to be infatuated; better to be wounded, a captive, and a slave, than always to walk in armor.
"Self-Poise" p. 130.
Summer on the Lakes, in 1843 (1844)
Context: The better part of wisdom is a sublime prudence, a pure and patient truth that will receive nothing it is not sure it can permanently lay to heart. Of our study there should be in proportion two-thirds of rejection to one of acceptance. And, amid the manifold infatuations and illusions of this world of emotion, a being capable of clear intelligence can do no better service than to hold himself upright, avoid nonsense, and do what chores lie in his way, acknowledging every moment that primal truth, which no fact exhibits, nor, if pressed by too warm a hope, will even indicate. I think, indeed, it is part of our lesson to give a formal consent to what is farcical, and to pick up our living and our virtue amid what is so ridiculous, hardly deigning a smile, and certainly not vexed. The work is done through all, if not by every one.
“Those who seem overladen with electricity frighten those around them.”
Woman in the Nineteenth Century (1845)
Context: The electrical, the magnetic element in Woman has not been fairly brought out at any period. Everything might be expected from it; she has far more of it than Man. This is commonly expressed by saying that her intuitions are more rapid and more correct. You will often see men of high intellect absolutely stupid in regard to the atmospheric changes, the fine invisible links which connect the forms of life around them, while common women, if pure and modest, so that a vulgar self do not overshadow the mental eye, will seize and delineate these with unerring discrimination.
Women who combine this organization with creative genius are very commonly unhappy at present. They see too much to act in conformity with those around them, and their quick impulses seem folly to those who do not discern the motives. This is an usual effect of the apparition of genius, whether in Man or Woman, but is more frequent with regard to the latter, because a harmony, an obvious order and self-restraining decorum, is most expected from her.
Then women of genius, even more than men, are likely to be enslaved by an impassioned sensibility. The world repels them more rudely, and they are of weaker bodily frame.
Those who seem overladen with electricity frighten those around them.
Life Without and Life Within (1859), The One In All
Last letter to her mother, (14 May 1850).
Memoirs of Margaret Fuller Ossoli (1852)
Context: I long so much to see you! Should anything hinder our meeting upon earth, think of your daughter, as one who always wished, at least, to do her duty, and who always cherished you, according as her mind opened to discover excellence. … I hope we shall be able to pass some time together yet, in this world. But, if God decrees otherwise, — here and HEREAFTER, — my dearest mother, "Your loving child, MARGARET."
A higher charm than modern culture won,
With all the wealth of metaphysic lore,
Gifted to analyze, dissect explore.
Life Without and Life Within (1859), Flaxman
Though "the Bard" is often reference to William Shakespeare, Fuller here probably uses the term in a generic sense, and in tribute to the poet-philosopher she considered in some ways her mentor, Ralph Waldo Emerson, who may have made such a statement, which she elsewhere quotes as "I have witnessed many a shipwreck, yet still beat noble hearts".
Woman in the Nineteenth Century (1845)
Context: I stand in the sunny noon of life. Objects no longer glitter in the dews of morning, neither are yet softened by the shadows of evening. Every spot is seen, every chasm revealed. Climbing the dusty hill, some fair effigies that once stood for symbols of human destiny have been broken; those I still have with me show defects in this broad light. Yet enough is left, even by experience, to point distinctly to the glories of that destiny; faint, but not to be mistaken streaks of the future day. I can say with the bard,
"Though many have suffered shipwreck, still beat noble hearts."
Always the soul says to us all, Cherish your best hopes as a faith, and abide by them in action. Such shall be the effectual fervent means to their fulfilment.
Woman in the Nineteenth Century (1845)
Context: We would have every arbitrary barrier thrown down. We would have every path laid open to Woman as freely as to Man. Were this done, and a slight temporary fermentation allowed to subside, we should see crystallizations more pure and of more various beauty. We believe the divine energy would pervade nature to a degree unknown in the history of former ages, and that no discordant collision, but a ravishing harmony of the spheres, would ensue.
Yet, then and only then will mankind be ripe for this, when inward and outward freedom for Woman as much as for Man shall be acknowledged as a right, not yielded as a concession.
Woman in the Nineteenth Century (1845)
Context: Every relation, every gradation of nature is incalculably precious, but only to the soul which is poised upon itself, and to whom no loss, no change, can bring dull discord, for it is in harmony with the central soul. If any individual live too much in relations, so that he becomes a stranger to the resources of his own nature, he falls, after a while, into a distraction, or imbecility, from which he can only becured by a time of isolation, which gives the renovating fountains time to rise up. With a society it is the same.
“Live earnestly by turns without despair,
Nor seek a home till home be every where!”
Life Without and Life Within (1859), The One In All
Context: I only know one prayer — "Give me the truth,
Give me that colored whiteness, ancient youth,
Complex and simple, seen in joy and ruth.Let me not by vain wishes bar my claim,
Nor soothe my hunger by an empty name,
Nor crucify the Son of man by hasty blame.But in the earth and fire, water and air,
Live earnestly by turns without despair,
Nor seek a home till home be every where!"
Woman in the Nineteenth Century (1845)
Context: It is with just that hope that we welcome everything that tends to strengthen the fibre and develop the nature on more sides. When the intellect and affections are in harmony; when intellectual consciousness is calm and deep; inspiration will not be confounded with fancy.
“Gathering strength, gaining breath, — naught can sever
Me from the Spirit of Life!”
Dryad Song (1900)
Context: Chance cannot touch me! Time cannot hush me!
Fear, Hope, and Longing, at strife,
Sink as I rise, on, on, upward forever,
Gathering strength, gaining breath, — naught can sever
Me from the Spirit of Life!
“If nature is never bound down, nor the voice of inspiration stifled, that is enough.”
Woman in the Nineteenth Century (1845)
Context: Harmony exists no less in difference than in likeness, if only the same key-note govern both parts. Woman the poem, man the poet; woman the heart, man the head; such divisions are only important when they are never to be transcended. If nature is never bound down, nor the voice of inspiration stifled, that is enough.
“The work is done through all, if not by every one.”
"Self-Poise" p. 130.
Summer on the Lakes, in 1843 (1844)
Context: The better part of wisdom is a sublime prudence, a pure and patient truth that will receive nothing it is not sure it can permanently lay to heart. Of our study there should be in proportion two-thirds of rejection to one of acceptance. And, amid the manifold infatuations and illusions of this world of emotion, a being capable of clear intelligence can do no better service than to hold himself upright, avoid nonsense, and do what chores lie in his way, acknowledging every moment that primal truth, which no fact exhibits, nor, if pressed by too warm a hope, will even indicate. I think, indeed, it is part of our lesson to give a formal consent to what is farcical, and to pick up our living and our virtue amid what is so ridiculous, hardly deigning a smile, and certainly not vexed. The work is done through all, if not by every one.
“I am immortal! I know it! I feel it!
Hope floods my heart with delight!”
Dryad Song (1900)
Context: I am immortal! I know it! I feel it!
Hope floods my heart with delight!
Running on air mad with life dizzy, reeling,
Upward I mount, — faith is sight, life is feeling,
Hope is the day-star of might!
Woman in the Nineteenth Century (1845)
Context: What I mean by the Muse is that unimpeded clearness of the intuitive powers, which a perfectly truthful adherence to every admonition of the higher instincts would bring to a finely organized human being. It may appear as prophecy or as poesy. … and should these faculties have free play, I believe they will open new, deeper and purer sources of joyous inspiration than have as yet refreshed the earth.
Let us be wise, and not impede the soul. Let her work as she will. Let us have one creative energy, one incessant revelation. Let it take what form it will, and let us not bind it by the past to man or woman, black or white.
“Be to the best thou knowest ever true,
Is all the creed”
Life Without and Life Within (1859), Sub Rosa, Crux
Context: p>Be to the best thou knowest ever true,
Is all the creed;
Then, by thy talisman of rosy hue,
Or fenced with thorns that wearing thou must bleed,
Or gentle pledge of Love's prophetic view,
The faithful steps it will securely lead.Happy are all who reach that shore,
And bathe in heavenly day,
Happiest are those who high the banner bore,
To marshal others on the way;
Or waited for them, fainting and way-worn,
By burdens overborne.</p
Woman in the Nineteenth Century (1845)
Context: Woman, self-centred, would never be absorbed by any relation it would be only an experience to her as to man. It is a vulgar error that love, a love, to Woman is her whole existence; she also is born for Truth and Love in their universal energy.
Woman in the Nineteenth Century (1845)
Context: Male and female represent the two sides of the great radical dualism. But, in fact, they are perpetually passing into one another. Fluid hardens to solid, solid rushes to fluid. There is no wholly masculine man, no purely feminine woman.
History jeers at the attempts of physiologists to bind great original laws by the forms which flow from them. They make a rule; they say from observation what can and cannot be. In vain! Nature provides exceptions to every rule. She sends women to battle, and sets Hercules spinning; she enables women to bear immense burdens, cold, and frost; she enables the man, who feels maternal love, to nourish his infant like a mother.
“I have a vague expectation of some crisis, — I know not what.”
Letter (Spring 1850).
Memoirs of Margaret Fuller Ossoli (1852)
Context: I have a vague expectation of some crisis, — I know not what. But it has long seemed, that, in the year 1850, I should stand on a plateau in the ascent of life, where I should be allowed to pause for a while, and take more clear and commanding views than ever before. Yet my life proceeds as regularly as the fates of a Greek tragedy, and I can but accept the pages as they turn.
“Come, let us mount on the wings of the morning,
Flying for joy of the flight”
Dryad Song (1900)
Context: Come, let us mount on the wings of the morning,
Flying for joy of the flight,
Wild with all longing, now soaring, now staying,
Mingling like day and dawn, swinging and swaying,
Hung like a cloud in the light:
I am immortal! I feel it! I feel it!
Love bears me up, love is might!
“Only upon the old can build the new;
The symbol which you seek is found in you.”
Life Without and Life Within (1859), The One In All
Context: And dost thou seek to find the one in two?
Only upon the old can build the new;
The symbol which you seek is found in you.
Woman in the Nineteenth Century (1845)
Context: The electrical, the magnetic element in Woman has not been fairly brought out at any period. Everything might be expected from it; she has far more of it than Man. This is commonly expressed by saying that her intuitions are more rapid and more correct. You will often see men of high intellect absolutely stupid in regard to the atmospheric changes, the fine invisible links which connect the forms of life around them, while common women, if pure and modest, so that a vulgar self do not overshadow the mental eye, will seize and delineate these with unerring discrimination.
Women who combine this organization with creative genius are very commonly unhappy at present. They see too much to act in conformity with those around them, and their quick impulses seem folly to those who do not discern the motives. This is an usual effect of the apparition of genius, whether in Man or Woman, but is more frequent with regard to the latter, because a harmony, an obvious order and self-restraining decorum, is most expected from her.
Then women of genius, even more than men, are likely to be enslaved by an impassioned sensibility. The world repels them more rudely, and they are of weaker bodily frame.
Those who seem overladen with electricity frighten those around them.
“Who sees the meaning of the flower uprooted in the ploughed field?”
"Free Hope" p. 127.
Summer on the Lakes, in 1843 (1844)
Context: Who sees the meaning of the flower uprooted in the ploughed field? The ploughman who does not look beyond its boundaries and does not raise his eyes from the ground? No — but the poet who sees that field in its relations with the universe, and looks oftener to the sky than on the ground. Only the dreamer shall understand realities, though, in truth, his dreaming must not be out of proportion to his waking!
"Free Hope" p. 128.
Summer on the Lakes, in 1843 (1844)
Context: I never lived, that I remember, what you call a common natural day. All my days are touched by the supernatural, for I feel the pressure of hidden causes, and the presence, sometimes the communion, of unseen powers. It needs not that I should ask the clairvoyant whether "a spirit-world projects into ours." As to the specific evidence, I would not tarnish my mind by hasty reception. The mind is not, I know, a highway, but a temple, and its doors should not be carelessly left open. Yet it were sin, if indolence or coldness excluded what had a claim to enter; and I doubt whether, in the eyes of pure intelligence, an ill-grounded hasty rejection be not a greater sign of weakness than an ill-grounded and hasty faith.
“Let us be wise, and not impede the soul.”
Woman in the Nineteenth Century (1845)
Context: What I mean by the Muse is that unimpeded clearness of the intuitive powers, which a perfectly truthful adherence to every admonition of the higher instincts would bring to a finely organized human being. It may appear as prophecy or as poesy. … and should these faculties have free play, I believe they will open new, deeper and purer sources of joyous inspiration than have as yet refreshed the earth.
Let us be wise, and not impede the soul. Let her work as she will. Let us have one creative energy, one incessant revelation. Let it take what form it will, and let us not bind it by the past to man or woman, black or white.
“Thoughts which come at a call
Are no better than if they came not at all”
Life Without and Life Within (1859), A Greeting
Context: Thoughts which come at a call
Are no better than if they came not at all
Neither flower nor fruit,
Yielding no root
For plant, shrub, or tree.
“I never lived, that I remember, what you call a common natural day.”
"Free Hope" p. 128.
Summer on the Lakes, in 1843 (1844)
Context: I never lived, that I remember, what you call a common natural day. All my days are touched by the supernatural, for I feel the pressure of hidden causes, and the presence, sometimes the communion, of unseen powers. It needs not that I should ask the clairvoyant whether "a spirit-world projects into ours." As to the specific evidence, I would not tarnish my mind by hasty reception. The mind is not, I know, a highway, but a temple, and its doors should not be carelessly left open. Yet it were sin, if indolence or coldness excluded what had a claim to enter; and I doubt whether, in the eyes of pure intelligence, an ill-grounded hasty rejection be not a greater sign of weakness than an ill-grounded and hasty faith.
Life Without and Life Within (1859), The One In All
Context: Existence is as deep a verity:
Without the dual, where is unity?
And the "I am"" cannot forbear to be;But from its primal nature forced to frame
Mysteries, destinies of various name,
Is forced to give that it has taught to claim.
Life Without and Life Within (1859), The Captured Wild Horse
Context: p>On the boundless plain careering
By an unseen compass steering, Wildly flying, reappearing, —
With untamed fire their broad eyes glowing
In every step a grand pride showing,
Of no servile moment knowing, —Happy as the trees and flowers, In their instinct cradled hours,
Happier in fuller powers, —See the wild herd nobly ranging,
Nature varying, not changing,
Lawful in their lawless ranging.</p
Ahnungen means "Premonitions"; letter XIII to James Nathan (31 March 1845).
The Love Letters Of Margaret Fuller (1903)
Life Without and Life Within (1859), A Greeting
