“It was thy kiss, Love, that made me immortal.”
Probably derived from "Make me immortal with a kiss" in Faustus by Christopher Marlowe.
Dryad Song (1900)
“It was thy kiss, Love, that made me immortal.”
Probably derived from "Make me immortal with a kiss" in Faustus by Christopher Marlowe.
Dryad Song (1900)
Woman in the Nineteenth Century (1845)
"Good Sense" in a dialogue between Free Hope, Old Church, Good Sense, and Self -Poise. p. 127.
Summer on the Lakes, in 1843 (1844)
Context: All around us lies what we neither understand nor use. Our capacities, our instincts for this our present sphere are but half developed. Let us confine ourselves to that till the lesson be learned; let us be completely natural; before we trouble ourselves with the supernatural. I never see any of these things but I long to get away and lie under a green tree and let the wind blow on me. There is marvel and charm enough in that for me.
“Men disappoint me so, I disappoint myself so, yet courage, patience, shuffle the cards …”
Letter to Reverend William Henry Channing http://web.csustan.edu:80/english/reuben/pal/chap4/channing_henry.html (21 February 1841) quoted in Margaret Fuller Ossoli (1898) by Thomas Wentworth Higginson, p. 112.
“Existence is as deep a verity:
Without the dual, where is unity?”
Life Without and Life Within (1859), The One In All
Context: Existence is as deep a verity:
Without the dual, where is unity?
And the "I am"" cannot forbear to be;But from its primal nature forced to frame
Mysteries, destinies of various name,
Is forced to give that it has taught to claim.
“Let every woman, who has once begun to think, examine herself”
Source: Woman in the Nineteenth Century
“There are noble books but one wants the breath of life sometimes.”
Letter to Ralph Waldo Emerson (1 March 1838); published in The Letters of Margaret Fuller vol. I, p. 327, , edited by Robert N. Hudspeth (1983).
Context: There are noble books but one wants the breath of life sometimes. And I see no divine person. I myself am more divine than any I see — I think that is enough to say about them...
Woman in the Nineteenth Century (1845)
“Nature provides exceptions to every rule.”
Woman in the Nineteenth Century (1845)
Context: Male and female represent the two sides of the great radical dualism. But, in fact, they are perpetually passing into one another. Fluid hardens to solid, solid rushes to fluid. There is no wholly masculine man, no purely feminine woman.
History jeers at the attempts of physiologists to bind great original laws by the forms which flow from them. They make a rule; they say from observation what can and cannot be. In vain! Nature provides exceptions to every rule. She sends women to battle, and sets Hercules spinning; she enables women to bear immense burdens, cold, and frost; she enables the man, who feels maternal love, to nourish his infant like a mother.
“Very early, I knew that the only object in life was to grow.”
Memoirs of Margaret Fuller Ossoli (1852), Vol. I, p. 132.
Life Without and Life Within (1859), Sub Rosa, Crux
Context: The pass-word now is lost
To that initiation full and free;
Daily we pay the cost
Of our slow schooling for divine degree.
We know no means to feed an undying lamp;
Our lights go out in every wind or damp.
Woman in the Nineteenth Century (1845)
Context: What I mean by the Muse is that unimpeded clearness of the intuitive powers, which a perfectly truthful adherence to every admonition of the higher instincts would bring to a finely organized human being. It may appear as prophecy or as poesy. … and should these faculties have free play, I believe they will open new, deeper and purer sources of joyous inspiration than have as yet refreshed the earth.
Let us be wise, and not impede the soul. Let her work as she will. Let us have one creative energy, one incessant revelation. Let it take what form it will, and let us not bind it by the past to man or woman, black or white.