Quotes about wording
page 88

Christian Morgenstern photo
Christian Morgenstern photo
Teal Swan photo
Mary Wollstonecraft photo
Christopher Hitchens photo

“Islamophobia: a word created by fascists, and used by cowards, to manipulate morons.”

Christopher Hitchens (1949–2011) British American author and journalist

Andrew Cummins (@Vodkaninja), Twitter, December 4 2013. Screen capture https://homoeconomicusnet.wordpress.com/2014/05/11/did-christopher-hitchens-say-that-on-islamophobia-or-someone-on-twitter/.
Misattributed

“Its highest degree of eloquence, which is beyond the capacity of a human being. However, since we come after the first Arabs we are unable to reach its essence. But the measure which we know is that the employment of lucid words and sweet constructions gracefully and without affectation that we find in the Tremendous Qur’an is to be found nowhere else in any of the poetry of the earlier or later peoples.”

Shah Waliullah Dehlawi (1703–1762) Indian muslim scholar

in Waliyyullāh, S. (2014) Al-Fawz al-Kabīr fī Uṣūl at-Tafsīr. The Great Victory on Qur’ānic Hermeneutics: A Manual of the Principles and Subtleties of Qur’anic Tafsīr. Translated, Introduction and Annotated by Tahir Mahmood Kiani. London: Taha, p.160.

Seyyed Hossein Nasr photo
Tavleen Singh photo
George Adamski photo
George Adamski photo
Joseph Addison photo
Joseph Addison photo
H. H. Asquith photo
Niall Ferguson photo
John Ruskin photo
David Hume photo
Karl Pearson photo
Karl Pearson photo
Karl Pearson photo
Karl Pearson photo
Karl Pearson photo

“Heredity. Given any organ in a parent and the same or any other organ in its offspring, the mathematical measure of heredity is the correlation of these organs for pairs of parent and offspring... The word organ here must be taken to include any characteristic which can be quantitatively measured.”

Karl Pearson (1857–1936) English mathematician and biometrician

"Mathematical Contributions to the Theory of Evolution III: Regression, Heredity and Panmixia", Philosophical Transactions of the Royal Society, Series A, Vol. 187 (1896) p. 259.

George Wallace photo

“You’ve got some folks out here who know a lot of four letter words. But there are two four-letter words they don’t know. W-O-R-K and S-O-A-P, you don’t know those two letter words I’ll tell you that much.”

George Wallace (1919–1998) 45th Governor of Alabama

18th October 1968
1960s
Source: https://archives.nbclearn.com/portal/site/k-12/flatview?cuecard=34499

Dwight L. Moody photo

“Verily I say unto you, he that heareth my word and believeth on Him that sent me, hath everlasting life, and shall not come into condemnation, but is passed from death unto life.”

Dwight L. Moody (1837–1899) American evangelist and publisher

My friend, that is worth more than all the feeling you can have in a life-time.
Source: Dictionary of Burning Words of Brilliant Writers (1895), p. 244

Evgeny Baratynsky photo

“Just thought and thought! Poor artist of the word!High priest of thought! You cannot flee;The word holds all: the world and man,Death, life, and ever-unveiled truth.”

Evgeny Baratynsky (1800–1844) Russian poet

1840
From the Ends to the Beginning: A Bilingual Anthology of Russian Poetry, http://max.mmlc.northwestern.edu/mdenner/Demo/texts/thoughts_more_thoughts.html Northwestern University (2001)

Aga Khan III photo

“It is for the Indian patriot to recognise that Persia, Afghanistan and possibly Arabia must sooner or later come within the orbit of some Continental Power — such as Germany, or what may grow out of the break up of Russia — or must throw in their lot with that of the Indian Empire, with which they have so much more genuine affinity. The world forces that move small States into closer contact with powerful neighbours, though so far most visible in Europe, will inevitably make themselves felt in Asia. Unless she is willing to accept the prospect of having powerful and possibly inimical neighbours to watch, and the heavy military burdens thereby entailed, India cannot afford to neglect to draw her Mahomedan neighbour States to herself by the ties of mutual interest and goodwill … In a word, the path of beneficent and growing union must be based on a federal India, with every member exercising her individual rights, her historic peculiarities and natural interests, yet protected by a common defensive system and customs union from external danger and economic exploitation by stronger forces. Such a federal India would promptly bring Ceylon to the bosom of her natural mother, and the further developments we have indicated would follow. We can build a great South Asiatic Federation by now laying the foundations wide and deep on justice, on liberty, and on recognition for every race, every religion, and every historical entity … A sincere policy of assisting both Persia and Afghanistan in the onward march which modem conditions demand, will raise two natural ramparts for India in the north-west that neither German nor Slav, Turk nor Mongol, can ever hope to destroy. They will be drawn of their own accord towards the Power which provides the object lesson of a healthy form of federalism in India, with real autonomy for each province, with the internal freedom of principalities assured, with a revived and liberalised kingdom of Hyderabad, including the Berars, under the Nizam. They would see in India freedom and order, autonomy and yet Imperial union, and would appreciate for themselves the advantages of a confederation assuring the continuance of internal self-government buttressed by goodwill, the immense and unlimited strength of that great Empire on which the sun never sets. The British position of Mesopotamia and Arabia also, whatever its nominal form may be, would be infinitely strengthened by the policy I have advocated.”

Aga Khan III (1877–1957) 48th Imam of the Nizari Ismaili community

India in Transition (1918)

Tracy Chevalier photo

“I have huge respect for short stories—I just find them much harder to get right than a novel. A novel is a lot baggier and it gives you more leeway to go on for too long or to make mistakes. Whereas in a short story, every sentence, every word, matters—and that’s very hard. I think it’s easier to write too much than it is to write exactly the right thing.”

Tracy Chevalier (1962) American writer

On how she compares short story writing to novel writing in “An Interview with Tracy Chevalier” https://fictionwritersreview.com/interview/an-interview-with-tracy-chevalier/ in Fiction Writers Review (2019 Sep 23)

Diana Gabaldon photo

“First, a good sex scene is about the exchange of emotions, not body fluids. In other words, what’s going on physically is not really important. It’s what’s going on emotionally that’s important. You use the physical attributes or setting, only as a means of anchoring the reader in the moment, but it’s about what’s going on between these two people. And that leads to the second principle, which is that a good sex scene can only happen between two unique and specific people…”

Diana Gabaldon (1952) American author

On how she conjures an erotic scene in her writing in “Outlander Author Diana Gabaldon on Her Two Rules for Writing a Good Sex Scene” https://www.townandcountrymag.com/leisure/arts-and-culture/a24146013/outlander-diana-gabaldon-interview-great-american-read in Town and Country (2018 Oct 24)

Apuleius photo

“No word of reverence or piety, no utterance worthy of heaven and of the Gods of heaven, will be heard or believed.”

Apuleius (125–170) Berber prose writer in Latin

The Prophecy of Hermes Trismegistus

Jeff Flake photo
Benedict of Nursia photo

“There are times when good words are to be left unsaid out of esteem for silence.”

Rule of Saint Benedict (516 AD), as edited by Timothy Fry, O. S. B (1981), p. 15

“Words? Not really. Mankind is a good word.”

Sheri S. Tepper (1929–2016) American fiction writer

She set down her glass with a thump. “Or humankind. I’m afraid we’ve spent a lot of feminist energy on meaningless symbols rather than essential functions.”
Source: Gibbon's Decline & Fall (1996), Chapter 10, p. 170

Marjorie M. Liu photo

“Books, words, were my most treasured escape. I lived inside stories, I breathed them. I felt like they made me more human, or a better human…”

Marjorie M. Liu (1979) American writer

On reading in “Marjorie Liu: Making a Monstress” https://www.guernicamag.com/making-a-monstress/ in Guernica (2016 Feb 15)

Elizabeth Acevedo photo
Syed Ahmed Khan photo
Frank Chin photo
Tomi Adeyemi photo

“I saw the opportunity to show the beauty in the culture and show that these words sound magical. We’re so used to using Latin, but if J.K. Rowling saw magic in that, you can see magic in your own culture. And if you can see it, you can help other people to see it.”

Tomi Adeyemi (1993) American author

On showcasing the Yoruba culture in Children of Blood and Bone in “Meet Tomi Adeyemi: the politically-charged author you need to know about in 2019” https://www.harpersbazaar.com/uk/culture/culture-news/a26933188/tomi-adeyemi-interview/ in Harper’s Bazaar (2019 Mar 26)

Taisen Deshimaru photo
Helena Roerich photo
Arun Shourie photo

“In a word, fatwas are the shariah in action.”

Arun Shourie (1941) Indian journalist and politician

The World of Fatwas (Or The Shariah In Action)

Adlai Stevenson photo
Adlai Stevenson photo
Petina Gappah photo

“Authentic is one of my least favourite words because in such a diverse country, whose authenticity are you talking about?”

Petina Gappah (1971) Zimbabwean writer, journalist and business lawyer

On being considered an authentic Zimbabwean writer in “Petina Gappah interview: ‘I’ve written a very Zimbabwean story – we keep a lot of family secrets’” https://www.theguardian.com/books/2015/sep/05/petina-gappah-interview-ive-written-very-zimbabwean-story in The Guardian (2015 Sep 5)

“I was introduced to Langston Hughes, who became one of my favorite poets…I mean, he was a poet; he wasn’t about words, he was a poet, he had rhythm.”

Pedro Pietri (1944–2004) Puerto Rican writer

On starting off in poetry (as quoted in the book “Race and the Modern Artist” https://books.google.com/books?id=4XY8DwAAQBAJ&pg=PA208&lpg=PA208&dq)

Maurice Barrès photo

“What distinguishes an argument from a play upon words, is that the latter cannot be translated.”

Maurice Barrès (1862–1923) French novelist

Source: Pène du Bois (1897), p. 101.

Adolf Hitler photo

“Late you come, yet you do come!... You should have recognized the beneficial power of criticism when we were in the opposition. Back then, you had not yet been confronted with these words; back then our press was verboten and verboten and again verboten; our assemblies were banned; we were not allowed to speak, and I was not allowed to speak -- and that went on for years! And now you say criticism is beneficial!”

Adolf Hitler (1889–1945) Führer and Reich Chancellor of Germany, Leader of the Nazi Party

Speech in the Reichstag (23 March 1933) on the passing of the Enabling Act of 1933. Hitler is responding to Otto Wels, leader of the Social Democrats, who had made a speech in favour of "criticism", i.e. freedom of political opposition.
Hitler opens his response with a quotation from Schiller, "Spät kommt ihr, doch ihr kommt!"
1930s
Source: http://www.worldfuturefund.org/Reports2013/hitlerenablingact.htm
Source: https://www.zum.de/psm/ns/hitler11_macht.php

Alessandro Cagliostro photo
Alessandro Cagliostro photo
Maximilien Robespierre photo
Maximilien Robespierre photo
Charles Stross photo

“And she actually looks—well, I’m not sure how to describe her. Scary is such an inadequate word, don’t you think?”

Source: The Laundry Files, The Annihilation Score (2015), Chapter 11, “Battle Without Honor or Humanity” (p. 197)

Muhammad photo
Muhammad photo
Muhammad photo
Algis Budrys photo
Algis Budrys photo
Vivek Agnihotri photo
Parteniy Zografski photo
Gregory of Nazianzus photo
H.L. Mencken photo
Karel Čapek photo
Lillian Hellman photo
Victor Villaseñor photo

“The written word is holy…When we write our stories, it helps us bring understanding.”

Victor Villaseñor (1940) American writer

On the importance of gaining knowledge in “Author Victor Villaseñor talks 'Crazy Loco'” https://www.lmtonline.com/que_pasa/article/Author-Victor-Villase-or-talks-Crazy-Loco-10268363.php in LMT Online (2008 Dec 11)

Cory Booker photo

“We are a part of this take-down culture where people are trying to twist your words.”

Cory Booker (1969) 35th Class 2 senator for New Jersey in U.S. Congress

2019
Source: https://twitter.com/steinhauserNH1/status/1096852721800544256

Bhimrao Ramji Ambedkar photo
Vladimir Putin photo
Vladimir Putin photo
Eric Rücker Eddison photo
Donald J. Trump photo

“I WANT NOTHING I WANT NOTHING I WANT NO QUID PRO QUO. TELL ZELLINSKY TO DO THE RIGHT THING. THIS IS THE FINAL WORD FROM THE PRES. OF THE U. S.”

Donald J. Trump (1946) 45th President of the United States of America

Remarks on a notepad, White House lawn, November 20 https://www.vox.com/2019/11/20/20974383/trump-big-sharpie-notes-on-impeachment-testimony, after Ambassador Gordon Sondland's testimony.
2010s, 2019, November

Donald J. Trump photo

“I will build a great, great wall on our southern border, and I will have Mexico pay for that wall. Mark my words.”

Donald J. Trump (1946) 45th President of the United States of America

Campaign launch rally, 15/6/15
2010s, 2015

Reggie Yates photo

“The greatest lesson I’ve learned from it is that context is irrelevant when you hurt somebody. I felt justified in saying what I was saying, because of the context, because of the conversation, but the words I used offended a lot of people and some people I care about, and those words were wrong…”

Reggie Yates (1983) English actor, television presenter and radio DJ

On his mea culpa after making what some interpreted as an anti-Semitic statement in “Reggie Yates: ‘I could get George Clooney to say stuff he’d never said before’” https://www.theguardian.com/tv-and-radio/2019/oct/19/reggie-yates-documentary-maker-interview-i-could-get-george-clooney-to-say-stuff in The Guardian (2019 Oct 19)

Josefina Lopez photo
Bianca Jagger photo
George Curzon, 1st Marquess Curzon of Kedleston photo
Ariel Dorfman photo

“More than a traveler, I’m a displacer. In other words, I’m a person who is constantly meditating on what it means not to arrive at a place, but to be on my way somewhere else.”

Ariel Dorfman (1942) Chilean writer

On further elaborating on his point of being displaced in “Ariel Dorfman: 'Not to belong anywhere, to be displaced, is not a bad thing for a writer'” https://www.theguardian.com/books/2018/may/09/ariel-dorfman-not-to-belong-anywhere-to-be-displaced-is-not-a-bad-thing-for-a-writer in The Guardian (2018 May 9)

“Plays are events in time and space. Plays are music. Word music. Visual music. I’ve always thought of plays as a form of composition—of text and the architecture of the experience of the full-length evening…”

Caridad Svich (1963) American writer

On how she describes plays in “Making Invisible Stories Seen, Heard and Felt Interview with Caridad Svich” http://www.critical-stages.org/3/making-invisible-stories-seen-heard-and-felt-interview-with-caridad-svich/ in The IATC webjournal/Revue web de l'AICT – Autumn 2010: Issue No 3

Mohan Bhagwat photo

“The word lynching comes from an incident in the Bible where Jesus Christ told people to hit a woman with stones only if they had never committed any sin in their pasts.”

Mohan Bhagwat (1950) Indian activist

As quoted in " Term mob lynching comes from Bible, says Mohan Bhagwat https://www.indiatoday.in/india/story/lynchings-being-used-to-defame-india-hindus-rss-chief-mohan-bhagwat-1607257-2019-10-08" Indiatoday (October 8, 2019)
2015-present

Charles Stross photo

“I am at a loss for words to describe my lack of eagerness to go there.”

Source: The Laundry Files, The Apocalypse Codex (2012), Chapter 15, “Black Bag Job” (p. 321)

Charles Stross photo
Isabel Wilkerson photo
Martín Espada photo

“My diction, my choice of words, is as precise as I can make it. The images that I use, the evocation of the senses, again, relies upon a certain exactitude. You can see how what I did with language as a poet would bleed into what I did as a lawyer, vice-versa…”

Martín Espada (1957) Puerto Rican poet

On how his correlates the language of a poet with practicing law in “The Writer’s Block Transcripts: A Q&A with Martin Espada” https://www.sampsoniaway.org/interviews/2015/12/11/the-writers-block-transcripts-a-qa-with-martin-espada/ in Sampsonia Way (2015 Dec 11)