Quotes about vampire
page 3

Cassandra Clare photo
Cassandra Clare photo

“Yes, you bit me, yes, I kind of liked it, yes, let's not talk about it again, said Jace. You're not a vampire anymore. Focus.”

Simon Lewis and Jace Herondale, pg. 716
Source: The Mortal Instruments, City of Heavenly Fire (2014)
Context: Simon was looking at Jace as if he were both fascinating and also a little alarming. 'Did I-- did we ever-- did I bite you?'
Jace touched the scar on his throat. 'I can't believe you remember that.'
'Did we... roll around on the bottom of a boat?'
'Yes, you bit me, yes, I kind of liked it, yes, let's not talk about it again,' said Jace.

Rachel Caine photo
Cassandra Clare photo
Charlaine Harris photo

“You just don't want a vampire pissed off at you.”

Source: Dead as a Doornail

Charlie Brooker photo
Stephenie Meyer photo
Krysten Ritter photo
Anne Rice photo
Robert G. Ingersoll photo
Stephenie Meyer photo
Davey Havok photo
Camille Paglia photo
Stephenie Meyer photo
Anne Rice photo
George Fitzhugh photo

“The vampire capitalist class impose all the taxes, and pay none.”

George Fitzhugh (1806–1881) American activist

Source: Cannibals All!, or Slaves Without Masters (1857), p. 175

Cassandra Clare photo
Fritz Leiber photo

“I’ve never found anything in occult literature that seemed to have a bearing. You know, the occult—very much like stories of supernatural horror—is a sort of game. Most religions, too. Believe in the game and accept its rules—or the premises of the story—and you can have the thrills or whatever it is you’re after. Accept the spirit world and you can see ghosts and talk to the dear departed. Accept Heaven and you can have the hope of eternal life and the reassurance of an all-powerful god working on your side. Accept Hell and you can have devils and demons, if that’s what you want. Accept—if only for story purposes—witchcraft, druidism, shamanism, magic or some modern variant and you can have werewolves, vampires, elementals. Or believe in the influence and power of a grave, an ancient house or monument, a dead religion, or an old stone with an inscription on it—and you can have inner things of the same general sort. But I’m thinking of the kind of horror—and wonder too, perhaps—that lies beyond any game, that’s bigger than any game, that’s fettered by no rules, conforms to no man-made theology, bows to no charms or protective rituals, that strides the world unseen and strikes without warning where it will, much the same as (though it’s of a different order of existence than all of these) lightning or the plague or the enemy atom bomb. The sort of horror that the whole fabric of civilization was designed to protect us from and make us forget. The horror about which all man’s learning tells us nothing.”

Fritz Leiber (1910–1992) American writer of fantasy, horror, and science fiction

“A Bit of the Dark World” (pp. 261-262); originally published in Fantastic, February 1962
Short Fiction, Night's Black Agents (1947)

James Marsters photo
Susie Bright photo

“When AIDS was at its most brutal, frightening, my-God-what-are-we-going-to-do era, that was when vampire stories and stories about blood and trust swept the literary world.”

Susie Bright (1958) American writer and feminist

" Bright Ideas http://www.bostonphoenix.com/boston/news_features/qa/multi_1/documents/04461778.asp", interview by Tamara Wieder, Boston Phoenix, February 11, 2005.

Jim Butcher photo
Camille Paglia photo
Richard Matheson photo
Anne Rice photo

“"I see..." said the vampire thoughtfully, and slowly he walked across the room towards the window.”

Anne Rice (1941) American writer

first line
Interview With The Vampire (1976)

Tom Petty photo

“The … false ideal … [that is] tokenism—which is commonly guised as Equal Rights, and which yields token victories—deflects and shortcircuits gynergy, so that female power, galvanized under deceptive slogans of sisterhood, is swallowed by The Fraternity. This method of vampirizing the Female Self saps women by giving illusions of partial success while at the same time making Success appear to be a far-distant, extremely difficult to obtain "elusive objective." When the oppressed are worn out in the game of chasing the elusive shadow of Success, some "successes" are permitted to occur—"victories" which can easily be withdrawn when the victim's energies have been restored. Subsequently, women are lured into repeating efforts to regain the hard-won apparent gains…. [¶] Thus tokenism is insidiously destructive of sisterhood, for it distorts the warrior aspect of Amazon bonding both by magnifying it and by minimizing it. It magnifies the importance of "fighting back" to the extent of making it devour the transcendent be-ing of sisterhood, reducing it to a copy of comradeship. At the same time, it minimizes the Amazon warrior aspect by containing it, misdirecting and shortcircuiting the struggle. [¶] This is a demonically double-sided trap, for of course reforms, such as legalization of abortion, aid many women in desperate situations. However, because the "changes" that are achieved are victories in a vacuum, that is, in a totally oppressive social context, they do not essentially free the Female Self but instead function to hide both the fact of continuing oppression and the possibilities for better options and for more radical freedom…. The Labrys of the A-mazing Female Mind must cut through the coverings of these double-sided/multiple-sided situations, dis-covering the context, identifying the more radical problems, yet neglecting none.”

Mary Daly (1928–2010) American radical feminist philosopher and theologian

Source: Gyn/Ecology: The Metaethics of Radical Feminism (1978–1990), pp. 375–376 (fnn. omitted, fn. at "apparent gains." giving as examples the Equal Rights Amendment, affirmative action, and abortion & fn. at "more radical freedom." stating "the fact that Lesbians/Spinsters have no need of abortions, unless forcibly raped").

Franz Rosenzweig photo
Theda Bara photo

“I will continue doing vampires as long as people sin.”

Theda Bara (1885–1955) Silent film actress

As quoted in Sexy Origins and Intimate Things : The Rites and Rituals of Straights, Gays, Bi's, Drags, Trans, Virgins, and Others (1998) Charles Panati, p. 295

Vladimir Lenin photo
Will Eisner photo
Phil Brooks photo

“I would love to talk to you about that, Josh, but there's something else I want to bring up, and that's this. (Holds up a screenplay entitled "Live For The Moment: The Jeff Hardy Story") I had a friend in a fancy Hollywood agency the other day, and he ran across this little gem. Somebody actually took the time to write a screenplay about the Jeff Hardy story. So I was paging through it, and lo and behold, it culminates, of course, with Jeff conquering his demons and beating me her tonight in a TLC match at SummerSlam. What a great feelgood story, Josh, all except, of course, for the ending, which is not reality-based. It's fake, it's phony, just like everybody who lives in this town. I'd go as far as to say that I'm the only real person in this building right now. I wish I could say it's a Los Angeles epidemic, but the fact is it's worldwide. You have people that falsely idolize what they see in movies and on television; you have housewives in Iowa that subscribe to U. S. Weekly, US Weekly, or whatever it's called, so they can model their hair after Kate Gosselin, instead of helping their own children with their homework; you have little kids all over the world, millions of them, who idolize the "hip, cool star", and it doesn't matter if that hip cool star is some dork vampire in Twilight, or if it's Jeff Hardy. It doesn't matter if that hip cool star has a reprehensible, reckless lifestyle. You know, it doesn't matter if the collective intelligence of this entire country continues to spiral downward, day in and day out. It doesn't matter as long as it's cool, right? You know why they don't make movies about a guy like me? It's cause I don't support your poisoned society. I don't support this den of iniquity known as Hollywood. No, instead, I'm dismissed as being preachy, except I'm not preachy—I never have been. I just tell the truth. You know, I'm not a screenwriter either, but tonight I think I'll take a stab at it. Tonight I'm gonna rewrite the ending of "The Jeff Hardy Story."”

Phil Brooks (1978) American professional wrestler and mixed martial artist

It's gonna be horrifying. It's gonna be very, very graphic. It might be hard to watch for a lot of people, but it will have a happy ending: new World Heavyweight Champion—CM Punk.
At SummerSlam
Friday Night SmackDown

Robert E. Howard photo
Anita Bryant photo

“The male homosexual eats sperm, the most concentrated form of blood, they are eating life! As vampires need to recruit donors to survive, so does the homosexual.”

Anita Bryant (1940) American singer

https://dogbrindlebarks.blogspot.com/2014/07/anita-bryant-compared-homosexuality-to.html#.W2LeuPlKjIU

“Vampires, like virgins or priests, are things that women believe in. We must never fail to humor them in such matters.”

Brian McNaughton (1935–2004) US author

"Child of the Night" in 100 Vicious Little Vampire Stories (1995) edited by Robert Weinberg, Stefan Dziemianowicz, and Martin H. Greenberg

Anne Rice photo

“Vampires pretending to be humans pretending to be vampires … How avant-garde!”

Anne Rice (1941) American writer

Interview With The Vampire (1976)

Walter Pater photo

“The presence that thus rose so strangely beside the waters, is expressive of what in the ways of a thousand years men had come to desire. Hers is the head upon which all "the ends of the world are come," and the eyelids are a little weary. It is a beauty wrought out from within upon the flesh, the deposit, little cell by cell, of strange thoughts and fantastic reveries and exquisite passions. Set it for a moment beside one of those white Greek goddesses or beautiful women of antiquity, and how would they be troubled by this beauty, into which the soul with all its maladies has passed! All the thoughts and experience of the world have etched and moulded there, in that which they have of power to refine and make expressive the outward form, the animalism of Greece, the lust of Rome, the reverie of the middle age with its spiritual ambition and imaginative loves, the return of the Pagan world, the sins of the Borgias. She is older than the rocks among which she sits; like the vampire, she has been dead many times, and learned the secrets of the grave; and has been a diver in deep seas, and keeps their fallen day about her; and trafficked for strange webs with Eastern merchants: and, as Leda, was the mother of Helen of Troy, and, as Saint Anne, the mother of Mary; and all this has been to her but as the sound of lyres and flutes, and lives only in the delicacy with which it has moulded the changing lineaments, and tinged the eyelids and the hands. The fancy of a perpetual life, sweeping together ten thousand experiences, is an old one; and modern thought has conceived the idea of humanity as wrought upon by, and summing up in itself, all modes of thought and life. Certainly Lady Lisa might stand as the embodiment of the old fancy, the symbol of the modern idea.”

Walter Pater (1839–1894) essayist, art and literature critic, fiction writer

On the Mona Lisa, in Leonardo da Vinci
The Renaissance http://www.authorama.com/renaissance-1.html (1873)

Tom Clancy photo
Michael Moorcock photo
Stephenie Meyer photo
Sarah McLachlan photo

“You come out at night;
That's when the energy comes.
And the dark side's light,
And the vampires roam.
You strut your rasta wear
And your suicide poem
And a cross from a faith
That died before Jesus came.
You're building a mystery.”

Sarah McLachlan (1968) Canadian musician, singer, and songwriter

Building a Mystery, written by Sarah McLachlan and Pierre Marchand
Song lyrics, Surfacing (1997)

“Dead labour is far harder to control than the live stuff was, which is why the enlightenment project of interring gothic superstition was the royal road to the first truly vampiric civilization, in which death alone comes to rule.”

Nick Land (1962) British philosopher

Source: The Thirst for Annihilation: Georges Bataille and Virulent Nihilism (1992), Chapter 7: "Fanged noumenon (passion of the cyclone)", p. 79

Nick Cave photo

“It's not their fault if, in the heat
Of their transactions, I repeat
It's not their fault if vampires meet
And gurgle in their spats.”

Mervyn Peake (1911–1968) English writer, artist, poet and illustrator

Poem The men in bowler hats are sweet

Camille Paglia photo

“Butchery is not the point of vampirism. Sex - domination and submission - is.”

Camille Paglia (1947) American writer

268
Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990)

George Raymond Richard Martin photo
Theda Bara photo

“The reason good women like me and flock to my pictures is that there is a little bit of vampire instinct in every woman.”

Theda Bara (1885–1955) Silent film actress

Reportedly said around the time of her retirement, circa 1926, as quoted in Women, Women, Women: Quips, Quotes, and Commentary (1977) by Leta W. Clark, p. 16

“The strength of the vampire is that people will not believe in him.”

Garrett Fort (1900–1945) screenwriter

Dracula, trying to convince Mina's father and fiancee that vampires do exist
Dracula (1931)

Richard Matheson photo

“Robert Neville looked out over the new people of the earth. He knew he did not belong to them; he knew that, like the vampires, he was anathema and black terror to be destroyed.”

Source: I Am Legend (1954), Ch. 21
Context: Robert Neville looked out over the new people of the earth. He knew he did not belong to them; he knew that, like the vampires, he was anathema and black terror to be destroyed. And, abruptly, the concept came, amusing to him even in his pain. … Full circle. A new terror born in death, a new superstition entering the unassailable fortress of forever.
I am legend.

Richard Matheson photo

“Without a doubt there were vampire dogs; he had seen and heard them outside his house at night. But they were only dogs.”

Source: I Am Legend (1954), Ch. 2
Context: They were strange, the facts about them: their staying inside by day, their avoidance of garlic, their death by stake, their reputed fear of crosses, their supposed dread of mirrors.
Take that last, now. According to legend, they were invisible in mirrors, but he knew that was untrue. As untrue as the belief that they transformed themselves into bats. That was a superstition that logic, plus observation had easily disposed of. ‘It was equally foolish to believe that they could transform themselves into wolves. Without a doubt there were vampire dogs; he had seen and heard them outside his house at night. But they were only dogs.

James Branch Cabell photo

“Jurgen returned again toward Barathum; and, whether or not it was a coincidence, Jurgen met precisely the vampire of whom he had inveigled his father into thinking.”

James Branch Cabell (1879–1958) American author

Ch. 37 : Invention of the Lovely Vampire http://xroads.virginia.edu/~hyper/CABELL/ch37.htm
Jurgen (1919)
Context: Jurgen returned again toward Barathum; and, whether or not it was a coincidence, Jurgen met precisely the vampire of whom he had inveigled his father into thinking. She was the most seductively beautiful creature that it would be possible for Jurgen's father or any other man to imagine: and her clothes were orange-colored, for a reason sufficiently well known in Hell, and were embroidered everywhere with green fig–leaves.
"A good morning to you, madame," says Jurgen, "and whither are you going?"
"Why, to no place at all, good youth. For this is my vacation, granted yearly by the Law of Kalki—"
"And who is Kalki, madame?"
"Nobody as yet: but he will come as a stallion. Meanwhile his Law precedes him, so that I am spending my vacation peacefully in Hell, with none of my ordinary annoyances to bother me."
"And what, madame, can they be?"
"Why, you must understand that it is little rest a vampire gets on earth, with so many fine young fellows like yourself going about everywhere eager to be destroyed."

Alex Jones photo

“Out of the sewer, literal vampire pot bellied goblins are hobbling around coming after us!”

Alex Jones (1974) American radio host, author, conspiracy theorist and filmmaker

Literal vampire pot bellied goblins https://www.youtube.com/watch?v=9hs8PpTFBSw, The Alex Jones Show, July 18 2017.
2017

Charles Stross photo

“Almost everything in the pop culture lexicon of vampirism is basically fiction—and fiction is the art of telling entertaining lies for money.”

Source: The Laundry Files, The Rhesus Chart (2014), Chapter 9, “Committee Processes” (p. 159)

Charles Stross photo
Johann Most photo
Richard Dawkins photo
Michel Henry photo

“How capitalism finds its substance and its essence in the living work, in such a way that it comes exclusively from it, can't go without it, lives only drawing at each time its life from that of the worker, life that then becomes his own, this is what expresses in the whole work of Marx the theme of vampire. "Capitalism is dead work which, such as a vampire, animates itself only in sucking the living work and the more it pumps, the more its life is cheerful."”

Michel Henry (1922–2002) French writer

Michel Henry, Marx II. une philosophie de l’économie, éd. Gallimard, coll. « Nrf », 1976, p. 435
Books on Economy and Politics, Marx. A Philosophy of Human Being (1976)
Original: (fr) Comment le capital trouve sa substance et son essence dans le travail vivant, de telle manière qu’il provient exclusivement de lui, ne peut se passer de lui, ne vit que pour autant qu’il puise à chaque instant sa vie dans celle du travailleur, vie qui devient ainsi la sienne, c’est ce qu’exprime à travers toute l’œuvre de Marx le thème du vampire. « Le capital est du travail mort qui, semblable au vampire, ne s’anime qu’en suçant le travail vivant et sa vie est d’autant plus allègre qu’il en pompe davantage ».

William Lloyd Garrison photo
Arden Cho photo

“I grew up watching Buffy the Vampire Slayer and used to dream that I would grow up to be just like her. In a way, Teen Wolf has a lot of those kinds of characters. We're just kids by day, and yet we're trying to fight demons and werewolves and bad people and save people that we love.”

Arden Cho (1985) Korean-American actress and singer

As quoted in "Arden Cho Talks Teen Wolf, Her Audition Process, Her Favorite Scene and Episode This Season, and More" in Collider (3 March 2014) https://collider.com/arden-cho-teen-wolf-interview/

“Humanity is a vampire's greatest weakness. No matter how easy it is to turn it off, it keeps trying to fight its way back in”

This TV show has changed my life and the perspective I have on my life as a vampire.