Quotes about try
page 55

Venkatraman Ramakrishnan photo

“Scientists work by a combination of intuition and insight in trying to understand a question.”

Venkatraman Ramakrishnan (1952) Nobel prize winning American and British structural biologist

Venkatraman Ramakrishnan interview: 'It takes courage to tackle very hard problems in science

Abraham Joshua Heschel photo
Margaret Thatcher photo
Hugo Ball photo
Henry David Thoreau photo
Regina Spektor photo
Howard Bloom photo
James Marsters photo
Maxwell D. Taylor photo
Henry Temple, 3rd Viscount Palmerston photo
Frederick II of Prussia photo
Asger Jorn photo
André Maurois photo
Isaac Asimov photo

“Science Digest asked me to see the movie Close Encounters of the Third Kind and write an article for them on the science it contained. I saw the picture and was appalled. I remained appalled even after a doctor’s examination had assured me that no internal organs had been shaken loose by its ridiculous soundwaves. (If you can’t be good, be loud, some say, and Close Encounters was very loud.) … Hollywood must deal with large audiences, most of whom are utterly unfamiliar with good science fiction. It has to bend to them, meet them at least half-way. Fully appreciating that, I could enjoy Planet of the Apes and Star Wars. Star Wars was entertainment for the masses and did not try to be anything more. Leave your sophistication at the door, get into the spirit, and you can have a fun ride. … Seeing a rotten picture for the special effects is like eating a tough steak for the smothered onions, or reading a bad book for the dirty parts. Optical wizardry is something a movie can do that a book can’t but it is no substitute for a story, for logic, for meaning. It is ornamentation, not substance. In fact, whenever a science fiction picture is praised overeffusively for its special effects, I know it’s a bad picture. Is that all they can find to talk about?”

Isaac Asimov (1920–1992) American writer and professor of biochemistry at Boston University, known for his works of science fiction …

"Editorial: The Reluctant Critic", in Isaac Asimov’s Science Fiction Magazine, Vol. 2, Issue 6, (12 November 1978) https://archive.org/stream/Asimovs_v02n06_1978-11-12/<!-- Asimovs_v02n06_1978-11-12_djvu.txt -->
General sources

John R. Bolton photo

“The critical oil and natural gas producing region that we fought so many wars to try and protect our economy from the adverse impact of losing that supply or having it available only at very high prices.”

John R. Bolton (1948) American lawyer and diplomat

John Bolton Admits All Of These Wars Are For Oil http://www.youtube.com/watch?v=rAgv6HaOHzM, interview on Fox News, October 22, 2011

E. W. Howe photo

“I have noticed that my likes and dislikes do not create any great excitement. And how people try to get away when I attempt to talk!”

E. W. Howe (1853–1937) Novelist, magazine and newspaper editor

E.W. Howe's Monthly January, 1912.

Ba Jin photo
Orson Scott Card photo

“A duel is just two murderers who agree to take turns trying to kill each other.”

Orson Scott Card (1951) American science fiction novelist

Source: The Tales of Alvin Maker, Seventh Son (1987), Chapter 11.

Klaus Kinski photo
James Bryce, 1st Viscount Bryce photo
Ray Comfort photo

“Aron, if I said to you 'Imagine there's no New York, it's easy if you try,' I'm not saying New York doesn't exist, I'm saying it does exist, but imagine that it doesn't, and that's what John Lennon is saying.”

Ray Comfort (1949) New Zealand-born Christian minister and evangelist

AronRa vs Ray Comfort (September 17th, 2012), Radio Paul's Radio Rants

Ragnar Frisch photo
Ira Glass photo

“What nobody tells people who are beginners — and I really wish someone had told this to me... is that all of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, and it’s just not that good. It’s trying to be good, it has potential, but it’s not.
But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase. They quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know it’s normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story.
It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I’ve ever met. It’s gonna take awhile. It’s normal to take awhile. You’ve just gotta fight your way through.”

Ira Glass (1959) American radio personality

The Taste Gap: Ira Glass on the Secret of Creative Success, Animated in Living Typography http://www.brainpickings.org/2014/01/29/ira-glass-success-daniel-sax/ at brainpickings.org
This American Life

Bawa Muhaiyaddeen photo
James Comey photo
Martin Luther King, Jr. photo
John Frusciante photo

“Pagers are my life--I try to get them in to our music as much as possible.”

John Frusciante (1970) American guitarist, singer, songwriter and record producer

On "By The Way" Documentary

Bill Cosby photo

“I am not interested in statistics that tell me things are not as bad as they seem. Things are horrible. I have met people crying about what is happening, but there is no solution yet. Our children are trying to tell us something, and we are not listening. I don't care what the statistics say.”

Bill Cosby (1937) American actor, comedian, author, producer, musician, activist

"Paths to Success: A Forum on African American Men" panel discussion (July 18, 2006), quoted in [Fulbright, Leslie, http://www.nospank.net/n-q19r.htm, Cosby, Others Say Black Men Still in Crisis, San Francisco Chronicle, (July 19, 2006)]

Phillip Abbott Luce photo
Robert Anton Wilson photo
Richie Sambora photo
S. I. Hayakawa photo
William Penn photo
Steven M. Greer photo
Michael Shea photo
Cat Stevens photo

“If Rushdie turned up at my doorstep looking for help, I might ring somebody who might do more damage to him than he would like. I'd try to phone the Ayatollah Khomeini and tell him exactly where this man is.”

Cat Stevens (1948) British singer-songwriter

As quoted in "Cat Stevens Gives Support To Call for Death of Rushdie" by Craig R. Whitney, in The New York Times (23 May 1989), p. C18

George Lincoln Rockwell photo
Sania Mirza photo
Brian Wilson photo
Taryn Manning photo
Kent Hovind photo
Anastacia photo

“You can say what you want about me
Try to do what you want to me
But you can not stop me.”

Anastacia (1968) American singer-songwriter

Paid My Dues
Freak of Nature (2001)

Edwin Abbott Abbott photo
Edward Condon photo
Alfred Horsley Hinton photo
Sri Aurobindo photo

“Life has no 'isms' in it, Supermind also has no 'isms'. It is the mind that introduces all 'isms' and creates confusion. That is the difference between a man who lives and a thinker who can't: a leader who thinks too much and is busy with ideas, trying all the time to fit the realities of life to his ideas, hardly succeeds, while the leader who is destined to succeed does not bother his head about ideas. He sees the forces at work and knows by intuition those that make for success. He also knows the right combination of forces and the right moment when he should act…. At one time it was thought that the mind could grasp the whole Truth and solve all the problems that face humanity. The mind had its full play and we find that it is not able to solve the problems. Now, we find that it is possible to go beyond mind and there is the Supermind which is the organization of the Infinite Consciousness. There you find the truth of all that is in mind and life…. For instance, you find that Democracy, Socialism and Communism have each some truth behind it, but it is not the whole Truth. What you have to do is to find out the forces that are at work and understand what it is of which all these mental ideas and 'isms' are a mere indication. You have to know the mistakes which people commit in dealing with the truth of these forces and the truth that is behind the mistakes also. I am, at present, speaking against democracy; that does not mean that there is no truth behind it. I know the truth [behind democracy], but I speak against democracy because that mentality is at present against the Truth that is trying to come down.”

Sri Aurobindo (1872–1950) Indian nationalist, freedom fighter, philosopher, yogi, guru and poet

May 18, 1926
India's Rebirth

Josh Groban photo
Edith Sitwell photo

“Why not be oneself? That is the whole secret of a successful appearance. If one is a greyhound, why try to look like a Pekingese?”

Edith Sitwell (1887–1964) British poet

Quoted in Edith Sitwell, a Unicorn Among Lions (1981) by Victoria Glendinning, p. 54, and in An Uncommon Scold (1989) by Abby Adams, p. 74

Daniel Handler photo
Carlos Zambrano photo

“I just told him to run the bases and don't try to be cocky.”

Carlos Zambrano (1981) Venezuelan baseball pitcher

2004

Jack McDevitt photo

“He was a decent enough guy, but he was always at his worst when he was trying to be sincere.”

Jack McDevitt (1935) American novelist, Short story writer

Source: Academy Series - Priscilla "Hutch" Hutchins, Odyssey (2006), Chapter 3 (p. 24)

Halldór Laxness photo
Henry Moore photo
Lois Duncan photo
Eldridge Cleaver photo

“When I asked Sergio Mendes why he still called his group Brasil '66 in 1967, he said "'66 was a very good year!" That's his group and the French song from The Umbrellas of Cherbourg. It's not one of their better tracks. Some of the things they've done I have enjoyed tremendously, though it's getting to the point where he's had commercial success doing what he's doing, so it's now somewhere in between strong Brazilian music and quasi-rock. Joao Palma is an excellent drummer. Here they have John Pisano of the Tijuana Brass playing an amplified guitar. He is one of the few people who, on the regular amplified guitar, has really got the Brazilian thing down. He can play in the Baden Powell style, which is so compelling and so dynamic. Sergio is usually a much more melodic pianist, but here he's trying to give a hardness and vitality to the over-all commercial sound, and he comes out lacking what he usually has—his lines are usually very smoothly melodic. This has nothing to do with jazz, but I find it pleasant; on the other hand, some of the things they do, like O Pato [from Mendes' previous album], or some of the faster things, I enjoy much more. Two stars.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

Reviewing Mendes' recording of Michel Legrand's '"Watch What Happens," from the album Equinox; as quoted in "Clare Fischer: Blindfold Test" http://www.mediafire.com/view/fix6ane8h54gx/Clare_Fischer#2nmgk677qzm4cnu

Wilhelm Bittrich photo

“I once spent an hour and a half trying to explain a situation to "Sepp" Dietrich with the aid of a map. It was quite useless. He understood nothing at all.”

Wilhelm Bittrich (1894–1979) German general

Quoted in "The Order of the Death's Head: The Story of Hitler's S.S." - Page 439 - by Heinz Höhne, R. Barry - 1969

Jonathan Stroud photo
River Phoenix photo
Phil Brooks photo

“Punk: Hey, Jeff. Jeff, aren't you nervous sitting way up there so… high? Especially in the condition you're in, and by "condition", I mean that you're probably drunk right now, just like all these people here tonight. (Crowd boos) Yeah, that's something to be proud of, I mean, you'd have to be under the influence to stomach this "live in the moment" crap that you spew. What's living in the moment gotten you, Jeff? I know it got you a night in a hospital, and for what? The adulation of these people? One brief moment of attention? (Crowd chants "Hardy") You know, I don't know what's more pathetic—all these people hanging on your every word, waiting for the next pitiful example for you to set that they can lead, or you and your egotistical addiction to their cheers and support and adulation. Listen, listen to them, Jeff. They actually believe that you can beat me at SummerSlam. (Crowd cheers)
Jeff: So do I.
Punk: So does our general manager. Teddy Long's the guy that said TLC is your match. It's Jeff Hardy's match, everybody. They're right, it is your match. This TLC is your last match. I know what I have to accomplish to get everything I want. When I beat you at SummerSlam and I take back my World Heavyweight Title, it will validate everything I've said in the past. I will prove once and for all, beyond the shadow of a doubt, that straight edge is the right way, that straight edge means I'm better than you. Jeff, I have to get rid of you to teach these people the difference between right and wrong. I have to get rid of you to teach them how to say, "just say no." I have to get rid of you so they stop living in your moment, and they wake up, and they start living in my reality. Make no mistake about it, Jeff; there's no turning back from this point on. You can talk about the space from the top of that ladder to this mat, but from here on out, there's nothing left. At SummerSlam, I will hurt you, and I will remove you and the stain of all your bad examples from the WWE forever.
Jeff: Punk, you can't destroy me, you can't destroy what I've created over my ten years here. Kansas City's not gonna listen to you. You won't beat me at SummerSlam, Punk. I will prove that I'm better than you in my specialty: Tables, Ladders, & Chairs.
Punk: You're right, Jeff. You know what, you wouldn't be here if it wasn't for them, because you need them to enable you. You need them to justify your reckless behavior with their support and their cheers, just like they need you to somehow justify their reckless behavior, with their smoking and their drinking and their use of prescription medication. They try in vain to live vicariously through a man who, by way of his lifestyle, thinks he can fly.”

Phil Brooks (1978) American professional wrestler and mixed martial artist

Interrupting Jeff Hardy's promo from the top of a ladder. August 21, 2009.
Friday Night SmackDown

Philip Kapleau photo
Edgar Rice Burroughs photo
Rodney King photo
Common (rapper) photo
Ehud Barak photo

“[How is it consistent with what you advocated this evening in terms of a vision for peace, that you continued to allow the building of settlements in the West Bank, during your primeministership? ] Let me tell you, first of all, during my term as a Prime Minister, we have not built a single new settlement. I ordered the dismantling of many voluntary -- I don't know how to call it -- new settlements that had been set on top of hills in different parts of the West Bank, basically. But, I allowed contracts, contracts that had been signed, legally, in Israel, beforehand. To build new neighborhoods in some big cities in the West Bank, cities with 25,000 or 30,000 people. And very few new homes, in small settlements, where youngsters, who came back from the army service, asked to build their home near the home of their parents. Now, Israel is a law-abiding state, you cannot break contracts, there is Supreme Court. If the government behaves in a way that is not proper, any individual can appeal and change whatever we decide. Realizing that this is a sensitive issue from the Palestinian side, I talked to Arafat, at the beginning of my term as a Prime Minister, and I told him: Mr. Chairman, I know that you are worried about it, it creates some problems, in your own constituency. But let me tell you, we have a great opportunity here to put an end to the whole conflict, in a year and a half. When President Clinton that invested unbelievable amount of energy and political capital in trying to solve it, and he's still in power. Now, I understand your problem with settlement if there is no end, there is no time limit, and you are afraid that maybe the accumulation of new settlements will change the nature of the situation, for the worse, from your position. So I tell you, out of our own considerations, independent of you, we have decided not to set even a single new settlement. We will not allow anyone to establish his own private initiatives on the hills, for our own reasons, not because of you. But at the same time I will respect any contract that has been signed, under law, in Israel. But -- and here is a point -- bearing in mind that we can put an end to the conflict, to reach an agreement within a year and a half, why the hell it will matter? To build a new building in Israel takes more than a year and a half, so you won't see any building that is not already emerging from the ground, having it's roof before we can reach an agreement. Now if such a building happens to be in a settlement that will become, under the agreement, part of the new independent Palestine, why the hell you have to care? Take it, use it, put some refugees in it. And if it will happen to be a part of what will be agreed, as Israel, in a mutual agreement that is signed by you, why the hell do you care, if you agree? I believe that that simple answer would not solve his public -- or internal political -- problems, but it would solve the real issue if the will was there to make peace, and not just to politically maneuver and manipulate.”

Ehud Barak (1942) Israeli politician and prime minister

Speech at UC Berkeley http://www.jewishsf.com/content/2-0-/module/displaystory/story_id/19324/edition_id/391/format/html/displaystory.html, November 22, 2002

“It serves to remind us that, in trying to explain the globalization of economic activity, we are dealing with the workings of a dynamic capitalist market system, and not just individual agents within it.”

Peter Dicken (1938) British geographer

Source: Global Shift (2003) (Fourth Edition), Chapter 7, Transnational Corporations, p. 202

Pauline Kael photo
Jared Diamond photo

“Life is a mixed blessing, which we vainly try to unmix.”

Mignon McLaughlin (1913–1983) American journalist

The Complete Neurotic's Notebook (1981), Unclassified

Robert G. Ingersoll photo
Barend Cornelis Koekkoek photo

“Beforehand I don't make any drawing of the object or objects which I want to paint on the canvas or panel.... but I start directly to situate the designed plan on the canvas - After having thoroughly sketched and thought over my composition, especially the arrangement of light and dark, I start to paint it broadly with oil-paint and try as much as possible to achieve the hue or the colouring, in which I want to see my landscape.... when it is definitely completed.”

Barend Cornelis Koekkoek (1803–1862) painter from the Northern Netherlands

(original Dutch, citaat van B.C. Koekkoek:) Ik maak vooraf geene tekeningen van het voorwerp of de voorwerpen, die ik op het doek of paneel wil schilderen.. ..maar begin dadelijk het ontworpen plan op het doek te plaatsen – Na mijne compositie eerst behoorlijk geschetst en beredeneerd te hebben, voornamelijk de schikking van licht en donker, begin ik dezelve met olieverw breed te schilderen, zoveel trachtende de tint of het coloriet er in te brengen, in welke ik mijn landschap.. ..wil gezien hebben.. ..als het geheel afgeschilderd is.
Source: Herinneringen aan en Mededeelingen van…' (1841), p. 98-99

Geezer Butler photo
David Bohm photo
Robert Fisk photo
Lytton Strachey photo

“[His reply to the chairman's other stock question, which had previously never failed to embarrass the claimant: "Tell me, Mr. Strachey, what would you do if you saw a German soldier trying to violate your sister?" With an air of noble virtue:] "I would try to get between them."”

Lytton Strachey (1880–1932) British writer

Reported in Robert Graves Good-bye to All That (1929), ch. 23.
Said during the First World War to a military tribunal assessing his claim to be treated as a conscientious objector. Variants along the lines of "I should try to interpose my body" are also sometimes quoted.

Paul Tillich photo
Lyndon B. Johnson photo

“Johnson: What do you think about this Vietnam thing? I’d like to hear you talk a little bit.
Russell: Well, frankly, Mr. President, it’s the damn worse mess that I ever saw, and I don’t like to brag and I never have been right many times in my life, but I knew that we were going to get into this sort of mess when we went in there. And I don’t see how we’re ever going to get out of it without fighting a major war with the Chinese and all of them down there in those rice paddies and jungles. I just don’t see it. I just don’t know what to do.
Johnson: Well, that’s the way I have been feeling for six months.
Russell: Our position is deteriorating and it looks like the more we try to do for them, the less they are willing to do for themselves. It is a mess and it’s going to get worse, and I don’t know how or what to do. I don’t think the American people are quite ready for us to send our troops in there to do the fighting. If I was going to get out, I’d get the same crowd that got rid of old Diem [the Vietnamese prime minister who was overthrown and assassinated in 1963] to get rid of these people and to get some fellow in there that said we wish to hell we would get out. That would give us a good excuse for getting out.
Johnson: How important is it to us?
Russell: It isn’t important a damn bit for all this new missile stuff.
Johnson: I guess it is important.
Russell: From a psychological standpoint. Other than the question of our word and saving face, that’s the reason that I said that I don’t think that anybody would expect us to stay in there. It’s going to be a headache to anybody that tries to fool with it. You’ve got all the brains in the country, Mr. President—you better get ahold of them. I don’t know what to do about this. I saw it all coming on, but that don’t do any good now, that’s water over the dam and under the bridge. And we are there.”

Lyndon B. Johnson (1908–1973) American politician, 36th president of the United States (in office from 1963 to 1969)

1960s, Telephone call with Senator Richard Russell (May 27, 1964)

Pierre Hadot photo

“He who studies a text or microbes or stars must have nothing to do with his subjectivity… that is an ideal that one must try to find by a certain practice. Let us say that objectivity is a virtue, and a very difficult one to practice.”

Pierre Hadot (1922–2010) French historian and philosopher

Celui qui étudie un texte ou des microbes ou les étoiles doit se défaire de sa subjectivité... c'est là un idéal qu'il faut essayer de rejoindre par une certaine pratique. Disons que l'objectivité est une vertu, d'ailleurs très diffice à pratiquer.
La Philosophie comme manière de vivre (2001)

Larry Wall photo

“I was trying not to mention backtracking. Which, of course, means that yours is 'righter' than mine, in a theoretical sense.”

Larry Wall (1954) American computer programmer and author, creator of Perl

[199710211624.JAA17833@wall.org, 1997]
Usenet postings, 1997

Francis Escudero photo
George Bernard Shaw photo

“Do not try to live for ever. You will not succeed.”

George Bernard Shaw (1856–1950) Irish playwright

Preface
1910s, The Doctor's Dilemma (1911)

Kent Hovind photo

“I think what happened: the mammoths were up there chopping on their tropical flowers. It was a beautiful day, and it began to snow super cold snow. They had never seen snow before. One of the mammoths looked at his buddy and said, "Herman, this is peculiar weather we're having here. What is this white stuff falling out of the sky?" "I don't know, but let's get out of here." They started running around trying to find a place to hide and the snow got deeper and deeper and deeper and they got stuck in the snow standing up, and they couldn't even fall down. How many of you have ever been in a snow drift so deep you couldn't even fall over? Ever been in one of those? I think that's what happened to the mammoths. People say, "Well the mammoths have long hair. They're designed for cold weather." No, mammoths are not designed for cold weather. A lot of animals in the jungle have long hair. It is hot there. If the temperature is seventy degrees, long hair is just simply a decoration. There's a lot of things about the mammoth that shows that they were not designed for cold weather. There's a whole section just in this book about mammoths showing that they were not designed for cold weather. You can read all about that. For the mammoths, some of them ended frozen standing up. It was in super cold ice, perhaps 300 degrees below zero!”

Kent Hovind (1953) American young Earth creationist

Creation seminars (2003-2005), The Hovind theory

Tony Blair photo

“[The Joint Intelligence Committee] concludes that Iraq has chemical and biological weapons, that Saddam has continued to produce them, that he has existing and active military plans for the use of chemical and biological weapons, which could be activated within 45 minutes, including against his own Shia population, and that he is actively trying to acquire nuclear weapons capability.”

Tony Blair (1953) former Prime Minister of the United Kingdom

Hansard http://www.parliament.the-stationery-office.co.uk/pa/cm200102/cmhansrd/vo020924/debtext/20924-01.htm#20924-01_spmin0 House of Commons, 6th series, vol. 390, col. 3.
House of Commons statement on publication of the dossier concerning Iraq and Weapons of Mass Destruction, 24 September 2002.
2000s

Jonathan Davis photo
Russell L. Ackoff photo
Paula Modersohn-Becker photo
Bob Black photo
Ernest Hemingway photo
Sonia Sotomayor photo
Joe Strummer photo
Robert LeFevre photo

“What you want is protection. You want to be safe. What the government does is to try to retaliate after the fact.”

Robert LeFevre (1911–1986) American libertarian businessman

Rampart Institute (Society for Libertarian Life edition), speech from 1978, p. 14.
Does Government Protection Protect (1979)

Joni Madraiwiwi photo

“We need to try and focus less on ethnicity in this country and concentrate on trying to improve the lot of the marginalized whoever they are.”

Joni Madraiwiwi (1957–2016) Fijian politician

Speech to the Lautoka Rotary Club (Centenary Dinner), 12 March 2005 http://www.fiji.gov.fj/publish/printer_4326.shtml.

Bryan Adams photo
Henry Adams photo