Quotes about trail
page 2

Bouck White photo
African Spir photo
Randolph Bourne photo
Rupert Boneham photo
Han-shan photo
Rebecca Latimer Felton photo

“Half the campus was designed by Bottom the Weaver, half by Ludwig Mies van der Rohe; Benton had been endowed with one to begin with, and had smiled and sweated and and spoken for the other. A visitor looked under black beams, through leaded casements (past apple boughs, past box, past chairs like bath-tubs on broomsticks) to a lawn ornamented with one of the statues of David Smith; in the months since the figure had been put in its place a shrike had deserted for it a neighboring thorn tree, and an archer had skinned her leg against its farthest spike. On the table in the President’s waiting-room there were copies of Town and Country, the Journal of the History of Ideas, and a small magazine—a little magazine—that had no name. One walked by a mahogany hat-rack, glanced at the coat of arms on an umbrella-stand, and brushed with one’s sleeve something that gave a ghostly tinkle—four or five black and orange ellipsoids, set on grey wires, trembled in the faint breeze of the air-conditioning unit: a mobile. A cloud passed over the sun, and there came trailing from the gymnasium, in maillots and blue jeans, a melancholy procession, four dancers helping to the infirmary a friend who had dislocated her shoulder in the final variation of The Eye of Anguish.”

Source: Pictures from an Institution (1954) [novel], Chapter 1: “The President, Mrs., and Derek Robbins”, p. 3; opening paragraph of novel

Cormac McCarthy photo

“A legion of horribles, hundreds in number, half naked or clad in costumes attic or biblical or wardrobed out of a fevered dream with the skins of animals and silk finery and pieces of uniform still tracked with the blood of prior owners, coats of slain dragoons, frogged and braided cavalry jackets, one in a stovepipe hat and one with an umbrella and one in white stockings and a bloodstained weddingveil and some in headgear of cranefeathers or rawhide helmets that bore the horns of bull or buffalo and one in a pigeontailed coat worn backwards and otherwise naked and one in the armor of a spanish conquistador, the breastplate and pauldrons deeply dented with old blows of mace or saber done in another country by men whose very bones were dust and many with their braids spliced up with the hair of other beasts until they trailed upon the ground and their horses’ ears and tails worked with bits of brightly colored cloth and one whose horse’s whole head was painted crimson red and all the horsemen’s faces gaudy and grotesque with daubings like a company of mounted clowns, death hilarious, all howling in a barbarous tongue and riding down upon them like a horde from a hell more horrible yet than the brimstone land of Christian reckoning, screeching and yammering and clothed in smoke like those vaporous beings in regions beyond right knowing where the eye wanders and the lip jerks and drools.”

Source: Blood Meridian (1985), Chapter IV

George William Russell photo
Frank Chodorov photo
Howard Zahniser photo

“A wilderness, in contrast with those areas where man and his own works dominate the landscape, is hereby recognized as an area where the earth and its community of life are untrammeled by man, where man himself is a member of the natural community, a wanderer who visits but does not remain and whose travels leave only trails.”

Howard Zahniser (1906–1964) American environmentalist

From an early draft of the Wilderness Act (S. 1176, submitted to the Senate 11 February 1957, as reprinted in The Living Wilderness volume 21, number 59, Winter-Spring 1956-57, p. 26-36)

Patrick Buchanan photo
Michael Swanwick photo

“Money can always be traced. It leaves a trail of slime behind it wherever it goes.”

Source: Stations of the Tide (1991), Chapter 2, “Witch Cults of Whitemarsh” (p. 26)

Charles Krauthammer photo
Chelsea Manning photo
Yasunari Kawabata photo
James Burke (science historian) photo

“Following the trail of events from some point in the past to a piece of modern technology is rather like a detective story, with you as the detective, knowing only as much as the people in the past do, and like them having to guess at what was likely to happen next.”

James Burke (science historian) (1936) British broadcaster, science historian, author, and television producer

Connections (1979), 1 - The Trigger Effect
Context: And that's why following the trail from the past up to the emergence of the modern technology that surrounds us in our daily lives, and affects our lives, is rather like a detective story. Because, at no time in the past, did anybody have anything to do with the business of inventing or changing things, ever know what the full effect of his actions would be. He just went ahead and did what he did for his own reasons, like we do. That's how change comes about. And it's like a detective story because if you follow the trail from the past up to a modern man-made object, the story is full of sudden twists and false clues and guesswork, and you never know where the story is heading until the very last minute.
Context: I would say it was a pretty safe bet, that the one magic wish most people would like to be granted would be to be able to see into the future. Think what it would mean. And backing the right horse! But we can't. We have to guess about tomorrow and we have to act on that guess, and it's never been any different. And that's why following the trail from the past up to the emergence of the modern technology that surrounds us in our daily lives, and affects our lives, is rather like a detective story. Because, at no time in the past, did anybody have anything to do with the business of inventing or changing things, ever know what the full effect of his actions would be. He just went ahead and did what he did for his own reasons, like we do. That's how change comes about. And it's like a detective story because if you follow the trail from the past up to a modern man-made object, the story is full of sudden twists and false clues and guesswork, and you never know where the story is heading until the very last minute.

Vannevar Bush photo
Rudyard Kipling photo

“Ever the wide world over, lass,
Ever the trail held true,
Over the world and under the world,
And back at the last to you.”

Rudyard Kipling (1865–1936) English short-story writer, poet, and novelist

The Gypsy Trail http://whitewolf.newcastle.edu.au/words/authors/K/KiplingRudyard/verse/p1/gipsytrail.html, Stanza 2 (1892).
Other works

Robert E. Howard photo

“My feet are set on the outward trails
And the call of the roistering sea.
My wings are spread on the outbound gales
And the paths that are long and free.”

Robert E. Howard (1906–1936) American author

From a letter to Tevis Clyde Smith (June 23, 1926)
Letters

John Updike photo
Robert T. Bakker photo
John Green photo
Edith Wharton photo

“Habit is necessary; it is the habit of having habits, of turning a trail into a rut, that must be incessantly fought against if one is to remain alive.”

Edith Wharton (1862–1937) American novelist, short story writer, designer

"A First Word"
A Backward Glance http://gutenberg.net.au/ebooks02/0200271.txt (1934)

Raymond Chandler photo
Jay McInerney photo
Dave Matthews photo

“A rolling stone, that gathers no moss, but leaves a trail of busted stuff.”

Dave Matthews (1967) American singer-songwriter, musician and actor

Busted Stuff
Busted Stuff (2002)

Bill Bryson photo
Matthew Arnold photo
Anna Akhmatova photo

“And the just man trailed God's shining agent,
over a black mountain, in his giant track,
while a restless voice kept harrying his woman:
"It's not too late, you can still look back
at the red towers of your native Sodom,
the square where once you sang, the spinning-shed,
at the empty windows set in the tall house
where sons and daughters blessed your marriage-bed."”

Anna Akhmatova (1889–1966) Russian modernist poet

The just man followed then his angel guide
Where he strode on the black highway, hulking and bright;
But a wild grief in his wife's bosom cried,
Look back, it is not too late for a last sight
Of the red towers of your native Sodom, the square
Where once you sang, the gardens you shall mourn,
And the tall house with empty windows where
You loved your husband and your babes were born.
Translator unknown
Lot's Wife

“The process of developing superior strategies is part planning, part trail and error, until you hit upon something that works.”

Constantinos C. Markides (1960) Cypriot business theorist

Constantinos C. Markides. "Competitive strategy research's impact on practice," in: Handbook of Research on Competitive Strategy, Giovanni Battista Dagnino<sup></sup> (ed.), 2012 p. 561

Michel Faber photo
Sarah Helen Whitman photo

“The summer skies are darkly blue,
The days are still and bright,
And Evening trails her robes of gold
Through the dim halls of Night.”

Sarah Helen Whitman (1803–1878) United States poet

Summer's Call. Compare: "I heard the trailing garments of the Night / Sweep through her marble halls", Longfellow.
Bartlett's Familiar Quotations, 10th ed. (1919)

Peter Greenaway photo
Henry Adams photo
William James photo

“The trail of the human serpent is thus over everything.”

William James (1842–1910) American philosopher, psychologist, and pragmatist

Lecture II, What Pragmatism Means
1900s, Pragmatism: A New Name for Some Old Ways of Thinking (1907)

“And then, all of a sudden, it was as though through those dark eyes an electrical circuit had been struck. She sat fascinated. Snake-and-bird fascinated. Afterwards she could not recall the details of what he had said. She remembered only that she had been absorbed, rapt, lost, for over ten minutes by the clock. She had perceived images conjured up from the dead past: a hand trailed in clear river water, deliciously cool, while the sun smiled and a shoal of tiny fishes darted between her fingers; the crisp flesh of a ripe apple straight from the tree, so juicy it ran down her chin; grass between her bare toes, the turf like springs so that she seemed not to bear the whole of her weight on her soles but to be floating, dreamlike, in slow motion, instantly transported to the moon; the western sky painted with vast heart-tearing slapdash streaks of red below the bright steel-blue of clouds, and stars coming snap-snap into view against the eastern dark; wind gentle in her hair and on her cheeks, bearing flower perfumes, dusting her with petals; snow cold to the palm as it was shaped into a ball; laughter echoing from a dark lane where only lovers walked, not thieves and muggers; butter like an ingot of soft gold; ocean spray sharp and clean as the edge of an axe; with the same sense of safe, provided rightly used; round pebbles polychrome beside a pool; rain to which a thirsty mouth could open, distilling the taste of a continent of air... And under, and through, and in, and around all this, a conviction: “Something can be done to get that back!”
She was crying. Small tears like ants had itched their paths down her cheeks. She said, when she realized he had fallen silent, “But I never knew that! None of it! I was born and raised right here in New York!””

”But don’t you think you should have known it?” Austin Train inquired gently.
September “MINE ENEMIES ARE DELIVERED INTO MY HAND”
The Sheep Look Up (1972)

G. Edward Griffin photo
Arthur Koestler photo
Don DeLillo photo

“We drove 22 miles into the country around Farmington. There were meadows and apple orchards. White fences trailed through the rolling fields. Soon the sign started appearing. THE MOST PHOTOGRAPHED BARN IN AMERICA. We counted five signs before we reached the site. There were 40 cars and a tour bus in the makeshift lot. We walked along a cowpath to the slightly elevated spot set aside for viewing and photographing. All the people had cameras; some had tripods, telephoto lenses, filter kits. A man in a booth sold postcards and slides -- pictures of the barn taken from the elevated spot. We stood near a grove of trees and watched the photographers. Murray maintained a prolonged silence, occasionally scrawling some notes in a little book. "No one sees the barn," he said finally. A long silence followed. "Once you've seen the signs about the barn, it becomes impossible to see the barn." He fell silent once more. People with cameras left the elevated site, replaced by others. We're not here to capture an image, we're here to maintain one. Every photograph reinforces the aura. Can you feel it, Jack? An accumulation of nameless energies." There was an extended silence. The man in the booth sold postcards and slides. "Being here is a kind of spiritual surrender. We see only what the others see. The thousands who were here in the past, those who will come in the future. We've agreed to be part of a collective perception. It literally colors our vision. A religious experience in a way, like all tourism."”

Another silence ensued. "They are taking pictures of taking pictures," he said.”
White Noise (1984)

Noam Chomsky photo

“If you look into the history of what is called the CIA, which means the US White House, its secret wars, clandestine warfare, the trail of drug production just follows.”

Noam Chomsky (1928) american linguist, philosopher and activist

Interview by John Veit in High Times, April 1998 http://www.hightimes.com/ht/entertainment/content.php?bid=175&aid=2
Quotes 1990s, 1995-1999
Context: If you look into the history of what is called the CIA, which means the US White House, its secret wars, clandestine warfare, the trail of drug production just follows. It started in France after the Second World War when the United States was essentially trying to reinstitute the traditional social order, to rehabilitate Fascist collaborators, wipe out the Resistance and destroy the unions and so on. The first thing they did was reconstitute the Mafia, as strikebreakers or for other such useful services. And the Mafia doesn't do it for fun, so there was a tradeoff: Essentially, they allowed them to reinstitute the heroin production system, which had been destroyed by the Fascists. The Fascists tended to run a pretty tight ship; they didn't want any competition, so they wiped out the Mafia. But the US reconstituted it, first in southern Italy, and then in southern France with the Corsican Mafia. That's where the famous French Connection comes from. That was the main heroin center for many years. Then US terrorist activities shifted over to Southeast Asia. If you want to carry out terrorist activities, you need local people to do it for you, and you also need secret money to pay for it, clandestine hidden money. Well, if you need to hire thugs and murderers with secret money, there aren't many options. One of them is the drug connection. The so-called Golden Triangle around Burma, Laos and Thailand became a big drug producing area with the help of the United States, as part of the secret wars against those populations.

Helen Thomas photo
Margaret Atwood photo

“Your righteous eyes, your laconic
trigger-fingers
people the streets with villains:
as you move, the air in front of you
blossoms with targets and you leave behind you a heroic
trail of desolation”

Margaret Atwood (1939) Canadian writer

"Backdrop addresses cowboy" (1974)
Selected Poems 1965-1975 (1976)
Context: Your righteous eyes, your laconic
trigger-fingers
people the streets with villains:
as you move, the air in front of you
blossoms with targets and you leave behind you a heroic
trail of desolation:
beer bottles
slaughtered by the side
of the road, bird-
skulls bleaching in the sunset.

Sri Aurobindo photo

“All things are real that here are only dreams,
In our unknown depths sleeps their reserve of truth,
On our unreached heights they reign and come to us
In thought and muse trailing their robes of light.”

Savitri (1918-1950), Book Two : The Book of the Traveller of the Worlds
Context: A memory steals in from lost heavens of Truth,
A wide release comes near, a Glory calls,
A might looks out, an estranged felicity.
In glamorous passages of half-veiled light
Wandering, a brilliant shadow of itself,
This quick uncertain leader of blind gods,
This tender of small lamps, this minister serf
Hired by a mind and body for earth-use
Forgets its work mid crude realities;
It recovers its renounced imperial right,
It wears once more a purple robe of thought
And knows itself the Ideal's seer and king,
Communicant and prophet of the Unborn,
Heir to delight and immortality.
All things are real that here are only dreams,
In our unknown depths sleeps their reserve of truth,
On our unreached heights they reign and come to us
In thought and muse trailing their robes of light.

Haile Selassie photo

“One cannot deny that in former times man's life had been one of toil and hardship. It is correct to say, therefore, that modern civilization and the progress of science have greatly improved man's life and have brought comfort and ease in their trail.”

Haile Selassie (1892–1975) Emperor of Ethiopia

Interview in The Voice of Ethiopia (5 April 1948) http://www.jah-rastafari.com/selassie-words/show-jah-word.asp?word_id=interview.
Context: One cannot deny that in former times man's life had been one of toil and hardship. It is correct to say, therefore, that modern civilization and the progress of science have greatly improved man's life and have brought comfort and ease in their trail. But civilization can serve man both for good as well as for evil purposes. Experience shows that it has invariably brought great dividends to those who use it for good purposes while it has always brought incalculable harm and damnation to those who use it for evil purposes. To make our wills obedient to good influences and to avoid evil, therefore, is to show the greatest wisdom. In order to follow this aim one must be guided by religion. Progress without religion is just like a life surrounded by unknown perils and can be compared to a body without a soul. All human inventions, from the most primitive tool to the modern atom, can help man greatly in his peaceful endeavours. But if they are put to evil purposes they have the capacity to wipe out the human race from the surface of the earth. It is only when the human mind is guided by religion and morality that man can acquire the necessary vision to put all his ingenuous inventions and contrivances to really useful and beneficial purposes.

Vannevar Bush photo

“There is a new profession of trail blazers, those who find delight in the task of establishing useful trails through the enormous mass of the common record.”

As We May Think (1945)
Context: The historian, with a vast chronological account of a people, parallels it with a skip trail which stops only at the salient items, and can follow at any time contemporary trails which lead him all over civilization at a particular epoch. There is a new profession of trail blazers, those who find delight in the task of establishing useful trails through the enormous mass of the common record. The inheritance from the master becomes, not only his additions to the world's record, but for his disciples the entire scaffolding by which they were erected.

Vannevar Bush photo

“Wholly new forms of encyclopedias will appear, ready-made with a mesh of associative trails running through them, ready to be dropped into the memex and there amplified.”

As We May Think (1945)
Context: Wholly new forms of encyclopedias will appear, ready-made with a mesh of associative trails running through them, ready to be dropped into the memex and there amplified. The lawyer has at his touch the associated opinions and decisions of his whole experience, and of the experience of friends and authorities. The patent attorney has on call the millions of issued patents, with familiar trails to every point of his client's interest. The physician, puzzled by its patient's reactions, strikes the trail established in studying an earlier similar case, and runs rapidly through analogous case histories, with side references to the classics for the pertinent anatomy and histology. The chemist, struggling with the synthesis of an organic compound, has all the chemical literature before him in his laboratory, with trails following the analogies of compounds, and side trails to their physical and chemical behavior.

Eleanor Farjeon photo

“O evanescent temples built of man
To deities he honoured and dethroned!
Earth shoots a trail of her eternal vine
To crown the head that men have ceased to honour.”

Eleanor Farjeon (1881–1965) English children's writer

Pan-Worship
Pan-Worship and Other Poems (1908)
Context: O evanescent temples built of man
To deities he honoured and dethroned!
Earth shoots a trail of her eternal vine
To crown the head that men have ceased to honour.
Beneath the coronal of leaf and lichen
The mocking smile upon the lips derides
Pan's lost dominion; but the pointed ears
Are keen and prick'd with old remember'd sounds.
All my breast aches with longing for the past!
Thou God of stone, I have a craving in me
For knowledge of thee as thou wert in old
Enchanted twilights in Arcadia.

Keshub Chunder Sen photo
Bernie Sanders photo
Ounsi el-Hajj photo
Wendell Berry photo
Stanley Kunitz photo
Tim O'Brien photo
Edgar Guest photo
Clark Ashton Smith photo