Quotes about phenomenon
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Charles Sanders Peirce photo
Charles Babbage photo
Yehudi Menuhin photo

“The violinist is that peculiarly human phenomenon distilled to a rare potency - half tiger, half poet.”

Yehudi Menuhin (1916–1999) American violinist and conductor

Source: The compleat violinist: thoughts, exercises, reflections of an itinerant violinist http://books.google.co.in/books?id=qC0xAQAAIAAJ, Summit Books, 1 April 1986, p. 95

Will Cuppy photo

“Male penguins are unfaithful up to an advanced age, a phenomenon sometimes attributed to the sea air.”

Will Cuppy (1884–1949) American writer

The Penguin
How to Tell Your Friends from the Apes (1931)

Leo Tolstoy photo
Justus von Liebig photo
Michael Löwy photo
Mahmoud Ahmadinejad photo
Robert A. Heinlein photo
José Ortega Y Gasset photo
Thomas Piketty photo

“Broadly speaking, the rise of the supermanager is largely an Anglo-Saxon phenomenon.”

Source: Capital in the Twenty-First Century (2013), p. 315.

Thomas Szasz photo
Douglas Hofstadter photo
Michel Foucault photo

“What we call growth of even a simple organism is a tremendously complex phenomenon from the biochemical, physiological, cytological, and morphological viewpoints.”

Ludwig von Bertalanffy (1901–1972) austrian biologist and philosopher

Von Bertalanffy (1957) "Quantitative laws in metabolism and growth" in: Quarterly Review of Biology 32(1957), p. 217
1950s

“Faith is a universal human phenomenon. All people live by some faith.”

Roger Haight (1936) American theologian

Source: Dynamics Of Theology, Chapter One, Faith As A Dimension of The Human, p. 15

Muammar Gaddafi photo

“Israel is a colonialist-imperialist phenomenon. There is no such thing as an Israeli people. Before 1948, world geography knew of no state such as Israel. Israel is the result of an invasion, of aggression.”

Muammar Gaddafi (1942–2011) Libyan revolutionary, politician and political theorist

Time (9 April 1979) " World: An Interview with Gaddafi http://www.time.com/time/magazine/article/0,9171,920211-1,00.html"
Interviews

William James photo

“There is but one indefectibly certain truth, and that is the truth that pyrrhonistic scepticism itself leaves standing, — the truth that the present phenomenon of consciousness exists.”

William James (1842–1910) American philosopher, psychologist, and pragmatist

The Will to Believe http://infomotions.com/etexts/philosophy/1800-1899/james-will-751.htm (1897)
1890s

Douglas Hofstadter photo
Paul Fussell photo
Kailash Satyarthi photo
Banda Singh Bahadur photo
Paul Mason (journalist) photo
Douglas Hofstadter photo
David Chalmers photo
André Breton photo
N. Gregory Mankiw photo
Yves Klein photo
Ervin László photo
Antonio Negri photo
Joseph Massad photo
Aron Ra photo
Erik Naggum photo

“"Code sharing" is an economic surplus phenomenon. It works only when none of the people involved in it are in any form of need.”

Erik Naggum (1965–2009) Norwegian computer programmer

Re: realistic but short and simple LISP examples? http://groups.google.com/group/comp.lang.lisp/msg/29f678c98842ea2d (Usenet article).
Usenet articles, Miscellaneous

Brian Leiter photo
Hannah Arendt photo
African Spir photo
David Chalmers photo
Charles Sanders Peirce photo
Joel Barlow photo
Francis Heylighen photo
José Ortega Y Gasset photo
David C. McClelland photo

“From the top of the campanile, or Giotto's bell tower, in Florence, one can look out over the city in all directions, past the stone banking houses where the rich Medici lived, past the art galleries they patronized, past the magnificent cathedral and churches their money helped to build, and on to the Tuscan vineyards where the contadino works the soil as hard and efficiently as he probably ever did. The city below is busy with life. The university halls, the shops, the restaurants are crowded. The sound of Vespas, the "wasps" of the machine age, fills the air, but Florence is not today what it once was, the center in the 15th century of a great civilization, one of the most extraordinary the world has ever known. Why? ­­What produced the Renaissance in Italy, of which Florence was the center? How did it happen that such a small population base could produce, in the short span of a few generations, great historical figures first in commerce and literature, then in architecture, sculpture and painting, and finally in science and music? Why subsequently did Northern Italy decline in importance both commercially and artistically until at the present time it is not particularly distinguished as compared with many other regions of the world? Certainly the people appear to be working as hard and energetically as ever. Was it just luck or a peculiar combination of circumstances? Historians have been fascinated by such questions ever since they began writing history, because the rise and fall of Florence or the whole of Northern Italy is by no means an isolated phenomenon.”

David C. McClelland (1917–1998) American psychological theorist

Source: The Archiving Society, 1961, p. 1; lead paragraph, about the problem

Ray Kurzweil photo
Pitirim Sorokin photo

“Either the conscious intellect is impotent, or is not sufficiently strong, or is not the factor positively connected with altruistic phenomenon generally or their sublime form particularly.”

Pitirim Sorokin (1889–1968) American sociologist

Pitirim Sorokin (1948) The Reconstruction of Humanity http://books.google.nl/books?id=NNq2AAAAIAAJ. Beacon Press p. 330

Enoch Powell photo
William Gibson photo
Peter Medawar photo

“In spite of all the obstacles that Teilhard perhaps wisely puts in our way, it is possible to discern a train of thought in The Phenomenon of Man.”

Peter Medawar (1915–1987) scientist

1960s, Review of Teilhard de Chardin's "The Phenomenon of Man", 1961

Harry V. Jaffa photo
George Holmes Howison photo
Calvin Coolidge photo
Charles Babbage photo
Adolphe Quetelet photo

“To him… who had examined the laws of light merely in a drop of water, the brilliant phenomenon of the rainbow would be totally unintelligible.”

Adolphe Quetelet (1796–1874) Belgian astronomer, mathematician, statistician and sociologist

Introductory
A Treatise on Man and the Development of His Faculties (1842)

Robert M. Pirsig photo
Jerry Coyne photo
Gene Amdahl photo

“The 19th and first half of the 20th century conceived of the world as chaos. Chaos was the oft-quoted blind play of atoms, which, in mechanistic and positivistic philosophy, appeared to represent ultimate reality, with life as an accidental product of physical processes, and mind as an epi-phenomenon. It was chaos when, in the current theory of evolution, the living world appeared as a product of chance, the outcome of random mutations and survival in the mill of natural selection. In the same sense, human personality, in the theories of behaviorism as well as of psychoanalysis, was considered a chance product of nature and nurture, of a mixture of genes and an accidental sequence of events from early childhood to maturity.
Now we are looking for another basic outlook on the world -- the world as organization. Such a conception -- if it can be substantiated -- would indeed change the basic categories upon which scientific thought rests, and profoundly influence practical attitudes.
This trend is marked by the emergence of a bundle of new disciplines such as cybernetics, information theory, general system theory, theories of games, of decisions, of queuing and others; in practical applications, systems analysis, systems engineering, operations research, etc. They are different in basic assumptions, mathematical techniques and aims, and they are often unsatisfactory and sometimes contradictory. They agree, however, in being concerned, in one way or another, with "systems," "wholes" or "organizations"; and in their totality, they herald a new approach.”

Ludwig von Bertalanffy (1901–1972) austrian biologist and philosopher

Source: General System Theory (1968), 7. Some Aspects of System Theory in Biology, p. 166-167 as quoted in Lilienfeld (1978, pp. 7-8) and Alexander Laszlo and Stanley Krippner (1992) " Systems Theories: Their Origins, Foundations, and Development http://archive.syntonyquest.org/elcTree/resourcesPDFs/SystemsTheory.pdf" In: J.S. Jordan (Ed.), Systems Theories and A Priori Aspects of Perception. Amsterdam: Elsevier Science, 1998. Ch. 3, pp. 47-74.

George E. P. Box photo

“A mechanistic model has the following advantages:
1. It contributes to our scientific understanding of the phenomenon under study.
2. It usually provides a better basis for extrapolation (at least to conditions worthy of further experimental investigation if not through the entire range of all input variables).
3. It tends to be parsimonious (i. e, frugal) in the use of parameters and to provide better estimates of the response”

George E. P. Box (1919–2013) British statistician

Source: Empirical Model-Building and Response Surfaces (1987), p. 13-14 as cited in: Andrew Odlyzko (2010) Social Networks and Mathematical Models http://www.dtc.umn.edu/~odlyzko/doc/ecra.westland.pdf Electronic Commerce Research and Applications 9(1): 26-28 (2010)

Charles Sanders Peirce photo

“Be it understood, then, that what we have to do, as students of phenomenology, is simply to open our mental eyes and look well at the phenomenon and say what are the characteristics that are never wanting in it, whether that phenomenon be something that outward experience forces upon our attention, or whether it be the wildest of dreams, or whether it be the most abstract and general of the conclusions of science.
The faculties which we must endeavor to gather for this work are three. The first and foremost is that rare faculty, the faculty of seeing what stares one in the face, just as it presents itself, unreplaced by any interpretation, unsophisticated by any allowance for this or for that supposed modifying circumstance. This is the faculty of the artist who sees for example the apparent colors of nature as they appear. When the ground is covered by snow on which the sun shines brightly except where shadows fall, if you ask any ordinary man what its color appears to be, he will tell you white, pure white, whiter in the sunlight, a little greyish in the shadow. But that is not what is before his eyes that he is describing; it is his theory of what ought to be seen. The artist will tell him that the shadows are not grey but a dull blue and that the snow in the sunshine is of a rich yellow. That artist's observational power is what is most wanted in the study of phenomenology. The second faculty we must strive to arm ourselves with is a resolute discrimination which fastens itself like a bulldog upon the particular feature that we are studying, follows it wherever it may lurk, and detects it beneath all its disguises. The third faculty we shall need is the generalizing power of the mathematician who produces the abstract formula that comprehends the very essence of the feature under examination purified from all admixture of extraneous and irrelevant accompaniments.”

Charles Sanders Peirce (1839–1914) American philosopher, logician, mathematician, and scientist

Lecture II : The Universal Categories, § 1 : Presentness, CP 5.41 - 42
Pragmatism and Pragmaticism (1903)

J. Doyne Farmer photo
Paul Klee photo

“Beyond the constructive elements of the picture, I studied the tonalities of nature by adding layer upon layer of diluted black watercolour paint. Each layer must dry well. In this way a mathematically correct scale of light and dark values is the result. Squinting facilitates our perception of this phenomenon in nature.”

Paul Klee (1879–1940) German Swiss painter

Quote (1908), # 840, in The Diaries of Paul Klee; University of California Press, 1964; as quoted by Francesco Mazzaferro, in 'The Diaries of Paul Klee - Part Three' : Klee as a Secessionist and a Neo-Impressionist Artist http://letteraturaartistica.blogspot.nl/2015/05/paul-klee-ev.html
1903 - 1910

Max Scheler photo

“"Another situation generally exposed to ressentiment danger is the older generation's relation with the younger. The process of aging can only be fruitful and satisfactory if the important transitions are accompanied by free resignation, by the renunciation of the values proper to the preceding stage of life. Those spiritual and intellectual values which remain untouched by the process of aging, together with the values of the next stage of life, must compensate for what has been lost. Only if this happens can we cheerfully relive the values of our past in memory, without envy for the young to whom they are still accessible. If we cannot compensate, we avoid and flee the “tormenting” recollection of youth, thus blocking our possibilities of understanding younger people. At the same time we tend to negate the specific values of earlier stages. No wonder that youth always has a hard fight to sustain against the ressentiment of the older generation. Yet this source of ressentiment is also subject to an important historical variation. In the earliest stages of civilization, old age as such is so highly honored and respected for its experience that ressentiment has hardly any chance to develop. But education spreads through printing and other modern media and increasingly replaces the advantage of experience. Younger people displace the old from their positions and professions and push them into the defensive. As the pace of “progress” increases in all fields, and as the changes of fashion tend to affect even the higher domains (such as art and science), the old can no longer keep up with their juniors. “Novelty‟ becomes an ever greater value. This is doubly true when the generation as such is seized by an intense lust for life, and when the generations compete with each other instead of cooperating for the creation of works which outlast them. “Every cathedral,” Werner Sombart writes, “every monastery, every town hall, every castle of the Middle Ages bears testimony to the transcendence of the individual's span of life: its completion spans generations which thought that they lived for ever. Only when the individual cut himself loose from the community which outlasted him, did the duration of his personal life become his standard of happiness.” Therefore buildings are constructed ever more hastily—Sombart cites a number of examples. A corresponding phenomenon is the ever more rapid alternation of political regimes which goes hand in hand with the progression of the democratic movement. But every change of government, every parliamentary change of party domination leaves a remnant of absolute opposition against the values of the new ruling group. This opposition is spent in ressentiment the more the losing group feels unable to return to power. The “retired official” with his followers is a typical ressentiment figure. Even a man like Bismarck did not entirely escape from this danger."”

Max Scheler (1874–1928) German philosopher

Das Ressentiment im Aufbau der Moralen (1912)

“He had come there dissatisfied with his work, even though his multi-kinetic work was admired and winning him professional recognition. However, at that moment, other ideas were gestating and he wanted to add what he called a "fifth dimension" to his art - that of artificial intelligence. […] : [At the colony, ] he was able to turn his thoughts inward, hoping to discover the new methods and direction that would more deeply satisfy his creative needs. It was at this point, while watching the motions and patterns of sun on leaves in the New Hampshire woods one morning, that Tsai finally achieved the revelatory breakthrough that changed his art and liberated his creative energies. As he put it, he wanted to create "natural movements in dynamic equilibrium, with intelligence," and he found his solution in an unlikely combination of natural phenomenon, the precedent of Gabo's singular (and unrepeated) kinetic sculpture, and the new resource of contemporary analog and digital technology. Speaking of this moment of revelation, Tsai said that he had quite deliberately turned himself into "a sort of plant": facing his chair into the sunshine in the morning, he turned his body in stages throughout the day, mulling over ways of make an "art that presented the observer with natural movements in dynamic equilibrium, and art that could convey the awe I felt while watching sunbeams shimmer through forest leaves." But a work that would "shimmer" simply did not do enough either for the artist or viewer, Tsai concluded. It must also respond in some way to the observer; it would have to work on a new feedback principle and actually engage the observer directly. In short, a cybernetic sculpture was required. To create such radically participatory works, he understood, would require that he draw on his engineering skills rather than suppress them, as he had been trying to do in his period of oil painting.”

Sam Hunter (1923–2014) American art historian

Source: The Cybernetic Sculpture of Tsai Wen-Ying, 1989, p. 67

Ernesto Grassi photo

“If philosophy aims at being a theoretical mode of thought and speech, can it have a rhetorical character and be expressed in rhetorical forms? The answer seems obvious. Theoretical thinking, as a rational process, excludes every rhetorical element because pathetic influences—the influences of feeling—disturb the clarity of rational thought. …
To prove means to show something to be something, on the basis of something. To have something through which something is shown and explained definitively is the foundation of our knowledge. Apodictic, demonstrative speech is the kind of speech which establishes the definition of a phenomenon by tracing it back to ultimate principles, or archai. It is clear that the first archai of any proof and hence of knowledge cannot be proved themselves because they cannot be the object of apodictic, demonstrative, logical speech; otherwise they would not be the first assertions. Their nonderivable, primary character is evident from the fact that we neither can speak nor comport ourselves without them, for both speech and human activity simply presuppose them. But if the original assertions are not demonstrable, what is the character of the speech in which we express them? Obviously this type of speech cannot have a rational-theoretical character….
Basic premises cannot have an apodictic, demonstrative character and structure but are thoroughly indicative….
Arche … cannot have a rational but only a rhetorical character. Thus the term "rhetoric" assumes a fundamentally new significance; "rhetoric" is not, nor can it be the art, the technique of an exterior persuasion; it is rather the speech which is the basis of the rational thought.”

Ernesto Grassi (1902–1991) Italian philosopher

Source: Rhetoric as Philosophy (1980), pp. 18-19

Paul Graham photo
Swami Vivekananda photo

“The will is not free—it is a phenomenon bound by cause and effect—but there is something behind the will which is free.”

Swami Vivekananda (1863–1902) Indian Hindu monk and phylosopher

Pearls of Wisdom

Jorge Luis Borges photo

“Music, states of happiness, mythology, faces belabored by time, certain twilights and certain places try to tell us something, or have said something we should not have missed, or are about to say something; this imminence of a revelation which does not occur is, perhaps, the aesthetic phenomenon.”

"The Wall and the Books" ["La muralla y los libros"] (1950)
Variant translation: Music, feelings of happiness, mythology, faces worn by time, certain twilights and certain places, want to tell us something, or they told us something that we should not have missed, or they are about to tell us something; this imminence of a revelation that is not produced is, perhaps, the esthetic event.
Other Inquisitions (1952)

J. Sheridan Le Fanu photo
William D. Nordhaus photo

“the posthumous visibility of the saints is a puzzling phenomenon indeed, and varies enormously.”

Ida Friederike Görres (1901–1971) Austrian writer and noble

Broken Lights Letters 1951-59.

Andrei Tarkovsky photo
Neal Stephenson photo
Jayant Narlikar photo
Terrence Howard photo

“I want to be the condensation on the glass. I want to be that phenomenon that takes place between hot and cold.”

Terrence Howard (1969) American actor

Interview with Time magazine, 2006

Peter Sloterdijk photo
Léon Foucault photo

“The phenomenon develops calmly, but it is invisible, unstoppable.”

Léon Foucault (1819–1868) French physicist

On his pendulum experiment, as quoted in Pendulum : Léon Foucault and the Triumph of Science (2003) by Amir D. Aczel
Context: The phenomenon develops calmly, but it is invisible, unstoppable. One feels, one sees it born and grow steadily; and it is not in one's power to either hasten it or slow it down. Any person, brought into the presence of this fact, stops for a few moments and remains pensive and silent; and then generally leaves, carrying with him forever a sharper, keener sense of our incessant motion through space.

Bill Moyers photo

“Plutocracy is not an American word but it's become an American phenomenon.”

Bill Moyers (1934) American journalist

Last episode of Bill Moyers Journal (30 April 2010) http://www.pbs.org/moyers/journal/04302010/transcript2.html · video http://www.pbs.org/moyers/journal/04302010/watch2.html
Context: Ed Murrow told his generation of journalists bias is okay as long as you don't try to hide it. So here, one more time, is mine: plutocracy and democracy don't mix. Plutocracy, the rule of the rich, political power controlled by the wealthy.
Plutocracy is not an American word but it's become an American phenomenon. Back in the fall of 2005, the Wall Street giant Citigroup even coined a variation on it, plutonomy, an economic system where the privileged few make sure the rich get richer with government on their side. By the next spring, Citigroup decided the time had come to publicly "bang the drum on plutonomy." … over the past 30 years the plutocrats, or plutonomists — choose your poison — have used their vastly increased wealth to capture the flag and assure the government does their bidding. … This marriage of money and politics has produced an America of gross inequality at the top and low social mobility at the bottom, with little but anxiety and dread in between, as middle class Americans feel the ground falling out from under their feet. … Like those populists of that earlier era, millions of Americans have awakened to a sobering reality: they live in a plutocracy, where they are disposable. Then, the remedy was a popular insurgency that ignited the spark of democracy. Now we have come to another parting of the ways, and once again the fate and character of our country are up for grabs. … Democracy only works when we claim it as our own.

Robert Chambers (publisher, born 1802) photo

“We have seen that the law which causes rotation in the single solar masses, is exactly the same which produces the familiar phenomenon of a small whirlpool or dimple in the surface of a stream.”

Source: Vestiges of the Natural History of Creation (1844), p. 19
Context: We have seen that the law which causes rotation in the single solar masses, is exactly the same which produces the familiar phenomenon of a small whirlpool or dimple in the surface of a stream. Such dimples are not always single. Upon the face of a river where there are various contending currents, it may often be observed that two or more dimples are formed near each other with more or less regularity. These fantastic eddies, which the musing poet will sometimes watch abstractedly for an hour, little thinking of the law which produces and connects them, are an illustration of the wonders of binary and ternary solar systems.

Milton Friedman photo

“Inflation is always and everywhere a monetary phenomenon in the sense that it is and can be produced only by a more rapid increase in the quantity of money than in output.”

Milton Friedman (1912–2006) American economist, statistician, and writer

The Counter-Revolution in Monetary Theory (1970) <!-- ([[w:Institute of Economic Affairs
Context: Inflation is always and everywhere a monetary phenomenon in the sense that it is and can be produced only by a more rapid increase in the quantity of money than in output. … A steady rate of monetary growth at a moderate level can provide a framework under which a country can have little inflation and much growth. It will not produce perfect stability; it will not produce heaven on earth; but it can make an important contribution to a stable economic society.

Robert M. Pirsig photo

“I've noticed that people who have never worked with steel have trouble seeing this—that the motorcycle is primarily a mental phenomenon.”

Source: Zen and the Art of Motorcycle Maintenance (1974), Ch. 8
Context: I've noticed that people who have never worked with steel have trouble seeing this—that the motorcycle is primarily a mental phenomenon. They associate metal with given shapes—pipes, rods, girders, tools, parts—all of them fixed and inviolable, and think of it as primarily physical. But a person who does machining or foundry work or forge work or welding sees "steel" as having no shape at all. Steel can be any shape you want if you are skilled enough, and any shape but the one you want if you are not.

Kofi Annan photo
Huston Smith photo

“Ontogenetically speaking, love is an answering phenomenon.”

The World's Religions (1991)
Context: A loving human being is not produced by exhortations, rules, and threats. Love only takes root in children when it comes to them--initially and most importantly from nurturing parents. Ontogenetically speaking, love is an answering phenomenon. It is literally a response.

Sören Kierkegaard photo

“So it happens at times that a person believes that he has a world-view, but that there is yet one particular phenomenon that is of such a nature that it baffles the understanding”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

Pap. V B 53:20 1844 The Concept of Anxiety, Nichol p. 188
1840s, The Journals of Søren Kierkegaard, 1840s
Context: So it happens at times that a person believes that he has a world-view, but that there is yet one particular phenomenon that is of such a nature that it baffles the understanding, and that he explains differently and attempts to ignore in order not to harbor the thought that this phenomenon might overthrow the whole view, or that his reflection does not possess enough courage and resolution to penetrate the phenomenon with his world-view.

George Gilder photo

“Intelligent design itself does not have any content… Much of what I've written about has been in reaction to the materialist superstition, the belief that the universe is a purely material phenomenon that can be reduced to physical and chemical laws. It's a concept that's infected the social sciences as well.”

George Gilder (1939) technology writer

Replies when he asked the reasons why he supported the Intelligent Design movement, in his interview with the Boston Globe (27 July 2005)
Context: I'm not pushing to have [ ID ] taught as an alternative to Darwin, and neither are they... What’s being pushed is to have Darwinism critiqued, to teach there’s a controversy. Intelligent design itself does not have any content... Much of what I've written about has been in reaction to the materialist superstition, the belief that the universe is a purely material phenomenon that can be reduced to physical and chemical laws. It's a concept that's infected the social sciences as well.

Jean Piaget photo

“Egocentrism in so far as it means confusion of the ego and the external world, and egocentrism in so far as it means lack of cooperation, constitute one and the same phenomenon.”

Jean Piaget (1896–1980) Swiss psychologist, biologist, logician, philosopher & academic

Source: The Moral Judgment of the Child (1932), Ch. 2 : Adult Constraint and Moral Realism <!-- p. 92 -->
Context: Egocentrism in so far as it means confusion of the ego and the external world, and egocentrism in so far as it means lack of cooperation, constitute one and the same phenomenon. So long as the child does not dissociate his ego from the suggestions coming from the physical and from the social world, he cannot cooperate, for in order to cooperate one must be conscious of one's ego and situate it in relation to thought in general. And in order to become conscious of one's ego, it is necessary to liberate oneself from the thought and will of others. The coercion exercised by the adult or the older child is therefore inseparable from the unconscious egocentrism of the very young child.