Quotes about movie
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“To my delight, Federico had seen Dans la ville blanche (1983) by Swiss director Alain Tanner. Enthusiastic about Bruno Ganz’s performance, he also was impressed by the film’s startling visual poetry of Lisbon achieved by transferring inferior film stock onto 35mm. It was exactly this kind of uncomplicated technical innovation that inspired Federico during the writing of Attore. Conceived in 1992, Attore focused on the craft and the psychology of actors. Having completed a film treatment with roles for Mastroianni, Giulietta Masina, and Paolo Villagio, Fellini was now wondering if he should provide Marcello with a home movie camera to be used in a loosely Shakespearian sense that all the world’s a film set. The 8mm footage of intimate memories of the theatre from his Rimini childhood would then be transferred to 35mm – a most intriguing idea that would have been a new departure for the Maestro had he lived to bring it to the screen.”

Damian Pettigrew Canadian filmmaker

On Fellini’s last film project, Attore
Federico Fellini: Sou um Grande Mentiroso (2008)

World, Home, Idea, Departure

“It's all false pressure; you put the heat on yourself, you get it from the networks and record companies and movie studios. You put more pressure on yourself to make everything that much harder. You say, 'Well, I'll get all screwed up and then it'll be a real challenge again.' So stupid—I've often wondered why people do these things. You're so much happier if you don't, but I guess happiness is not a state you want to be in all the time.”

John Belushi (1949–1982) American comedian, actor, and musician

Source: Bob Woodward. Wired: The Short Life and Fast Times of John Belushi. p. 209 ; Form interview in Cosmopolitan, December 1981, according to: Robert Andrews (2003), The New Penguin Dictionary of Modern Quotations. p. 144

People, Stupidity, Time, Falseness

“He's had a tough life. As is not unusual in Jewish families - if you've ever seen the movie Avalon - I think somebody's cut the turkey on Uncle Louis a few years ago… That doesn't change my view of him when I was young and he was a detective.”

Howard Safir (1941)

Safir, reponding to the disparaging comments made about him by his uncle, Louis Weiner (who captured the bandit Willie Sutton)
[Russ Baker and Josh Benson, http://www.observer.com/1999/commish-bites-back-howard-safir-explains-his-life-his-critics, The Commish Bites Back: Howard Safir Explains His Life to His Critics, The New York Observer, 1999-05-16, 2007-12-20]

Life, Family, Thinking, Change

“I think that my strength as a villain is that the people watching me know that Chris knows that he's in a movie. He's playing. He's having fun. He's going bang, bang. You know, "What's that?"”

Christopher Walken (1943) American actor

Associated Press (December 16, 1999) "Christopher Walken Prefers His Ozzie Nelson Side", The Press of Atlantic City, p. B3.

People, Thinking

“The worst thing to happen to the Jews since Mein Kampf…I can't look at it. It's so horrible. The Israelis that helped make this film were crooks. They never gave us the negative back, they never gave us statements — not that the film was worth anything…The lesson for Big Gus for young people is: Don't listen to anybody. We got lots of advice on that film from older, more experienced people. But the film stunk; it's a disgrace. What you saw was made from a half-inch video that somebody from Israel brought to us…The movie opened in Tel Aviv, but it opened the week of the Seven-Day War. So bombs were raining down outside, but we had a bomb inside the movie theater.”

Lloyd Kaufman (1945) American film director

Village Voice http://www.villagevoice.com/2014-01-15/film/troma-lloyd-kaufman-interview/ January 15, 2014 2014

War, People, Help

“My father loved us so much, but he's the kind of person that chokes you. He doesn't leave you your own pleasures. If you think or feel one way and he feels the other way, he won't accept it. My mother wanted to work. People wanted her to do movies, but he just wanted her to be at home, be a mother, be a wife, be this Venus, this planet he could land on anytime.”

Nastassja Kinski (1961) German actress

As quoted in Denise Worrell (1989), Icons: Intimate Portraits.

Love, People, Pleasure, Way

“Pollock.... left us [c. 1958] at the point where we must be preoccupied with and even dazzled by the space and objects of our everyday life, either our bodies, clothes, rooms, or, if need be, the vastness of Forty-Second Street [New York].... Objects of every sorts are materials for the new art, paints, chairs, food, electric and neon-lights, smoke, water, old socks, a dog, movies, a thousand other things which will be discovered by the present generation of artists.... All will become materials for this new concrete art.”

Allan Kaprow (1927–2006) American artist

In his essay 'The legacy of Jackson Pollock', published in 'ARTnews', Fall of 1958; as quoted by Christina Bryan Rosenberger, in 'Drawing the Line: The Early Work of Agnes Martin', Univ. of California Press, July 2016, p 121
this essay of 1958 became more or less an art-manifesto for the generation American artists after Abstract Expressionism

Life, Food, Dogs, Art

“This is a nature-boy movie, a kid's daydream of being an Indian. When Dunbar has become a Sioux named Dances with Wolves, he writes in his journal that he knows for the first time who he really is. Costner has feathers in his hair and feathers in his head.”

Pauline Kael book Movie Love

"New Age Daydreams," review of Dances with Wolves (1990-12-17), p. 295.
Movie Love (1991)

Boy, Nature, Time, Dance

“SPAN ID=In_the_case> In the case of drama (stage, movies, television ), there appear to be people in almost every audience who never quite fully realize that a play is a set of fictional, symbolic representations. An actor is one who symbolizes other people, real or imagined. […] Also some years ago it was reported that when Edward G. Robinson, who used to play gangster roles with extraordinary vividness, visited Chicago, local hoodlums would telephone him at his hotel to pay their professional respects.

S. I. Hayakawa book Language in Thought and Action

Source: Language in Thought and Action (1949), The Pitfalls of Drama, pp. 27-28

People, Imagination, Appearance

“Short of climbing aboard a time capsule and peeling back eight and one-half decades, James Cameron's magnificent Titanic is the closest any of us will get to walking the decks of the doomed ocean liner. Meticulous in detail, yet vast in scope and intent, Titanic is the kind of epic motion picture event that has become a rarity. You don't just watch Titanic, you experience it — from the launch to the sinking, then on a journey two and one-half miles below the surface, into the cold, watery grave where Cameron has shot never-before seen documentary footage specifically for this movie.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/movies/t/titanic.html of Titanic (1997). Four star reviews

Time

“The movie is not that violent. There are ideas in the movie that are scary, but the film isn't about violence, the glorification of violence or the embracing of violence. In the movie, violence is a metaphor for feeling. It's a film about the problems or requirements involved with being masculine in today's society.”

David Fincher (1962) American film director

Fightin Words (1999)

Feeling, Idea, Problem

“I don't think much of most of the films I made, but being a movie star was something I liked very much.”

Joan Bennett (1910–1990) American actress

Flint, Peter B. (December 9, 1990). " Joan Bennett, Whose Roles Ripened From Sweet to Siren, Dies at 80 https://www.nytimes.com/1990/12/09/obituaries/joan-bennett-whose-roles-ripened-from-sweet-to-siren-dies-at-80.html". The New York Times.

Star, Thinking

“One may speculate whether the contemporary idea of American society in decay is not a false notion which has been created, at least partially, by this old movie portrait of a society that was once stable, orderly and governed by the immutable justice of the Hollywood censorship code.
This is the ever-popular myth of a golden age which persuades so many generations that there was once a wonderful moment in the past when the world was sound and good people ruled and evil was justly punished. After Camelot came chaos and despair, except, of course, that Camelot never existed, any more than the world portrayed by those old Hollywood films existed.”

Russell Baker (1925–2019) writer and satirst from the United States

"Golden Oldies" (p.293)
So This Is Depravity (1980)

People, Age, World, Justice

“I can't let go of my own vision of Nightmare on Elm Street, I just don't want to, I don't want to see another person play Freddy Kruger. I don't want to see scenes that we worked really hard on be reimagined. I respect their reason for doing it but I don't want to have it in my imagination or my mind. Those memories are so precious to me. I was a teenager when I made that movie so it's so formative. My friendship with Robert Englund is so important to me that I don't need it.”

Heather Langenkamp (1964) actress

Heather Langenkamp Reveals Why She'll Never Watch 'Nightmare on Elm Street' Remak http://toofab.com/2017/02/27/heather-langenkamp-reveals-why-shell-never-watch-nightmare-on-elm-street-remake-exclusive/ (February 28, 2017)

Friendship, Imagination, Memory, Personality

“I just don't know what to do with my time
I'm so lonesome for you it's a crime
Going to the movie only makes me sad
Parties make me feel as bad
When I'm not with you
I just don't know what to do”

Hal David (1921–2012) American lyricist

Song I Just Don’t Know What To Do With Myself

Sadness, Feeling, Time

“I really envy the members of the production departments of American movie studios. Their ideas are better, and they are given much more time to work on films.”

Kenpachiro Satsuma (1947) Japanese actor

As quoted by David Milner, "Kenpachiro Satsuma Interview I" http://www.davmil.org/www.kaijuconversations.com/satsum.htm, Kaiju Conversations (December 1993)

Idea, Time, Envy

“Laying here in the dark you're like an angel on my chest,
Just another tramp of hearts crying tears of faithlessness.
Remember all the movies, Terry, we'd go see?
Trying to learn how to walk like heroes we thought we had to be.
And after all this time to find we're just like all the rest,
Stranded in the park and forced to confess
To hiding on the backstreets, hiding on the backstreets.
We swore forever friends on the backstreets until the end,
Hiding on the backstreets, hiding on the backstreets.”

Bruce Springsteen (1949) American singer and songwriter

"Backstreets"
Song lyrics, Born to Run (1975)

Angels, Tear, Learning, Time

“Tree-hugging, Birkenstock-wearing, hippie, tie-dyed liberals [in Hollywood should]… go make their movies and their music and whine somewhere else…. It's just too damn bad we didn't buy them a ticket [to become human shields in Iraq].”

Jim Gibbons (1944) American attorney, aviator, geologist, hydrologist and politician

Fox News, March 04, 2005, http://www.foxnews.com/story/0,2933,149423,00.html

Music, Tree

“I woke up in the middle of the night with the sound of heavy explosion. It was deep at night. I do not remember what time it was. I just remember the sound was so heavy and so very shocking. Everything in my room was shaking -- my heart, my windows, my bed, everything. I looked out the windows and I saw a full half-circle of explosion. I thought it was just like the movies, but the movies had not conveyed them in the powerful image that I was seeing full of bright red and orange and gray, and a full circle of explosion. And I kept on staring at it until it disappeared. I went back to my bed, and I prayed, and I secretly thanked God that that missile did not land on my family's home, that it did not kill my family that night. Thirty years have passed, and I still feel guilty about that prayer, for the next day, I learned that that missile landed on my brother's friend's home and killed him and his father, but did not kill his mother or his sister. His mother showed up the next week at my brother's classroom and begged seven-year-old kids to share with her any picture they may have of her son, for she had lost everything.”

Zainab Salbi (1969) Iraqi American author, women's rights activist

Speech at TEDGlobal 2010

God, Family, Feeling, Home

“I always enjoyed horror, both as a kid and as a young man. Then when I was doing stunts in horror movies and was lucky enough to get the role as Jason the first time then that’s when everything changed. Once you get known in horror then every small horror film wants you to be in their movie because your name is known in the horror genre and that helps sell the movie. Very often, if they’re smart, they will offer you different kind of roles which I personally love. When somebody offers me something that I’ve never done before, that’s what I’m looking for.”

Kane Hodder (1955) Horror film actor

Interview: Kane Hodder Talks Stunt Work, Acting and His Career in Horror http://www.geekchicelite.com/interview-kane-hodder-talks-stunt-work-acting-and-his-career-in-horror/ (September 10, 2015)

Love, Change, Time, Help

“I think that the best science fiction is where the story is fiction but the science is real, or at least as real as possible. If you’re going to write a good sci-fi, and you want me to believe the one wholly implausible idea that your story is about, then every other aspect of the film should be as seemingly reasonable as it possibly can be. That’s what Jurassic Park tried to do. If I am to believe that an impossibly huge reptilian monster is destroying the city, then the back story of it’s origin ought to sound realistic enough to counter-balance that. That’s what the first Godzilla movie tried to do. After that, filmmakers adopted the opposite strategy; so that everything else in the subsequent sequels had so many outrageous absurdities, each so insanely stupid, that the monster in the middle was the most reasonable element by comparison.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

Patheos, Weighing in on Godzilla http://www.patheos.com/blogs/reasonadvocates/2014/06/08/weighing-in-on-godzilla/ (June 8, 2014)

Stupidity, Idea, Thinking, Science

“Although the medium is the message, the controls go beyond programming. The restraints are always directed to the “content,” which is always another medium. The content of the press is literary statement, as the content of the book is speech, and the content of the movie is the novel. So the effects of radio are quite independent of its programming.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, Understanding Media (1964), p. 267

Books

“I had a really great time doing it. I haven’t seen the whole movie together with all the special effects, but even without the special effects I was like, "This is rad!" I loved it. I just was with the characters more. I don’t know, somehow I connected with the story better.”

Milla Jovovich (1975) Ukrainian-born american model and actress

About working on the film Resident Evil: Extinction, in comparison to Resident Evil 2
Interview 2

Love, Time

“Music would probably go. A lot of art would. That’s what I’m saying – I’m really into comics and movies and video games, and I don’t want to give that stuff up. At the same time, I think it’s filling the void for the stuff we’re missing.”

Andrew Hurley (1980) American musician

On if rock bands would ruin civilization
The Boys With the Car-Crash Hearts (March 8, 2007)

Art, Music, Game, Thinking

“"This sucks on so many levels." — Dialogue from "Jason X" Rare for a movie to so frankly describe itself. "Jason X" sucks on the levels of storytelling, character development, suspense, special effects, originality, punctuation, neatness and aptness of thought.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/jason-x-2002 of Jason X (26 April 2002) Reviews, Half-star reviews

“Battlefield Earth is like taking a bus trip with someone who has needed a bath for a long time. It's not merely bad; it's unpleasant in a hostile way. The visuals are grubby and drab. The characters are unkempt and have rotten teeth. Breathing tubes hang from their noses like ropes of snot. The soundtrack sounds like the boom mike is being slammed against the inside of a 55-gallon drum. The plot. … Some movies run off the rails. This one is like the train crash in The Fugitive. I watched it in mounting gloom, realizing I was witnessing something historic, a film that for decades to come will be the punch line of jokes about bad movies.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/battlefield-earth-2000 of Battlefield Earth (12 May 2000) Reviews, Half-star reviews

Hostility, Way, Time, Training

“I finally got tired of making movies where all I did was walk across the screen and look pretty. I got a big chance to do some real acting in The Postman Always Rings Twice, and I'm not going to slip back if I can help it. I tried to persuade the studio to give me something different. But every time I went into my argument about how bad a picture was, they'd say, 'well, it's making a fortune.”

Lana Turner (1921–1995) American actress

That licked me.
On her experience in the film industry; quoted in MacPherson, Virginia; "Imagine This, Lads; Lana Turner Asks That You Concentrate On Her Acting," Toledo Blade (October 15, 1946).
On her career

Chance, Time, Help

“If you’re doing it right, you’re not asking the audience to buy into your point of view at all. If you’re doing it right, you’re asking the audience to accept the character’s point of view as the character’s point of view. That can be anything. We’ve all watched hundreds of movies from characters’ points of view that are not our own. That’s part of the gift movies give us.”

Scott Derrickson (1966) American screenwriter and film director

Interview: Filmmaker Scott Derrickson on Horror, Faith, Chesterton and His New Movie http://www.ncregister.com/daily-news/interview-scott-derrickson (July 1, 2014)

Parting

“The ordinary person senses the greatness of the odds against him even without thought or analysis, and he adapts his attitudes unconsciously. A huge passivity has settled on industrial society. For people carried about in mechanical vehicles, earning their living by waiting on machines, listening much of the waking day to canned music, watching packaged movie entertainment and capsulated news, for such people it would require an exceptional degree of awareness and an especial heroism of effort to be anything but supine consumers of processed goods.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1950s, The Mechanical Bride (1951), p. 21

People, Music, Sense, Effort

“Perhaps if movie theaters also played the national anthem before their main attractions, the Internal Revenue Service would allow Hollywood studios to depreciate their actors.”

Andrew Zimbalist (1947) American economist

Source: Baseball And Billions - Updated edition - (1992), Chapter 2, Baseballs Barons, p. 35.

“Twenty-five years ago I couldn't walk down the street without being recognized. Now I can put a cap on, walk anywhere and no one pays me any attention. They don't ask me about my movies and they don't ask me about my salad dressing because they don't know who I am. Am I happy about this? You bet.”

Paul Newman (1925–2008) American actor and film director

Quoted in Geoff Pevere, "Getting noticed: the spooky side of celebrity," http://www.toronto.com/movies/article/525796 toronto.com (2007-08-10)

Happiness

“Not long ago a friend of mine opened the door of the garage at her summer cottage, and found a man inside who had hanged himself about two months before; what is more he had been cut down. She is deeply anxious to know (a) why he hanged himself; (b) if he hanged himself or was hanged; (c) who cut him down; (d) what it was about her garage that appealed to his morbid fancy. She will probably never know any of these things. It is thus that life falls short of the movies.”

Robertson Davies book The Diary of Samuel Marchbanks

The Diary of Samuel Marchbanks (1947)

Life, Summer

“A movie loosely based upon my novel, I Know What You Did Last Summer, opened in theaters around the country. I was ecstatic until I settled into a theater seat with my box of popcorn and discovered that Hollywood had turned my teenage suspense story into a slasher film. The setting had been changed from the mountains of New Mexico to a fishing village on the East Coast, so an insane fisherman, who wasn't in my book, could decapitate my characters with an ice hook. The first thing I did after leaving the theater was phone our daughter Kerry and warn her not to let the grandchildren see it.”

Lois Duncan (1934–2016) American young-adult and children's writer

On the adaptation of her novel I Know What You Did Last Summer in 1997, quoted in MoviePilot https://moviepilot.com/posts/3514425 piece 1990–2002

Books, Mountain, Fish, Change

“Transformers is so belabored that it makes Pirates of the Caribbean: At World's End seem like a masterpiece of pacing. It makes that "classic" midsummer alien invasion movie, Independence Day, seem like a template for inventive plotting and solid character development. Even by Michael Bay standards, this movie is vapid. Yes, there are plenty of explosions, but those are a dime-a-dozen these days; even Discovery Channel's Mythbusters has them. Transformers isn't clean, big-budget fun; it's clean, big-budget tedium. For Transformers fans, I suppose this is a dream motion picture. For everyone else, it's a nightmare.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=591 of Transformers (2007). One-and-a-half star reviews

World, Dreams

“Oh it’s a relief to do movies, especially ones like this because you get to be like a little kid again and run around and play in this great adventure. I had a wonderful time.”

Arnold Vosloo (1962) South African-American actor

Interview: Arnold Vosloo http://www.bbc.co.uk/films/2001/05/11/arnold_vosloo_article.shtml (May 11, 2001)

Time

“I write movies about mavericks, about people who break rules, and I don't like movies about people who are pulverised for being mavericks.”

Quentin Tarantino (1963) American film director, screenwriter, producer, and actor

Virgin.Net interview http://www.virgin.net/movies/interviews/quentin.html

People

“I wonder who will find the film more uncomfortable - men or women? Both will recoil from the brutality of the scenes of the assault. But for some men, the movie will reveal a truth that most women already know. It is that verbal sexual harassment, whether crudely in a saloon back room or subtly in an everyday situation, is a form of violence - one that leaves no visible marks but can make its victims feel unable to move freely and casually in society.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/the-accused-1988 of The Accused (14 October 1988) Reviews, Three star reviews

Women, Men, Truth, Feeling

“The biggest alien invasion picture of the summer of 1996 is Independence Day. But it's not the first. The Arrival, with a significantly lower budget than Fox's July 3 release, has that distinction, and, while this particular film doesn't boast any radical or surprising ideas, it combines numerous familiar plot elements into a suspenseful, entertaining whole. Best of all, perhaps, is the realization that some thought went into writer/director David Twohy's script. This is not a dumb movie; in fact, with its heavy reliance upon real science, it's startlingly credible.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/movies/a/arrival.html of The Arrival (1996). Three star reviews

Idea, Science, Summer

“I would love to talk to you about that, Josh, but there's something else I want to bring up, and that's this. (Holds up a screenplay entitled "Live For The Moment: The Jeff Hardy Story") I had a friend in a fancy Hollywood agency the other day, and he ran across this little gem. Somebody actually took the time to write a screenplay about the Jeff Hardy story. So I was paging through it, and lo and behold, it culminates, of course, with Jeff conquering his demons and beating me her tonight in a TLC match at SummerSlam. What a great feelgood story, Josh, all except, of course, for the ending, which is not reality-based. It's fake, it's phony, just like everybody who lives in this town. I'd go as far as to say that I'm the only real person in this building right now. I wish I could say it's a Los Angeles epidemic, but the fact is it's worldwide. You have people that falsely idolize what they see in movies and on television; you have housewives in Iowa that subscribe to U. S. Weekly, US Weekly, or whatever it's called, so they can model their hair after Kate Gosselin, instead of helping their own children with their homework; you have little kids all over the world, millions of them, who idolize the "hip, cool star", and it doesn't matter if that hip cool star is some dork vampire in Twilight, or if it's Jeff Hardy. It doesn't matter if that hip cool star has a reprehensible, reckless lifestyle. You know, it doesn't matter if the collective intelligence of this entire country continues to spiral downward, day in and day out. It doesn't matter as long as it's cool, right? You know why they don't make movies about a guy like me? It's cause I don't support your poisoned society. I don't support this den of iniquity known as Hollywood. No, instead, I'm dismissed as being preachy, except I'm not preachy—I never have been. I just tell the truth. You know, I'm not a screenwriter either, but tonight I think I'll take a stab at it. Tonight I'm gonna rewrite the ending of "The Jeff Hardy Story."”

Phil Brooks (1978) American professional wrestler and mixed martial artist

It's gonna be horrifying. It's gonna be very, very graphic. It might be hard to watch for a lot of people, but it will have a happy ending: new World Heavyweight Champion—CM Punk.
At SummerSlam
Friday Night SmackDown

Love, Children, People, Truth

“I am secretly a costume drama queen. Oo, I love me some Merchant Ivory films! I do! If there is a petticoat and Helena Bonham Carter, already I can feel the tears well up in my eyes. I love me some period films! And I know that I will never be in them. I will never be in any of these movies, unless I am laying down on my side smoking some opium. And I get offered movie roles all the time, but I say, "No! No! I don't want to play a manicurist. I don't want to play a really pissed-off liquor store owner. I don't want to go nowhere with a chicken under my arm. I don't want to play an exceptionally good student, I do not want to get off a tour bus and take numerous photographs, I do not ever want to utter the phrase, 'Welcome to Japan, Mr. Bond'! I don't want to write down all my memoirs about being a geisha!"”

Margaret Cho (1968) American stand-up comedian

What it is, is that I cannot run up a wall!!
From Her Tours and CDs, Revolution Tour

Love, Feeling, Tear, Time

“When I won the competition, I had just been offered a job as a designer in Düsseldorf, so that’s probably what I’d be doing now. It can be fascinating to consider how your life might have turned out, like in the movie Sliding Doors, but I’m too busy to look back.”

Heidi Klum (1973) German model, television host, businesswoman, fashion designer, television producer, and actress

Discussing what she would have done if she didn't win a modeling contest at age 19. Quoted by Elisabeth Braw, Metro World News, Canada http://www.metronews.ca/ottawa/entertainment/article/446299--talking-healthy-hearts-with-heidi-klum.

Life, Business

“Making a movie has to be artistic. You have to look back and say, ‘I did this because I had fun.”

Shahrukh Khan (1965) Indian actor, producer and television personality

From interview with David Light

“I still haven’t forgiven C. S. Lewis for going on all those long walks with J. R. R. Tolkien and failing to strangle him, thus to save us from hundreds of pages dripping with the wizardly wisdom of Gandalf and from the kind of movie in which Orlando Bloom defiantly flexes his delicate jaw at thousands of computer-generated orcs. In fact it would have been ever better if C. S. Lewis and J. R. R. Tolkien could have strangled each other, so that we could also have been saved from the Chronicles of Narnia.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

'Harry Potter Envy', on bestsellerdom
Television and radio, Radio 4: A Point of View

Wisdom

“I always fall in love with someone while I'm working in a film. It's a joy to get up in the morning. Sometimes when I'm not infatuated, I just make things up in my mind. Making a film is such an intense thing. You're eliminating everything in your life and you're absorbed into the world of the movie. It's exciting. It's like somebody saying you have an illness and you only have this short time to live. Then you live it that life is over with. Good-bye. You never see any of the people again. But meanwhile you have this short life in which you can do and feel and fantasize about all kinds of things because you know it will soon be over. So I always fall in love. Then you slip out of it, like a skin you take off, and you're naked and you're cold but it's exciting because there is going to be something new. My relationships are as intense and as giving and as short as my parts are. I would pump everything into a person. I would give my left arm that it was for life, but it dies so shortly. And when it dies, it doesn't even leave traces. The relationship vanishes into space. When I finish a part, it's the same feeling. I leave people and people leave me, I leave parts and parts leave me. I say it is 'the flow of life,' but it affects me terribly. Every once in a while I have such a breakdown, question every move.”

Nastassja Kinski (1961) German actress

As quoted in Denise Worrell (1989), Icons: Intimate Portraits.

Love, Life, People, World

“Where I live, nobody who's fourteen is having sex and doing major drugs. And I think if you see it in the movies, you may be influenced by it. I think it's so important to preserve your innocence.”

Natalie Portman (1981) Israeli-American actress

Ingenue interview, March 1996 by Ted Demme, Ingrid Sischy http://www.natalieportman.com/articles/nparticles_en.php?viewarticle=1&article_number=20

Sex, Thinking

“They made a porn movie about Sarah Palin, and the same actress, Lisa Ann, played me in the porn version of 30 Rock. Weirdly, of the three of us, Lisa Ann knows the most about foreign policy.”

Tina Fey (1970) American comedian, writer, producer and actress

"Ask Tina" segment from NBC's 30 Rock website

“I have several times found some people say that there were abusing drawings of Islam or Prophet Muhammad and people get angry and hurt inside. I was just thinking whether we also do insult Prophet Muhammad? In our behaviors and our practices do we insult Islam or not? I mean, we got hurt by those people who draw abusing drawings or making abusing movies of Prophet Muhammad, So what have we done? We also insult Prophet Muhammad! At the end, what we have introduced about our religion is what made people attack us and insult us.”

Abdel Fattah el-Sisi (1954) Current President of Egypt

Remarks by el-Sisi during celebrating the night of El-Kadr on 25 July 2014 https://www.youtube.com/watch?v=y6d_ln9MQHk. 2014

People, Religion, Behavior, Thinking

“Four guys could get together and make their own movie, in a year, but nobody does it 'cause they got bills to pay. What I'm saying is, that's what I would do, if I was young. I wouldn't even get a job. I'd get a couple of computers and a bunch of guys, we'd eat crap for a year, millionaires the next year if we did a good film. It's so extraordinary. Instead of crying about getting a job at Disney or "things are falling apart", things the old animators were doing when I was a kid, "it's all crumbling!" It's not crumbling, you're crumbling! You got these computers that could do this stuff for nothing! What do you do with it? You try to get a job for some asshole studio. It's so dumb.”

Ralph Bakshi (1938) Animator, filmmaker

Guy, Animals, Cry

“You can talk film theory till you're blue in the face, but in the end, the thing that may haunt you most about a movie is a pair of eyes.”

Stephanie Zacharek (1963) American film critic

Seduced and Abandoned, Salon.com, 1997-05-09, 2006-08-25, http://web.archive.org/web/19990828005105/http://www.salon.com/may97/vep970509.html, 1999-08-28 http://www.salon.com/may97/vep970509.html,

“One of my many favorite tattoos I’ve seen of myself is from a photo shoot I did for the cover of a compilation called Punk Fiction that came out in the 90s. And my friend who was putting it together asked me to re-create the movie poster for Pulp Fiction with me in place of Uma Thurman as Mia Wallace on the bed smoking a cigarette with the wig on and everything. So I went in and did that and it was the cover of the record and posters were made. Since then I’ve seen a portrait tattoo of me as Mia Wallace. That’s my favorite. And that was years before I was publicly dressing as a woman, which I’ve been doing for years now onstage and off. I think Mia Wallace was just one of my earlier excuses to strut around in women’s clothing.”

Davey Havok (1975) American singer

http://web.archive.org/web/20101014172908/http://rocknrolltales.com/read/afi

Women, Photo, Thinking, Tattoo

“How does one make a movie about decadence these days? Now that we're allowed to do it, it's too late.”

Wilfrid Sheed (1930–2011) English-American novelist and essayist

"I Am a Cabaret" (1972), p. 203
The Good Word & Other Words (1978)

“I never wanted to be an actor. I never want to be an actor. I want to be a movie star. The whole idea of having to act is too gruesome. It's too ambitious for me.”

Vincent Gallo (1961) American film director, writer, model, actor and musician

AOL Interview

Star, Idea

“Sometimes if you go to see a very, very, happy movie, a Hollywood movie, you can walk out of the movie and feel very depressed because it's so false. And other times you see a very depressing movie and it makes you feel good, happy because you've seen something real. You've seen something that talks to you and says that your bad feelings are legitimate. And then you can go further with that and say, "Well, this bad feeling is good, and this good feeling is bad, but is it good to feel bad and is it bad to feel good?" I'm concerned with feelings. And sometimes when I feel good, I'll write something very negative because I have the strength to do it. But when I really, really feel very bad, what I want to do is make myself feel better, so I'll write something happier.”

John S. Hall (1960) Poet, author, singer, lawyer

Quotes from interviews

Feeling, Time, Falseness, Happiness

“The words "Kiss Kiss Bang Bang," which I saw on an Italian movie poster, are perhaps the briefest statement imaginable of the basic appeal of movies. This appeal is what attracts us, and ultimately what makes us despair when we begin to understand how seldom movies are more than this.”

Pauline Kael book Kiss Kiss Bang Bang

"A Note on the Title".
Kiss Kiss Bang Bang (1968)

Imagination, Understanding, Kiss, Despair

“When you clean them up, when you make movies respectable, you kill them. The wellspring of their art, their greatness, is in not being respectable.”

Pauline Kael book Going Steady

Going Steady (1969), Trash, Art and the Movies (February 1969)

Art

“You can’t expect anything. In the Evil Dead movies you can only expect the unexpected. These were never designed to be a franchise. These were a very slow growing series of movies and the TV show was a natural outgrowth; it made more sense to do a TV show than a 75-million-dollar movie, for example. It’s dictated by economics and look, a lot of the difference between Army Of Darkness and now is that Army Of Darkness flopped, which most people forget; the series was dead after that. It took until the late nineties to rekindle it on DVD, so we’re actually really glad to celebrate the release of the Ash Vs Evil Dead DVD so DVD collectors can add it to the rest of the series.”

Bruce Campbell

Bruce Campbell interview: Ash Vs Evil Dead https://www.denofgeek.com/uk/tv/bruce-campbell/43298/bruce-campbell-interview-ash-vs-evil-dead (September 5, 2016)

People, Nature, Sense, Evil

“(Cary Grant) is, along with Fred Astaire, the best-dressed actor in American movies”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

Benjamin Schwarz in " Becoming Cary Grant http://www.theatlantic.com/magazine/archive/2007/01/becoming-cary-grant/5548/" The Atlantic, January/February 2007

“I recently saw The Last American Virgin, one of those early-'80s coming-of-age movies. And the actors, they look like kids you grew up with! Today's teen movies, I didn't know anybody who looked like that. The standards now are so unbelievably high.”

Beck (1970) American Musician (b.1970)

Spin magazine, December 1999

Age

“We went to see 'Dr No' [first James Bond film, 1962] at Fort-Second Street. It's a fantastic movie, so cool. We walked outside and somebody threw a cherry bomb right in front of us, in this big crowd. And there was blood. I saw blood on people and all over. I felt like I was bleeding all over. I saw in the paper last week that there are more people throwing them - it's just part of the scene - and hurting people. My show in Paris is to be called 'Death in America.”

Andy Warhol (1928–1987) American artist

I'll show the 'Electric-chair' pictures and the Dogs in Birmingham and car wrecks and some suicide pictures.
Source: 1963 - 1967, What Is Pop Art? Interviews with Eight Painters, Part 1 (1963), pp. 116-19

Death, People, Dogs, Cars

“When the Rothchilds got the word about the battle of Waterloo - in the movie it was by carrier pigeon - they didn't rush down and buy British consols, the government bonds. They rushed in and sold, and then, in the panic, they bought.”

George Goodman (1930–2014) American author and economics commentator

Source: The Money Game (1968), Chapter 16, Lunch At Scarsdale Fats', p. 227

“It's an approximate count. If you have a hit film, you'll sell 5 million or 6 million CDs. Of my movies, at least 20 or 25 were really big hits. [Mind you, he adds], in India, we don't get royalties. Otherwise I'd be a very rich man. I wouldn't have to come to America!”

A. R. Rahman (1966) Indian singer and composer

Original Score

“Mr. Tsuburaya was a gentleman. He was very charismatic. Mr. Tsuburaya would never express his anger at me or the other monster actors. However, he would express his anger at the members of his staff. Mr. Tsuburaya often pretended to be asleep when he in fact was just thinking about his work. Once he had decided what he wanted to do, he would pretend to wake up. He then would begin giving instructions to the members of his staff. There were two things Mr. Tsuburaya hated. One was snakes and the other was bloodshed. I remember that someone once asked Mr. Tsuburaya why he never showed bloodshed in the monster films on which he worked. Mr. Tsuburaya replied that he never showed it because he knew that children went to see the movies. One day, a Toho employee suggested that the studio produce a film about a giant snake. Mr. Tsuburaya didn't like the idea, so the movie was never made. Mr. Tsuburaya would try to inspire the people with whom he worked. His inspiration helped me keep playing giant monsters for eighteen years.”

Haruo Nakajima (1929–2017) Japanese actor

As quoted by David Milner, "Haruo Nakajima Interview" http://www.davmil.org/www.kaijuconversations.com/nakajima.htm, Kaiju Conversations (March 1995)

Hate, Children, People, Idea

“As I understand it, George Peppard later became a nice guy, a gentleman, but when we worked together back then, he was pretentious, egotistical, a brat, and an asshole—and that’s just for starters! He pretended he was seven years younger than he was; he even claimed to be a bachelor and denied he was married—in front of me (I knew better), he denied their existence. The role of Jonas Cord in The Carpetbaggers really went to his big head. He acquired delusions of grandeur—thought he was God’s gift to women and the movies! His attitude towards me was very bizarre—he acted as though we’d never met! Or that I had a husband!”

Carroll Baker (1931) American actress

On co-star George Peppard, interview http://www.westernclippings.com/interview/carrollbaker_interview.shtml with Mike Fitzgerald, Western Clippings

Women, God, Guy, Understanding

“And for two years, we had this sign up saying we will finish this movie and we changed it to 'did' finish the movie.”

Phil Vischer (1966) American puppeter

From Disc Two; Behind the Scenes: Big Idea Tour (00:10:59-00:11:37)
Jonah: A VeggieTales Movie DVD (2002)

Change

“I believe […] that we can still have a genre of scientific books suitable for and accessible alike to professionals and interested laypeople. The concepts of science, in all their richness and ambiguity, can be presented without any compromise, without any simplification counting as distortion, in language accessible to all intelligent people. […] I hope that this book can be read with profit both in seminars for graduate students and—if the movie stinks and you forgot your sleeping pills—on the businessman's special to Tokyo.”

Stephen Jay Gould book Wonderful Life

Preface, p. 16
Wonderful Life (1989)

People, Books, Hope, Intelligence

“October 14, 1972: that date should become a landmark in movie history comparable to May 29, 1913 — the night Le Sacre du Printemps was first performed — in music history. There was no riot, and no one threw anything at the screen, but I think it’s fair to say that the audience was in a state of shock, because Last Tango in Paris has the same kind of hypnotic excitement as the Sacre, the same primitive force, and the same thrusting, jabbing eroticism. […] Bertolucci and Brando have altered the face of an art form. Who was prepared for that?”

Pauline Kael (1919–2001) American film critic

From "The Current Cinema" http://www.criterion.com/current/posts/834-last-tango-in-paris. The New Yorker. October 28, 1972.

Art, Music, History, Thinking

“I wanted to be a movie star. But movie stars are not what they used to be. When I was a kid, I thought movie stars were women and men who were in these great films that we still look at now… And people my age don't even know who those people are. I can't even have a conversation with most people of my generation about that, because they'd be like, "Okay, she's a freak…" And the worst part is, in terms of what people see of me, I have become this girl who just loves to be photographed, doesn't know how to focus, doesn't know how to work on set, just loves the attention, knows how to go out at night, knows how to party. And you know what? I was 20 years old. I never went to college. And I lived maybe six months out of my life like that, doing something wrong, and then I stopped. God forbid I should have ever learned my lesson. But at this point it's so hard for people to even believe that there was a lesson to be learned at all, because they just think I'm wrong. All these people think I'm never going to be right, because it's more interesting to fabricate this other girl. Who wants to read a tabloid story about a girl who is doing well?”

Lindsay Lohan (1986) American actress and pop singer

Interview interview (2009)

Love, Life, Women, Men

“I don't like movies where everything happens fast. I like the buildup, the obstacles, the mystery.”

Matt Dillon (1964) American actor

Terry Lawson (May 28, 2003) "Dillon's Cambodia Vacation Pays Off - Actor Turns Director to Tell a Story of Beauty With an Air of Mystery", Detroit Free Press, p. 1C.

“It's very stressful becoming a parent. You know what was hard for me? Coming up with names for our children. I panic when I have to name a new document on my computer…. I got so desperate toward the end of my wife's third pregnancy that I found myself reading the credits at the end of movies, looking for names. Which means at some point, I'll have to explain to my little boy that he was named after the key grip on "Dude, Where's my Car?"”

Jeff Stilson American comedian

Comedy Central Presents Jeff Stilson (2003)

Children, Cars, Boy, Parent

“The perception of you is one thing. You're this famous person, and now you're this famous person who's a bombshell. So all of a sudden, that's the only way I get jobs. So I have to become the part. And they're telling you this is the way to do it. One director actually said to me, "I want to hear you talk dumber and faster." … He thought it was funny for the girl to be dumb. I finally said, "That's it, man — I can't do this anymore." I'd go to meetings during the filming of a movie, and the directors would ask, "What do you think of the script?" I'd say, "It has a lot of problems." They were confused. That's not what they wanted from me. … So I was not very popular. At one point I said, "I don't want to do this — it's not my dream." And so I said, "I'm going to start a company. I am going to create projects for me. I'm going to create projects for other Latin women."”

Salma Hayek (1966) Mexican-American actress and producer

Because I got to a point where I was whining all the time. I was miserable. I was desperate
O interview (2003)

Women, Dreams, Way, Girl

“I look for good possibilities in movies. I don't look for perfection.”

Christopher Walken (1943) American actor

Glenn Lovell: Knight Ridder Newspapers (October 18, 2004) "A mellow, reflective Christopher Walken", The Seattle Times, p. E8.

Perfection

“Sour Grapes is a comedy about things that aren't funny. It reminded me of Crash, an erotic thriller about things no one finds erotic. The big difference is that David Cronenberg, who made Crash, knew that people were not turned on by auto accidents. Larry David, who wrote and directed Sour Grapes, apparently thinks people are amused by cancer, accidental castration, racial stereotypes and bitter family feuds… The more I think of it, the more Sour Grapes really does resemble Crash (except that Crash was not a bad film). Both movies are like watching automobile accidents. Only one was intended to be.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/sour-grapes-1998 of Sour Grapes (17 April 1998) Reviews, Zero star reviews

People, Family, Thinking

“Oh, my best part was in The Rainmaker (1956). It was my 15th movie and my first co-starring role. I played Katharine Hepburn's younger brother, and I won the Hollywood Foreign Press Association's Golden Globe Award for Best Supporting Actor. My competition that year included Anthony Quinn in Lust for Life, Karl Malden and Eli Wallach in Baby Doll and Herbert Lom in War and Peace. But the big blow came when I failed to get nominated for an Oscar. I was at Louella Parsons home, doing an interview, when the news came. It was a crushing blow to me that I wasn't nominated. Louella tried to console me, saying, You're young, you'll get lots of opportunities.”

Earl Holliman (1928) American actor

Well, I'm still waiting.
"Earl Holliman: actor with desire for variety" (1973)

Life, War, Peace, Home

“When we say expanded cinema we actually mean expanded consciousness. Expanded cinema does not mean computer films, video phosphors, atomic light, or spherical projections. Expanded cinema isn't a movie at all: like life it's a process of becoming, man's ongoing historical drive to manifest his consciousness outside of his mind, in front of his eyes. One no longer can specialize in a single discipline and hope truthfully to express a clear picture of its relationships in the environment. This is especially true in the case of the intermedia network of cinema and television, which now functions as nothing less than the nervous system of mankind.”

Gene Youngblood book Expanded Cinema

Preface
Expanded Cinema, 1970

Life, Hope, Light

“Maybe it's the remnants of my religious upbringing, but I do try and insert a sense of social justice into the work … for instance, to me, Mansfield Park is a story about servitude and slavery. Other people may have a problem with that, but that's how I read the book and so that's how I shot the movie.”

Patricia Rozema (1958) Canadian film director

As quoted in Weird Sex and Snowshoes : And Other Canadian Film Phenomena (2001) by Katherine Monk, p. 150

People, Books, Justice, Problem

“It's not movies and it's not "fine art." The beauty of a comic is that it's clear, direct communication. My work is getting simpler and more cartoony because I'm much more interested in communication now than in any illustrative value.”

Frank Miller (1957) American writer, artist, film director

p 276
Eisner/Miller (2005)

Beauty, Art, Communication

“Perhaps I never truly understood the term "torture porn" until watching this movie. The various demented killings, maimings, and other assorted indignities performed upon characters (most of them comely women) are designed with one objective in mind: to get people off. Make no mistake about it - this is masturbation material for those who enjoy this sort of thing. … Watching Captivity is like observing a 45-minute psychological rape. Rarely have I found myself so uncomfortable viewing anything over such an extended period of time. There's nothing redeemable here. It's not tense or scary; it's just demented - Directed by Roland Joffé.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=604 of Captivity (2007). Zero star reviews

Women, People, Time

“I feel that most illusionists, magicians and prestidigitators have lost their sense of magic. A movie, a painting, a sunset or a piece of music are sometimes more magical than many 'magic tricks'. Most of our contemporary magicians arouse pity or compassion and don't allow the spectators to dream about other worlds. Magic is not the trick you're doing. Magic is a certain mood, an atmosphere; the absolute beauty of the instant when Man meets the sacred; where the walls of our reality open and, beyond them, infinity appears. The magicians are guides who may, at their will, travel from one universe to another, bringing you with them.”

Christian Chelman (1957) magician

Christian Chelman, 1993, Capricornian Tales, L & L Publishing, p. 6

World, Beauty, Dreams, Music

“The original 1954 Japanese film, Gojira was iconic, and only made a couple mistakes of any significance. (1)They killed him in the end, and we saw his body turned to skeleton. Not the best way to begin 60 years worth of sequels. (2) Godzilla was depicted as a dinosaur, and was associated with living trilobites. Even if there was some sort of ‘realm that time forgot’ out in the Pacific somewhere, Trilobites were already extinct before the first dinosaurs, and Godzilla was clearly no dinosaur. The conceptual artists reportedly referenced illustrations of dinosaurs, but that’s not what they rendered. All bi-pedal dinosaurs [Therapods] were digigrade, walking on their toes, like birds, and usually only three or four digits. Godzilla was plantigrade and pentadactyle, (having five digits and walking on the whole foot) just like lizards. It even looks like a lizard, apart from the fact that no reptile has an actual nose or external ears. In a sense, what Toho pictures created was actually an oriental dragon. These tend to mix reptilian and mammalian traits. Amusingly in 1954, Toho made a giant lizard and called it a dinosaur. In 1998, Tristar re-designed Godzilla as a dinosaur, but called it a lizard. Of course that wasn’t the only thing Tristar did wrong. They tried to ruin the monster completely. They took away the only thing that worked in decades of sequels, the look of the monster itself. Then they took away everything that made Godzilla appealing to Kaiju fans, then they tied it down and shot it. Such disrespect. If you’re going to make a movie that already has a fan-base, and they are the ones who will decide whether your film will pay off, respect those fans and the story they’re paying to see.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

Patheos, Weighing in on Godzilla http://www.patheos.com/blogs/reasonadvocates/2014/06/08/weighing-in-on-godzilla/ (June 8, 2014)

Way, Bird, Sense, Time

“I'm proud of her [Shruti] because she isn't doing a product of our home banner Rajkamal Films. The only thing Rajkamal did for her was to give her a chance to do the background score in ‘Unnaipol Oruvan’. It wouldn't matter to me if she failed as a movie actress. But right now it looks like a winning streak.”

Kamal Haasan (1954) Indian actor

About his daughter Shruti Haasan
Aamir's choice of films makes Kamal Haasan happy

Home, Chance

“For some strange reason we don't go to charming, light movies anymore. People expect a movie to be heavy and turgid, like "American Beauty." We've become a heavy-handed society.”

Pauline Kael (1919–2001) American film critic

"The Perils of Being Pauline," interview with Francis Davis, The New Yorker (October 2001).
Interviews

People, Beauty, Light

“I never thought that I would be labeled something like Generation X because of that movie (Reality Bites). I had no idea going into it, and it wasn't a label I could relate to.”

Ethan Hawke (1970) American actor and writer

The New York Times http://www.nytimes.com/2002/04/14/movies/the-payoff-for-ethan-hawke.html?sec=&spon=&pagewanted=all (2002-04-14) 2000&ndash;2004

Idea, Reality

“I don't resent being identified with B science fiction movies at all -why should I? Even though they were not considered top of the line, for those people that like sci-fi, I guess they were fun. My whole feeling about working as an actor is, if I give anybody any enjoyment, I'm doing my job, and that's what counts.”

John Agar (1921–2002) American actor

Interview with Fangoria (1986)

People, Feeling, Science

“By any precise definition, Washington is a city of advanced depravity. There one meets and dines with the truly great killers of the age, but only the quirkily fastidious are offended, for the killers are urbane and learned gentlemen who discuss their work with wit and charm and know which tool to use on the escargots.
On New York's East Side one occasionally meets a person so palpably evil as to be fascinatingly irresistible. There is a smell of power and danger on these people, and one may be horrified, exhilarated, disgusted or mesmerized by the awful possibilities they suggest, but never simply depressed.
Depression comes in the presence of depravity that makes no pretense about itself, a kind of depravity that says, "You and I, we are base, ugly, tasteless, cruel and beastly; let's admit it and have a good wallow."
That is how Times Square speaks. And not only Times Square. Few cities in the country lack the same amenities. Pornography, prostitution, massage parlors, hard-core movies, narcotics dealers — all seem to be inescapable and permanent results of an enlightened view of liberty which has expanded the American's right to choose his own method of shaping a life.
Granted such freedom, it was probably inevitable that many of us would yield to the worst instincts, and many do, and not only in New York. Most cities, however, are able to keep the evidence out of the center of town. Under a rock, as it were. In New York, a concatenation of economics, shifting real estate values and subway lines has worked to turn the rock over and put the show on display in the middle of town.
What used to be called "The Crossroads of the World" is now a sprawling testament to the dreariness which liberty can produce when it permits people with no taste whatever to enjoy the same right to depravity as the elegant classes.”

Russell Baker (1925–2019) writer and satirst from the United States

"Cheesy" (p.231)
So This Is Depravity (1980)

Life, People, Age, World

“The imagination of teenagers is often -- I'm tempted to say always -- the only sure capital they possess apart from the love of their parents, which is a force far beyond their capacity to comprehend or control.During my own adolescence, my imagination, the kingdom inside my own skull, was my sole source of refuge, my fortress of solitude, at times my prison. Like all teenagers, I provisioned my garrison with art: books, movies, music, comic books, television, role-playing games. Given their nature as human creations, as artifacts and devices of human nature, some of the provisions I consumed were bound to be of a dark, violent, even bloody and horrifying nature; otherwise I would not have cared for them.”

Michael Chabon (1963) Novelist, short story writer, essayist

Nanny Nation http://www.sfgate.com/cgi-bin/article.cgi?file=/chronicle/archive/2004/04/15/EDG8D64JFR1.DTL, San Francisco Chronicle (April 15, 2004)

Love, Books, Art, Music

“I am a genre lover – everything from spaghetti western to samurai movie.”

Quentin Tarantino (1963) American film director, screenwriter, producer, and actor

Talking Fiction (Rolling Stone, 2003) http://www.tarantino.info/index.php?option=com_content&task=view&id=310&Itemid=41.

Lovers

“Mainstream films have occupied Hollywood but you can get bored very easily. It can be very repetitive and I think now we want something fresh and something inspiring and different, daring. The mainstream film is very expensive to make and it scares people. It's made for the worldwide audience, you have to please so many people, and the business men start running the movies rather than artists. This is back to the oldest way of Hollywood filmmaking, creating a fantasy, but it has been lost. It seems to take a foreign language film to recoup that ultimate movie viewing experience.”

Ang Lee (1954) Taiwanese-born American film director, screenwriter and film producer

On Crouching Tiger, Hidden Dragon http://www.imdb.com/news/wenn/2001-03-12#celeb4, quoted at IMDb Movie/TV News (12 March 2001).

Men, People, Way, Business

“Hitchcock said a movie should play the audience like a piano. Death Race played me like a drum. It is an assault on all senses, including common. Walking out, I had the impression I had just seen the video game and was still waiting for the movie.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/death-race-2008 of Death Race (22 August 2008) Reviews, Half-star reviews

Death, Game, Sense, Waiting

“The movie cheerfully offends all civilized notions of taste, decorum, manners and hygiene… is the movie vulgar? Vulgarity is when we don't laugh. When we laugh, it's merely human nature.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/american-wedding-2003 of American Wedding (1 August 2003) Reviews, Three star reviews

Nature

“(Laura Gemser) was a very quiet woman, très réservé, but not in a snobbish way. She was very, very lovely. I worked together with her again, on Aristide Massaccesi's RITORNO DALLA MORTE, a Frankenstein movie made in 1992. She worked as a costume designer. This was another instance where I said something wrong: I told her how terrible it was that Tinti was dead, him being such a nice man…She had to rush out of the room because she was overwhelmed by her feelings for Gabriele.”

Donald O'Brien (actor) (1930–2003) Italian film and TV actor

Euro Trash Cinema magazine interview (March 1996)

Love, Way, Feeling, Dead

“You know the worst thing is freedom. Freedom of any kind is the worst for creativity. You know, Dalí spent two months in jail in Spain, and these two months were the most enjoyable and happy in my life. Before my jail period, I was always nervous, anxious. I didn't know if I should make a drawing, or perhaps make a poem, or go to the movies or the theater, or catch a girl, or play with the boys. The people put me in jail, and my life became divine. Tremendous!”

Salvador Dalí (1904–1989) Spanish artist

Quotes of Salvador Dali, 1971 - 1980, Dali interviewed by Victor Bockris, 1974

Life, People, Girl, Boy

“The artistic triumph of American Jewry lay, he thought, not in the novels of the 1950s but in the movies of the 1930s, those gargantuan, crass contraptions whereby Jewish brains projected Gentile stars upon a Gentile nation and out of their own immigrant joy gave a formless land dreams and even a kind of conscience.”

John Updike (1932–2009) American novelist, poet, short story writer, art critic, and literary critic

Bech, A Book (1970)

Dreams, Star, Joy

“The conglomerate heads may be business geniuses, but as far as movies are concerned they have virgin instincts; ideas that are new to them and take them by storm may have failed grotesquely dozens of times. But they feel that they are creative people — how else could they have made so much money and be in a position to advise artists what to do? Who is to tell them no?”

Pauline Kael (1919–2001) American film critic

Taking It All In (1983), Why Are Movies So Bad? Or, The Numbers (1980-06-23)

Money, People, Feeling, Idea

“It's a natural aspect of the marketplace. It's always been that way in storytelling. The guy who was good at playing the lover plays the lover, the funny guy gets the comic role. Movies are so expensive, when they put them together they want to have a couple of solid blocks in what they're building. I accept that. In theater, though, I tend to look for other things, I think I tend to be best in comedy.”

Christopher Walken (1943) American actor

Terry Lawson: Knight-Ridder Newspapers (February 18, 1996) "Weird, As In Walken - No, He's Not Really Nuts … Maybe", St. Louis Post-Dispatch, p. 3D.

Way, Guy, Lovers, Nature

“These movies are like my children, except you can't remake my children in 3D to push up the grosses.”

Robert De Niro (1943) American actor, director and producer

2011 Golden Globe Awards. CNN http://www.cnn.com/2011/SHOWBIZ/celebrity.news.gossip/01/16/golden.globes/, January 16, 2011.

Children

“We need to see men and women as equal partners, but it’s hard to think of movies that do that. When I talk to people, they think of movies of forty-five years ago! Hepburn and Tracy!”

Betty Friedan (1921–2006) American activist

As quoted in People magazine (7-14 March 1994), p. 49.

Women, Men, People, Thinking

“They filmed it down in Wexford and I visited the set for about half an hour. I don't usually go near the set, because there's nothing for a writer to do there and you're constantly getting in the way. If I give a book to the movies, it's theirs. Writers often whinge about being betrayed by the movies – I have no sympathy for that. If you don't want a movie to be made, then don't sell your book to the movies.”

John Banville (1945) Irish writer

John Banville: Who cares whodunnit? (2013)

Books, Way

“I'll always stand by the first Batman. Even for its imperfections, people will never know how hard that movie was to do. A lot of that still holds up.”

Michael Keaton (1951) American actor

MTV http://www.mtv.com/news/1579979/michael-keaton-endorses-chris-nolans-batman-flicks-looks-forward-to-dark-knight/ (2008).

People

“I don't often use the words "godawful" and "abomination" to describe a movie, preferring to reserve such terminology for extreme instances when I feel duped and mortally offended. Case in point: Bachelorette. Often with a bad film, I search for something positive or productive to say, cognizant as I am that there are real people with real feelings behind the production. That won't be happening here. When it comes to watchability, the only thing to distinguish this from Freddy Got Fingered (the turd standard for cinematic badness) is the absence of the sexual molestation of animals. And one could make a convincing argument that the sexual molestation of animals might improve Bachelorette.”

James Berardinelli (1967) American film critic

This possibility that this might not be the worst movie of the year is frightening to contemplate - Directed by Lesley Headland. Review http://www.reelviews.net/php_review_template.php?identifier=2513 of Bachelorette (2012). Zero star reviews

People, Feeling, Search, Animals

“Only the misapprehension that [Paglia] can be wise like lightning could explain her brief appearance, in Inside Deep Throat, to tell us that the cultural artefact in question was 'an epochal moment in the history of modern sexuality.' On the contrary, it was a moronic moment in the history of exploitation movies made by people so untalented that they can't even be convincing when they masturbate.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

On Camille Paglia (New York Times Book Review, March 27, 2005)
Essays and reviews

People, History, Question, Appearance

Quotes about movie page 8

Quotes about movie
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