Quotes about material
page 16

“In all my works.... I have always had recourse to one never-varying method. It consists in making the delineation of the objects represented heavily dependent on a system of necessities which itself looks strange. These necessities are sometimes due to the inappropriate and awkward character of the material used, sometimes to some strange obsessive notion [frequently changed for another]. In a word, it is always a matter of giving the person who is looking at the picture a startling impression that a weird logic has directed the painting of it, a logic to which the delineation of every object is subjected, is even sacrificed, in such a peremptory way that, curiously enough, it forces the most unexpected solutions, and, in spite of the obstacles it creates, brings out the desired figuration.”

Jean Dubuffet (1901–1985) sculptor from France

Quote of Dubuffet, in Peter Selz and Jean Dubuffet: The work of Jean Dubuffet, The Museum of Modern art, New York, 1962
1960-70's

Way, Change, Painting, Dependency

“The second conception of the world via the medium of matter required both a visual and a tactile perception of things. In this case the whole design process tends to emanate from the specific characteristics of the respective medium used. The leader of this movement (Tatlin) assumed.... that the intuitive and artistic mastery of materials would lead to inventions on the basis of which objects could be constructed. He believed he could prove this theory with his design for the 'Monument to the Third International' (1920), [never built]. He accomplished this task without having any special technical knowledge of construction.”

El Lissitsky (1890–1941) Soviet artist, designer, photographer, teacher, typographer and architect

Quote from: 'Basic Premises'
1926 - 1941, Rußland: Die Rekonstruktion der Architektur in der Sowjetunion' (1929)

World, Knowledge

“Let me remind you that science is not necessarily wisdom. To know, is not the sole nor even the highest office of the intellect; and it loses all its glory unless it act in furtherance of the great end of man's life. That end is, as both reason and revelation unite in telling us, to acquire the feelings and habits that will lead us to love and seek what is good in all its forms, and guide us by following its traces to the first Great Cause of all, where only we find it pure and unclouded.
If science be cultivated in congruity with this, it is the most precious possession we can have— the most divine endowment. But if it be perverted to minister to any wicked or ignoble purpose — if it even be permitted to take too absolute a hold of the mind, or overshadow that which should be paramount over all, the perception of right, the sense of Duty — if it does not increase in us the consciousness of an Almighty and All-beneficent presence, — it lowers instead of raising us in the great scale of existence.
This, however, it can never do but by our fault. All its tendencies are heavenward; every new fact which it reveals is a ray from the origin of light, which leads us to its source. If any think otherwise, their knowledge is imperfect, or their understanding warped, or darkened by their passions. The book of nature is, like that of revelation, written by God, and therefore cannot contradict it; both we are unable to read through all their extent, and therefore should neither wonder nor be alarmed if at times we miss the pages which reconcile any seeming inconsistence. In both, too, we may fail to interpret rightly that which is recorded; but be assured, if we search them in quest of truth alone, each will bear witness to the other, — and physical knowledge, instead of being hostile to religion, will be found its most powerful ally, its most useful servant. Many, I know, think otherwise; and because attempts have occasionally been made to draw from astronomy, from geology, from the modes of the growth and formation of animals and plants, arguments against the divine origin of the sacred Scripture, or even to substitute for the creative will of an intelligent first cause the blind and casual evolution of some agency of a material system, they would reject their study as fraught with danger. In this I must express my deep conviction that they do injury to that very cause which they think they are serving.
Time will not let me touch further on the cavils and errors in question; and besides they have been often fully answered. I will only say, that I am here surrounded by many, matchless in the sciences which are supposed so dangerous, and not less conspicuous for truth and piety. If they find no discord between faith and knowledge, why should you or any suppose it to exist? On the contrary, they cannot be well separated. We must know that God is, before we can confess Him; we must know that He is wise and powerful before we can trust in Him, — that He is good before we can love Him. All these attributes, the study of His works had made known before He gave that more perfect knowledge of himself with which we are blessed. Among the Semitic tribes his names betoken exalted nature and resistless power; among the Hellenic races they denote his wisdom; but that which we inherit from our northern ancestors denotes his goodness. All these the more perfect researches of modern science bring out in ever-increasing splendour, and I cannot conceive anything that more effectually brings home to the mind the absolute omnipresence of the Deity than high physical knowledge. I fear I have too long trespassed on your patience, yet let me point out to you a few examples.
What can fill us with an overwhelming sense of His infinite wisdom like the telescope? As you sound with it the fathomless abyss of stars, till all measure of distances seems to fail and imagination alone gauges the distance; yet even there as here is the same divine harmony of forces, the same perfect conservation of systems, which the being able to trace in the pages of Newton or Laplace makes us feel as if we were more than men. If it is such a triumph of intellect to trace this law of the universe, how transcendent must that Greatest over all be, in which it and many like it, have their existence! That instrument tells us that the globe which we inhabit is but a speck, the existence of which cannot be perceived beyond our system. Can we then hope that in this immensity of worlds we shall not be overlooked? The microscope will answer. If the telescope lead to one verge of infinity, it brings us to the other; and shows us that down in the very twilight of visibility the living points which it discloses are fashioned with the most finished perfection, — that the most marvellous contrivances minister to their preservation and their enjoyment, — that as nothing is too vast for the Creator's control, so nothing is too minute or trifling for His care. At every turn the philosopher meets facts which show that man's Creator is also his Father, — things which seem to contain a special provision for his use and his happiness : but I will take only two, from their special relation to this very district. Is it possible to consider the properties which distinguish iron from other metals without a conviction that those qualities were given to it that it might be useful to man, whatever other purposes might be answered by them. That it should. be ductile and plastic while influenced by heat, capable of being welded, and yet by a slight chemical change capable of adamantine hardness, — and that the metal which alone possesses properties so precious should be the most abundant of all, — must seem, as it is, a miracle of bounty. And not less marvellous is the prescient kindness which stored up in your coalfields the exuberant vegetation of the ancient world, under circumstances which preserved this precious magazine of wealth and power, not merely till He had placed on earth beings who would use it, but even to a late period of their existence, lest the element that was to develope to the utmost their civilization and energy migbt be wasted or abused.
But I must conclude with this summary of all which I would wish to impress on your minds—* that the more we know His works the nearer we are to Him. Such knowledge pleases Him; it is bright and holy, it is our purest happiness here, and will assuredly follow us into another life if rightly sought in this. May He guide us in its pursuit; and in particular, may this meeting which I have attempted to open in His name, be successful and prosperous, so that in future years they who follow me in this high office may refer to it as one to be remembered with unmixed satisfaction.”

Thomas Romney Robinson

Robinson in his 1849 adress, as quoted in the Report of the Nineteenth Meeting of the British Association for the Advancement of Science https://archive.org/stream/report36sciegoog#page/n50/mode/2up, London, 1850.

Love, Life, Wisdom, Men

“To one completely committed to this realm of becoming, as are the empiricists, the claim to apprehend verities is a sign of psychopathology. Probably we have here but a highly sophisticated expression of the doctrine that ideals are hallucination and that the only normal, sane person is the healthy extrovert, making instant, instinctive adjustments to the stimuli of the material world.”

Richard M. Weaver (1910–1963) American scholar

“The Power of the Word,” p. 37.
Language is Sermonic (1970)

World, Personality

“But my motivation was more a matter of wanting to create order – to keep track of things. All those boxes full of photographs and sketches weigh you down, because they have something unfinished, incomplete, about them. So it's better to present the usable material in an orderly fashion and throw the other stuff away. That's how the Atlas came to be, and I exhibited it a few times.”

Gerhard Richter (1932) German visual artist, born 1932

Quote of an interview with Stefan Koldehoff, 1999; as cited on collected quotes on the website of Gerhard Richter: 'on Atlas' https://www.gerhard-richter.com/en/quotes/atlas-4 1990's

Motivation, Fashion, Time, Box

“Modern civilization is so complex as to make the devotional life all but impossible. It wears us out by multiplying distractions and beats us down by destroying our solitude, where otherwise we might drink and renew our strength before going out to face the world again. … The thoughtful soul to solitude retires," said the poet of other and quieter times; but where is the solitude to which we can retire today? Science, which has provided men with certain material comforts, has robbed them of their souls by surrounding them with a world hostile to their existence.”

Aiden Wilson Tozer (1897–1963) American missionary

Of God and Men, p. 125

Life, Men, Hostility, World

“I watched a rerun on television of a 1960s comedy programme called "Mr Ed", which was about a talking horse. Judging by the quality of the jokes, I would guess that Mr Ed wrote his own material.”

Bill Bryson (1951) American author

The Lost Continent: Travels in Small-Town America (1989)

Horse

“The class of big capitalists, who, in all civilized countries, are already in almost exclusive possession of all the means of subsistance and of the instruments (machines, factories) and materials necessary for the production of the means of subsistence. This is the bourgeois class, or the bourgeoisie.”

Friedrich Engels (1820–1895) German social scientist, author, political theorist, and philosopher

(1847)

Country

“A niche is created by the intersection of resource constraints— an abstract resource space consisting of a unique combination of resources (information, access to materials, customers, and so on) that could permit a form to survive there. Forms thus either take advantage of a niche resource space" or fail.”

Howard E. Aldrich (1943) American sociologist

Source: Organizations and Environments, 1979, p. 40; cited in: Frank Marutollo (1990). Organizational Behavior in the Marine Corps. p. 33

“Be conscious first of thyself within, then think and act. All living thought is a world in preparation; all real act is a thought manifested. The material world exists because an Idea began to play in divine self-consciousness.”

Sri Aurobindo (1872–1950) Indian nationalist, freedom fighter, philosopher, yogi, guru and poet

Thoughts and Glimpses (1916-17)

World, Idea, Thinking

“And so the teaching (Torah) was likened to water: like water comes down from a high place to a low place, so the teaching descended from its honorable place, as it is His will and wisdom, and the light of Him that be blessed and thought cannot grasp it at all. From there it went in the secret stairway via the worlds, until it was dressed in material things and matters of this world, which are all the ordinants (mitzvot) and their ways, in combinations of material letters in ink on the book, twenty four books in the Tanakh, so thought will be able to comprehend it, and even speech and act, below the level of thought.”

Shneur Zalman of Liadi (1745–1812) Orthodox Rabbi, and the founder and first Rebbe of Chabad

V'lakhen nimshela hatora l'mayim: ma mayim yordim mi'makom gavoha l'makom namukh, kakh ha'tora yarda mi'mkom kvoda, sh'hi retzono v'khomato yitbarakh, v'orayta v'kodsha brikh hu kula had v'leyt mahshava tfista biah klal. W'misham nas'a v'yarda b'seter ha'madregot m'madrega l'madrega b'hishtalshelut ha'olamot, ad sh'nitlabsha b'davrim gashmiyim v'inyaney ha'olam haze, sh'hen rov mitzvot hatora k'khulam v'hilkhotehen, w'btzerufei otiot gashmiot b'dio 'al hasefer, 'esrim v'arba'a s'farim sh'batora nevi'im w'khtuvim, kdei sh'tehe kol mahshava tfisa bahen, v'afilu bhinot dibur w'ma'ase sh'lemata m'madregat mahshava tfisa bahen w'mitlabeshet bahen.
Sefer HaTanya (Book of the learner) Part I, Chapter IV

Wisdom, Secret, Books, World

“All characteristics of material things as they are presented to us in the acts of external perception (e. g. colour) are endowed with the separateness of spatial extension, but it is only when we build up a single connected real world out of all our experiences that the spatial extension, which is a constituent of every perception, becomes a part of one and the same all-inclusive space. … every material thing can, without changing content, equally well occupy a position in Space different from its present one. This immediately gives us the property of the homogeneity of space which is the root of the conception, Congruence.”

Hermann Weyl (1885–1955) German mathematician

Introduction
Space—Time—Matter (1952)

World, Change, Parting

“White and shining virgin of all human virtues, ark of the covenant between earth and heaven, tender and strong companion partaking of the lion and of the lamb, Prayer! Prayer will give you the key of heaven! Bold and pure as innocence, strong, like all that is single and simple, this glorious, invincible Queen rests, nevertheless, on the material world; she takes possession of it; like the sun, she clasps it in a circle of light.”

Honoré de Balzac book Séraphîta

Source: Seraphita (1835), Ch. 6: The Road to Heaven.

World, Light, Strong, Sun

“Not only may particular decisions made according to rules result in material injustice, but a rule may systematically discriminate against the poor and the oppressed. In such circumstances, to be committed to applying the rules, however fairly or impartially administered, come what may, is to ignore the more obvious and direct demands of justice and human welfare.”

Tom Campbell (philosopher)

The Left and Rights (Routledge: 1983), p. 18 http://books.google.com/books?id=9kPnuG9ufDgC&pg=RA1-PT18

Justice, Decision

“I would like to hear more of the consummate melodic master, but I feel that big business and his record company have had a corrupting influence on his material. The rock and pop thing certainly draws a wider audience. It happens more and more these days, that unqualified people with executive positions try to tell musicians what is good and what is bad music. It’s tempting for the musician to prejudice his own views when recording opportunities are so infrequent but I for one am determined to resist the temptation.”

Miles Davis (1926–1991) American jazz musician

Bill Evans, on about Miles Davis's change of style to jazz fusion.
http://jazztimes.com/articles/20128-miles-davis-and-bill-evans-miles-and-bill-in-black-white.
Quotes by others

People, Music, Feeling, Business

“Nonroutine tasks:… There are few well-established techniques; there is little certainty about methods, or whether or not they will work. But it also means that there may be a variety of different task to perform, in the sense that raw materials are not standardized, or orders for customers ask for many different or custom-made products.”

Charles Perrow (1925–2019) American sociologist

Source: 1970s, Organizational Analysis: A Sociological View, 1970, p. 75

Sense

“In seeking what to do, Tolstoy was materially helped by a remarkable workingman, Basil Soutaieff, who was actually following as perfectly as he knew how, the example of Jesus…. When asked, "What is truth?" he answered with conviction, "Truth is love in a common life." When his devotion to the unfortunate, the hungry, and the needy became known to Tolstoy, it had a profound influence upon his thought and eventually worked an entire transformation in his manner of living.”

Robert Hunter (author) (1874–1942) American sociologist, author, golf course architect

Source: Why We Fail as Christians (1919), p. 23

Love, Life, Truth, Help

“The cultural clock runs mainly upon ruined fragments of matter. No matter to what hazardous lengths we let out our line they still withdraw again, and further, into the depths. … however, runs mainly upon ruined fragments of matter recovered from refuse heaps and graveyards, from abandoned cities and buried villages. Only the arts of material nature have survived; of music and dance, of talk and ritual, of all the arts of temporal expression practically nothing is known elsewhere than in the Mediterranean world, save through traditional survivals among remote groups.”

George Kubler (1912–1996) American art historian

Source: The Shape of Time, 1982, p. 14.

World, Art, Music, Nature

“Since 1990 I have been occupied creating new forms of life. Not pollen or seeds but plastic yellow tubes are used as the basic material of this new nature. I make skeletons that are able to walk on the wind, so they don’t have to eat. Over time, these skeletons have become increasingly better at surviving the elements such as storm and water and eventually I want to put those animals out in herds on the beaches so they will live their own lives.”

Theo Jansen (1948) artist

Theo Jansen http://streamingmuseum.org/theo-jansen/ at streamingmuseum.org, 2014.

Life, Nature, Water, Time

“There’s a theory that if you have an interesting childhood then you have enough material to last a lifetime. But that implies that art is always autobiographical when reinvention and imagination are the most important elements. But it doesn’t hurt to have a mad family! Of course I didn’t notice until I’d escaped – when I left home as a teenager on a diplomatic scholarship – how odd my family were.”

Carole Morin British writer

Chin Wag At The Slaughterhouse (2013)

Family, Art, Home, Imagination

“There is a much more subtle and completely novel threat to man's survival that looms, every year more menacingly, beside that of an atomic holocaust; the cluster of world-wide problems - not only material in nature - growing at an incredible speed when viewed in historical perspective, and called by The Club of Rome the "problématique humaine. In fact, we believe that even without the atomic world war, human existence as we know it is threatened if no way can be found to resolve this crisis syndrome.”

Mihajlo D. Mesarovic (1928) Serbian academic

Source: Mankind at the Turning Point, (1974), p.xi; cited in: Robert C. Tucker (1995) Politics As Leadership. p. 116

War, World, Way, Nature

“It was just like some ancient electricity-powered computer; it didn't matter how fast, error-free, and tireless it was, it didn't matter how great a labor-saving boon it was, it didn't matter what it could do or how many different ways it could amaze; if you pulled its plug out, or just hit the off button, all it became was a lump of matter; all its programs became just settings, dead instructions, and all its computations vanished as quickly as they'd moved.
It was, also, like the dependency of the human-basic brain on the human-basic body; no matter how intelligent, perceptive and gifted you were, no matter how entirely you lived for the ascetic rewards of the intellect and eschewed the material world and the ignobility of the flesh, if your heart just gave out…
That was the Dependency Principle; that you could never forget where your off switches were located, even if it was somewhere tiresome.”

Iain Banks Culture series

Source: Culture series, Excession (1996), Chapter 4 “Dependency Principle” section III (p. 122).

World, Way, Error, Intelligence

“It has been accepted now that the joy of art is the heritage of all and aesthetic activity and appreciation are indispensable aids in the enrichment and refinement of the human soul in general. Art refines our inner as well as our physical life and provides that satisfaction and joy which acquisitions and activities on a merely material plane can never give. As Nachiketa said, na vittena tarpaniyo manushyo. In other words, man does not live by bread alone. Music and dance, among the arts, have always had a high place in Indian aesthetics. They are conceived as having their origin in the Divine, which is itself described the Upanishads as the quintessence of aesthetic pleasure raso vai sah.”

Jayachamarajendra Wadiyar (1919–1974) Indian writer

Our arts embody the deepest experience and wisdom of mankind, and they have a spiritual import and purpose.
During another lecture in Madras (now Chennai) based on his experience in Music having composed a number of kirtans on “Devi” . Quoted in "Jayachamaraja Wodeyar – A Princely scholar".

Life, Wisdom, Pleasure, Art

“Love makes man spiritual – and woman material.”

José Maria Eça de Queiroz book José Matias

O amor espiritualiza o homem – e materializa a mulher.
"José Matias" (1897), collected in Contos (1902); translation by Luís Marques from The Yellow Sofa & Three Portraits (1993) p. 145.

Love

“ Every individual word in a passage or poetry can no more be said to denote some specific referent than does every brush mark, every line in a painting have its counterpart in reality. The writer or speaker does not communicate his thoughts to us; he communicates a representation for carrying out, this function under the severe discipline of using the only materials he has, sound and gesture. Speech is like painting, a representation made out of given materials -- sound or paint. The function of speech is to stimulate and set up thoughts in us having correspondence with the speaker's desires; he has then communicated with us. But he has not transmitted a copy of his thoughts, a photograph, but only a stream of speech -- a substitute made from the unpromising material of sound. The artist, the sculptor, the caricaturist, the composer are akin in this [fact that they have not transmitted a copy of their thoughts], that they express (make representations of) their thoughts using chosen, limited materials. They make the "best" representations, within these self-imposed constraints. A child who builds models of a house, or a train, using only a few colored bricks, is essentially engaged in the same creative task.* Metaphors can play a most forceful role, by importing ideas through a vehicle language, setting up what are purely linguistic associations (we speak of "heavy burden of taxation," "being in a rut"). The imported concepts are, to some extent, artificial in their contexts, and they are by no means universal among different cultures. For instance, the concepts of cleanliness and washing are used within Christendom to imply "freedom from sin." We Westerners speak of the mind's eye, but this idea is unknown amongst the Chinese. that is, we are looking at it with the eyes of our English-speaking culture. A grammar book may help us to decipher the text more thoroughly, and help us comprehend something of the language structure, but we may never fully understand if we are not bred in the culture and society that has modeled and shaped the language. (p. 74)”

Colin Cherry (1914–1979) British scientist

See Gombrich in reference 348
On Human Communication (1957), Language: Science and Aesthetics

Books, Color, Communication, Idea

“If it could be shown that the great Trust magnate or the great Aristocratic landowner, apart from the advantages of his inherited wealth, was a more highly developed species of humanity than the poor struggling sempstress or the unemployed docker, then there might be some justification for allowing the docker and the sempstress as the representatives of a weaker class to die out in order to enable the more highly developed creature to survive; but one moment's reflection will show that the alleged superiority of the landowner or the Trust magnate rests on one fact alone, namely, that he owns certain material possessions, usually inherited, which enable him to dictate the terms upon which his less fortunate fellow creatures shall be permitted to live.”

Keir Hardie (1856–1915) Scottish socialist and labour leader

Source: From Serfdom to Socialism (1907), pp. 4-5

Wealth

“In addition to preventing many chronic diseases … comprehensive lifestyle changes can often reverse the progression of these illnesses. … Changing lifestyle actually changes your genes—turning on genes that keep you healthy, and turning off genes that promote heart disease, prostate cancer, breast cancer, and diabetes—more than five hundred genes in only three months. People often say, “Oh, it's all in my genes. There's not much I can do about it.” But there is. Knowing that changing lifestyle changes our genes is often very motivating—not to blame, but to empower. … [Our approach is] not like there was one set of dietary recommendations for reversing heart disease, a different one for reversing diabetes, and yet another for changing your genes or lengthening your telomeres. In all of our studies, people were asked to consume a whole-foods, plant-based diet … It's as though your body knows how to personalize the medicine it needs if you give it the right raw materials in your diet and lifestyle. … And what's good for you is good for our planet. To the degree we transition toward a whole-foods, plant-based diet, it not only makes a difference in our own lives; it also makes a difference in the lives of many others across the globe.”

Dean Ornish (1953) American physician

Introduction https://books.google.it/books?id=KfeoBAAAQBAJ&pg=PP12 to Marco Borges, The 22-Day Revolution (New York: Penguin, 2015).

People, Disease, Food, Motivation

“But just like voices, thoughts are underpinned by physical stuff. We know this because alterations to the brain change the kinds of thoughts we can think. In a state of deep sleep, there are no thoughts. When the brain transitions into dream sleep, there are unbidden, bizarre thoughts. During the day we enjoy our normal, well-accepted thoughts, which people enthusiastically modulate by spiking the chemical cocktails of the brain with alcohol, narcotics, cigarettes, coffee, or physical exercise. The state of the physical material determines the state of the thoughts. And the physical material is absolutely necessary for normal thinking to tick along. If you were to injure your pinkie in an accident you’d be distressed, but your conscious experience would be no different. By contrast, if you were to damage an equivalently sized piece of brain tissue, this might change your capacity to understand music, name animals, see colors, judge risk, make decisions, read signals from your body, or understand the concept of a mirror—thereby unmasking the strange, veiled workings of the machinery beneath. Our hopes, dreams, aspirations, fears, comic instincts, great ideas, fetishes, senses of humor, and desires all emerge from this strange organ—and when the brain changes, so do we. So although it’s easy to intuit that thoughts don’t have a physical basis, that they are something like feathers on the wind, they in fact depend directly on the integrity of the enigmatic, three-pound mission control center.”

David Eagleman (1971) neuroscientist and author

Incognito: The Secret Lives of The Brain

People, Alcohol, Fear, Dreams

“Total actions are a further development of the happening and combine the elements of all art forms, painting music, literature, film, theatre, which have been so infected by the progressive process of cretinisation in our society that any examination of reality has become impossible using these means alone. Total actions are the unprejudiced examination of all the materials that make up reality. Total actions take place in a consciously delineated area of reality with deliberately selected materials. They are partial, dynamic occurrences in which the most varied materials and elements of reality are linked, swapped over, turn on their heads and destroyed. This procedure creates the occurrence. The actual nature of the occurrence depends on the composition of the material and actors′ unconscious tendencies. Anything may constitute the material: people, animals, plants, food, space, movement, noise, smells, light, fire, coldness, warmth, wind, dust, steam, gas, events, sport, all art forms and all art products. All the possibilities of the material are ruthlessly exhausted. As a result of the incalculable possibilities for choices that the material presents to the actor, he plunges into a concentrated whirl of action finds himself suddenly in a reality without barriers, performs actions resembling those of a madman, and avails himself of a fool′s privileges, which is probably not without significance for sensible people. Old art forms seek to reconstruct reality, total actions unfold within reality itself. Total actions are direct occurrences(direct art), not the repetition of an occurrence, a direct encounter between unconscious elements and reality(material). The actor performs and himself becomes material: stuttering, stammering, burbling, groaning, choking, shouting, screeching, laughing, spitting, biting, creeping, rolling about in the material.”

Günter Brus (1938) Austrian artist

Source: Nervous Stillness on the Horizon (2006), P. 166 (1966/1972)

People, Food, Fools, Art

“I've found opposition to my teaching because I said it's not the strength which does it, it's a rhythm. You don't need huge muscles great strength. In fact, if you have that and misuse it, you're going to damage the material. It's absurd. It's a rhythmical flow of an idea, whichever sex you are.”

Barbara Hepworth (1903–1975) English sculptor

Source: 1961 - 1975, Art Talk, conversations with 15 woman artists', (1975), p. 15

Sex, Idea

“There can be no question of selecting in any direction, but of a penetrating the whole cosmic law of rhythms, forces and material that are the real world, from the ugliest to the most beautiful, everything that has character and expression, from the crudest and most brutal to the gentlest and most delicate; everything that speaks to us in its capacity as life. From this it follows that one must know all in order to be able to express all. It is the abolition of the aesthetic principle. We are not disillusioned because we have no illusions; we have never had any. What we have and what is our strength, is our joy in life; our interest in life, in all its amoral aspects. That is also the basis of our contemporary art. We do not even know the laws of aesthetics. That old idea of selection according to the beauty-principle Beautiful — Ugly, like to ethical Noble — Sinful, is dead for us, for whom the beautiful is also ugly and everything ugly is endowed with beauty. Behind the comedy and the tragedy we find only life's dramas uniting both; not in noble heroes and false villains, but people.”

Asger Jorn (1914–1973) Danish artist

Variant translations:
What we possess and what gives us strength is our joy in life, our interest in life in all its amoral facets. This is also the foundation for today's art. We do not even know the aesthetic laws.
We are not disillusioned because we have no illusions; we have never had any. What we have, and what constitutes our strength, is our joy in life, in all of its moral and amoral manifestations.
1940 - 1948, Intimate Banalities' (1941)

Life, People, World, Law

“At an unknown hour, from a source that is still sealed to us, but inexorable, the Work comes into the world. Cold calculations, splashes leaping up without plan, mathematically accurate construction (laid bare or concealed) silent, screaming drawing, scrupulous finish, colour in fanfares or played pianissimo on the strings, large, serene, cradling, fragmented planes. Isn’t that a Form? Aren't those the means?
Suffering, seeking, tormented souls with a deep fissure, caused by the collision of the spiritual with the material... Shame on him who turns his soul's ear away from the mouth of art. A human being speaks to human beings about the superhuman – the language of art.”

Wassily Kandinsky (1866–1944) Russian painter

Quote of Kandinsky, from the catalog of the second exhibition of the 'Neue Künstlervereinigung', München, August, 1910; as cited by de:Wolf-Dieter Dube, in Expressionism; Praeger Publishers, New York, 1973, p. 95
1910 - 1915

World, Art, Soul, Mathematics

“The division of labour is a consequence of the previous accumulation of capital… As the accumulation of capital must have preceded the division of labour, so its subsequent division can only be extended as capital is more and more accumulated. Accumulation and division act and react on each other. The quantity of raw materials which the same number of people can work up increases in a great proportion, as labour comes to be more and more subdivided; and acccording as the operations of each workman are reduced to a greater degree of identity and simplicity, he has, as already explained, a greater chance of discovering machines and processes for facilitating and abridging his labour. The quantity of industry, therefore, not only increases in every country with the increase of the stock or capital which sets it in motion; but, in consequence of this increase, the division of labour becomes extended, new and more powerful implements and machines are invented, and the same quantity of labour is thus made to produce an infinitely greater quantity of commodities”

John Ramsay McCulloch (1789–1864) Scottish economist, author and editor

Source: The principles of political economy, 1825, p. 95-96

People, Chance, Country

“In the reign of Akbar, a mosque was built in 975 H/1567-68 CE at Jaunpur. It merits mention because the details of the undertaking show how the owner was dispossessed of his property and how the officer completing the task was rewarded. The mosque was built by Nawab Mohsin Khan. The materials for the mosque were "taken from those of the temple of Lachman Das, Diwan of Khan-i-Zaman Ali Quli Khan… Akbar made over all the property of the Diwan to Nawab Mohsin Khan," for "thanks that by guidance of the Everlasting and Living (Allah), this house of infidelity became the niche of prayer (i. e. Mosque). As a reward for that the generous Lord, constructed an abode for its builder in paradise."148 Akbar took great interest in conserving, repairing and adding to the Dargah of Muinuddin Chishti at Ajmer which is also built on a Dev temple.”

K. S. Lal book Theory and Practice of Muslim State in India

Source: Theory and Practice of Muslim State in India (1999), Chapter 3

Housing

“I ran and grabbed the arm of the soldier who was lighting the fire. I tore the fuse away from him and, furious, threw myself into my machine to break down the contraption surrounding it. But I was too late. Hardly had I stepped inside when I found myself propelled into the clouds.
I was terrified, but my mind was not too upset for me to remember all that happened at that moment. I can tell you, then, that the fire burned out a bank of rockets (which had been linked together in rows of six with a hook at the edge of each set of half-dozen). Another stage ignited, then another, so that the danger in the gunpowder was left behind as it burned. When the material was used up, the scaffolding was gone. I was thinking that all I had left to do was ram my head against some mountain when I felt (without moving in the slightest) that I was still going up. My machine separated from me, and I saw it fall back to earth.”

Cyrano de Bergerac (1619–1655) French novelist, dramatist, scientist and duelist

The Other World (1657)

Mountain, Thinking, Light

“The reasons why the adoption of a system of central planning necessarily produces a totalitarian system are fairly simple. Whoever controls the means must decide which ends they are to serve. As under modern conditions control of economic activity means control of the material means for practically all our ends, it means control over nearly all our activities. The nature of the detailed scale of values which must guide the planning makes it impossible that it should be determined by anything like democratic means. The director of the planned system would have to impose his scale of values, his hierarchy of ends, which, if it is to be sufficient to determine the plan, must include a definite order of rank in which the status of each person is laid down. If the plan is to succeed or the planner to appear successful, the people must be made to believe that the objectives chosen are the right ones. Every criticism of the plan or the ideology underlying it must be treated as sabotage. There can be no freedom of thought, no freedom of the Press, where it is necessary that everything should be governed by a single system of thought. In theory Socialism may wish to enhance freedom, but in practice every kind of collectivism consistently carried thought must produce the characteristic features which Fascism, Nazism, and Communism have in common. Totalitarianism is nothing but consistent collectivism, the ruthless execution of the principle that 'the whole comes before the individual' and the direction of all members of society by a single will supposed to represent the 'whole.”

Friedrich Hayek (1899–1992) Austrian and British economist and Nobel Prize for Economics laureate

" Planning, Science and Freedom http://www.nature.com/nature/journal/v148/n3759/abs/148580a0.html", Nature 148 (15 November 1941), also available as " Planning, Science, and Freedom https://mises.org/library/planning-science-and-freedom," Mises Daily (Auburn, AL: The Ludwig von Mises Institute, 27 September 2010) 1940s–1950s

People, Communication, Nature, Freedom

“Fortunately, a sculptor's style and aim are, to a great extent, dictated to him by his materials. To make a sculpture seem at all moving or inspiring, an artist must, of course, be gifted with a certain personality that speaks movingly through the subject and materials of his work. But he must select appropriate materials, and use them appropriately, too... My materials often dictate my change of aims, and I choose to work in a different material much as a man may suddenly feel an appetite for a change in diet.”

Ossip Zadkine (1890–1967) French sculptor

c. 1960
Source: 1960 - 1968, Dialogues – conversations with.., quotes, c. 1960, pp. 154-155

Feeling, Change, Personality

“Concretion signifies the material process of condensation, hardening, coagulating, thickening, growing together. Concretion designates the solidification of a mass. Concretion designates curdling, the curdling of the earth and the heavenly bodies. Concretion designates solidification, the mass of the stone, the plant, the animal, the man. Concretion is something that has grown. I want my work to find it.”

Hans Arp (1886–1966) Alsatian, sculptor, painter, poet and abstract artist

Jean Arp (1931), as quoted in: Eric Robertson (2006) Arp: Painter, Poet, Sculptor, p. 108
1930s

Animals

“If we understand our own times, we will know that we should affirm the reality of God by challenging the domination of materialism and naturalism in the world of the mind. With the assistance of many friends I have developed a strategy for doing this. … We call our strategy the "wedge."”

Phillip E. Johnson (1940–2019) American Law clerk

Defeating Darwinism by Opening Minds, 1997, pp. 91-92
1990s

God, World, Understanding, Nature

“This country cannot afford to be materially rich and spiritually poor.”

John F. Kennedy (1917–1963) 35th president of the United States of America

1963, Third State of the Union Address

Country

“The waves of light are not anything mechanical or material, but are something electrical and magnetic—they are, in fact, electrical disturbances periodic in space and time, and travelling with a known and tremendous speed through the ether of space. Their very existence depends upon the ether, and their speed of propagation is its best known and most certain quantitative property.”

Oliver Lodge (1851–1940) British physicist

The Ether of Space https://books.google.com/books?id=ycgEAAAAYAAJ&pg=PA13, p. 13 The Ether of Space (1909)

Travel, Light, Time, Dependency

“Technology is a technique or complex of techniques employed to alter “materials” (human or nonhuman, mental or physical) in an anticipated manner.”

Charles Perrow (1925–2019) American sociologist

Source: 1960s, "Hospitals: technology, structure and goals", 1965, p. 915

“So does he strive to rescue your shade from the pyre and wages a mighty contest with Death, wearying the efforts of artists and seeking to love you in every material. But beauty created by toil of cunning hand is mortal.”
Sic auferre rogis umbram conatur et ingens certamen cum Morte gerit, curasque fatigat artificum inque omni te quaerit amare metallo. Sed mortalis honos, agilis quem dextra laborat.

Statius Silvae

i, line 7
Silvae, Book V

Love, Death, Beauty, Effort

“Do you know there’s a wonderful Christian idea in which Thomas stretches his hands out to try to touch Christ’s wound and Christ says ‘Noli me tangere’ (do not touch me). What your eyes see your hands will always try to affirm. Much of dealing with the non-material is about this confusion between the hand and the eye, the ear and the eye, when the thing that you look at is uncertain, your body demands a kind of readjustment, it demands certainty. Something happens to where you are, to space; time changes. Time, I think, becomes slower. The mystical truth of art is time.”

Anish Kapoor (1954) British contemporary artist of Indian birth

Anish Kapoor Opens the Door:Modern Artist Creates Monuments that Transcend Space & Time

Truth, Art, Idea, Thinking

“Little of the old establishment survives in modern industry: the emphasis is upon change and adaptability; the rate of change mounts to an increasing tempo. We have in fact passed beyond that stage of human organisation in which effective communication and collaboration were secured by established routines of relationship. For this change, physico-chemical and technical development are responsible. It is no longer possible for an industrial society to assume that the technical processes of manufacture will exist unchanged for long in any type of work. On the contrary, every industry is constantly seeking to change, not only its methods, but the very materials it uses; this development has been stimulated by the war.”

Elton Mayo (1880–1949) Australian academic

Source: The Social Problems of an Industrial Civilisation, 1945, p. 13; Partly cited in: Lyndall Urwick & Edward Brech (1949). The Making Of Scientific Management Volume III https://archive.org/stream/makingofscientif032926mbp#page/n241/mode/1up, p. 216

War, Communication, Change

“The source of totalitarianism is a dogmatic attachment to the official word: the lack of laughter, of ironic detachment. An excessive commitment to Good may in itself become the greatest Evil: real Evil is any kind of fanatical dogmatism, especially exerted in the name of supreme Good… Consider only Mozart's Don Giovanni at the end of the opera, when he is confronted with the following choice: if he confesses his sins, he can still achieve salvation; if he persists, he will be damned forever. From this viewpoint of the pleasure principle, the proper thing to do would be to renounce his past, but he does not, he persists in his Evil, although he knows that by persisting he will be damned forever. Paradoxically, with his final choice of Evil, he acquires the status of an ethical hero - that is, of someone who is guided by fundamental principles beyond the pleasure principle and not just by the search for pleasure or material gain.”

Slavoj Žižek book The Sublime Object of Ideology

23
The Sublime Object of Ideology (1989)

Pleasure, Search, Laughter, Evil

“The relative meaning of two physical facts in an emotionally controlled relation always creates the phenomenon of a third fact of a higher order, just as two musical sounds, heard simultaneously create the phenomenon of a third, fourth or fifth. The nature of this higher third is non-physical. In a sense it is magic. Each such phenomenon always overshadows the material qualities and the limited meaning of the basic factors from which it has sprung. For this reason Art expresses the highest quality of the spirit when it is surreal in nature; or, in terms of the visual arts, when it is of a surreal plastic nature.”

Hans Hofmann (1880–1966) American artist

'Search for the Real in the Visual Arts', p. 41
Search for the Real and Other Essays (1948)

Art, Music, Nature, Sense

“I am not an artist and never have been. Rather I am like a craftsman and feel very close to the mediaeval artisans who produced their work anonymously and who, along with their apprentices, had a true feeling for the physical materials they were working with.”

Werner Herzog (1942) German film director, producer, screenwriter, actor and opera director

Herzog on Herzog (2002)

Feeling

“Man's characteristic privilege is that the bond he accepts is not physical but moral; that is, social. He is governed not by a material environment brutally imposed on him, but by a conscience superior to his own, the superiority of which he feels. Because the greater, better part of his existence transcends the body, he escapes the body's yoke, but is subject to that of society.”

Émile Durkheim book Suicide

Suicide (1897)

Feeling, Parting

“The material which a scientist actually has at his disposal, his laws, his experimental results, his mathematical techniques, his epistemological prejudices, his attitude towards the absurd consequences of the theories which he accepts, is indeterminate in many ways, ambiguous, and never fully separated from the historical background. This material is always contaminated by principles which he does not know and which, if known, would be extremely hard to test.”

Paul Karl Feyerabend book Against Method

Pg. 66.
Against Method (1975)

Law, Way, Mathematics

“Abstract Expressionism – especially Pollock, not the more academic painters like De Kooning – made the threshold between illusion and the stuff of painting lower, the distance between them closer. Pollock made all things about the picture, all the stuff, actual. Taking the canvas off the stretcher, putting it on the floor, made it more real. Mixing up different kinds of paint, getting it to stain in, was getting at a kind of materiality.”

Kenneth Noland (1924–2010) American artist

Kenneth Noland, p. 14
Conversation with Karen Wilkin' (1986-1988)

Painting

“Only what coronation is in an earthly way, baptism is in a heavenly way; God's authoritative declaration in material form of a spiritual reality.”

Frederick William Robertson (1816–1853) British writer and theologian

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 21.

God, Way, Reality

“Now every day, every hour, everywhere there is mat'rial (material) for meeting demonstrations!”

Todor Zhivkov (1911–1998) communist head of state of the People's Republic of Bulgaria

Source: Реч на Тодор Живков. http://www.pureflash.net/todor-zivkov-last-interview.html

“Just as soon as the great and glorious Revolution broke out [1918 - after World War 1. ] I gave notice and now live entirely for art. For a while, I tried to create new forms of art from the remains of the old culture. From this Merz painting emerged, painting that happily used every material – Pelikan [was a famous ink mark, then] colors or the rubbish from the rubbish heap. So I experienced the Revolution in the most delightful way and pass for a Dadaist, without being one. As a result, I could introduce Dadaism in Holland [together with Theo van Doesburg and his wife Nele] with complete impartiality. In Holland I became familiar with architecture for the first time.”

Kurt Schwitters (1887–1948) German artist

In his 'Autobiography of Kurt Schwitters' (6 June 1926), sent to Hans Hilderbrandt; as quoted in I is Style, ed. Siegfried Gohr & Gunda Luyken, NAI Publishers, Rotterdam 2000, p. 92.
1920s

War, World, Art, Color

“Any kind of material form whatever, whether past, future, or present, internal or external, gross or subtle, inferior or superior, far or near, all material form should be seen as it actually is with proper wisdom thus: “This is not mine, this I am not, this is not my self.””

Gautama Buddha (-563–-483 BC) philosopher, reformer and the founder of Buddhism

Sutta 62, verse 3, p. 527
Source: Pali Canon, Sutta Pitaka, Majjhima Nikaya (Middle Length Discourses)

Wisdom, Past, Future

“.. the present painter is not concerned with the process. Herein lies the difference between them and the Surrealists. At the same time in his desire, in his will to set down the ordered truth.... it can be said that the artist like a true creator is delving into chaos. It is precisely this that makes him an artist for the Creator in creating the world began with the same material, for the artist tries to wrest truth from the void..”

Barnett Newman (1905–1970) American artist

Source: 1940 - 1950, The Plasmic Image 2. 1943-1945, p. 126

Truth, World, Time

“Marx felt that the job of the proletariat was to be that of the tool. For Marx, the proletariat is ‘the material weapon of philosophy.’ In order to bring the proletariat into line he must first know it, and lean how to manage it. But his contempt for it, his hatred for the ‘petits grands hommes,’ is obvious by his constant referral to ‘the rabble,’ ‘the emigrant scum,’ ‘the rotten emigrant swine,’ ‘the toads.’ Marx asked Engels, “What is this rabble good for if it forgets how to fight?’”

Phillip Abbott Luce (1935–1998)

Source: The Intellectual Student’s Guide to Survival (1968), p. 75

Swine, Fight, Forgetting

“The Communist dream of a great new "one world" of the future is based on the belief that a regime of violence and coercion under the Dictatorship of the Proletariat would permit the establishment of a society which would produce a new order of men who would acquire the habit of observing what Lenin called the "simple fundamental rules of every-day social life in common." The fallacy of this hope lies in Communism's perverted interpretation of human behavior. It assumes, on the basis of Dialectical Materialism, that if you change things outside of a man this automatically compels a change on the inside of the man. The inter-relation between environment on the outside and the internal make-up of man is not to be disputed, but environment only conditions man, it does not change his very nature. For example, just as men will always laugh, eat, propagate, gravitate into groups and explore the unknown, so likewise they will always enjoy the pleasure of possessing things (which alone gives pleasure to sharing); they will always possess the desire for individual expression or self-determination, the ambition to improve their circumstances and the motive to excel above others. These qualities are inherent in each generation and cannot be legislated away nor ignored.”

W. Cleon Skousen book The Naked Communist

The Naked Communist (1958)

Life, Men, Pleasure, World

“My engagements will not permit me to be present, and I believe if there I could not add anything material to the information existing on the subject. I think it wiser, moreover, not to keep open the sores of war, but to follow the example of those nations who endeavored to obliterate the marks of civil strife, and to commit to oblivion the feelings it engendered.”

Robert E. Lee (1807–1870) Confederate general in the Civil War

Letter regarding war monuments https://www.google.com/search?q=%22to+commit+to+oblivion+the+feelings+it+engendere%22&btnG=Search+Books&tbm=bks&tbo=1#tbm=bks&q=%22to+commit+to+oblivion+the+feelings+it+engendered%22 (1869), as quoted in Personal reminiscences, anecdotes, and letters of gen. Robert E. Lee https://books.google.com/books?id=VikOAAAAQAAJ&pg=PA234 (1874), by John William Jones, p. 234. Also quoted in "Renounce the battle flag: Don't whitewash history" http://www.newsleader.com/story/opinion/columnists/2015/07/01/renounce-battle-flag-whitewash-history/29574721/ (26 June 2015), by Petula Dvorak, The Washington Post, Washington, D.C. This quote is also given as: "I think it wisest not to keep open the sores of war, but to follow the example of those nations who endeavored to obliterate the marks of civil strife, and to commit to oblivion the feelings it engendered." https://books.google.com/books?id=x7OOraQWi5wC&pg=PA299&dq=%22i+think+it+wiser+moreover%22&hl=en&sa=X&ved=0CCYQ6AEwAGoVChMIxZSVnqTyxgIVw9SACh39bQbx#v=onepage&q=%22i%20think%20it%20wiser%20moreover%22&f=false 1860s

War, Feeling, Thinking

“The wealth of first-hand source materials presented in the articles that comprise this book, portray not only the base metal that was Tipu Sultan but also the components of that alchemy which has transmuted him into twenty-four carat gold.”

Sita Ram Goel (1921–2003) Indian activist

Tipu Sultan - Villain or Hero (1993)

Books, Wealth

“Up to a certain time I was cutting into things. Then I realized that the thing I was cutting was the cut. Rather than cut into the material, I now use the material as the cut in space.”

Carl Andre (1935) American artist

Source: Minimal Art: A Critical Anthology', 1995, p. 104; from original source: a quote by David Bourdon, in A Redefinition of Sculpture, in 'Carl Andre: Sculpture 1959–1977', New York 1978, pp.19

Time

“You know, all insanity is a form of artistic expression, I often think. Only the person has nothing but himself to work with—he can’t get at outside materials to manipulate them—so he puts all his art into his behavior.”

Fritz Leiber book Our Lady of Darkness

Source: Our Lady of Darkness (1977), Chapter 10 (p. 56)

Art, Behavior, Thinking, Personality

“The significance of a work of art is determined then by the quality of its growth. This involves intangible forces inherent in the process of development. Although these forces are surreal (that is, their nature is something beyond physical reality), they, nevertheless, depend on a physical carrier. The physical carrier (commonly painting or sculpture) is the medium of expression of the Surreal. Thus, an idea is communicable only when the surreal is converted into material terms. The artist’s technical problem is how to transform the material with which he works back into the sphere of the spirit.”

Hans Hofmann (1880–1966) American artist

'Search for the Real in the Visual Arts', p. 40
Search for the Real and Other Essays (1948)

Art, Idea, Nature, Problem

“Throughout the Muslim rule destruction of Hindu shrines and construction of mosques and other building from their materials and at their very sites went on as a normal practice. From the Quwwal-ul-Islam mosque in Delhi built out of twenty-seven Hindu and Jain temples in the twelfth century to the Taj-ul-Masajid built from hundreds of Hindu and Jain temples at Bhopal in the eighteenth century, the story is the same everywhere.”

K. S. Lal book The Legacy of Muslim Rule in India

Source: The Legacy of Muslim Rule in India (1992), Chapter 8

“Being so deeply rooted in one place and culture allows a genuine writer to experiment wildly with the material without ever losing touch with its essence.”

Dana Gioia (1950) American writer

"The Most Unfashionable Poet Now Alive: Charles Causley," http://www.danagioia.net/essays/ecausley.htm published in The Dark Horse (Summer 1997 and Spring 1998) Essays

“In the making both of lace and of statues, the remuneration to the artists can only be reduced by producing a larger number of them through more extended education. The expense of the raw material is small in both. The expense of labour in lacemaking is very large, and it is perhaps considerable also in sculpture. The discovery of more convenient localities yielding marble, may make some diminution in its cost; and the improved manufacture of thread may slightly reduce the price of lace. A reduction in the price of labour may to a very moderate extent reduce the cost of the raw material of both. But it is evident that any very great reduction is not to be expected.
Let us now contrast this possible reduction with the past history of some industrial art. The plain lace made at Nottingham, called patent net, will supply us with a good example. In the year 1813 that lace was sold in the piece at the rate of 218. a-yard. At the present time lace of the same kind, but of a better quality, is sold under the same circumstances at 3d. per yard. Thus, in less than forty years the price of the industrial produce has diminished to one eighty-fourth part of its original price.”

Charles Babbage (1791–1871) mathematician, philosopher, inventor and mechanical engineer who originated the concept of a programmable c…

Source: The Exposition of 1851: Views Of The Industry, The Science, and the Government Of England, 1851, p. 51-52

Education, Art, History, Time

“History teaches us that everything is in flux. Our fight to redress the material crimes of 1948 is scarcely begun, and adversity has taught us patience. As for the Israeli state and its Spartan culture of permanent war, it is all too vulnerable to time, fatigue and demographics: In the end, it is always a question of our children and those who come after us.”

Mahmoud al-Zahar (1945) Co-founder of Hamas

[Mahmoud al-Zahar, http://www.washingtonpost.com/wp-dyn/content/article/2008/04/16/AR2008041602899.html, No Peace Without Hamas, Washington Post, April 17, 2008, February 25, 2014]

War, Children, History, Question

“From the physical point of view the characteristic state of the living organism is that of an open system. A system is closed if no material enters or leaves it; it is open if there is import and export and, therefore, change of the components. Living systems are open systems, maintaining themselves in exchange of materials with environment, and in continuous building up and breaking down of their components.”

Ludwig von Bertalanffy (1901–1972) austrian biologist and philosopher

Von Bertalanffy (1950) " The Theory of Open Systems in Physics and Biology http://vhpark.hyperbody.nl/images/a/aa/Bertalanffy-The_Theory_of_Open_Systems_in_Physics_and_Biology.pdf" In: Science, January 13, 1950, Vol. 111. p. 23 1950s

Change

“If we look at the parpens piled up on the building site or at the block of bronze, nothing about them manifests that they are suited to being a house or a statue. … Aristotle speaks of the materials considered as such in terms of "the buildable" (I, 201a 16, b Bf), coining an adjective whose suffix expresses capacity (what he calls dunamis). This capacity, as we have seen, cannot be grasped after the manner of that with which perception provides us (color, hardness, etc.); it requires a gaze capable of probing more deeply, of proceeding from the real to the possible—as when Michelangelo "sees" a David in the formless block abandoned by other sculptors.”

Rémi Brague (1947) French historian

"Aristotle's Definition of Motion and its Ontological Implications," Graduate Faculty Philosophy Journal, vol. 13, no. 2, p. 12

Color, Housing

“If the writer of these lines has succeeded in providing some material for clarifying these problems, he may regard his labours as not having been fruitless.”

Vladimir Lenin book The Development of Capitalism in Russia

The Development of Capitalism in Russia (1899)

Problem

“That there is a common cause, an that it is either what we call material progress or something closely connected with material progress, becomes more than an inference when it is noted that the phenomena we class together and speak of as industrial depression are but intensifications of phenomena which always accompany material progress, and which show themselves more clearly and strongly as material progress goes on. Where the conditions to which material progress everywhere tends are the most fully realized—that is to say, where population is densest, wealth greatest, and the machinery of production and exchange most highly developed — we find the deepest poverty, the sharpest struggle for existence, and the most of enforced idleness.”

Henry George book Progress and Poverty

Introductory : The Problem
Progress and Poverty (1879)

Wealth

“It is the refutation alike of communism and socialism that they thwart the instinct of expansion; that they substitute for individual energy the energy of the government; that they substitute for human personality the blind, mechanical power of the State. The one system, as the other, marks the end of individualism. The one system, as the other, would make each man the image of his neighbor. The one system, as the other, would hold back the progressive, and, by uniformity of reward, gain uniformity of type.
I can look forward to no blissful prospect for a race of men that, under the dominion of the State, at the cost of all freedom of action, at the cost, indeed, of their own true selves, shall enjoy, if one will, a fair abundance of the material blessings of life. … Into that prison of socialism, with broken enterprise and broken energy, as serfs under the mastery of the State, while human personality is preferred to unreasoning mechanism, mankind must hesitate to step.”

Benjamin N. Cardozo (1870–1938) United States federal judge

Other writings, The Altruist in Politics (1889)

Life, Men, Communication, Freedom

“Let children love Allah, let them love the Qur’an. Let us protect them from the dissension of Darwinism, from the dissension of materialism, communism, from the dissension of godless and Bookless mentalities. With all our might, let us teach them the beauty of holy values and the beauty of the Qur’an. Let the hearts of those beautiful beings be filled with the love of Allah.”

Harun Yahya (1956) Turkish author

20 April 2013.
A9 TV addresses, 2013

Love, Children, Beauty, Communication

“Public administration is the management of men and materials in the accomplishment of the purposes of the state.”

Leonard D. White (1891–1958) American historian

Source: Introduction to the Study of Public Administration, 1926, p. 5

Men

“I would suggest that there is a tendency in our society to cloak what amounts to moral or material conflicts behind the mantle of humanitarianism. This is because serious conflicts of interest are inadmissible in a political order which obtains its moral legitimacy by invoking the notion of a widespread consensus of opinion throughout all sections of the population.”

Jock Young (1942–2013) British sociologist and criminologist

“The role of the police as amplifiers of deviancy,” Images of Deviance (1971), p. 31

“We believe that Darwinism is the real Orthodox Church, because Darwinism asks you to believe in things unseen that are incredibly unlikely. Darwinism asks us to believe that out of pure random chance, we got a cell that is as complicated as a Boeing 777. Darwinism asks us to believe that one day there was nothing but mud and ooze, and the next day there was life, and very soon after there was intelligent life. Darwinism asks us to believe that you can destroy genetic material through random mutation and natural selection and yet end up with more genetic material. We don't really ask you to believe anything that difficult; it is sort of innate in mankind to believe that there is a God, a heavenly Father and we're asking you to just follow the consequences of that and see if possibly there could be some scientific validity to that.”

Ben Stein (1944) actor, writer, commentator, lawyer, teacher, humorist

EXPELLED: No Intelligence Allowed, Assist Ministries News Story: EXPELLED: No Intelligence Allowed, 10 April 2008, 2008-04-18 http://www.assistnews.net/Stories/2008/s08040068.htm,

Life, God, Intelligence, Nature

“My Nigerian girl
I love you everyday in any way
no be material girl, and all the way she no dey play”

Slim Burna (1988) Nigerian singer and record producer

"Love Me Tonight" (track 13)
I'm On Fire (2013)

Love, Way, Girl

“Idiotic statements like “porn degrades women” or “pornography is the subordination of women” are only credible if you never look at pornography. Preachers, senators and feminist zealots carry on about material they have no direct contact with. They usually rely on a few selectively culled inflammatory examples that bear little resemblance to the porn market as a whole. Most pornography shows women in as many dominant as subordinate positions, with the latter usually steamily consensual.”

Camille Paglia (1947) American writer

Source: Vamps and Tramps (1994), "No Law in the Arena: A Pagan Theory of Sexuality", p. 65

Women

“The only people he knew of who would have leveled material advantage so that no one had any were of course those who had none to start with.”

Jack McDevitt (1935) American novelist, Short story writer

Source: Academy Series - Priscilla "Hutch" Hutchins, Deepsix (2001), Chapter 3 (p. 55)

People

“But some years after, a letter, which he received from Dr. Hooke, put him on inquiring what was the real figure, in which a body let fall from any high place descends, taking the motion of the earth round its axis into consideration. Such a body, having the same motion, which by the revolution of the earth the place has whence it falls, is to be considered as projected forward and at the same time drawn down to the centre of the earth. This gave occasion to his resuming his former thoughts concerning the moon, and Picard in France having lately measured the earth, by using his measures the moon appeared to be kept in her orbit purely by the power of gravity; and consequently, that this power decreases, as you recede from the centre of the earth, in the manner our author had formerly conjectured. Upon this principle he found the line described by a falling body to be an ellipsis, the centie of the earth being one focus. And the primary planets moving in such orbits round the sun, he had the satisfaction to see, that this inquiry, which he had undertaken merely out of curiosity, could be applied to the greatest purposes. Hereupon he composed near a dozen propositions, relating to the motion of the primary planets about the sun. Several years after this, some discourse he had with Dr. Halley, who at Cambridge made him a visit, engaged Sir Isaac Newton to resume again the consideration of this subject; and gave occasion to his writing the treatise, which he published under the title of Mathematical Principles of Natural Philosophy. This treatise, full of such a variety of profound inventions, was composed by him, from scarce any other materials than the few propositions before mentioned, in the space of a year and a half.”

Henry Pemberton (1694–1771) British doctor

Republished in: Stephen Peter Rigaud (1838) Historical Essay on the First Publication of Sir Newton's Principia http://books.google.com/books?id=uvMGAAAAcAAJ&pg=RA1-PA49. p. 519 Preface to View of Newton's Philosophy, (1728)

Appearance, Time, Sun

“There are two subcategories of holist called irredundant holists and redundant holists. Students of both types image an entire system of facts or principles. Though an irredundant holist’s image is rightly interconnected, it contains only relevant and essential constitents. In contrast, redundant holists entertain images that contain logically irrelevant or overspecific material, commonly derived from data used to "enrich" the curriculum, and these students embed the salient facts and principles in a network of redundant items. Though logically irrelevant, the items in question are of great psychological importance to a "redundant holist", since he uses them to access, retain and manipulate whatever he was originally required to learn.”

Gordon Pask (1928–1996) British psychologist

Source: Learning Strategies and Individual Competence (1972), p. 258.

Question, Learning

“Notwithstanding their attacks on the basic conception of rationalism, on synthetic a priori judgments, that is, material propositions that cannot be contradicted by any experience, the empiricist posits the forms of being as constant.”

Max Horkheimer (1895–1973) German philosopher and sociologist

Source: "The Latest Attack on Metaphysics" (1937), p. 146.

“The governments principally involved, to the extent permitted by elementary prudence, should begin now and continue to make joint contributions from their stockpiles of normal uranium and fissionable materials to an international atomic energy agency. We would expect that such an agency would be set up under the aegis of the United Nations. […] The atomic energy agency could be made responsible for the impounding, storage and protection of the contributed fissionable and other materials. The ingenuity of our scientists will provide special safe conditions under which such a bank of fissionable material can be made essentially immune to surprise seizure. The more important responsibility of this atomic energy agency would be to devise methods whereby this fissionable material would be allocated to serve the peaceful pursuits of mankind. Experts would be mobilized to apply atomic energy to the needs of agriculture, medicine and other peaceful activities. A special purpose would be to provide abundant electrical energy in the power-starved areas of the world.”

Dwight D. Eisenhower (1890–1969) American general and politician, 34th president of the United States (in office from 1953 to 1961)

Eisenhowers proposal for the establishment of the International Atomic Energy Agency
1950s, Atoms for Peace (1953)

World, Peace

“Adobe (sun-dried clay bricks) is a material usable in regions where sandy clays suitable for fabrication are found. Adobe masonry, is, however, useful only for walls and structural elements subjected to lower values of tension and compression, and is, therefore, of little interest as a structural material.”

Eduardo Torroja (1899–1961) Spanish architect

p, 125
Philosophy of Structures (1958)

Sun

“Stone is the only true material for the sculptor. All others, tin, iron bars, tin cans and coiled springs are merely poor substitutes”

Fritz Wotruba (1907–1975) Austrian sculptor (23 April 1907, Vienna – 28 August 1975, Vienna)

Source: 'Sculpture of Rotterdam', ed. Jan van Adrichem / Jelle Bouwhuis / Mariëtte Dulle, Center for the Art, 010 Publishers, Rotterdam, 2002, p. 198.

Spring

“The whole economic system of Capitalism is an offshoot of a devouring and overwhelming lust, of a kind that can hold sway only in a society that has deliberately renounced the Christian asceticism and turned away from Heaven to give itself over exclusively to earthly gratifications. … It is the result of a secularization of economic life, and by it the hierarchical subordination of the material to the spiritual is inverted. The autonomy of economics has ended in their dominating the whole life of human societies: the worship of Mammon has become the determining force of the age. And the worst of it is that this undisguised “mammonism” is regarded as a very good thing, an attainment to the knowledge of truth and a release from illusions. Economic materialism formulates this to perfection when it brands the whole spiritual life of man as a deception and a dream.”

Nikolai Berdyaev (1874–1948) Russian philosopher

Source: The End of Our Time (1919), p. 92

Life, Truth, Age, Dreams

“For a month now I have been an out-and-out vegetarian. The moral effect of this way of life, with its voluntary castigation of the body, causing one's material needs to dwindle away, is enormous. You can judge for yourself how utterly I [am] convinced of it, when I tell you that I expect of it no less than the regeneration of humanity. All I can tell you is: let yourself be converted to a natural way of living, but one in which you eat suitable food (compost-grown, stone-ground, wholemeal bread) and soon you will see the fruits of your endeavours.”

Gustav Mahler (1860–1911) late-Romantic Austrian composer

Letter to Emil Freund (1 November 1880), in Gustav Mahler: New Insights into his Life, Times and Work by Alfred Mathis-Rosenzweig, translated by Jeremy Barham, Ashgate Publishing, 2007, ISBN 978-0-7546-5353-0, pp. 165 https://books.google.it/books?id=VIcSAX6tY1IC&pg=PA165-166.

Life, Food, Way, Nature

“One sacrifice, however great, is insufficient to pay the debt of sin. The atonement requires constant self-immolation on the sinner’s part. That God’s wrath should be vented upon His beloved Son, is divinely unnatural. Such a theory is man-made. … The material blood of Jesus was no more efficacious to cleanse from sin when it was shed upon ‘the accursed tree,’ than when it was flowing in his veins as he went daily about his Father’s business. … His disciples believed Jesus to be dead while he was hidden in the sepulchre, whereas he was alive”

Mary Baker Eddy book Science and Health with Key to the Scriptures

.
Science and Health with Key to the Scriptures, pp. 23:3–6, 25:6–8, 44:28–29 (1867).

God, Business, Tree, Parting

“Like the intricately rational web of theology woven around the irrational mysteries of faith, the sober explanations of institutions for hoarding literary relics seem like elegant post-factum justifications for what is essentially a sense of sacred awe. An institution of learning seeks significant manuscripts because they possess qualities that scholarship cannot entirely reproduce — an authentic, holistic connection with the great writers of the past. It is not the intellectual content of the manuscript that is important but its material presence — ink spots, tobacco stains, pinworm holes, and foxing included.”

Dana Gioia (1950) American writer

"The Magical Value of Manuscripts," http://www.danagioia.net/essays/ehop.htm The Hudson Review (Spring 1996); later published as an introduction to The Hand of the Poet: Poems and Papers in Manuscript, ed. Rodney Phillips (1997) Essays

Faith, Sense, Learning, Past

“I started [in Paris, 1920's, making toys] right away, using wire as my main material as well as working with others like string, leather, fabric and wood. Wood combined with wire (with which I could make the heads, tails and feet of animals as well as articulating parts) was almost always my medium of choice. One friend of mine suggested that I should make bodies entirely of wire, and that is how I started to make what I called 'Wire Sculpture.”

Alexander Calder (1898–1976) American artist

In Montparnasse, I became known as the 'King of Wire'. Quote of Alexander Calder (1952), looking back, from Permanence Du Cirque, in 'Revue Neuf', Calder Foundation, 1952; as quoted in Calder and Mondrian: An Unlikely Kinship, senior-thesis by Eva Yonas http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.517.581&rep=rep1&type=pdf, Ohio State University August 2006, Department of Art History, p.19 – note 26 Calder first began using wire extensively in 1926, creating mechanical toys that would be the precursors to the Paris' 'Cirque Calder' 1950s - 1960s

Animals, Parting

“The rule of our policy is that nothing should be done by the state which can be better or as well done by voluntary effort; and I am not aware that, either in its moral or even its literary aspects, the work of the state for education has as yet proved its superiority to the work of the religious bodies or of philanthropic individuals. Even the economical considerations of materially augmented cost do not appear to be wholly trivial.”

William Ewart Gladstone (1809–1898) British Liberal politician and prime minister of the United Kingdom

Liberal Manifesto (September 1885) http://oll.libertyfund.org/EBooks/Smith_0306.pdf 1880s

Education, Effort, Appearance

“When we sell a kilo of bean coffee in Uganda, we get one dollar per kilo. The same kilo, when it is processed [and sold in the UK], goes for $10, $11 or even more a kilo. That is the same situation [price disparity] that goes for all raw materials.”

Yoweri Museveni (1944) President of Uganda

As quoted in "President Museveni Highlights Ugandan Achievements for Americans: Ugandan leader proud of political opening, economic growth in his country" https://web.archive.org/web/20050927025054/http://news.findlaw.com/wash/s/20050923/200509231521551.html (23 September 2005), by Jim Fisher-Thompson, Washington File, FindLaw 2000s

Coffee

“The wreck of the Titanic functions as a sublime object: a positive, material object elevated to the status of the impossible Thing. And perhaps all the effort to articulate the metaphysical meaning of the Titanic is nothing but an attempt to escape this terrifying impact of the Thing, an attempt to domesticate the Ting by reducing it to its symbolic status, by providing it with a meaning. We usually say that the fascinating presence of a Thing obscures its meaning; here, the opposite is true: the meaning obscures the terrifying impact of its presence.”

Slavoj Žižek book The Sublime Object of Ideology

77
The Sublime Object of Ideology (1989)

Effort

“But we are not just witnessing a relativisation of time according to social contexts or alternatively the return to time reversibility as if reality could become entirely captured in cyclical myths. The transformation is more profound: it is the mixing of tenses to create a forever universe, not self-expanding but self-maintaining, not cyclical but random, not recursive but incursive: timeless time, using technology to escape the contexts of its existence, and to appropriate selectively any value each context could offer to the ever-present. I argue that this is happening now not only because capitalism strives to free itself from all constraints, since this has been the capitalist system’s tendency all along, without being able fully to materialize it. Neither is it sufficient to refer to the cultural and social revolts against clock time, since they have characterized the history of the last century without actually reversing its domination, indeed furthering its logic by including clock time distribution of life in the social contract. Capital’s freedom from time and culture’s escape from the clock are decisively facilitated by new information technologies, and embedded in the structure of the network society.
The transformation of time as surveyed in this chapter does not concern all processes, social groupings, and territories in our societies, although it does affect the entire planet. What I call timeless time is only the emerging, dominant form of social time in the network society, as the space of flows does not negate the existence of places. It is precisely my argument that social domination is exercised through the selective inclusion and exclusion of functions and people in different temporal and spatial frames.”

Manuel Castells (1942) Spanish sociologist (b.1942)

Source: The Rise of the Network Society, 1996, p. 433–434 as quoted in: Wayne Hope (2006) Global Capitalism and the Critique of Real Time http://www.sagepub.com/dicken6/Sociology%20Online%20readings/CH%202%20-%20HOPE.pdf. Sage publications. p. 289

Life, People, Exercises, History

“The assumption that, beneath economics, reality is psychosexual is often rejected as ahistorical by those who accept a dialectical materialist view of history because it seems to land us back where Marx began: groping through a fog of utopian hypotheses, philosophical systems that might be right, that might be wrong (there is no way to tell); systems that explain concrete historical developments by a priori categories of thought; historical materialism, however, attempted to explain 'knowing' by 'being' and not vice versa.”

Shulamith Firestone book The Dialectic of Sex

The Dialectic of Sex (1970)

Way, History, Reality