Quotes about maiden
page 2

“Let the Turks now carry away their abuses, in the only possible manner, namely, by carrying off themselves. Their Zaptiehs and their Mudirs, their Bimbashis and Yuzbashis, their Kaimakams and their Pashas, one and all, bag and baggage, shall, I hope, clear out from the province that they have desolated and profaned. This thorough riddance, this most blessed deliverance, is the only reparation we can make to those heaps and heaps of dead, the violated purity alike of matron and of maiden and of child; to the civilization which has been affronted and shamed; to the laws of God, or, if you like, of Allah; to the moral sense of mankind at large. There is not a criminal in a European jail, there is not a criminal in the South Sea Islands, whose indignation would not rise and over-boil at the recital of that which has been done, which has too late been examined, but which remains unavenged, which has left behind all the foul and all the fierce passions which produced it and which may again spring up in another murderous harvest from the soil soaked and reeking with blood and in the air tainted with every imaginable deed of crime and shame. That such things should be done once is a damning disgrace to the portion of our race which did them; that the door should be left open to their ever so barely possible repetition would spread that shame over the world!”

William Ewart Gladstone (1809–1898) British Liberal politician and prime minister of the United Kingdom

1870s

God, World, Law, Hope

“There are a thousand fanciful things
Linked round the young heart's imaginings.
In its first love-dream, a leaf or a flower
Is gifted then with a spell and a power:
A shade is an omen, a dream is a sign,
From which the maiden can well divine
Passion's whole history.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Title Poem
The Improvisatrice (1824)

Love, Dreams, Imagination, History

“Beat the plowshares back into swords; the other was a maiden aunt’s fancy.”

Robert A. Heinlein book The Puppet Masters

Source: The Puppet Masters (1951), Chapter 35 (p. 174)

“One day, when spring has gone and youth has fled,
The Maiden and the flowers will both be dead.”

Cao Xueqin book Dream of the Red Chamber

Source: Dream of the Red Chamber (c. 1760), Chapter 27

Youth, Spring, Flowers, Dead

“She is not fair to outward view
As many maidens be;
Her loveliness I never knew
Until she smiled on me:
Oh! then I saw her eye was bright,
A well of love, a spring of light.”

Hartley Coleridge (1796–1849) British poet, biographer, essayist, and teacher

"Song. She is not fair"
Poems (1851)

Love, Smile, Spring, Light

“At this point, here is a parenthesis about the life of the author, which joined the deed to the word: Hélène included to the book on her father, a very short Appendix, "Le devoir d'abolir la guerre", which was taken from the second volume of the Germen works or Spir, and had previously been reproduced, I quote, "in the Jounal de Genève, 15 November 1920, at the time of the maiden Assembly of the United Nations, which Spir has, lately (not long ago, "naguère", Fr.) so much called for (or invite to think about) of all his wishes." ("tant appelée de ses voeux", Fr). The following is a footnote added to this text, that Spir published in the first edition of Recht und Unrecht, in 1879, as an Appendix, under the title of "Considération sur la guerre" - and which was published again in 1931, in Propos sur la guerre. : "To declare (or say) that the establishment of international institutions intended (or used) to settle (or solve) conflicts among people without having recourse to war, this is purely gratuitious affirmation. What sense (or meaning) can it be to declare impossible, something that has been neither wished (or wanted, "voulue", Fr.) seriously, nor tried to put into practice? In truth, there are not any impossibility here, no more of a material order than of a metaphysical order. ("En vérité, il n'y a ici aucun impossibilité, pas plus d'ordre matériel que d'ordre métaphysique", Fr). Supposing that all responsible potentates, ministers and leaders were to be warned (or were given formal notice? - "soient mis en demeure de", Fr.) to agree concerning the establishment (or creation) of international organizations with peaceful workings ("à rouages pacifiques", Fr.), they would not be very long to come to an agreement on the ways and means ("voies et moyens", Fr.) to come to settle the problem. And, indeed, how insoluble could be a problem, that requires nothing else than some good will here and there? It is not a question here of fighting against a terrestrial power, hostile to human beings and independent of their will; it is only for men a matter of overcoming their own passions, et their harmful prejudices. ("En cela", Fr.) In this, would it be more difficult than to kill one's fellow men by the hundred of thousands, de destroy entire (or whole) countries et inflict (or impose) crushing expanses to one own people?"”

African Spir (1837–1890) Russian philosopher

Source: Words of a Sage : Selected thoughts of African Spir (1937), pp. 64-65 - end of parenthesis.

Life, Men, Hostility, War

“I don't have a bank account because I don't know my mother's maiden name and apparently that's the key to the whole thing right there. I go in every few weeks and guess.”

Paula Poundstone (1959) American comedian

" Women of the Night http://www.imdb.com/title/tt0295037/", HBO, 1988.

“They see the mortal maiden ride
In honour by the chieftan's side,
So beautiful, so free from sin,
Worthy was she such boon to win :
The spirit race that floated round
Were not more pure, more stainless found”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Golden Violet - The Haunted Lake
The Golden Violet (1827)

Beauty

“And ich wulle uaren to Aualun to uairest alre maidene.
to Argante þere quene aluen swiðe sceone.
& heo scal mine wunden makien alle isunde.
al hal me makien mid haleweiye drenchen.
And seoðe ich cumen wulle. to mine kineriche.
and wunien mid Brutten mid muchelere wunne.”

Layamon Layamon's Brut

And I will fare to Avalun, to the fairest of all maidens, to Argante the queen, an elf most fair, and she shall make my wounds all sound; make me all whole with healing draughts. And afterwards I will come to my kingdom, and dwell with the Britons with mickle joy.
Source: Brut, Line 14277; vol. 3, p. 144.

“When maiden loves, she sits and sighs,
She wanders to and fro -
Unbidden tear-drops fill her eyes,
And to all questions she replies
With a sad "heigh ho!"”

W. S. Gilbert (1836–1911) English librettist of the Gilbert & Sullivan duo

The Yeomen of the Guard (1888)

Love, Sadness, Question, Tear

“The third order, called Corinthian, is an imitation of the slenderness of a maiden; for the outlines and limbs of maidens, being more slender on account of their tender years, admit of prettier effects in the way of adornment.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book IV, Chapter I, Sec. 8

Way

““From the shape of a cloud I know that a man in a distant city will quarrel with his wife three seasons hence and a murderer will be hanged before I finish speaking. From the falling of a stone I know the number of maidens being seduced and the movements of icebergs on the other side of the world. From the texture of the wind I know where next the lightning will fall. So long have I watched and so much am I part of all things, that nothing is hidden from me.”
“You know where I go?”
“Yes.”
“And what I would do there?”
“I know that, too.”
“Then tell me if you know, will I succeed in that which I desire?”
“You will succeed in that which you are about, but by then it may not be what you desire.”
“I do not understand you, Morningstar.”
“I know that, too. But that is the way it is with all oracles, Jack. When that which is foreseen comes to pass, the inquirer is no longer the same person he was when he posed the question. It is impossible to make a man understand what he will become with the passage of time; and it is only a future self to whom a prophecy is truly relevant.””

Roger Zelazny book Jack of Shadows

Source: Jack of Shadows (1971), Chapter 6 (p. 62)

World, Way, Understanding, Question

“Alas, the strange varieties or life!
We live 'mid perils and pleasures, like
Characters 'graven on the sand, or hues
Colouring the rainbow. Wild as a sick fancy
And changeful as a maiden, is this dream,
This brief dream on earth - - -”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(7th September 1822) Poetical Sketches. Third series - Sketch the First. The Mine
14th September 1822) Poetical Sketches. Third series - Sketch the Second. Gladesmuir see The Improvisatrice (1824
21st September 1822) Poetical Sketches. Third series - Sketch the Third. The Minstrel of Portugal see The Improvisatrice (1824
28th September 1822) Poetical Sketches. Third series - Sketch the Fourth. The Castilian Nuptuals see The Vow of the Peacock (1835
5th October 1822) Poetical Sketches. Third series - Sketch the Fifth. The Lover's Rock see The Vow of the Peacock (1835
12th October 1822) Poetical Sketches. Third series - Sketch the Sixth. The Basque girl and Henri Quatre see The Improvisatrice (1824
The London Literary Gazette, 1821-1822

Life, Pleasure, Dreams, Change

“3306. Maidens should be seen, and not heard.”

Thomas Fuller (writer) (1654–1734) British physician, preacher, and intellectual

Introductio ad prudentiam: Part II (1727), Gnomologia (1732)

“Raise a song for her, O Muse!
The violet-crownèd maiden,
And praise her soft throat's changing hues,
Her low voice, laughter-laden. Sing yet again her thousand charms,
Her eyes entrancing splendour,
Her swarthy cheeks and supple arms
And bosom dark and tender. Yea, sing forevermore of her,
My mistress soft-beguiling,
Fairest of all who are, or were,
My Sappho, sweetly-smiling.”

Alcaeus of Mytilene (-600–-560 BC) ancient Greek poet

"No More for Lycus", as translated by James S. Easby-Smith

Smile, Laughter, Change, Singing

“I now present to you the fairest maiden—what the hell is wrong with your face?”

TotalBiscuit (1984–2018) British game commentator

WTF Is…? series, Guise of the Wolf (January 26, 2014)

Hell

“I sing for maidens and boys.”
Virginibus puerisque canto.

Horace book Odes

Book III, ode i, line 4
Odes (c. 23 BC and 13 BC)

Boy, Singing

“Let us invent a character, a nice respectable, middle-class, middle-aged, maiden lady, with time on her hands and the money to help her pass it. She enjoys pictures, books, music, and the theatre and though to none of these arts (or rather, for consistency's sake, to none of these three arts and the one craft) does she bring much knowledge or discernment, at least, as she is apt to tell her cronies, she "does know what she likes."”

Terence Rattigan (1911–1977) playwright, screenwriter

Let us call her Aunt Edna.
The Collected Plays of Terence Rattigan (London: Hamish Hamilton, 1953) vol. 1, p. xi.

Money, Books, Age, Art

“In televisionland we are all sophisticated enough now to realize that every statistic has an equal and opposite statistic somewhere in the universe. It is not a candidate's favorite statistic per se that engages us, but the assurance with which he can use it.
We are testing the candidates for self-confidence, for "Presidentiality" in statistical bombardment. It doesn't really matter if their statistics be homemade. What settles the business is the cool with which they are dropped.
And so, as the second half hour treads the decimaled path toward the third hour, we become aware of being locked in a tacit conspiracy with the candidates. We know their statistics go to nothing of importance, and they know we know, and we know they know we know.
There is total but unspoken agreement that the "debate," the arguments which are being mustered here, are of only the slightest importance.
As in some primitive ritual, we all agree — candidates and onlookers — to pretend we are involved in a debate, although the real exercise is a test of style and manners. Which of the competitors can better execute the intricate maneuvers prescribed by a largely irrelevant ritual?
This accounts for the curious lack of passion in both performers. Even when Ford accuses Carter of inconsistency, it is done in a flat, emotionless, game-playing style. The delivery has the tuneless ring of an old press release from the Republican National Committee. Just so, when Carter has an opportunity to set pulses pounding by denouncing the Nixon pardon, he dances delicately around the invitation like a maiden skirting a bog.
We judge that both men judge us to be drained of desire for passion in public life, to be looking for Presidents who are cool and noninflammable. They present themselves as passionless technocrats using an English singularly devoid of poetry, metaphor and even coherent forthright declaration.
Caught up in the conspiracy, we watch their coolness with fine technical understanding and, in the final half hour, begin asking each other for technical judgments. How well is Carter exploiting the event to improve our image of him? Is Ford's television manner sufficiently self-confident to make us sense him as "Presidential"?
It is quite extraordinary. Here we are, fully aware that we are being manipulated by image projectionists, yet happily asking ourselves how obligingly we are submitting to the manipulation. It is as though a rat running a maze were more interested in the psychologist's charts on his behavior than in getting the cheese at the goal line.”

Russell Baker (1925–2019) writer and satirst from the United States

"And All of Us So Cool" (p.340)
There's a Country in My Cellar (1990)

Life, Men, Behavior, Exercises

“You know nothing about Hope, that immortal, delicious maiden forever courted forever propitious, whom fools have called deceitful, as if it were Hope that carried the cup of disappointment, whereas it is her deadly enemy, Certainty, whom she only escapes by transformation.”

George Eliot book Daniel Deronda

Daniel Deronda (1876)

Hope, Fools, Disappointment

“T is an old tale and often told;
But did my fate and wish agree,
Ne'er had been read, in story old,
Of maiden true betray'd for gold,
That loved, or was avenged, like me.”

Walter Scott Marmion

Canto II, stanza 27.
Marmion (1808)

Love, Fate, Reading

“Property has always been the central consideration of the United States government, but it has become even more so over time. Between the signing of the Declaration of Independence in 1776, to provide just one obvious, and in some ways, silly, example (silly because all of the terms are seemingly obvious, yet in fact nearly impossible to adequately define) and the passage of the Fourteenth Amendment to the U. S. Constitution in 1868, the inalienable right with which men [sic] are self-evidently endowed by their Creator, and which may not be abridged by the State, changed from "Life, Liberty, and the pursuit of Happiness," to life, liberty, and property. The Fourteenth Amendment, passed during the KKK's maiden reign of terror, ostensibly to protect the rights of blacks from racist state governments, has been used far more often to protect the rights to property: Of the Fourteenth Amendment cases brought before the Supreme Court between 1890 and 1910, only nineteen dealt with the rights of blacks, while two hundred and eighty-eight dealt with the rights of corporations.”

Derrick Jensen book The Culture of Make Believe

Source: The Culture of Make Believe (2003), p. 92

Life, Men, Happiness, Way

“Lonely — lonely on the shore —
Where the mighty waters roar,
Would that she could pass them o'er!
Doth the maiden stand.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Monthly Magazine

Water

“I know a maiden fair to see,
Take care!
She can both false and friendly be,
Beware! Beware!
Trust her not,
She is fooling thee.”

Henry Wadsworth Longfellow (1807–1882) American poet

From the German (In Hyperion).
Bartlett's Familiar Quotations, 10th ed. (1919)

Fools, Falseness

“With rue my heart is laden
For golden friends I had,
For many a rose-lipt maiden
And many a lightfoot lad.

By brooks too broad for leaping
The lightfoot boys are laid;
The rose-lipt girls are sleeping
In fields where roses fade.”

A.E. Housman book A Shropshire Lad

No. 54.
A Shropshire Lad (1896)

Girl, Boy, Sleep, Heart

“Take this as a gift from a crone to a maiden, and know there is not so much difference between the two. For even a tottering granddam keeps a portion of girlish heart, and the youngest maiden a thread of old woman’s wisdom.”

Lloyd Alexander The Chronicles of Prydain

Source: The Chronicles of Prydain (1964–1968), Book V : The High King (1968), Chapter 9 (Dwyvach to Eilonwy)

Wisdom, Heart

“Maidens hearts are always soft:
Would that men's were truer!”

William Cullen Bryant (1794–1878) American romantic poet and journalist

Song: Dost Thou Idly Ask To Hear http://www.gutenberg.org/files/16341/16341-h/16341-h.htm#page62, st. 1 (1832)

Men, Heart

“England’s sun was slowly setting o’er the hill-tops far away,
Filling all the land with beauty at the close of one sad day;
And its last rays kissed the forehead of a man and maiden fair,—
He with footsteps slow and weary; she with sunny, floating hair;
He with bowed head, sad and thoughtful; she with lips so cold and white,
Struggled to keep back the murmur, “Curfew must not ring to-night.””

Rose Hartwick Thorpe (1850–1939) American poet

Curfew must not ring To-night (published 1870).

Sadness, Beauty, Kiss, Sun

“[Pao-yu] could not see why beautiful maidens should marry and become slaves of men who would take them for granted, when they could just as well remain carefree and do nothing but play games and write verses.”

Wang Chi-chen (1899–2001)

Source: Dream of the Red Chamber (1958), p. 272

Men, Beauty, Game

“A simple maiden in her flower
Is worth a hundred coats-of-arms.”

Alfred, Lord Tennyson Lady Clara Vere de Vere

Stanza 2
Lady Clara Vere de Vere (1832)

Flowers

“Spirituality is also about challenge and disturbance, about pushing our edges and giving us the support we need to take great risks. The Goddess is not just a light, happy maiden or a nurturing mother. She is death as well as birth, dark as well as light, rage as well as compassion — and if we shy away from her fiercer embrace we undercut both her own power and our own growth.”

Starhawk (1951) American author, activist and Neopagan

Toward an Activist Spirituality (2003)
Context: Much of our magic and our community work is about creating spaces of refuge from a harsh and often hostile world, safe places where people can heal and regenerate, renew our energies and learn new skills. In that work, we try to release guilt, rage, and frustration, and generally turn them into positive emotions.
Safety and refuge and healing are important aspects of spiritual community. But they are not the whole of spirituality. Feeling good is not the measure by which we should judge our spiritual work. Ritual is more than self-soothing activity.
Spirituality is also about challenge and disturbance, about pushing our edges and giving us the support we need to take great risks. The Goddess is not just a light, happy maiden or a nurturing mother. She is death as well as birth, dark as well as light, rage as well as compassion — and if we shy away from her fiercer embrace we undercut both her own power and our own growth.

Death, Happiness, Birth, Support

“She clad herself in a russet gown,
She was no longer Lady Clare:
She went by dale, and she went by down,
With a single rose in her hair.

The lily-white doe Lord Ronald had brought
Leapt up from where she lay.
Dropped her head in the maiden's hand.
And followed her all the way.”

Alfred, Lord Tennyson Lady Clare

Lady Clare (1842)

Way

“I sing for maidens and boys.”
Virginibus puerisque canto.

Virgil (-70–-19 BC) Ancient Roman poet

Horace, Odes, Book III, ode i, line 4
Misattributed

Boy, Singing

“What men or gods are these? What maidens loth?
What mad pursuit? What struggle to escape?
What pipes and timbrels? What wild ecstasy?”

John Keats Ode on a Grecian Urn

Stanza 1
Poems (1820), Ode on a Grecian Urn
Context: Thou still unravish'd bride of quietness,
Thou foster-child of silence and slow time,
Sylvan historian, who canst thus express
A flowery tale more sweetly than our rhyme:
What leaf-fringed legend haunts about thy shape?
Of deities or mortals, or of both,
In Tempe or the dales of Arcady?
What men or gods are these? What maidens loth?
What mad pursuit? What struggle to escape?
What pipes and timbrels? What wild ecstasy?

Men, God, Madness

“Do not weep, maiden, for war is kind.
Because your lover threw wild hands toward the sky
And the affrighted steed ran on alone,
Do not weep.
War is kind.”

Stephen Crane (1871–1900) American novelist, short story writer, poet, and journalist

Do Not Weep, Maiden, For War is Kind, No. 1, st. 1
War Is Kind and Other Lines (1899)

War

Quotes about maiden page 2

Quotes about maiden
page 2