Quotes about editor
page 2

“I was always interested in architecture, but the editors [of the magazines who demanded these subjects for the illustrations of Hopper] wanted people waving with their arms.”

Edward Hopper (1882–1967) prominent American realist painter and printmaker

1911 - 1940
Source: 'Wake of the News, Washington Square North Boasts Strangers Worth Talking to', by Archer Winston, 'New York Post', November 26, 1935

People

“In those countries, it is actually capital that rules; that is, nothing more than a clique of a few hundred men who possess untold wealth and, as a consequence of the peculiar structure of their national life, are more or less independent and free. They say: 'Here we have liberty.' By this they mean, above all, an uncontrolled economy, and by an uncontrolled economy, the freedom not only to acquire capital but to make absolutely free use of it. That means freedom from national control or control by the people both in the acquisition of capital and in its employment. This is really what they mean when they speak of liberty. These capitalists create their own press and then speak of the 'freedom of the press.' In reality, every one of the newspapers has a master, and in every case this master is the capitalist, the owner. This master, not the editor, is the one who directs the policy of the paper. If the editor tries to write other than what suits the master, he is ousted the next day. This press, which is the absolutely submissive and characterless slave of the owners, molds public opinion.
..
Yes, certainly, we jeopardize the liberty to profiteer at the expense of the community, and, if necessary, we even abolish it.
..
All my life I have been a 'have-not.' At home I was a 'have-not.”

Adolf Hitler (1889–1945) Führer and Reich Chancellor of Germany, Leader of the Nazi Party

I regard myself as belonging to them and have always fought exclusively for them. I defended them and, therefore, I stand before the world as their representative.
Speech to the Workers of Berlin (10 December 1940) (Wikisource)
1940s

Life, Men, People, Reality

“Wadewitz, a US academic, became one of the most prolific and influential editors of the online encyclopedia Wikipedia.”

Adrianne Wadewitz (1977–2014) academic and Wikipedian

"How Adrianne Wadewitz learnt to embrace failure" http://www.smh.com.au/world/how-adrianne-wadewitz-learnt-to-embrace-failure-20140425-zqzgx.html. The Sydney Morning Herald. April 25, 2014. Retrieved April 25, 2014. About

““Myth, Symbol, and Tradition” was the phrase I originally wrote at the top of the page, for editors like large, cloudy titles. Then I looked at what I had written and, wordlessly, the words reproached me. I hope I had the grace to blush at my own presumption and their portentousness. How could I, if I lived for a thousand years, attempt to cover more than a hectare of that enormous landscape?
So, I let out the air, in a manner of speaking, dwindled to my appropriate size, and gave myself over to that process which, for lack of a more erudite term, I have coined the phrase “Thinking is linking.” I thought of Kerenyi — “Mythology occupies a higher position in the bios, the Existence, of a people in which it is still alive than poetry, storytelling or any other art.” And of Malinowski — “Myth is not merely a story told, but a reality lived.” And, along with those, the word “Pollen,” the most pervasive substance in the world, kept knocking at my ear. Or rather, not knocking, but humming. What hums? What buzzes? What travels the world? Suddenly I found what I sought. “What the bee knows,” I told myself. “That is what I’m after.”
But even as I patted my back, I found myself cursing, and not for the first time, the artful trickiness of words, their capriciousness, their lack of conscience. Betray them and they will betray you. Be true to them and, without compunction, they will also betray you, foxily turning all the tables, thumbing syntactical noses. For — note bene! — if you speak or write about What The Bee Knows, what the listener, or the reader, will get — indeed, cannot help but get — is Myth, Symbol, and Tradition! You see the paradox? The words, by their very perfidy — which is also their honorable intention — have brought us to where we need to be. For, to stand in the presence of paradox, to be spiked on the horns of dilemma, between what is small and what is great, microcosm and macrocosm, or, if you like, the two ends of the stick, is the only posture we can assume in front of this ancient knowledge — one could even say everlasting knowledge.”

P. L. Travers (1899–1996) Australian-British novelist, actress and journalist

"What the Bee Knows" in Parabola : The Magazine of Myth and Tradition, Vol. VI, No. 1 (February 1981); later published in What the Bee Knows : Reflections on Myth, Symbol, and Story (1989)

People, World, Hope, Art

“She was one of the top 10 editors in terms of producing a lot of high-quality content. Wikipedia is full of brilliant, talented people. She really stood out.”

Adrianne Wadewitz (1977–2014) academic and Wikipedian

Sue Gardner, Executive Director, Wikimedia Foundation — cited in: Woo, Elaine (April 23, 2014). "Adrianne Wadewitz dies at 37; helped diversify Wikipedia" http://www.latimes.com/obituaries/la-me-adrianne-wadewitz-20140424,0,1077455.story. Los Angeles Times. About

People

“… acting on Hacker's wishes, the editor of his collected works excluded the author's polemical Christian writings from the compilation…. Many such polemical writings also appeared in fringe religious pamphlets and propaganda literature which are unknown to most scholars…. Hacker's suppression of this material compromised his integrity as an objective scholar, as it misled readers into thinking his writings on Hinduism were objective evaluations when in fact they were, in Andrew Nicholson's words, the work of a 'Christian polemicist'. In his posthumously published wrigings, Hacker is as explicit in his support for Christianity as he is in his attack on contemporary Hinduism.”

Rajiv Malhotra book Indra's Net

Indra's Net (2014)

Literature, Support, Thinking, Appearance

“The President of a great democracy such as ours, and the editors of great newspapers such as yours, owe a common obligation to the people: an obligation to present the facts, to present them with candor, and to present them in perspective.”

John F. Kennedy (1917–1963) 35th president of the United States of America

1961, Address before the American Society of Newspaper Editors

People, Democracy

“Protocols:
Number 17, paras. 7,8
Our kingdom will be an apologia of the divinity Vishnu, in whom is found its personification – in our hundred hands will be, one in each, the springs of the machinery of social life. We shall see everything without the aid of official police…. In our programs one-third of our subjects will keep the rest under observation….
Our agents will be taken from the higher as well as the lower raniks of society, from among the administrative class who spend their time in amusements, editors, printers, and publishers, booksellers, clerks, and salesmen, workmen, coachmen, lackeys, et cetera….”

Will Eisner (1917–2005) American cartoonist

The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005)

Life, Spring, Time

“And so in City after City, street-barricades are piled, and truculent, more or less murderous insurrection begins; populace after populace rises, King after King capitulates or absconds; and from end to end of Europe Democracy has blazed up explosive, much higher, more irresistible and less resisted than ever before; testifying too sadly on what a bottomless volcano, or universal powder-mine of most inflammable mutinous chaotic elements, separated from us by a thin earth-rind, Society with all its arrangements and acquirements everywhere, in the present epoch, rests! The kind of persons who excite or give signal to such revolutions—students, young men of letters, advocates, editors, hot inexperienced enthusiasts, or fierce and justly bankrupt desperadoes, acting everywhere on the discontent of the millions and blowing it into flame,—might give rise to reflections as to the character of our epoch. Never till now did young men, and almost children, take such a command in human affairs.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1850s, Latter-Day Pamphlets (1850), The Present Time (February 1, 1850)

Men, Children, Democracy, Universe

“An editor is a person who knows more about writing than writers do but who has escaped the terrible desire to write.”

E. B. White (1899–1985) American writer

Letter to Shirley Wiley (30 March 1954), in The Letters of E. B. White (1989), p. 391

Personality

“The sixth edition [of the Moral Sentiments] includes a whole new part, on the character of virtue, and some drastic revision elsewhere. My co-editor of the work, the late Professor A. L. Macfie, was apt to say in consequence that the sixth edition is a different book. That is an exaggeration, but the sixth edition is certainly a much altered book.”

D. D. Raphael (1916–2015) Philosopher

The Impartial Spectator: Adam Smith's Moral Philosophy (2007), Ch. 1: Two Versions

Books, Parting

“"To me, Clark Kent in a phone booth and Houdini in a packing crate, they were one and the same thing," he would learnedly expound at WonderCon or Angoulême or to the editor of The Comics Journal. "You weren't the same person when you came out as when you went in."”

Michael Chabon book The Amazing Adventures of Kavalier & Clay

Part I, ch. 1
The Amazing Adventures of Kavalier & Clay (2000)

Personality

“"It is hard to describe precisely what made Mr. Howard's stories stand out so sharply; but the real secret is that he himself is in every one of them, whether they were ostensibly commercial or not. He was greater than any profit-making policy he could adopt — for even when he outwardly made concessions to Mammon-guided editors and commercial critics, he had an internal force and sincerity which broke through the surface and put the imprint of his personality on everything he wrote." ~ H. P. Lovecraft, "Robert Ervin Howard: A Memorium", Fantasy Magazine, 1936 (Reprinted in The Last Celt, Glenn Lord ed., p. 69, 1976,”

Robert E. Howard (1906–1936) American author

About

Secret, Personality, Sincerity

“I was born to be an editor, I always edit everything. I edit my room at least once a week. Hotels are made for me. I can change a hotel room so thoroughly that even its proprietor doesn't recognize it… I edit people's clothes, dressing them infallibly in the right lines… I change everyone's coiffure — except those that please me — and these I gaze at with such satisfaction that I become suspect, I edit people's tones of voice, their laughter, their words. I change their gestures, their photographs. I change the books I read, the music I hear… It's this incessant, unavoidable observation, this need to distinguish and impose, that has made me an editor. I can't make things. I can only revise what has been made.”

Margaret Caroline Anderson (1886–1973) American magazine editor

My Thirty Years' War: An Autobiography (Knopf, 1930, 274 pages), p. 58.

People, Books, Music, Laughter

“The hell with the newspapers. Nobody reads the letters to the editor column except the nuts. It's enough to get you down.”

Philip K. Dick book Confessions of a Crap Artist

Confessions of a Crap Artist (1959)

Hell, Reading

“Very well, the starting point would be that claim of Professor Quarrey’s, which had been in the news at the beginning of the year, that the country’s greatest export was noxious gas. And who would like to stir up the fuss again? Obviously, the Canadians, cramped into a narrow band to the north of their more powerful neighbors, growing daily angrier about the dirt that drifted to them on the wind, spoiling crops, causing chest diseases and soiling laundry hung out to dry. So she’d called the magazine Hemisphere in Toronto, and the editor had immediately offered ten thousand dollars for three articles.
Very conscious that all calls out of the country were apt to be monitored, she’d put the proposition to him in highly general terms: the risk of the Baltic going the same way as the Mediterranean, the danger of further dust-bowl like the Mekong Desert, the effects of bringing about climactic change. That was back in the news—the Russians had revised their plan to reverse the Yenisei and Ob. Moreover, there was the Danube problem, worse than the Rhine had ever been, and Welsh nationalists were sabotaging pipelines meant to carry “their” water into England, and the border war in West Pakistan had been dragging on so long most people seemed to have forgotten that it concerned a river.
And so on.
Almost as soon as she started digging, though, she thought she might never be able to stop. It was out of the question to cover the entire planet. Her pledged total of twelve thousand words would be exhausted by North American material alone.”

John Brunner book The Sheep Look Up

June “A PLACE TO STAND”
The Sheep Look Up (1972)

War, People, Disease, Way

“The editor of this selection from Chopin’s Pianoforte Studies has, however, no such intention; on the contrary. he wishes to make some of them, which owing to their difficulty have hitherto remained unpopularised, more accessible, particularly to the amateur, by pointing out the way to their correct study. And thus, on the basis of the technical facility to be acquired through these pieces, to enable even the non-professional to enjoy a more intimate acquaintance with those works of the classical romanticist, which, though representing the best and most undying side of his genius, have found till now but a small, though daily increasing circle of admirers; for the “Ladies’-Chopin”, which for forty years has blossomed in the pale and sickly rays of dilettantism; the “talented, languishing, Polish youth” to whom the most modest place on the Parnassus of musical literature was denied by the amateurish criticism of German professors, is as little the genuine entire Chopin, as is the Beethoven of “Adelaide” and the “Moonlight Sonata”, the god of Symphony. Truly a span of time must yet elapse before the matured and manly Chopin, the author of the two Sonatas, the 3rd and 4th Scherzos, the 4th Ballade, the Polonaise in F# minor, the later Mazurkas and Nocturnes etc., will be completely and generally appreciated at his full worth. At the same time much may be done by preparing and clearing the way; and one of the best means towards this end is sifting the material, and replacing favourite and unimportant works, by those less known though more important.”

Hans von Bülow (1830–1894) German musician

Preface to Instructive ausgabe. Klavier-Etuden von Fr. Chopin, 1880.

God, Youth, Music, Way

“God himself must have either written or dictated to Adam the events of chapter 1. Adam then added chapters 2-4 to the record and passed it on to one of his descendants, presumably on clay tablets baked or dried into pottery. Noah would have carried the sacred records on the ark. Noah and his sons would have been eyewitnesses to the events in Genesis 5:11 - 10:32. Shem must have written the last part (chapters 10:1-11:10) and given the responsibility of keeping the records to his great-great-great-great-great-great-grandson Terah, whom he outlived by 70 years! Evidently Moses, being raised in Egypt to be a pharaoh and having access to the best libraries and records, came into possession of the records or a copy of them, and was the inspired editor to put the records into their final form the book of Genesis.”

Kent Hovind (1953) American young Earth creationist

Source: What On Earth Is About To Happen… For Heaven’s Sake? (2013), p. 49-50

God, Books, Parting

“Ideally, a book of letters should be published posthumously. The advantages are obvious: the editor enjoys a free hand, and the author enjoys a perfect hiding place — the grave, where he is impervious to embarrassments and beyond the reach of libel. I have failed to cooperate with this ideal arrangement. Through some typical bit of mismanagement, I am still alive, and the book has had to adjust to that awkward fact.”

E. B. White (1899–1985) American writer

Foreword to Letters of E.B. White, edited Dorothy Lobrano Guth (1976)

Books, Perfection

“An earlier version of this volume was originally contracted for and produced as a monograph by Warner Modular Communications, Inc., a subsidiary member of the Warner communications and entertainment conglomerate. The publishing house had run a relatively independent operation up to the time of the controversy over this document. The editors and publisher were enthusiastic about the monograph and committed themselves to put it out quickly and to promote it with vigor. But just prior to publication, in the fall of 1973, officials of the parent company got wind of it, looked at it, and were horrified by its “unpatriotic” contents. Mr. William Sarnoff, a high officer of the parent company, for example, was deeply pained by our statement on page 7 of the original that the “leadership in the United States, as a result of its dominant position and wide-ranging counter-revolutionary efforts, has been the single most important instigator, administrator, and moral and material sustainer of serious bloodbaths in the years that followed World War II.” So pained were Sarnoff and his business associates, in fact, that they were quite prepared to violate a contractual obligation in order to assure that no such material would see the light of day. […] they decided to close down the publishing house […]. The history of the suppressed monograph is an authentic instance of private censorship of ideas per se. The uniqueness of the episode lies only in the manner of suppression. Usually, private intervention in the book market is anticipatory, with regrets that the manuscript is unacceptable, perhaps “unmarketable.””

Edward S. Herman (1925–2017) American journalist

Sometimes the latter contention is only an excuse for unwillingness to market, although it may sometimes reflect an accurate assessment of how the media and journals will receive books that are strongly critical of the established order.
Source: The Washington Connection and Third World Fascism, with Noam Chomsky, 1979, pp. xiv-xvii.

Pain, War, Books, World

“Among organization theorists general, if not universal agreement obtains that it is proper to view the development of organization theory as divided into three periods. Conventionally, this "history" is regarded as beginning early in this century; and the three periods are customarily are designed by the terms classic, neo-classic and modern… The classical period has its beginning, in the conventional view, with Frederick W. Taylor and Henri Fayol… [and] reaches its high point in the thirties with the work of James Mooney and of the editors and authors of the Paper in the Science of Administration. The neo-classical wave is seen as beginning with the Hawthorne experiments in the late twenties. These experiments challenge the formality and rationality of classical theory with the "discovery"of human relations.”

Dwight Waldo (1913–2000) American political scientist

Dwight Waldo (1978), "Organization Theory: Revisiting the Elephant," Public Administration Review, 38 (November/December): p. 589

History, Universe, Science

“Pooh! Pooh! Nonsense!' was the reply, 'that's all very well in theory, but it doesn't work so. The returning of slaves amounts to nothing in fact. All that is obsolete. And why make all this row? Can't you hush? We've nothing to do with slavery, we tell you. We can't touch it; and if you persist in this agitation about a mere form and theory, why, you're a set of pestilent fanatics and traitors; and if you get your noisy heads broken, you get just what you deserve'. And they quoted in the faces of the abolitionists the words of Governor Edward Everett, who was not an authority with them, in that fatal inaugural address, 'The patriotism of all classes of citizens must be invited to abstain from a discussion which, by exasperating the master, can have no other effect than to render more oppressive the condition of the slave'. It was as if some kindly Pharisee had said to Christ, 'Don't try to cast out that evil spirit; it may rend the body on departing'. Was it not as if some timid citizen had said, 'Don't say hard things of intemperance lest the dram-shops, to spite us, should give away the rum'? And so the battle raged. The abolitionists dashed against slavery with passionate eloquence like a hail of hissing fire. They lashed its supporters with the scorpion whip of their invective. Ambition, reputation, ortune, ease, life itself they threw upon the consuming altar of their cause. Not since those earlier fanatics of freedom, Patrick Henry and James Otis, has the master chord of human nature, the love of liberty, been struck with such resounding power. It seemed in vain, so slowly their numbers increased, so totally were they outlawed from social and political and ecclesiastical recognition. The merchants of Boston mobbed an editor for virtually repeating the Declaration of Independence. The city of New York looked on and smiled while the present United States marshal insulted a woman as noble and womanly and humane as Florence Nightingale. In other free States men were flying for their lives; were mobbed, seized, imprisoned, maimed, murdered; but still as, in the bitter days of Puritan persecution in Scotland, the undaunted voices of the Covenanters were heard singing the solemn songs of God that echoed and re-echoed from peak to peak of the barren mountains, until the great dumb wilderness was vocal with praise — so in little towns and great cities were heard the uncompromising voices of these men sternly intoning the majestic words of the Golden Rule and the Declaration of Independence, which echoed from solitary heart to heart until the whole land rang with the litany of liberty.”

George William Curtis (1824–1892) American writer

1850s, The Present Aspect of the Slavery Question (1859)

Love, Life, Men, God

“Distortive or even totally false reporting on communally sensitive issues is a well-entrenched feature of Indian journalism. There is no self-corrective mechanism in place to remedy this endemic culture of disinformation. No reporter or columnist or editor ever gets fired or formally reprimanded or even just criticized by his peers for smearing Hindus. This way, a partisan economy with the truth has become a habit hard to relinquish. And foreign correspondents used to trusting their Indian secularist sources have likewise developed a habit of swallowing and relaying highly distorted news stories. Usually, the creation of a false impression of the Indian communal situation is achieved without outright lies, relying rather on the silent treatment for inconvenient facts and a screaming overemphasis on convenient ones. (…) So, moral of the story: feel free to write lies about the Hindus. Even if you are found out, most of the public will never hear of it, and you will not be made to bear any consequences.(…) These days, noisy secularists lie in waiting for communal riots and elatedly jump at them when and where they erupt. They exploit the anti-Hindu propaganda value of riots to the hilt, making up fictional stories as they go along to compensate for any defects in the true account. John Dayal is welcomed to Congressional committees in Washington DC as a crown witness to canards such as how Hindus are raping Catholic nuns in Jhabua, an allegation long refuted in a report by the Congress state government of Madhya Pradesh and more recently in the court verdict on the matter. Arundhati Roy goes lyrical about the torture of a Muslim politician's two daughters by Hindus during the Gujarat riots of 2002, even when the man had only one daughter, who came forward to clarify that she happened to be in the US at the time of the “facts.””

Koenraad Elst (1959) orientalist, writer

Harsh Mander has already been condemned by the Press Council of India for spreading false rumours about alleged Hindu atrocities in his famous column Hindustan Hamara. Teesta Setalwad has reportedly pressured eyewitnesses to give the desired incriminating testimony against Hindus in the Gujarat riots.
K. Elst: Religious Cleansing of Hindus, 2004, Agni conference in The Hague, in The Problem with Secularism (2007)
2000s, The Problem with Secularism (2007)

Truth, Lie, Way, Feeling

“When Mr. John P. Gavit, managing editor of the New York Evening Post, wrote to Mr. Melville E. Stone, general manager of the Associated Press, that I had a reputation "as an insatiable hunter of personal publicity," what Mr. Gavit meant was that I was accustomed to demand and obtain more space in newspapers than the amount of my worldly possessions entitled me to.”

Upton Sinclair book The Brass Check

The Brass Check (1919)

Personality

“ARTS is a somewhat conservative magazine but it is not uniformly, simply or blindly conservative, and the several conservative writers vary. And I am certainly not a conservative and neither is Miss Harrison. I decidedly disagree with the basic positions of Mr. Kramer, Miss Raynor and Mr. Tillim, though not with some of their evaluations, both of conservative and nonconservative artists. I think Ben Johnson's paintings, for example, are relatively uninteresting and powerless and that the work of some of the dop artists is full of true emotion. uninteresting and powerless and that the work of some of the dop artists is full of true emotion. The conservatism of Mr. Kramer and Mr. Mellow as successive editors lies only in the publication of more articles on conservative artists than on unconservative ones. Neither editors ever suggested to me that the magazine should have a uniform position or attempt to control my reviews, which are often contrary to Mr. Kramer’s opinions.”

Donald Judd (1928–1994) artist

1960s
Source: Arts Magazine, Vol. 38, (1963) p. 7

Art, Thinking, Success, Painting

“In a world where everyone is a publisher, no one is an editor and that is the danger we face today.”

Scott Pelley (1957) American television journalist, news anchor

11 May 2013 Speech at Quinnipiac University upon receiving the Fred Friendly journalism award. YouTube, CBS News anchor Scott Pelley: 'We're Getting the Big Stories Wrong Over and Over Again' http://www.youtube.com/watch?v=1AyCD_lcl1Q,

World

“Bob Holmes, the script editor, did laugh and filled his pipe so that he could create a smoke screen between us while he turned the idea down.”

Tom Baker (1934) English actor

Idea

“See, there’s a bit of a problem here. It’s true that editors are always begging for something new and different, but if you’re dumb enough to try to give it to them they don’t recognize it. When they ask for ‘different,’ what they mean is something right down the good old ‘different’ groove.”

Frederik Pohl (1919–2013) American science fiction writer and editor

Waiting for the Olympians (p. 272)
Platinum Pohl (2005)

Problem

“If a good editor will let me tell my story with the right artist, I'm happy.”

Brian K. Vaughan (1976) American screenwriter, comic book creator

Ain't It Cool News interview

Happiness

“Piers Morgan who used to be editor of The Mirror. He's got a whole new career now, as the bloke who used to be editor of The Mirror.”

Linda Smith (1958–2006) comedian

A Brief History of Timewasting, Room 101, The News Quiz

“Americans may laud Charlie Hebdo for being brave enough to publish cartoons ridiculing the Prophet Muhammad, but, if Ayaan Hirsi Ali is invited to campus, there are often calls to deny her a podium. So this might be a teachable moment. As we are mortified by the slaughter of those writers and editors in Paris, it’s a good time to come up with a less hypocritical approach to our own controversial figures, provocateurs and satirists. The first thing to say, I suppose, is that whatever you might have put on your Facebook page yesterday, it is inaccurate for most of us to claim, Je Suis Charlie Hebdo, or I Am Charlie Hebdo. Most of us don’t actually engage in the sort of deliberately offensive humor that that newspaper specializes in.”

David Brooks (1961) American journalist, commentator and editor

David Brooks. "I Am Not Charlie Hebdo" http://archive.li/nlsvG The New York Times (January 2015) 2010s

Time

“The parody is the last refuge of the frustrated writer. Parodies are what you write when you are associate editor of the Harvard Lampoon. The greater the work of literature, the easier the parody. The step up from writing parodies is writing on the wall above the urinal.”

Ernest Hemingway (1899–1961) American author and journalist

Pt. 1, Ch. 4
Papa Hemingway (1966)

Literature

“One of the things I like about publishing is that you don't promote the editor — you promote the book and the author.”

Jacqueline Kennedy Onassis (1929–1994) public figure, First Lady to 35th U.S. President John F. Kennedy

Interview with Publishers Weekly (19 April 1993)

Books

“"Information" in most, if not all, of its connotations seems to rest upon the notion of selective power. The Shannon theory regards the information source, in emitting the signals (signs), as exerting a selective power upon the ensemble of messages. for example, observes that what people value in a source of information (i. e., what they are prepared to pay for) depends upon its exclusiveness and prediction power; he cites instances of a newspaper editor hoping for a "scoop" and a racegoer receiving information from a tipster. "Exclusiveness" here implies the selecting of that one particular recipient out of the population, while the "prediction" value of information rests upon the power it gives to the recipient to select his future action, out of the whole range of prior uncertainty as to what action to take. Again, signs have the power to select responses in people, such responses depending upon a totality of conditions. Human communication channels consist of individuals in conversation, or in various forms of social intercourse. Each individual and each conversation is unique; different people react to signs in different ways, depending each upon their own past experiences and upon the environment at the time. It is such variations, such differences, which gives rise to the principal problems in the study of human communication.”

Colin Cherry (1914–1979) British scientist

Source: On Human Communication (1957), Syntactic, Semantic, and Pragmatic Information, p. 244-5 Source: See Weaver's section of reference 297. Source: (1951). Lectures on Communication Theory, M.I.T. Press, Cambridge, Mass.
Ref: en.wikiquote.org - Colin Cherry / Quotes / On Human Communication (1957) / Syntactic, Semantic, and Pragmatic Information

People, Hope, Way, Communication

“I say, they don't have to conspire, because they all think alike. The president of General Motors and the president of Chase Manhattan Bank really are not going to disagree much on anything, nor would the editor of the New York Times disagree with them. They all tend to think quite alike, otherwise they would not be in those jobs.”

Gore Vidal (1925–2012) American writer

After being asked "Does someone as sophisticated as you are submit yourself to the conspiracy theory of history?""
1980s, At The David Susskind Show (1980)

Thinking, Time

“The aim of the scholarly editor is not to produce the the easiest text for the reader, but to get as near as he can to the text of the author.”

Frederic G. Kenyon (1863–1952) British palaeographer and biblical and classical scholar

Source: The Story Of The Bible, Chapter X, The Position Today, p. 142

“Thank you to the stellar collection of photographers, designers, editors, musicians, costumers, painters, researchers, electricians and craftspeople who without whom I'd just be a bitter man with a lot of opinions”

David Fincher (1962) American film director

2011 Golden Globe Award Ceremony (2011)

“[chaff] Editor: a person employed by a newspaper, whose business it is to separate the wheat from the chaff, and to see that the chaff is printed.”

Elbert Hubbard (1856–1915) American writer, publisher, artist, and philosopher fue el escritor del jarron azul

The Philistine http://books.google.com/books?id=MaVHAAAAYAAJ&q=%22editor+a+person+employed+on+a+newspaper%22+%22whose+business+it+is+to+separate+the+wheat+from+the+chaff+and+to+see+that+the+chaff+is+printed%22&pg=PA810#v=onepage (May 1913) The Roycroft Dictionary Concocted by Ali Baba and the Bunch on Rainy Days http://books.google.com/books?id=ZQLpQ2SAIeQC&q=%22Editor+1+a+person+employed+on+a+newspaper+whose+business+it+is+to+separate+the+wheat+from+the+chaff+and+to+see+that+the+chaff+is+printed%22&pg=PA46#v=onepage (1914). Famous Lines: A Columbia Dictionary of Familiar Quotations https://books.google.com/books?id=MtciwlIG3sMC&pg=PA138&lpg=PA138&dq=adlai+chaff+elbert#v=onepage&q=adlai%20chaff%20elbert&f=false (1997), see Adlai Stevenson for a later variation

Business, Personality

“The incorporation of… earlier sources does not mean that the Pentateuch or Former Prophets is the work of an editor who pasted together various docuements. Once we view the work as a whole, we see that it is a fresh creation though not a creatio ex nihilo. The same holds for Homeric Epic that has been subjected to the same kinds of modern literary criticism.”

Cyrus H. Gordon (1908–2001) American linguist

Source: The Common Background of Greek and Hebrew Civilizations (1965 [1962]), Ch.VIII Further Observations on the Bible

Past

“[Paul Patterson and I] soon got on the subject of the war, and I said flatly that I thought the Sun's course was not only ignorant and absurd, but also not a little disingenuous. It had gone over to the English in an abject and ignominious fashion, against all reason and all the obvious facts. Worse, it had yielded supinely to the most outrageous fiats of the Roosevelt censorship, and had even exceeded them. This shook Patterson somewhat, for he likes to think of himself as a news editor, and he insisted that in handling the war news the Sun had done good work.”

H.L. Mencken (1880–1956) American journalist and writer

March 17, 1944
1940s–present, The Diary of H.L. Mencken (1989)

War, Fashion, Thinking, Sun

“I've seen [visual] editors like that, but I don't feel a need for them. I don't want to see the state of the file when I'm editing.”

Ken Thompson (1943) American computer scientist, creator of the Unix operating system

Thompson on the superiority of <tt>ed</tt> to editors such as today's <tt>vi</tt> or <tt>emacs</tt>, as summarized by Peter Salus in A Quarter Century of UNIX (Addison-Wesley, 1994). http://web.archive.org/web/20080103071208/http://www.dcs.qmul.ac.uk/~george/history/

Feeling

“I don't care what the editor likes or dislikes, I care what the people like.”

Mickey Spillane (1918–2006) American writer

Crime Time interview (2001)

People

“I would like to review your book myself,’ said the editor of one of our principal newspapers about Worshipping False Gods. ‘But if I praise it, they will be after me also. I too will be called communal, high-caste and all that.’ ‘Brilliant, Arun, it was fascinating,’ said a leading commentator who had written a review that inclined to the positive. ‘But, you’ll understand, I couldn’t say all that in print. But it really is brilliant. How do you manage to put in this much work?’ The very selection of reviewers tells the same story. If there is a book by a leftist, editors will be loath to give it to a person of a different point of view: ‘They will say, I have deliberately given it to a rightist,’ the editors are liable to explain. On the other hand, if it is a book by a person they have decided is a rightist, they will be loath to give it to a reviewer who also has been branded a rightist: ‘They will denounce me for deliberately giving the book to a person who is bound to praise it,’ they will bleat. Therefore, in such cases they deliberately give the book to a person who ‘is bound to condemn it’!”

Arun Shourie (1941) Indian journalist and politician

Eminent Historians: Their Technology, Their Line, Their Fraud

God, Books, Communication, Understanding

“Great poets are great copy editors.”

Dejan Stojanovic (1959) poet, writer, and businessman

Life Is Poetry http://www.poemhunter.com/poem/life-is-poetry/ From the poems written in English

“No I didn't ban the press. The press banned me. In later years in the blossom of my career, some editors got across to me and said they wanted me in their mags because the readers wanted me. But I refused because it wasn't me who started the war.”

Amitabh Bachchan (1942) Indian actor

Quotable quotes by Amitabh Bachchan.

War

“That Fingal is not from beginning to end a translation from the Gallick, but that some passages have been supplied by the editor to connect the whole, I have heard admitted by very warm advocates for its authenticity. If this be the case, why are not these distinctly ascertained? Antiquaries, and admirers of the work, may complain, that they are in a situation similar to that of the unhappy gentleman whose wife informed him, on her death-bed, that one of their reputed children was not his; and, when he eagerly begged her to declare which of them it was, she answered, That you shall never know', and expired, leaving him in irremediable doubt as to them all.”

James Macpherson (1736–1796) Scottish writer, poet, translator, and politician

James Boswell, The Journal of a Tour to the Hebrides (1785), p. 490.
Criticism

Death, Children

“Bill Mayer, then the managing editor of the 'Lawrence Journal-World' recalled on of Wilt's impressive athletic feats: "We played Oklahoma in basketball on a friday night, here in Lawrence(, Kansas), When Oklahoma had one helluva team. And they pounded the living daylights out of Wilt, just beat him to a pulp. I think he got 32 points. This was on a friday, and the finals of the Big Seven indoor track championship were the next night in Kansas city in the Municipal Auditorium. Wilt goes in, and with a minimum of practice during the week-he had just been fiddling around-he sets a school record and ties for the Big Seven championship, jumping 6' 6 3/4""”

Wilt Chamberlain (1936–1999) basketball player

Wilt: Larger than Life, Robert Cherry
Athleticism

World, School, Thinking, Night

“Amos Regev, the editor-[in-chief] of Israel HaYom, is a personal friend and my conversations with him are not within the framework of my job.”

Benjamín Netanyahu (1949) Israeli prime minister

Response to an FOI request by Haaretz on ties between Netanyahu and the management of Israel's largest newspaper (11 June 2015) http://www.haaretz.com/opinion/.premium-1.660914 2010s, 2015

Personality

“There are a few editor men with whom I am privileged to come in contact. It has not been long since it was their habit to come in contact with me. There is a difference.”

O. Henry (1862–1910) American short story writer

"The Plutonian Fire" http://www.literaturecollection.com/a/o_henry/243/ The Voice of the City (1908)

Men

“Various editors, senior editors at major houses who wanted the book said that they didn't quite know what genre it was.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

Vanna Bonta Talks About Quantum fiction: Author Interview (2007)

Books, Housing

“The balance had been upset and the reactions from the American press and intelligence services were enraged. In a secret American report recently found in the archives, we read that Mattei's power must be contained at all costs and his possibilities for influencing the government must be reduced. Mattei is not only a force in industry, oil, and politics by now, but he also has a hold on information, because in 1957, through ENI, he took control of II Giorno, a Milanese daily, which at that time was much more important than it is today. It provided very lively coverage, had the best and brightest writers, it was present in every country in the world, and most of all, it had a policy of true support for the countries which were trying to free themselves from the colonial yoke, a policy of open support toward Algeria, for example, which was at the time a French colony. France was losing this colony, but there was a war, a savage repression from the French to hold onto their colony. Mattei sent Italo Pietra to Algeria, who later became the editor-in-chief of Il Giorno. He was the first, unofficial representative of Mattei who negotiated not with the French, but with the Algerians, the National Liberation Front”

Nico Perrone (1935) Italian historian and writer

Source: The Strategic Stakes in Mattei's Flight, p. 25

War, Secret, World, Intelligence

“Censors will try to censor a little bit more each year (because, like editors and other officious people, censors don't feel they are getting anywhere unless they are up and doing).”

Wilfrid Sheed (1930–2011) English-American novelist and essayist

"Dirty Business" (1973), p. 83
The Good Word & Other Words (1978)

People, Feeling

“Whose fault is the replacement of serious discussion of world trade by what I have come to think of as "pop internationalism"? To some extent, of course, it is the result of basic human instincts: intellectual laziness, even among those who would be seen as wise and deep, will always be a powerful force. To some extent it also reflects the decline in the influence of economists in general: the high prestige of the profession a generation ago had much to do with the presumed effectiveness of Keynesian macroeconomic policies, and has suffered greatly as macroeconomics has dissolved into squabbling factions. And one should not ignore the role of editors, who often prefer what pop internationalists have to say to the disturbingly difficult ideas of people who know how to read national accounts or understand that the trade balance is also the difference between savings and investment. Indeed, some important editors, like James Fallows at The Atlantic or Robert Kuttner at The American Prospect are pop internationalists themselves; they deliberately use their magazines as platforms for what amounts to an anti-intellectual crusade.”

Paul Krugman (1953) American economist

Introduction of Pop Internationalism (1996)
Pop Internationalism (1996)

People, World, Idea, Understanding

“I loved this paper and its editor. He seemed to me an all-sufficient match to every opponent, whether they spoke in the name of the law or the gospel. His words were full of holy fire, and straight to the point. Something of a hero-worshiper by nature, here was one to excite my admiration and reverence.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

Source: 1880s, Life and Times of Frederick Douglass (1881), pp. 263–264.
Context: I had been living four or five months in New Bedford when there came a young man to me with a copy of the Liberator, the paper edited by William Lloyd Garrison and published by Isaac Knapp, and asked me to subscribe for it. I told him I had but just escaped from slavery, and was of course very poor, and had no money then to pay for it. He was very willing to take me as a subscriber, notwithstanding, and from this time I was brought into contact with the mind of Mr. Garrison, and his paper took a place in my heart second only to the Bible. It detested slavery, and made no truce with the traffickers in the bodies and souls of men. It preached human brotherhood; it exposed hypocrisy and wickedness in high places; it denounced oppression; and with all the solemnity of "Thus saith the Lord," demanded the complete emancipation of my race. I loved this paper and its editor. He seemed to me an all-sufficient match to every opponent, whether they spoke in the name of the law or the gospel. His words were full of holy fire, and straight to the point. Something of a hero-worshiper by nature, here was one to excite my admiration and reverence. It was my privilege to listen to a lecture in Liberty Hall by Mr. Garrison, its editor. He was then a young man, of a singularly pleasing countenance, and earnest and impressive manner. On this occasion he announced nearly all his heresies. His Bible was his textbook — held sacred as the very word of the Eternal Father. He believed in sinless perfection, complete submission to insults and injuries, and literal obedience to the injunction if smitten "on one cheek to turn the other also." Not only was Sunday a Sabbath, but all days were Sabbaths, and to be kept holy. All sectarianism was false and mischievous — the regenerated throughout the world being members of one body, and the head Christ Jesus. Prejudice against color was rebellion against God. Of all men beneath the sky, the slaves, because most neglected and despised, were nearest and dearest to his great heart. Those ministers who defended slavery from the Bible were of their "father the devil"; and those churches which fellowshiped slaveholders as Christians, were synagogues of Satan, and our nation was a nation of liars. He was never loud and noisy, but calm and serene as a summer sky, and as pure. "You are the man — the Moses, raised up by God, to deliver his modern Israel from bondage," was the spontaneous feeling of my heart, as I sat away back in the hall and listened to his mighty words, — mighty in truth, — mighty in their simple earnestness.

Love, Law, Nature

“Every dimwit editor who sees himself as the source of all dreary blanc-mange plain porridge unleavened literature, licks his guillotine and eyes the neck of any author who dares to speak above a whisper or write above a nursery rhyme.”

Ray Bradbury book Fahrenheit 451

Fahrenheit 451 (1953), Coda (1979)
Context: There is more than one way to burn a book. And the world is full of people running about with lit matches. Every minority, be it Baptist/Unitarian, Irish/Italian/Octogenarian/Zen Buddhist, Zionist/Seventh-day Adventist, Women's Lib/Republican, Mattachine/FourSquareGospel feels it has the will, the right, the duty to douse the kerosene, light the fuse. Every dimwit editor who sees himself as the source of all dreary blanc-mange plain porridge unleavened literature, licks his guillotine and eyes the neck of any author who dares to speak above a whisper or write above a nursery rhyme.

Literature

“Busy editors cannot be expected to put on their posters, "Mr. Wilkinson Still Safe," or "Mr. Jones, of Worthing, Not Dead Yet." They cannot announce the happiness of mankind at all. They cannot describe all the forks that are not stolen, or all the marriages that are not judiciously dissolved. Hence the complex picture they give of life is of necessity fallacious; they can only represent what is unusual”

G. K. Chesterton book The Ball and the Cross

The Ball and the Cross, part IV: "A Discussion at Dawn", 2nd paragraph
Context: It is the one great weakness of journalism as a picture of our modern existence, that it must be a picture made up entirely of exceptions. We announce on flaring posters that a man has fallen off a scaffolding. We do not announce on flaring posters that a man has not fallen off a scaffolding. Yet this latter fact is fundamentally more exciting, as indicating that that moving tower of terror and mystery, a man, is still abroad upon the earth. That the man has not fallen off a scaffolding is really more sensational; and it is also some thousand times more common. But journalism cannot reasonably be expected thus to insist upon the permanent miracles. Busy editors cannot be expected to put on their posters, "Mr. Wilkinson Still Safe," or "Mr. Jones, of Worthing, Not Dead Yet." They cannot announce the happiness of mankind at all. They cannot describe all the forks that are not stolen, or all the marriages that are not judiciously dissolved. Hence the complex picture they give of life is of necessity fallacious; they can only represent what is unusual. However democratic they may be, they are only concerned with the minority.

Life, Marriage, Happiness, Business

“One of the things my editor and I did fight about…is the idea of how much a reader can take. To me you get nowhere second guessing how much can a reader stand and how much can she not. What a reader can always tell is when you are holding back for fear of offending them. I wanted there to be something too much about the violence in the book, but I also wanted there to be an exaggeration of everything, an exaggeration of love, of empathy, of pity, of horror. I wanted everything turned up a little too high…”

Hanya Yanagihara (1974) American novelist and travel writer

On debating the reactions of her readership in “Hanya Yanagihara: ‘I wanted everything turned up a little too high’” https://www.theguardian.com/books/2015/jul/26/hanya-yanagihara-i-wanted-everything-turned-up-a-little-too-high-interview-a-little-life in The Guardian (2015 Jul 26)

Love, Books, Fear, Making love

“Like other social media platforms, Wikipedia has evolved into an echo chamber where the user is presented with only one type of content instead of being shown a balanced narrative. This disinformation is powerful since the articles are written in an academic style and users do not see other sources that disagree with the article.... Some editors of Wikipedia are failed academics with demonic energy who wish to conquer anonymously what they were unable to do in their normal careers. And spending much of their working life editing Wikipedia articles and by the use of multiple anonymous handles they have obtained administrative status which entitles them to block opposing views. The anonymous persona of the editors and the low stakes have made Wikipedia politics much more vicious than real politics.”

Subhash Kak (1947) Indian computer scientist

Subhash Kak, April 9, 2019 Wikipedia or Trashpedia? https://medium.com/@subhashkak1/wikipedia-or-trashpedia-4198e2c78e59

Life

“I was the first black woman editor at the New York Times Magazine – that’s crazy! I’m not that old where you’d think I could be the New York Times’ first anything, but I was… People wanted to know about things, they had questions about my hair, they wanted to know where I was from, they wanted to know if I only listen to hip-hop. When people aren’t exposed to difference, there’s a lot of burden put on you to explain…”

Veronica Chambers (1970) writer

On African American women being the “first” in their given fields in “Q&A with Veronica Chambers, author of ‘The Meaning of Michelle’” https://www.stanforddaily.com/2017/02/06/qa-with-veronica-chambers-author-of-the-meaning-of-michelle/ in The Stanford Daily (2017 Feb 6)

People, Question, Thinking, Time

“The words are not the same and the feeling is not the same. You know, they say in France that translation is like a woman. She is either beautiful or faithful. So it’s better when she’s beautiful because when she’s too faithful it might be very ugly. This is French people. This translation, though, is very well made. This is my American editor, who knows me very well who has made the translation. But in any translation you lose a little bit.”

Marjane Satrapi (1969) Artist

On her views regarding the translation of works in “AN INTERVIEW WITH MARJANE SATRAPI” http://www.bookslut.com/features/2004_10_003261.php in Book Slut (October 2004)

People, Faith, Beauty, Feeling

“The violence of the press attacks on Aslef, and the sustained and bitter hostility of the media towards the Labour movement is responsible for the refusal to handle some newspapers on the railways. Day after day Fleet Street conducts its campaign against working people, ignoring their interests, distorting their arguments and abusing their representatives. Working journalists can no longer evade their moral responsibilities by shielding behind their editors, nor editors by shielding behind their proprietors. Nor can arguments based on the freedom of the press be used as an excuse to deny freedom of expression to millions of people who have lost their jobs, suffered cuts in living standards or in essential health and education services.”

Tony Benn (1925–2014) British Labour Party politician

Speech to the press (26 January 1982), quoted in The Times (27 January 1982), p. 1
1980s

Hostility, People, Health, Education

“For years, when I was the culture editor at Indian Country Today Media Network, we requested interviews with Warren, but not once did she accept our numerous invitations for comment or explanation regarding her alleged ancestry. She simply ignored us.”

Elizabeth Warren (1949) 28th United States Senator from Massachusetts

Simon Moya-Smith, I am a Native American. I have some questions for Elizabeth Warren https://www.cnn.com/2018/10/15/opinions/elizabeth-warren-native-heritage-where-has-she-been-moya-smith/index.html, CNN.com, October 15, 2018

Country

Cyrus H. Gordon (1908–2001) American linguist

The same holds for Homeric Epic that has been subjected to the same kinds of modern literary criticism.
Source: The Common Background of Greek and Hebrew Civilizations (1965 [1962]), Ch.VIII Further Observations on the Bible

Past

“The parody is the last refuge of the frustrated writer. Parodies are what you write when you are associate editor of the Harvard Lampoon.”

Ernest Hemingway (1899–1961) American author and journalist

The greater the work of literature, the easier the parody. The step up from writing parodies is writing on the wall above the urinal.
Pt. 1, Ch. 4
Papa Hemingway (1966)

“if a Swedish news editor was ever gang raped by Muslim immigrants it would be hard not to laugh.”

Pat Condell (1949) Stand-up comedian, writer, and Internet personality

twitter.com (15 March 2015) https://twitter.com/patcondell/status/577049819363061760 2015

“Journalism is just very structured…One day I turned in a story and [an editor] said to me, ‘You can’t compare inanimate objects with animate objects,’ and I realized I had to leave.”

Thanhha Lai (1965) American children's writer

On why she left journalism in “How former Register reporter Thanhha Lai turned childhood rage into a National Book Award” https://www.orangecoast.com/features/ha/ in Orange Coast Magazine (2012 Feb 11)

Animals

“Collaborations are unnatural. The writer is a jealous god. He builds his universe without interference. He resents the carping of mentally deficient critics, and the editor’s capricious demands for revisions. Let two writers try to make one universe, and their defenses get in the way.”

Larry Niven book N-Space

Building the Mote in God’s Eye (with Jerry Pournelle) (p. 442)
Short fiction, N-Space (1990)

God, Way, Universe

“Traditional photojournalists arrive with an idea of what they are going to produce or what the editor wants. I approach a subject very much as a street photographer and a wanderer, without preconceptions. I try to leave it extremely intuitive and exploratory.”

Alex Webb (photographer) (1952) American photojournalist

citation needed

Idea

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Quotes about editor
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