Quotes about bunch
page 4
"Where Desert Spirits Crowd the Night", p. 254
The Ivory and the Horn (1996)
RATS (1996)
András Petőcz: In Praise of the Sea (1999, ISBN 963 9101 51 6).
Prose
The Art of Doing Science and Engineering: Learning to Learn (1991)
"Cigarette" ("Ta- bako") story, quoted in 三島由紀夫短編集: Seven Stories, translated by John Bester (2002), p. 110.
“Artists don’t live in the everyday world. That’s why people think they’re an odd bunch.”
1960's, Conversations with Samuel Beckett and Bram van Velde' (1965 - 1969)
Kush
Official Mix tapes, The Leak (2007)
" Nicholas Wade’s ridiculous prescription for curing creationism http://whyevolutionistrue.wordpress.com/2012/11/28/nicholas-wades-ridiculous-prescription-for-curing-creationism/" November 28, 2012
2010s, 2018, Say No to a Parliament of Tribes (2018)
Cricketers get heroes welcome The Himalayan Times; February 2018 https://thehimalayantimes.com/sports/cricketers-get-heroes-welcome/
The Steve Malzberg Show
2011-02-28
Radio, quoted in * Eric
Hananoki
Huckabee: Obama Grew Up "In Kenya"
2011-03-01
Media Matters for America
http://mediamatters.org/blog/201103010018
2011-03-02
About Barack Obama, who grew up in Hawaii and did not visit Kenya until his adulthood, despite rumours and innuendos which imply otherwise and have been circulated since his nomination to run for the US Presidency
That's what they'll say, that's what most people think of it: as a wild dog.
Dr. Kent Hovind Q&A - CSE Projects - Atheism/Evolution 9/10/15 Part 2 https://www.youtube.com/watch?v=GfyxsTTRyMA, Youtube (September 10, 2015)
Interview on Paula Zahn Now http://atheism.about.com/b/a/258728.htm (January 31, 2007).
So things came every week and I consumed them...
Response to the question: Did you outstrip the offerings of the school, say in the sciences and mathematics?
An Interview with Douglas T. Ross (1984)
Letter of resignation to Edward Hornor Coates, Chairman of the Committee on Instruction, Pennsylvania Academy of the Fine Arts (1886-02-15).
quote about her way of 'abstraction'
1960s, Interview with Barbara Rose', Archives - American Art, 1968
Talking Fiction (Rolling Stone, 2003) http://www.tarantino.info/index.php?option=com_content&task=view&id=310&Itemid=41.
On the April 9, 2008 broadcast of CNN's "Situation Room", when asked to comment on the United States' relationship with China, Cafferty responded in reference to the Chinese Government and the Americans Government's political and business relationship.
2008
Mitch All Together (2003)
Letter 1
Letters on Logic: Especially Democratic-Proletarian Logic (1906)
Source: Refactoring: Improving the Design of Existing Code, 1999, p. 81
O interview (2003)
Context: The whole society is obsessed.... I'm not complaining — I'm just saying, "Don't be too impressed with me. Don't try to dress like me or wear your hair like mine. Find your own style. Don't spend your savings trying to be someone else. You're not more important, smarter, or prettier because you wear a designer dress." I only wear the expensive clothes because I get them free and I'm too lazy to go out and look for my own. I, a rich girl from Mexico, came here with designer clothes. And one day when I was starving in an apartment in Los Angeles, I looked at my Chanel blouses and said, "If only I could pay the rent with one of these." … In those days, the rag I used to dry my dishes was more useful. Now many who start in this business come to me for advice and ask, "How do I get started?" And I have to say, "I honestly have no idea." I think it's a bunch of accidents that happen to you and somehow you survive them and take advantage of them and something magical happens — and you have an agent.
Source: 2010s, 2013, Things That Matter: Three Decades of Passions, Pastimes and Politics (2013), Chapter 14 : The Age of Holy Terror, "September 11, 2001"
"To War, Not to Court" in The Washington Post (12 September 2001) https://www.washingtonpost.com/archive/opinions/2001/09/12/to-war-not-to-court/86d5f7a6-b901-4a70-93be-01e718471169<!-- also "This is Not Crime, This is War" http://townhall.com/columnists/charleskrauthammer/2001/09/12/this_is_not_crime,_this_is_war -->
Context: We no longer have to search for a name for the post-Cold War era. It will henceforth be known as the age of terrorism. Organized terror has shown what it can do; execute the single greatest massacre in American history, shut down the greatest power on the globe and send its leaders into underground shelters. All this, without even resorting to chemical, biological or nuclear weapons of mass destruction. This is a formidable enemy. To dismiss it as a bunch of cowards perpetrating senseless acts of violence is complacent nonsense. People willing to kill thousands of innocents while they kill themselves are not cowards. They are deadly, vicious warriors and need to be treated as such. Nor are their acts of violence senseless. They have a very specific aim: to avenge alleged historical wrongs and to bring the great American satan to its knees.
“We are a bunch of hooligans and anarchists but we do clean up nice.”
Acceptance speech as "best actress" at the 90th Academy Awards (4 March 2018) https://www.youtube.com/watch?v=-86vgvZGMs4, for her performance in Three Billboards Outside Ebbing, Missouri, as quoted in "Frances McDormand Just Brought Down the House with Her Oscars Speech" by Julie Kosin in Harper's Bazaar (5 March 2018) https://www.harpersbazaar.com/culture/film-tv/a19081077/frances-mcdormand-oscars-speech-transcript-2018/
Context: We are a bunch of hooligans and anarchists but we do clean up nice. I want to thank every single person in this building. And my sister Dorothy. I love you, Dot. And I especially want to thank my clan, Joel and Pedro "McCoen." These two stalwart individuals were well-raised by their feminist mother. They value themselves, each other and those around them. I know you are proud of me and that fills me with everlasting joy.
And now I want to get some perspective. If I may be so honored to have all the female nominees in every category stand with me in this room tonight, the actors — Meryl, if you do it, everybody else will, c'mon — the filmmakers, the producers, the directors, the writers, the cinematographer, the composers, the songwriters, the designers. C'mon! Okay, look around everybody. Look around, ladies and gentlemen, because we all have stories to tell and projects we need financed. Don't talk to us about it at the parties tonight. Invite us into your office in a couple days, or you can come to ours, whatever suits you best, and we'll tell you all about them.
I have two words to leave with you tonight, ladies and gentlemen: "inclusion rider."
Source: The Book on the Taboo Against Knowing Who You Are (1966), p. 74
Interview with David Brancaccio (2003)
Context: The Republican Party has been captured by a bunch of extremists … People who maintain that markets will take care of everything, that you leave it to the markets and the markets know best. Therefore, you need no government, no interference with business. Let everybody pursue his own interests. And that will serve the common interest. Now, there is a good foundation for this. But it's a half-truth.
The Market
Context: Roses just now predominate. There is a satisfying solidity about the bunches, a glorious abundance which, in a commodity so easily enjoyed without ownership, is scarcely credible. I feel no desire to own these huge aggregations of odorous beauty. It would be like owning a harem, one imagines.
“There is a plot. What would be the point of just a bunch of things?”
About Inland Empire, from The Independent: David Lynch: In odd we trust http://www.independent.co.uk/news/people/profiles/david-lynch-in-odd-we-trust-439801.html
Context: There is a plot. What would be the point of just a bunch of things? There's a story, but the story can hold abstractions. I believe in story. I believe in characters. But I believe in a story that holds abstractions, and a story that can be told based on ideas that come in an unconventional way.
On his blog, talking about genre http://www.danielabraham.com/?p=160
Context: I think that the successful genres of a particular period are reflections of the needs and thoughts and social struggles of that time. When you see a bunch of similar projects meeting with success, you’ve found a place in the social landscape where a particular story (or moral or scenario) speaks to readers. You’ve found a place where the things that stories offer are most needed.
And since the thing that stories most often offer is comfort, you’ve found someplace rich with anxiety and uncertainty. (That’s what I meant when I said to Melinda Snodgrass that genre is where fears pool.)
Talk at UC Berkeley on the massacres in Indonesia and East Timor, 1982; Republished at " Program Information: Chomsky on Indonesia and E. Timor, 1982 http://www.radio4all.net/index.php?op=program-info&program_id=11140" at radio4all.net, accessed May 23, 2014.
Quotes 1960s-1980s, 1980s
Context: There are significant strategic interests [in Oceania], and there's a lot of stuff going on that's important. Not just the United States. For example, France is doing some really vicious things there, in fact they're just wiping out islands because they want them for nuclear tests. And when the socialist government in France is asked, "Why to do this?", they say, "Well look, we have to have nuclear tests." Well, if you have to have nuclear tests, why not have them in southern France? [audience laughter] Why have them in some island in the Pacific? Well, the answer to that is clear, after all they're just a bunch of little brown people or something. But you can't say that exactly, especially if you're a socialist, so something else is said.
Diaz describing the Nevada Athletic Commission after failing his UFC 183 drug test (2015)
On violence in movies inspiring real-life violence, as quoted in Jam Showbiz (6 June 1999) http://jam.canoe.ca/Movies/Artists/S/Stowe_Madeleine/1999/06/06/762059.html
Context: I am really astonished at the number of violent acts.
I'm not saying that the movies created these situations, because there are a whole bunch of things.
But a lot of people in the movie industry tend to run and hide from it like ostriches. Movie industry people are definitely in denial right now, but you do become de-sensitized to violence when you see it on the screen so often.
Let's face it, violence exists for one reason in movies, and that's to get an effect, create an emotion, sell tickets.
“Business, after all, is nothing more than a bunch of human relationships.”
"we don't even notice hell itself rising up against us" https://www.youtube.com/watch?v=CWiiQjv8UfU, The Alex Jones Show, January 28, 2017.
2017
Unveiling her PETA ad on Davie Street; as quoted in "Jenna Talackova unveils racy PETA ad and promotes vegan diet" https://www.vancouverobserver.com/city/jenna-talackova-unveils-racy-peta-ad-and-promotes-vegan-diet, The Vancouver Observer (24 January 2014).
On YouTube https://www.youtube.com/watch?v=n--mf4fGfkg, about the results of the parliamentary elections in October 2015 in Poland.
The Room (1971)
citation needed
from a clip from the film adaptation of The Spy Who Came in from the Cold, starring Richard Burton as Alec Leamas, an alcoholic cynical British spy
The Spy Who Came In From the Cold (1963)
Source: Quoted in “The United States of America Has Gone Mad”: John le Carré on Iraq War, Israel & U.S. Militarism, Democracy Now! https://www.democracynow.org/2020/12/25/the_united_states_of_america_has (25 December 2020)
It’s that kind of thing, I don’t know if that will ever change but that is what my life is.
Interview: Daniel Kash Talks Mama, Aliens and Defiance https://www.gamesradar.com/interview-daniel-kash-talks-mama-aliens-and-defiance/ (June 14, 2013)
On anti-lockdown protestors in Queen's Park https://toronto.ctvnews.ca/a-bunch-of-yahoos-ont-premier-says-of-people-protesting-covid-19-emergency-measures-1.4911861 (25 April 2020)
2020
Interview with the Hollywood Reporter (4 February 2020)
Source: The Wheel of Time: Shamans of Ancient Mexico, Their Thoughts About Life, Death and the Universe], (1998), Quotations from A Separate Reality (Chapter 6)
Source: Interview, circa 1994; as quoted in Halliwell's Who's Who in the Movies (2003) by Leslie Halliwell, p. 450