Quotes about behold

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Why Do Religions Teach Love and Yet Cause So Much War?
Context: If you are talking to me about your new car, you are the first person, I am the second person, and the car is the third person.
These pronouns actually represent three perspectives that human beings can take when they talk about the world or attempt to know the world... The fascinating part is that these three perspectives might actually give rise to art, morals, and science. Or the Beautiful, the Good, and the True: the Beauty that is in the eye (or the "I") of the beholder; the Good or moral actions that can exist between you and me as a "we"; and the objective Truth about third-person objects (or "its") that you and I might discover: hence, art ("I"), morals ("we"), and science ("it").

"All Pervading Consciousness"

Letter http://www.infomotions.com/etexts/literature/american/1700-1799/franklin-paris-247.txt to Abbé Morellet (1779).
Epistles
Context: We hear of the conversion of water into wine at the marriage in Cana as of a miracle. But this conversion is, through the goodness of God, made every day before our eyes. Behold the rain which descends from heaven upon our vineyards; there it enters the roots of the vines, to be changed into wine; a constant proof that God loves us, and loves to see us happy. The miracle in question was only performed to hasten the operation, under circumstances of present necessity, which required it.

The Parable of the Old Man and the Young
Context: p>So Abram rose, and clave the wood, and went,
And took the fire with him, and a knife.
And as they sojourned both of them together,
Isaac the first-born spake and said, My Father,
Behold the preparations, fire and iron,
But where the lamb for this burnt-offering?
Then Abram bound the youth with belts and straps,
And builded parapets and trenches there,
And stretchèd forth the knife to slay his son.
When lo! an angel called him out of heaven,
Saying, Lay not thy hand upon the lad,
Neither do anything to him, thy son.
Behold! Caught in a thicket by its horns,
A Ram. Offer the Ram of Pride instead.But the old man would not so, but slew his son,
And half the seed of Europe, one by one.</p

Many Long Years Ago (1945), Song To Be Sung by the Father of Infant Female Children
Context: My heart leaps up when I behold
A rainbow in the sky;
Contrariwise, my blood runs cold
When little boys go by.
For little boys as little boys,
No special hate I carry,
But now and then they grow to men,
And when they do, they marry.
No matter how they tarry,
Eventually they marry.
And, swine among the pearls,
They marry little girls.

"Imperfection"
Swear By the Night and Other Poems (1936)

Fragment xxiv.
Golden Sayings of Epictetus, Fragments

Source: Flatland: A Romance of Many Dimensions (1884), PART II: OTHER WORLDS, Chapter 20. How the Sphere Encouraged Me in a Vision
Context: "Behold yon miserable creature. That Point is a Being like ourselves, but confined to the non-dimensional Gulf. He is himself his own World, his own Universe; of any other than himself he can form no conception; he knows not Length, nor Breadth, nor Height, for he has had no experience of them; he has no cognizance even of the number Two; nor has he a thought of Plurality; for he is himself his One and All, being really Nothing. Yet mark his perfect self-contentment, and hence learn this lesson, that to be self-contented is to be vile and ignorant, and that to aspire is better than to be blindly and impotently happy. Now listen."He ceased; and there arose from the little buzzing creature a tiny, low, monotonous, but distinct tinkling, as from one of your Spaceland phonographs, from which I caught these words, "Infinite beatitude of existence! It is; and there is none else beside It."

XVI, 19
The Kitáb-I-Asmá
Context: Those who have deprived themselves of this Resurrection by reason of their mutual hatreds or by regarding themselves to be in the right and others in the wrong, were chastised on the Day of Resurrection by reason of such hatreds evinced during their night. Thus they deprived themselves of beholding the countenance of God, and this for no other reason than mutual denunciations.

Book XLII: Ch. 18: A summary of the changes which have occurred around the globe in my lifetime
Mémoires d'outre-tombe (1848 – 1850)
Context: New storms will arise; one can believe in calamities to come which will surpass the afflictions we have been overwhelmed by in the past; already, men are thinking of bandaging their old wounds to return to the battlefield. However, I do not expect an imminent outbreak of war: nations and kings are equally weary; unforeseen catastrophe will not yet fall on France: what follows me will only be the effect of general transformation. No doubt there will be painful moments: the face of the world cannot change without suffering. But, once again, there will be no separate revolutions; simply the great revolution approaching its end. The scenes of tomorrow no longer concern me; they call for other artists: your turn, gentlemen!
As I write these last words, my window, which looks west over the gardens of the Foreign Mission, is open: it is six in the morning; I can see the pale and swollen moon; it is sinking over the spire of the Invalides, scarcely touched by the first golden glow from the East; one might say that the old world was ending, and the new beginning. I behold the light of a dawn whose sunrise I shall never see. It only remains for me to sit down at the edge of my grave; then I shall descend boldly, crucifix in hand, into eternity.

Source: Oresteia (458 BC), Agamemnon, lines 834–837

The Fifteenth Revelation, Chapter 63
Context: It is more blissful that man be taken from pain, than that pain be taken from man; for if pain be taken from us it may come again: therefore it is a sovereign comfort and blissful beholding in a loving soul that we shall be taken from pain. For in this behest I saw a marvellous compassion that our Lord hath in us for our woe, and a courteous promising of clear deliverance. For He willeth that we be comforted in the overpassing; and that He shewed in these words: And thou shalt come up above, and thou shalt have me to thy meed, and thou shalt be fulfilled of joy and bliss.

Last Men in London (1932)

On the Last Day
Context: In this life we never behold the true state of our interior: our attention is engaged by the few serious sentiments with which we are occasionally animated; and the judgment which we form of ourselves is generally influenced by the last impressions which are made upon our minds.

Source: Guide for the Perplexed (c. 1190), Part III, Ch.25
Context: It is not unreasonable to assume that the works of God, their existence and preceding non-existence, are the result of His wisdom, but we are unable to understand many of the ways of His Wisdom in His works. On this principle the whole Law of Moses is based; it begins with this principle: "And God saw all that He had made, and behold, it was very good" (Gen. i. 31); and it ends with this principle: "The Rock, perfect is His work" (Deut. xxxii. 4). Note it.

An Essay on the Beautiful
Context: Perhaps, the good and the beautiful are the same, and must be investigated by one and the same process; and in like manner the base and the evil. And in the first rank we must place the beautiful, and consider it as the same with the good; from which immediately emanates intellect as beautiful. Next to this, we must consider the soul receiving its beauty from intellect, and every inferior beauty deriving its origin from the forming power of the soul, whether conversant in fair actions and offices, or sciences and arts. Lastly, bodies themselves participate of beauty from the soul, which, as something divine, and a portion of the beautiful itself, renders whatever it supervenes and subdues, beautiful as far as its natural capacity will admit.
Let us, therefore, re-ascend to the good itself, which every soul desires; and in which it can alone find perfect repose. For if anyone shall become acquainted with this source of beauty he will then know what I say, and after what manner he is beautiful. Indeed, whatever is desirable is a kind of good, since to this desire tends. But they alone pursue true good, who rise to intelligible beauty, and so far only tend to good itself; as far as they lay aside the deformed vestments of matter, with which they become connected in their descent. Just as those who penetrate into the holy retreats of sacred mysteries, are first purified and then divest themselves of their garments, until someone by such a process, having dismissed everything foreign from the God, by himself alone, beholds the solitary principle of the universe, sincere, simple and pure, from which all things depend, and to whose transcendent perfections the eyes of all intelligent natures are directed, as the proper cause of being, life and intelligence. With what ardent love, with what strong desire will he who enjoys this transporting vision be inflamed while vehemently affecting to become one with this supreme beauty! For this it is ordained, that he who does not yet perceive him, yet desires him as good, but he who enjoys the vision is enraptured with his beauty, and is equally filled with admiration and delight. Hence, such a one is agitated with a salutary astonishment; is affected with the highest and truest love; derides vehement affections and inferior loves, and despises the beauty which he once approved. Such, too, is the condition of those who, on perceiving the forms of gods or daemons, no longer esteem the fairest of corporeal forms. What, then, must be the condition of that being, who beholds the beautiful itself?

The Confession (c. 452?)
Context: I used to stay out in the forests and on the mountain and I would wake up before daylight to pray in the snow, in icy coldness, in rain, and I used to feel neither ill nor any slothfulness, because, as I now see, the Spirit was burning in me at that time.
And it was there of course that one night in my sleep I heard a voice saying to me: "You do well to fast: soon you will depart for your home country." And again, a very short time later, there was a voice prophesying: "Behold, your ship is ready."' And it was not close by, but, as it happened, two hundred miles away, where I had never been nor knew any person. And shortly thereafter I turned about and fled from the man with whom I had been for six years, and I came, by the power of God who directed my route to advantage (and I was afraid o nothing), until I reached that ship.

The Eye of Spirit : An Integral Vision for a World Gone Slightly Mad (1997)
Context: The integral vision, I believe, is more than happy to welcome empirical science as a part — a very important part — of the endeavor to befriend the Kosmos, to be attuned to its many moods and flavors and facets and forms. But a more integral psychology goes beyond that... With science we touch the True, the "It" of Spirit. With morals we touch the Good, the "We" of Spirit. What, then, would an integral approach have to say about the Beautiful, the "I" of Spirit itself? What is the Beauty that is in the eye of the Beholder? When we are in the eye of Spirit, the I of Spirit, what do we finally see?

Love is Enough (1872), Song IV: Draw Near and Behold Me
Context: Love is enough: draw near and behold me
Ye who pass by the way to your rest and your laughter,
And are full of the hope of the dawn coming after;
For the strong of the world have bought me and sold me
And my house is all wasted from threshold to rafter.
— Pass by me, and hearken, and think of me not!

"The Rainbow".
Silex Scintillans (1655)
Context: When thou dost shine, darkness looks white and fair,
Forms turn to musick, clouds to smiles and air;
Rain gently spends his honey-drops, and pours
Balm on the cleft earth, milk on grass and flowers.
Bright pledge of peace and sun-shine! the sure tye
Of thy Lord's hand, the object of his eye.
When I behold thee, though my light be dim,
Distant, and low, I can in thine see Him
Who looks upon thee from his glorious throne,
And mindes the covenant 'twixt all and One.

Revelations of Divine Love (c. 1393), Chapter 1
Context: Our Lord God willeth we have great regard to all the deeds that He hath done: in the great nobleness of the making of all things; and the excellency of man’s making, which is above all his works; and the precious Amends that He hath made for man’s sin, turning all our blame into endless worship. In which Shewing also our Lord saith: Behold and see! For by the same Might, Wisdom, and Goodness that I have done all this, by the same Might, Wisdom, and Goodness I shall make well all that is not well; and thou shalt see it. And in this He willeth that we keep us in the Faith and truth of Holy Church, not desiring to see into His secret things now, save as it belongeth to us in this life.

Source: Kavanagh: A Tale (1849), Chapter 13.
Context: Ah, how wonderful is the advent of spring! — the great annual miracle of the blossoming of Aaron's rod, repeated on myriads and myriads of branches! — the gentle progression and growth of herbs, flowers, trees, — gentle and yet irrepressible, — which no force can stay, no violence restrain, like love, that wins its way and cannot be withstood by any human power, because itself is divine power. If spring came but once in a century, instead of once a year, or burst forth with the sound of an earthquake, and not in silence, what wonder and expectation there would be in all hearts to behold the miraculous change! But now the silent succession suggests nothing but necessity. To most men only the cessation of the miracle would be miraculous and the perpetual exercise of God's power seems less wonderful than its withdrawal would be.

Letter to Hugo Boxel (Oct. 1674) The Chief Works of Benedict de Spinoza (1891) Tr. R. H. M. Elwes, Vol. 2, Letter 58 (54).
Context: Beauty, my dear Sir, is not so much a quality of the object beheld, as an effect in him who beholds it. If our sight were longer or shorter, or if our constitution were different, what now appears beautiful to us would seem misshapen, and what we now think misshapen we should regard as beautiful. The most beautiful hand seen through the microscope will appear horrible. Some things are beautiful at a distance, but ugly near; thus things regarded in themselves, and in relation to God, are neither ugly nor beautiful. Therefore, he who says that God has created the world, so that it might be beautiful, is bound to adopt one of the two alternatives, either that God created the world for the sake of men's pleasure and eyesight, or else that He created men's pleasure and eyesight for the sake of the world. Now, whether we adopt the former or the latter of these views, how God could have furthered His object by the creation of ghosts, I cannot see. Perfection and imperfection are names which do not differ much from the names beauty and ugliness.<!--p. 382

Address to the students of Brown University, quoted in Ida Tarbell (1904) The History of the Standard Oil Company
Context: The American Beauty Rose can be produced in the splendor and fragrance which bring cheer to its beholder only by sacrificing the early buds which grow up around it. This is not an evil tendency in business. It is merely the working-out of a law of nature and a law of God.

Artist and Model.
Context: I ask no more from mortals
Than your beautiful face implies,—
The beauty the artist beholding
Interprets and sanctifies.
Who says that men have fallen,
That life is wretched and rough?
I say, the world is lovely,
And that loveliness is enough.
So my doubting days are ended,
And the labour of life seems clear;
And life hums deeply around me,
Just like the murmur here,
And quickens the sense of living,
And shapes me for peace and storm,—
And dims my eyes with gladness
When it glides into colour and form!

"The Vision of Sin", sec. 5 (1842)

Vol. 2 "On Philosophy and the Intellect" as translated in Essays and Aphorisms (1970), as translated by R. J. Hollingdale
Parerga and Paralipomena (1851), Counsels and Maxims
Context: The poet presents the imagination with images from life and human characters and situations, sets them all in motion and leaves it to the beholder to let these images take his thoughts as far as his mental powers will permit. This is why he is able to engage men of the most differing capabilities, indeed fools and sages together. The philosopher, on the other hand, presents not life itself but the finished thoughts which he has abstracted from it and then demands that the reader should think precisely as, and precisely as far as, he himself thinks. That is why his public is so small.

"Imperfection"
Swear By the Night and Other Poems (1936)

The Thirteenth Revelation, Chapter 35
Context: When God Almighty had shewed so plenteously and joyfully of His Goodness, I desired to learn assuredly as to a certain creature that I loved, if it should continue in good living, which I hoped by the grace of God was begun. And in this desire for a singular Shewing, it seemed that I hindered myself: for I was not taught in this time. And then was I answered in my reason, as it were by a friendly intervenor : Take it GENERALLY, and behold the graciousness of the Lord God as He sheweth to thee: for it is more worship to God to behold Him in all than in any special thing. And therewith I learned that it is more worship to God to know all-thing in general, than to take pleasure in any special thing. And if I should do wisely according to this teaching, I should not only be glad for nothing in special, but I should not be greatly distressed for no manner of thing : for ALL shall be well. For the fulness of joy is to behold God in all: for by the same blessed Might, Wisdom, and Love, that He made all-thing, to the same end our good Lord leadeth it continually, and thereto Himself shall bring it; and when it is time we shall see it.

Book III, lines 445–458 (tr. W. E. Leonard)
De Rerum Natura (On the Nature of Things)

Letter to Richard Price (22 March 1778) regarding Price's pamphlet, Observations on Civil Liberty and the Justice and Policy of the War with America (1776).
Context: The fate of America is already decided — Behold her independent beyond recovery. — But will She be free and happy? — Can this new people, so advantageously placed for giving an example to the world of a constitution under which man may enjoy his rights, freely exercise all his faculties, and be governed only by nature, reason and justice — Can they form such a Constitution? — Can they establish it upon a never failing foundation, and guard against every source of division and corruption which may gradually undermine and destroy it? … It is impossible not to wish ardently that this people may attain to all the prosperity of which they are capable. They are the hope of the world. They may become a model to it. They may prove by fact that men can be free and yet tranquil; and that it is in their power to rescue themselves from the chains in which tyrants and knaves of all descriptions have presumed to bind them under the pretence of the public good. They may exhibit an example of political liberty, of religious liberty, of commercial liberty, and of industry. The Asylum they open to the oppressed of all nations should console the earth. The case with which the injured may escape from oppressive governments, will compel Princes to become just and cautious; and the rest of the world will gradually open their eyes upon the empty illusions with which they have been hitherto cheated by politicians. But for this purpose America must preserve herself from these illusions; and take care to avoid being what your ministerial writers are frequently saying She will be — an image of our Europe — a mass of divided powers contending for territory and commerce, and continually cementing the slavery of the people with their own blood.

The Sixteenth Revelation, Chapter 76
Context: In this blissful Shewing of our Lord I have understanding of two contrary things: the one is the most wisdom that any creature may do in this life, the other is the most folly. The most wisdom is for a creature to do after the will and counsel of his highest sovereign Friend. This blessed Friend is Jesus, and it is His will and His counsel that we hold us with Him, and fasten us to Him homely — evermore, in what state soever that we be; for whether-so that we be foul or clean, we are all one in His loving. For weal nor for woe He willeth never we flee from Him. But because of the changeability that we are in, in our self, we fall often into sin. Then we have this by the stirring of our enemy and by our own folly and blindness: for they say thus: Thou seest well thou art a wretched creature, a sinner, and also unfaithful. For thou keepest not the Command; thou dost promise oftentimes our Lord that thou shalt do better, and anon after, thou fallest again into the same, especially into sloth and losing of time. (For that is the beginning of sin, as to my sight, — and especially to the creatures that have given them to serve our Lord with inward beholding of His blessed Goodness.) And this maketh us adread to appear afore our courteous Lord. Thus is it our enemy that would put us aback with his false dread, of our wretchedness, through pain that he threateth us with. For it is his meaning to make us so heavy and so weary in this, that we should let out of mind the fair, Blissful Beholding of our Everlasting Friend.

"I Cry, Love! Love!," ll. 33-39
Praise to the End! (1951)
Context: Beginnings start without shade,
Thinner than minnows.
The live grass whirls with the sun,
Feet run over the simple stones,
There's time enough.
Behold, in the lout's eye, love.

Preface to Cromwell (1827) http://www.bartleby.com/39/41.html
Context: Behold, then, a new religion, a new society; upon this twofold foundation there must inevitably spring up a new poetry. Previously following therein the course pursued by the ancient polytheism and philosophy, the purely epic muse of the ancients had studied nature in only a single aspect, casting aside without pity almost everything in art which, in the world subjected to its imitation, had not relation to a certain type of beauty. A type which was magnificent at first, but, as always happens with everything systematic, became in later times false, trivial and conventional. Christianity leads poetry to the truth. Like it, the modern muse will see things in a higher and broader light. It will realize that everything in creation is not humanly beautiful, that the ugly exists beside the beautiful, the unshapely beside the graceful, the grotesque on the reverse of the sublime, evil with good, darkness with light. It will ask itself if the narrow and relative sense of the artist should prevail over the infinite, absolute sense of the Creator; if it is for man to correct God; if a mutilated nature will be the more beautiful for the mutilation; if art has the right to duplicate, so to speak, man, life, creation; if things will progress better when their muscles and their vigour have been taken from them; if, in short, to be incomplete is the best way to be harmonious. Then it is that, with its eyes fixed upon events that are both laughable and redoubtable, and under the influence of that spirit of Christian melancholy and philosophical criticism which we described a moment ago, poetry will take a great step, a decisive step, a step which, like the upheaval of an earthquake, will change the whole face of the intellectual world. It will set about doing as nature does, mingling in its creations — but without confounding them — darkness and light, the grotesque and the sublime; in other words, the body and the soul, the beast and the intellect; for the starting-point of religion is always the starting-point of poetry. All things are connected.
Thus, then, we see a principle unknown to the ancients, a new type, introduced in poetry; and as an additional element in anything modifies the whole of the thing, a new form of the art is developed. This type is the grotesque; its new form is comedy.

A Vision of the Last Judgment
Context: I assert, for myself, that I do not behold the outward creation, and that to me it is hindrance and not action. "What!" it will be questioned, "when the sun rises, do you not see a round disc of fire somewhat like a guinea!" Oh! no, no! I see an innumerable company of the heavenly host crying "Holy, holy, holy is the Lord God Almighty!" I question not my corporeal eye any more than I would question a window concerning a sight. I look through it, and not with it.

Epigraph, Ch. 3 : Man-Hunters.
Shadows of Shasta (1881)
Context: These stony altars they have hurled
Oppression back, have kept the boon
Of liberty. Behold, how free
The mountains stand, and eternally.

Source: Flatland: A Romance of Many Dimensions (1884), PART II: OTHER WORLDS, Chapter 18. How I came to Spaceland, and What I Saw There
Context: Once more I felt myself rising through space. It was even as the Sphere had said. The further we receded from the object we beheld, the larger became the field of vision. My native city, with the interior of every house and every creature therein, lay open to my view in miniature. We mounted higher, and lo, the secrets of the earth, the depths of mines and inmost caverns of the hills, were bared before me.Awestruck at the sight of the mysteries of the earth, thus unveiled before my unworthy eye, I said to my Companion, "Behold, I am become as a God. For the wise men in our country say that to see all things, or as they express it, OMNIVIDENCE, is the attribute of God alone." There was something of scorn in the voice of my Teacher as he made answer: "Is it so indeed? Then the very pick-pockets and cut-throats of my country are to be worshiped by your wise men as being Gods: for there is not one of them that does not see as much as you see now. But trust me, your wise men are wrong."

First Mansions, Ch. 2 : The Human Soul, as translated by the Benedictines of Stanbrook (1911), revised and edited by Fr. Benedict Zimmerman
Interior Castle (1577)
Context: We shall never learn to know ourselves except by endeavoring to know God; for, beholding His greatness we realize our own littleness; His purity shows us our foulness; and by meditating upon His humility we find how very far we are from being humble.

Source: Flatland: A Romance of Many Dimensions (1884), PART II: OTHER WORLDS, Chapter 18. How I came to Spaceland, and What I Saw There
Context: An unspeakable horror seized me. There was a darkness; then a dizzy, sickening sensation of sight that was not like seeing; I saw a Line that was no Line; Space that was not Space: I was myself, and not myself. When I could find voice, I shrieked aloud in agony, "Either this is madness or it is Hell." "It is neither," calmly replied the voice of the Sphere, "it is Knowledge; it is Three Dimensions: open your eye once again and try to look steadily."I looked, and, behold, a new world! There stood before me, visibly incorporate, all that I had before inferred, conjectured, dreamed, of perfect Circular beauty. What seemed the centre of the Stranger's form lay open to my view: yet I could see no heart, nor lungs, nor arteries, only a beautiful harmonious Something — for which I had no words; but you, my Readers in Spaceland, would call it the surface of the Sphere.

Ante-Nicene Christian Library, Volume 6: Hippolytus, Bishop Of Rome, Volume 1 p. 28
Refutation of All Heresies

Jane Sinnett, trans 1846 p.125
The Vocation of Man (1800), Faith

Phantastes (1858)

The second manner of Cheer is Ruth and Compassion: and this sheweth He, with sureness of Keeping, to all His lovers that betake them to His mercy. The third is the Blissful Cheer, as it shall be without end: and this was oftenest and longest-continued.
The Sixteenth Revelation, Chapter 71

As quoted in "Rutherford's Timebomb" in The New Zealand (15 May 2004) http://www.nzherald.co.nz/section/1/story.cfm?c_id=1&objectid=3566551

To which an answer peal'd from that high land,
But in a tongue no man could understand;
And on the glimmering limit far withdrawn
God made Himself an awful rose of dawn.
"The Vision of Sin", sec. 5 (1842)

My Heart Leaps Up When I Behold, (1802); the last three lines of this form the introductory lines of the long Ode: Intimations of Immortality from Recollections of Early Childhood begun the next day.

Stanza 3
Lyrical Ballads (1798–1800), Lines written a few miles above Tintern Abbey (1798)

Quotes by Herder about India. Quoted from Londhe, S. (2008). A tribute to Hinduism: Thoughts and wisdom spanning continents and time about India and her culture. New Delhi: Pragun Publication. (quoting Ghosh, Pranebendranath Johann Gottfried Herder's Image of India (1900)p334, Singhal, Damodar P India and world Civilization Rupa and Co Calcutta 1993 p. 231)

Art Psalms (2008), Let Love Draw the Line

First Journal of Travel (1840)

Ch 3 - p.68
Novels, Midwinter Break (2017)

with contrition and compassion. And that shewed our Lord in this time, and gave me strength and grace to see it.
The Eighth Revelation, Chapter 21

Source: 27 February 1942, quoted in Hitler's Table Talk, 1941–1944

Original: (it) Una donna sexy è il paradiso da vedere, ma un inferno da vivere.
Source: prevale.net

Source: All That Matters (1922), p.30 - The Boy's Ideal, final stanza.