Quotes about feelings
page 45

Temple Grandin photo

“You've read about action at a distance, or quantum theory. I've always had the feeling that when I go to a meat plant I must be very careful, because God's watching. Quantum theory will get me.”

Temple Grandin (1947) USA-american doctor of animal science, author, and autism activist

Page 282 of An Anthropologist On Mars By Oliver Sacks

Prem Rawat photo
Morgan Murphy (food critic) photo

“Abstaining from bourbon and bacon doesn't make you live longer. It just feels that way.”

Morgan Murphy (food critic) (1972) Southern writer

Source: <i>Bourbon & Bacon</i> (2014), p. 130

Roger Waters photo

“The ghosts are walking by my side
I feel their love I feel their pride
For I have built a bridge or two
Bridges between me and you.
Hello I love you.”

Roger Waters (1943) English songwriter, bassist, and lyricist of Pink Floyd

"Hello (I Love You)"

Amy Sherman-Palladino photo

“I grew up in the Valley, and I didn't know any of our neighbors. I think when you grow up like that, there's always sort of a fantasy of a place where everybody knew each other, and you had that safe sort of feeling.”

Amy Sherman-Palladino (1966) American television writer, director, and producer

NYTimes.com, "Job Title: The 'Gilmore' Noodge" http://www.nytimes.com/2005/01/23/arts/television/23heff.html?ex=1121313600&en=6a20ddae804ec0a8&ei=5070&adxnnl=1&oref=login&adxnnlx=1106535613-AH4C904DjoUiEAdysK3Zow&oref=login.

Norman Angell photo
Douglas Coupland photo
Tom Regan photo
Antonin Scalia photo

“We are not talking here about a federal law prohibiting the States from regulating bubble-gum advertising, or even the construction of nuclear plants. We are talking about a federal law going to the core of state sovereignty: the power to exclude. […] The Court opinion’s looming specter of inutterable horror—‘[i]f [Section] 3 of the Arizona statute were valid, every State could give itself independent authority to prosecute federal registration violations’—seems to me not so horrible and even less looming. But there has come to pass, and is with us today, the specter that Arizona and the States that support it predicted: A Federal Government that does not want to enforce the immigration laws as written, and leaves the States’ borders unprotected against immigrants whom those laws would exclude. So the issue is a stark one. Are the sovereign States at the mercy of the Federal Executive’s refusal to enforce the Nation’s immigration laws? […] Arizona bears the brunt of the country’s illegal immigration problem. Its citizens feel themselves under siege by large numbers of illegal immigrants who invade their property, strain their social services, and even place their lives in jeopardy. Federal officials have been unable to remedy the problem, and indeed have recently shown that they are unwilling to do so. […] Arizona has moved to protect its sovereignty—not in contradiction of federal law, but in complete compliance with it. The laws under challenge here do not extend or revise federal immigration restrictions, but merely enforce those restrictions more effectively. If securing its territory in this fashion is not within the power of Arizona, we should cease referring to it as a sovereign State.”

Antonin Scalia (1936–2016) former Associate Justice of the Supreme Court of the United States

Concurring in part and dissenting in part, Arizona v. United States (2012) : 567 U.S. ___ (2012); decided June 25, 2012.
2010s

Robert Burton photo

“I would help others, out of a fellow-feeling.”

The Anatomy of Melancholy (1621), Democritus Junior to the Reader

Frank Bainimarama photo

“I told Mr Downer that I was disappointed with his comments and said that we should stay out of politics. I told him his country has not experienced a coup to feel what the military went through here. He can't compare the situation there to this side.”

Frank Bainimarama (1954) Prime Minister of Fiji

2000, Reaction to calls from Australian Foreign Minister Alexander Downer for the Military to stay out of politics (30 September 2005)

Christopher Hitchens photo
Joe Trohman photo

“I’m gonna feel guilty about this for a while. It’s the Jew in me – like, 'Oh, no, you spent money!”

Joe Trohman (1984) American musician

My Heart Will Always Be The B-Side To My Tongue (2004), Rolling Stone Interview

Henry Moore photo

“The idea for [his sculpture] 'The Warrior' came to me at the end of 1952 or very early in 1953. It was evolved from a pebble I found on the seashore in the summer of 1952, and which reminded me of the stump of a leg, amputated at the hip. Just as Leonardo says somewhere in his notebooks that a painter can find a battle scene in the lichen marks on a wall, so this gave me the start of The Warrior idea. First I added the body, leg and one arm and it became a wounded warrior, but at first the figure was reclining. A day or two later I added a shield and altered its position and arrangement into a seated figure and so it changed from an inactive pose into a figure which, though wounded, is still defiant... The head has a blunted and bull-like power but also a sort of dumb animal acceptance and forbearance of pain... The figure may be emotionally connected (as one critic has suggested) with one’s feelings and thoughts about England during the crucial and early part of the last war. The position of the shield and its angle gives protection from above. The distance of the shield from the body and the rectangular shape of the space enclosed between the inside surface of the shield and the concave front of the body is important... This sculpture is the first single and separate male figure that I have done in sculpture and carrying it out in its final large scale was almost like the discovery of a new subject matter; the bony, edgy, tense forms were a great excitement to make... Like the bronze 'Draped Reclining Figure' of 1952-3 I think 'The Warrior' has some Greek influence, not consciously wished…”

Henry Moore (1898–1986) English artist

Quote from Moore's letter, (15 Jan. 1955); as cited in Henry Moore on Sculpture: a Collection of the Sculptor's Writings and Spoken Words, ed. Philip James, MacDonald, London 1966, p. 250
1940 - 1955

Gertrude Stein photo
Nick Xenophon photo
John Ruysbroeck photo
Bono photo

“And if You look, You look through Me. And when You talk, You talk at Me. And when I touch You, You don't feel anything”

Bono (1960) Irish rock musician, singer of U2

"Stay (Faraway,So Close)
Lyrics, Zooropa (1993)

Theodore Dalrymple photo

“The nearer emotional life approaches to hysteria, to continual outward show, the less genuine it becomes. Feeling becomes equated with vehemence of expression, so that insincerity becomes permanent.”

Theodore Dalrymple (1949) English doctor and writer

A Neglected Genius http://www.city-journal.org/html/14_1_oh_to_be.html (Winter 2004).
City Journal (1998 - 2008)

Tony Blair photo
Anton Chekhov photo

“Death is terrible, but still more terrible is the feeling that you might live for ever and never die.”

Anton Chekhov (1860–1904) Russian dramatist, author and physician

Note-Book of Anton Chekhov (1921)

Francis Turner Palgrave photo
Hermann Hesse photo
Mike Oldfield photo

“You can't speak, you can't sleep,
You daren't move, you're confused.
You never talk, you can't walk
You can't feel, you're not real…”

Mike Oldfield (1953) English musician, multi-instrumentalist

Song lyrics, Earth Moving (1989)

Theo van Doesburg photo
Willem de Kooning photo
Martin Luther King, Jr. photo

“I feel that segregation is totally unchristian, and that it is against everything the Christian religion stands for.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

In his letter to Sally Canada (19 September 1956), as quoted in The Papers of Martin Luther King, Jr (1992), by Carson & Holloran, Volumes 2-3, p. 373
1950s

Paul Gabriël photo
Karen Pence photo
Rachel Trachtenburg photo

“If I walk down the street in jeans and a plain t-shirt, I don’t feel like the world sees me as I want to be seen or as what I am.”

Rachel Trachtenburg (1993) American musician

Trachtenburg on her fashion sense.
Off & On Broadway documentary (2006)

Babe Ruth photo

“I was a bad kid. I say this without pride but with a feeling that it is better to say it. I live with one great hope: to help kids who now stand where I stood as a boy. If what I have to say here helps even one of them avoid some of my own mistakes, or take heart from such triumphs as I have had, this book will serve its purpose.”

Babe Ruth (1895–1948) American baseball player

Opening paragraph from The Babe Ruth Story (1948) by Ruth and Bob Considine; reproduced in "Sports of the Times: The Babe's Own Story" by Arthur Daley, in The New York Times (April 26, 1948), p. 30

Herbert Read photo

“The words in a poem, (or more exactly, syllables) are vocal signs that convey an intangible essence (the pattern of feeling) that vanishes the moment we approach it with an analytical intelligence.”

Herbert Read (1893–1968) English anarchist, poet, and critic of literature and art

What is a Poem - Endword - Selected Poems (1926)

John Davies (poet) photo

“Much like a subtle spider which doth sit
In middle of her web, which spreadeth wide;
If aught do touch the utmost thread of it,
She feels it instantly on every side.”

John Davies (poet) (1569–1626) English poet, lawyer, and politician, born 1569

The Immortality of the Soul (c. 1594). Compare:
:"Our souls sit close and silently within / And their own webs from their own entrails spin; / And when eyes meet far off, our sense is such / That, spider-like, we feel the tenderest touch." John Dryden, Mariage à la Mode, act ii. sc. 1.;
:"The spider’s touch—how exquisitely fine!— / Feels at each thread, and lives along the line." Alexander Pope, Epistle i. line 217.

Bob Dylan photo

“But I would not feel so all alone, everybody must get stoned!”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, Blonde on Blonde (1966), Rainy Day Women #12 & 35

Joshua Casteel photo
Jesse Ventura photo

“I feel used. I feel violated and duped over the fact that that turned into nothing more than a political rally.”

Jesse Ventura (1951) American politician and former professional wrestler

After leaving a memorial ceremony for Democratic US Senator Paul Wellstone. (30 October 2002)

Vincent Van Gogh photo
Why the lucky stiff photo
Charles, Prince of Wales photo

“A large number of us have developed a feeling that architects tend to design houses for the approval of fellow architects and critics, not for the tenants.”

Charles, Prince of Wales (1948) son of Queen Elizabeth II of the United Kingdom

Prince of Wales' website http://www.princeofwales.gov.uk/speechesandarticles/a_speech_by_hrh_the_prince_of_wales_at_the_150th_anniversary_1876801621.html
Speech at the 150th anniversary of the Royal Institute of British Architects, Royal Gala Evening at Hampton Court Palace, 30 May, 1984.
1980s

Sarah Chang photo
Donald J. Trump photo
Julia Stiles photo
Miguel de Cervantes photo

“A father may have a child who is ugly and lacking in all the graces, and the love he feels for him puts a blindfold over his eyes so that he does not see his defects but considers them signs of charm and intelligence and recounts them to his friends as if they were clever and witty.”

Miguel de Cervantes (1547–1616) Spanish novelist, poet, and playwright

Acontece tener un padre un hijo feo y sin gracia alguna, y el amor que le tiene le pone una venda en los ojos para que no vea sus faltas, antes las juzga por discreciones y lindezas y las cuenta a sus amigos por agudezas y donaires.
Don Quixote de la Mancha (1605–1615), Prologue

Edward Jenks photo
Gloria Estefan photo
Mahatma Gandhi photo

“If one has no affection for a person or a system, one should feel free to give the fullest expression to his disaffection so long as he does not contemplate, promote, or incite violence.”

Mahatma Gandhi (1869–1948) pre-eminent leader of Indian nationalism during British-ruled India

Statement during his trial for "exciting disaffection toward His Majesty's Government as established by law in India" (18 March 1922)
1920s

Van Morrison photo

“Laying underneath the stars
Can be so much fun
Especially when you're feeling good
When you're with the one you love.”

Van Morrison (1945) Northern Irish singer-songwriter and musician

Gypsy
Song lyrics, Saint Dominic's Preview (1972)

Jean-François Millet photo

“[Theophile] Gautier's article is very good. I begin to feel a little more contented. His remarks about my thick colours are also very just. The critics who see and judge my pictures are not forced to know that in painting them I am not guided by a definite intention, although I do my utmost to try and attain the aim which I have in sight, independently of methods. People are not even obliged to know why it is that I work in this way, with all its faults.”

Jean-François Millet (1814–1875) French painter

Quote of Millet in his letter of 23 March 1851; as quoted by Julia Cartwright in Jean Francois Millet, his Life and Letters, Swan Sonnenschein en Co, Lim. London / The Macmillian Company, New York; second edition, September 1902, p. 112
the most famous painting of Millet 'The Sower', reviewed in an article then by Gautier, was exhibited for the first time in 'The Salon' of Paris, at the End of 1850
1851 - 1870

John Frusciante photo

“All around they is to
feel and watch you
they make patterns
to peel the sound”

John Frusciante (1970) American guitarist, singer, songwriter and record producer

Moments Have You
Lyrics, To Record Only Water for Ten Days (2000)

Anish Kapoor photo
Lisa Gerrard photo
Jane Roberts photo
Laurent Schwartz photo

“I have always thought that morality in politics was something essential, just like feelings and affinities.”

Laurent Schwartz (1915–2002) mathematician

As quoted in his obituary in The Times (July 2002) http://www-history.mcs.st-and.ac.uk/Obits/Schwartz.html

Henri-Frédéric Amiel photo

“There is but one thing needful — to possess God. All our senses, all our powers of mind and soul, all our external resources, are so many ways of approaching the divinity, so many modes of tasting and of adoring God. We must learn to detach ourselves from all that is capable of being lost, to bind ourselves absolutely only to what is absolute and eternal, and to enjoy the rest as a loan, as a usufruct…. To worship, to comprehend, to receive, to feel, to give, to act: this our law, our duty, our happiness, our heaven.”

Henri-Frédéric Amiel (1821–1881) Swiss philosopher and poet

16 July 1848
Only one thing is necessary: to possess God — All the senses, all the forces of the soul and of the spirit, all the exterior resources are so many open outlets to the Divinity; so many ways of tasting and of adoring God. We should be able to detach ourselves from all that is perishable and cling absolutely to the eternal and the absolute and enjoy the all else as a loan, as a usufruct…. To worship, to comprehend, to receive, to feel, to give, to act: this our law, our duty, our happiness, our heaven.
As translated in Bartlett's Familiar Quotations, 10th ed. (1919)
Journal Intime (1882), Journal entries

Alan Moore photo
Thomas Wolfe photo
E.E. Cummings photo

“it's so damn sweet when Anybody—
…makes you feel
…for once
(imag
-ine) You”

E.E. Cummings (1894–1962) American poet

7
73 poems (1963)

Ted Nugent photo
Epifanio de los Santos photo

“To be a worthy biographer of Senor de los Santos you would have to be his equal, so that remains a thing undone perhaps undoable, but that admiration he feels for his countrymen---the very best--other feels for him and they have crowned him as a leader in the path of scholarship.”

Epifanio de los Santos (1871–1928) Filipino politician

Source: As a quote by Miss Norton ( Cablenews-American) from "Epifanio de los Santos Cristobal" by Libardo D. Cayco. National Heroes Day. University of the Philippines. 1934.

Gloria Estefan photo
William Saroyan photo

“This is what drives a young writer out of his head, this feeling that nothing is being said.”

William Saroyan (1908–1981) American writer

Seventy Thousand Assyrians (1934)

Colin Wilson photo
Robert Patrick (playwright) photo

“For people like us it is necessary to be a bit stronger, more self-critical, more observant than the usual run. Whether we happen to come already enhanced with these qualities, as some have claimed, or whether our situation invests them in us, we have traditionally - and we do have a long and proud tradition - been a little finer, a little firmer, more sensitive and flexible than others… There will be times when only your own spine can support you, moments when only your own wit can inspire you, days when nothing but exacting self-control can raise you from bed, nights when nothing but your word can impel you into society. But of all these disciplines, there is nothing you must hold to more sternly than to be kind and sympathetic. The easiest armor to put on is always cruelty. That armor will, indeed, see you through everything. Vicious condescension toward those without your strength can make you feel momentarily superior. But that easy armor must be forgone. Don't ever curdle that creamy brow with lines of easy disdain, or curl those lips with a popular sneer. Of all the models available, the one of gentleman in our late war is most succinct: Face what you have to face with humor, dignity, and style; protect yourself with knightly grace; have contempt for your own weakness and never encourage it in others; but never, Ralph, never for an instant permit yourself to feel anything other than pity and deepest sympathy for unfortunate comrades who have, after all, fallen in the same battle.”

Robert Patrick (playwright) (1937) Playwright, poet, lyricist, short story writer, novelist

One of Those People
Untold Decades: Seven Comedies of Gay Romance (1988)

Thomas Jefferson photo
Richard Stallman photo
Richard Cobden photo
Clifford D. Simak photo
Harun Yahya photo

“It is very astonishing that man, being a mortal, can still develop feelings of haughtiness.”

Harun Yahya (1956) Turkish author

23 April 2013.
A9 TV addresses, 2013

Julius Malema photo

“All white people who are voting DA, who are angry with what we are going to do in PE, who have insulted us since we announced this decision, and mobilised some of your people in the media, to insult us and say all of this, all of you combined can go to hell! We don't care about you. We don't care about you. We don’t care about White feelings.”

Julius Malema (1981) South African political activist

On 4 March 2018, at the launch of the EFF's election registration campaign, Standard Bank arena, Johannesburg. Has EFF’s Julius Malema Gone Too Far With Racist Remarks? https://www.sapeople.com/2018/03/05/has-effs-julius-malema-gone-too-far-with-racist-remarks/, SAPeople News (5 March 2018)

Girish Raghunath Karnad photo

“I've had a good life…. I have managed to do all I could wish for --even be a government servant. Now I feel whatever time I have left should be spent doing what I like best -- writing plays.”

Girish Raghunath Karnad (1938–2019) Indian playwright

Renaissance Man, 24 November 2013, India Today http://www.india-today.com/itoday/12041999/arts.html,

Edward Grey, 1st Viscount Grey of Fallodon photo
Michael Elmore-Meegan photo
Ernst, Baron von Feuchtersleben photo
Charles Darwin photo

“Owen says my book will be forgotten in 10 years; perhaps so, but, with such a list [of prestigious scientific supporters], I feel convinced that the subject will not.”

Charles Darwin (1809–1882) British naturalist, author of "On the origin of species, by means of natural selection"

Letter http://www.darwinproject.ac.uk/entry-2719 to J.D. Hooker, 3 March 1860
Other letters, notebooks, journal articles, recollected statements

Errol Morris photo
Constant Lambert photo
Marianne von Werefkin photo

“I adore my life: it is filled with so much true poetry, fine feelings, things many have no idea about. I despise my life, which, being rich, allowed itself to be crammed into the confines of conventions. Between these two opinions pulsates my soul always longing for beauty and good.”

Marianne von Werefkin (1860–1938) expressionist painter

1895 - 1905
Source: Lettres à un Inconnu, 1902 (Notebook I, p. 234) - Aux sources de l'expressionnisme. Presentation par Gabrielle Dufour-Kowalska. Klincksieck, 1999. p. 101

Aldous Huxley photo

“There was a time when I should have felt terribly ashamed of not being up-to-date. I lived in a chronic apprehension lest I might, so to speak, miss the last bus, and so find myself stranded and benighted, in a desert of demodedness, while others, more nimble than myself, had already climbed on board, taken their tickets and set out toward those bright but, alas, ever receding goals of Modernity and Sophistication. Now, however, I have grown shameless, I have lost my fears. I can watch unmoved the departure of the last social-cultural bus—the innumerable last buses, which are starting at every instant in all the world’s capitals. I make no effort to board them, and when the noise of each departure has died down, “Thank goodness!” is what I say to myself in the solitude. I find nowadays that I simply don’t want to be up-to-date. I have lost all desire to see and do the things, the seeing and doing of which entitle a man to regard himself as superiorly knowing, sophisticated, unprovincial; I have lost all desire to frequent the places and people that a man simply must frequent, if he is not to be regarded as a poor creature hopelessly out of the swim. “Be up-to-date!” is the categorical imperative of those who scramble for the last bus. But it is an imperative whose cogency I refuse to admit. When it is a question of doing something which I regard as a duty I am as ready as anyone else to put up with discomfort. But being up-to-date and in the swim has ceased, so far as I am concerned, to be a duty. Why should I have my feelings outraged, why should I submit to being bored and disgusted for the sake of somebody else’s categorical imperative? Why? There is no reason. So I simply avoid most of the manifestations of that so-called “life” which my contemporaries seem to be so unaccountably anxious to “see”; I keep out of range of the “art” they think is so vitally necessary to “keep up with”; I flee from those “good times” in the “having” of which they are prepared to spend so lavishly of their energy and cash.”

Aldous Huxley (1894–1963) English writer

“Silence is Golden,” p. 55
Do What You Will (1928)

Israel Zangwill photo
Chuck Berry photo
Rebecca West photo
Anne Murray photo

“The climate in Sweden is rather the same as in Canada. It makes me feel at home.”

Anne Murray (1945) Canadian singer

On her popularity in Sweden, as quoted in "Anne Murray: Facing the Big Time Her Own Way", Section "From Nova Scotia to New South Wales", by George Anthony, Billboard, Oct 20, 1979 https://books.google.com/books?id=zyQEAAAAMBAJ&pg=PT59&lpg=PT59&dq=anne+murray+swedish+charts&source=bl&ots=Y4I4nB1rtu&sig=790xPQCVjvYlf4xaDe_jUuuFfS4&hl=en&sa=X&ved=2ahUKEwiHh-XP74vdAhURm-AKHdPlBI8Q6AEwCHoECAEQAQ#v=onepage&q=anne%20murray%20swedish%20charts&f=false

Morrissey photo

“If I die, then I die. And if I don’t, then I don’t. Right now I feel good. I am aware that in some of my recent photos I look somewhat unhealthy, but that’s what illness can do. I’m not going to worry about that, I’ll rest when I’m dead.”

Morrissey (1959) English singer

from an interview for El Mundo (2014), regarding the announcement of Morrissey's cancer diagnosis
In interviews etc., About life and death

Richard Rodríguez photo

“Thud. My eyes are open. It is four-thirty in the morning, one morning, and my dry eyes click in their sockets, awake before the birds. There is no light. The eye strains for logic, some play of form. I have been dreaming of wind. The tree outside my window stands silent. I listen to the breathing of the man lying beside me. I know where I am. I am awake. I am alive. Am I tethered to earth only by this fragile breath? A strawful of breath at best. Yet this is the breath that patients beg, their hands gripping the edges of mattresses; this is the breath that wrestles trees, that brings down all the leaves in the Third Act. We know where the car is parked. We know, word-for-word, the texts of plays. We have spoken, in proximity to one another, over years, sentences, hundreds of thousands of sentences—bright, grave, fallible, comic, perishable—perhaps eternal? I don’t know. Where does the wind go? When will the light come? We will have hotcakes for breakfast. How can I protect this...? My church teaches me I cannot. And I believe it. I turn the pillow to its cool side. Then rage fills me, against the cubist necessity of having to arrange myself comically against orthodoxy, against having to wonder if I will offend, against theology that devises that my feeling for him, more than for myself, is a vanity. My brown paradox: The church that taught me to understand love, the church that taught me well to believe love breathes—also tells me it is not love I feel, at four in the morning, in the dark, even before the birds cry. Of every hue and caste am I.”

Richard Rodríguez (1944) American journalist and essayist

Brown : The Last Discovery of America (2003)

Ben Affleck photo

“I'm always described as "cocksure" or "with a swagger," and that bears no resemblance to who I feel like inside. I feel plagued by insecurity.”

Ben Affleck (1972) American film actor, director and screenwriter

Regarding directing his first feature film
"Big Ben makes directing debut" Robin Walker. Daily Post. Liverpool (UK): May 30, 2008.

John Green photo
Paul Simon photo
Vincent Van Gogh photo

“Now I as a painter shall never stand for anything of importance. I feel it utterly... I sometimes regret I did not simply keep to the Dutch palette [of Dutch impressionism ] with its grey tones, and have brushed away at landscapes of Montmartre [in 1886-87] with no ado.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in his letter to brother Theo, from Arles, France, 3 May 1889; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 590), p. 33
1880s, 1889

Winston S. Churchill photo