Dante Alighieri Quotes
105 Quotes Revealing the Timeless Wisdom and Profound Insights of a Great Poet

Delve into the profound words of Dante Alighieri, one of the greatest poets in history. Explore his captivating quotes, from the beauty of nature to the journey of the soul through heaven and hell. Discover the depth of his wisdom and the timeless relevance of his insights.

Dante Alighieri, an Italian poet, writer, and philosopher, is known for his influential work, the Divine Comedy. He played a significant role in establishing the use of the vernacular in literature, shifting from Latin to the Florentine dialect. This helped establish Italian as a literary language in Western Europe for centuries. Dante's depiction of Hell, Purgatory, and Heaven inspired Western art and literature and influenced renowned English writers like Geoffrey Chaucer and John Milton. He is considered the "father" of Italian language and is among Italy's national poets.

Born in Florence around 1265, Dante came from a family loyal to the Guelphs, a political alliance supporting the Papacy. His mother passed away when he was young, and his father remarried. Dante claimed to have fallen in love with Beatrice Portinari at first sight but was eventually married to Gemma Donati. Despite his marriage, he remained infatuated with Beatrice throughout his life. Dante participated in public life by joining the Physicians' and Apothecaries' Guild and was involved in Florentine politics during certain periods. However, much of his participation is uncertain due to missing historical records.

✵ 30. May 1265 – 14. September 1321
Dante Alighieri photo

Works

Inferno
Dante Alighieri
Purgatorio
Purgatorio
Dante Alighieri
Paradiso
Paradiso
Dante Alighieri
Vita Nuova
Dante Alighieri
La Divina Comedia
Dante Alighieri
De Monarchia
Dante Alighieri
Dante Alighieri: 105   quotes 233   likes

Famous Dante Alighieri Quotes

“As the thing more perfect is,
The more it feels of pleasure and of pain.”

Canto VI, lines 107–108 (tr. Longfellow).
The Divine Comedy (c. 1308–1321), Inferno

“She is the sum of nature's universe.
To her perfection all of beauty tends.”

Source: La Vita Nuova (1293), Chapter XIV, lines 49–50 (tr. Barbara Reynolds)

“In quella parte del libro de la mia memoria… si trova una rubrica la quale dice: Incipit vita nova.”

In that book which is
My memory...
On the first page
That is the chapter when
I first met you
Appear the words...
Here begins a new life.
Source: La Vita Nuova (1293), Chapter I, opening lines (as reported in The 100 Best Love Poems of All Time by Leslie Pockell)

“Ye keep your watch in the eternal day.”
Voi vigilate ne l'etterno die.

Canto XXX, line 103 (tr. Longfellow).
The Divine Comedy (c. 1308–1321), Purgatorio

“The path to paradise begins in hell.”

Source: The Divine Comedy

“When we understand this we see clearly that the subject round which the alternative senses play must be twofold. And we must therefore consider the subject of this work [the Divine Comedy] as literally understood, and then its subject as allegorically intended. The subject of the whole work, then, taken in the literal sense only is "the state of souls after death" without qualification, for the whole progress of the work hinges on it and about it. Whereas if the work be taken allegorically, the subject is "man as by good or ill deserts, in the exercise of the freedom of his choice, he becomes liable to rewarding or punishing justice."”
Hiis visis, manifestum est quod duplex oportet esse subiectum circa quod currant alterni sensus. Et ideo videndum est de subiecto huius operis, prout ad litteram accipitur; deinde de subiecto, prout allegorice sententiatur. Est ergo subiectum totius operis, litteraliter tantum accepti, status animarum post mortem simpliciter sumptus. Nam de illo et circa illum totius operis versatur processus. Si vero accipiatur opus allegorice, subiectum est homo, prout merendo et demerendo per arbitrii libertatem iustitie premiandi et puniendi obnoxius est.

Letter to Can Grande (Epistle XIII, 23–25), as translated by Charles Singleton in his essay "Two Kinds of Allegory" published in Dante Studies 1 (Harvard University Press, 1954), p. 87.
Epistolae (Letters)

Dante Alighieri Quotes about love

“Love kindled by virtue always kindles another, provided that its flame appear outwardly.”

Canto XXII, lines 10–12.
The Divine Comedy (c. 1308–1321), Purgatorio

“Love and the gracious heart are a single thing…
one can no more be without the other
than the reasoning mind without its reason.”

Amore e 'l cor gentil sono una cosa...
e così esser l'un sanza l'altro osa
com'alma razional sanza ragione.
Source: La Vita Nuova (1293), Chapter XVI (tr. Mark Musa)

“The dames and cavaliers, the toils and ease
That filled our souls with love and courtesy,
There where the hearts have so malicious grown!”

Canto XIV, lines 109–111 (tr. Longfellow).
The Divine Comedy (c. 1308–1321), Purgatorio

“Love with delight discourses in my mind
Upon my lady's admirable gifts…
Beyond the range of human intellect.”

Amor che ne la mente mi ragiona
de la mia donna disiosamente...
che lo 'ntelletto sovr'esse disvia.
Trattato Terzo, line 1.
Il Convivio (1304–1307)

Dante Alighieri Quotes about heart

“Unless, before then, the prayer assist me which rises from a heart that lives in grace: what avails the other, which is not heard in heaven?”

Canto IV, lines 133–135 (tr. C. E. Norton).
The Divine Comedy (c. 1308–1321), Purgatorio

“Between his legs were hanging down his entrails;
His heart was visible, and the dismal sack
that maketh excrement of what is eaten.”

Canto XXVIII, lines 25–27 (tr. Longfellow).
The Divine Comedy (c. 1308–1321), Inferno

“Pride, Envy, and Avarice are
the three sparks that have set these hearts on fire.”

Canto VI, lines 74–75 (tr. Sinclair).
The Divine Comedy (c. 1308–1321), Inferno

“In his arms, my lady lay asleep, wrapped in a veil.
He woke her then and trembling and obedient
She ate that burning heart out of his hand;
Weeping I saw him then depart from me.”

ne le braccia avea
madonna involta in un drappo dormendo.
Poi la svegliava, e d'esto core ardendo
lei paventosa umilmente pascea:
appresso gir lo ne vedea piangendo.
Source: La Vita Nuova (1293), Chapter I, First Sonnet (tr. Mark Musa)

“I am he who held both the keys of the heart of Frederick, and who turned them, locking and unlocking so softly.”

Canto XIII, lines 58–60 (tr. C. E. Norton).
The Divine Comedy (c. 1308–1321), Inferno

Dante Alighieri: Trending quotes

“Thence we came forth to rebehold the stars.”

Canto XXXIV, line 139 (tr. Longfellow).
The Divine Comedy (c. 1308–1321), Inferno

“La moralitade è bellezza de la filosofia.”

Morality is the beauty of Philosophy.
Trattato Terzo, Ch. 15.
Il Convivio (1304–1307)

Dante Alighieri Quotes

“There is no greater sorrow
Than to be mindful of the happy time
In misery.”

Canto V, lines 121–123 (tr. Longfellow).
The Divine Comedy (c. 1308–1321), Inferno

“Behold a God more powerful than I who comes to rule over me.”
Ecce deus fortior me, qui veniens dominabitur mihi.

Source: La Vita Nuova (1293), Chapter I (tr. Barbara Reynolds); of love.

“The glory of Him who moves everything penetrates through the universe, and is resplendent in one part more and in another less.”

Canto I, lines 1–3 (tr. C. E. Norton).
The Divine Comedy (c. 1308–1321), Paradiso

“Now the kind of philosophy under which we proceed in the whole and in the part is moral philosophy or ethics; because the whole was undertaken not for speculation but for practice.”
Genus vero philosophie, sub quo hic in toto et parte proceditur, est morale negotium, sive ethica; quia non ad speculandum, sed ad opus inventum est totum et pars.

Letter to Can Grande (Epistle XIII, 40), as translated by Charles Latham in A Translation of Dante's Eleven Letters (1891), Letter XI, §16, p. 199.
Epistolae (Letters)

“And just as he who, with exhausted breath,
having escaped from the sea to shore,
turns to the perilous waters and gazes.”

Canto I, lines 22–24 (tr. Mandelbaum).
The Divine Comedy (c. 1308–1321), Inferno

“My maker was divine authority.”
Fecemi la divina potestate.

Canto III, line 5 (tr. Mandelbaum).
The Divine Comedy (c. 1308–1321), Inferno

“"'Vexilla Regis prodeunt Inferni'
Towards us; therefore look in front of thee,"
My Master said, "if thou discernest him."”

"Vexilla regis prodeunt inferni verso di noi; però dinanzi mira," disse 'l maestro mio, "se tu 'l discerni."

Canto XXXIV, lines 1–3 (tr. Longfellow).
The Divine Comedy (c. 1308–1321), Inferno

“For in every action what is primarily intended by the doer, whether he acts from natural necessity or out of free will, it is the disclosure of his own image. Hence it comes about that every doer, in so far as he does, takes delight in doing; since everything that is desires its own being, and since in action the being of the doer is somehow intensified, delight necessarily follows... Thus, nothing acts unless [by acting] it makes patent its latent self.”

Libri iii, Caput XIII, (XV.) emendati Johann Heinrich F. Karl Witte (1874) p. 25. https://www.google.com/books/edition/De_monarchia_libri_iii_emendati_per_C_Wi/_RhcAAAAQAAJ?hl=en&gbpv=1&pg=PA25&printsec=frontcover Translation as quoted by Hannah Arendt, The Human Condition (1958) p. 175. https://archive.org/details/humancondition0000aren/page/175/mode/1up
De Monarchia (1312-1313)
Original: (la) Nam in omni actione principaliter intenditur ab agente, sive necessitate naturae, sive voluntarie agat, propriam similitudinem explicare, unde fit, quod omne agens, in quantum huiusmodi, delectatur; quia, quum omne quod est appetat suum esse, ac in agendo agentis esse quodammodo amplietur, sequiturde necessitate delectatio... Nihil igitur agit, nisi tale existens, quale patiens fieri debet...

“As the thing more perfect is, the more it feels of pleasure and of pain.”

Source: The Divine Comedy (Božská komedie)

“But now was turning my desire and will,
Even as a wheel that equally is moved,
The Love which moves the sun and the other stars.”

Canto XXXIII, closing lines, as translated by Henry Wadsworth Longfellow
The Divine Comedy (c. 1308–1321), Paradiso
Context: As the geometrician, who endeavours
To square the circle, and discovers not,
By taking thought, the principle he wants,Even such was I at that new apparition;
I wished to see how the image to the circle
Conformed itself, and how it there finds place;But my own wings were not enough for this,
Had it not been that then my mind there smote
A flash of lightning, wherein came its wish. Here vigour failed the lofty fantasy:
But now was turning my desire and will,
Even as a wheel that equally is moved, The Love which moves the sun and the other stars.

“Do you not know that we are worms and born
To form the angelic butterfly that soars,
Without defenses, to confront His judgment?”

Canto X, lines 121–129 (tr. Mandelbaum).
The Divine Comedy (c. 1308–1321), Purgatorio
Context: O Christians, arrogant, exhausted, wretched,
Whose intellects are sick and cannot see,
Who place your confidence in backward steps,
Do you not know that we are worms and born
To form the angelic butterfly that soars,
Without defenses, to confront His judgment?
Why does your mind presume to flight when you
Are still like the imperfect grub, the worm
Before it has attained its final form?

“Not only thy benignity gives succour
To him who asketh it, but oftentimes
Forerunneth of its own accord the asking.”

Canto XXXIII, lines 16–18 (tr. Longfellow).
The Divine Comedy (c. 1308–1321), Paradiso

“O human race, born to fly upward, wherefore at a little wind dost thou so fall?”

Canto XII, lines 95–96 (tr. C. E. Norton).
The Divine Comedy (c. 1308–1321), Purgatorio

“Consider your origin;
you were not born to live like brutes,
but to follow virtue and knowledge.”

Canto XXVI, lines 118–120.
The Divine Comedy (c. 1308–1321), Inferno

“That your art follows her so far as it can, as the disciple does the master, so that your art is as it were grandchild of God.”

Canto XI, lines 103–105 (tr. Charles Eliot Norton).
The Divine Comedy (c. 1308–1321), Inferno

“You dull your own perceptions
with false imaginings and do not grasp
what would be clear but for your preconceptions.”

Canto I, lines 88–90 (tr. Ciardi).
The Divine Comedy (c. 1308–1321), Paradiso

“He goes seeking liberty, which is so dear, as he knows who gives his life for it.”

Canto I, lines 71–72 (tr. Sinclair).
The Divine Comedy (c. 1308–1321), Purgatorio

“For top of judgment doth not vail itself,
Because the fire of love fulfils at once
What he must satisfy who here installs him.”

Canto VI, lines 37–39 (tr. Longfellow).
The Divine Comedy (c. 1308–1321), Purgatorio

“It hither, thither, downward, upward, drives them.”

Canto V, line 43 (tr. Longfellow).
The Divine Comedy (c. 1308–1321), Inferno

“Worldly renown is naught but a breath of wind, which now comes this way and now comes that, and changes name because it changes quarter.”

Canto XI, lines 100–102 (tr. C. E. Norton).
The Divine Comedy (c. 1308–1321), Purgatorio

“If thou art, Reader, slow now to believe
What I shall say, it will no marvel be,
For I who saw it hardly can admit it.”

Canto XXV, lines 46–48 (tr. Longfellow).
The Divine Comedy (c. 1308–1321), Inferno

“But so much the more malign and wild does the ground become with bad seed and untilled, as it has the more of good earthly vigor.”

Canto XXX, lines 118–120 (tr. C. E. Norton).
The Divine Comedy (c. 1308–1321), Purgatorio

“In that book which is
My memory…
On the first page
That is the chapter when
I first met you
Appear the words…
Here begins a new life.”

Source: La Vita Nuova (1293), Chapter I, opening lines (as reported in The 100 Best Love Poems of All Time by Leslie Pockell)

“To run over better waters the little vessel of my genius now hoists her sails, as she leaves behind her a sea so cruel.”

Canto I, lines 1–3 (tr. C. E. Norton).
The Divine Comedy (c. 1308–1321), Purgatorio

“Thou shalt prove how salt is the taste of another man's bread and how hard is the way up and down another man's stairs.”

Canto XVII, lines 58–60 (tr. Sinclair).
The Divine Comedy (c. 1308–1321), Paradiso

“I came into a place void of all light,
which bellows like the sea in tempest,
when it is combated by warring winds.”

Canto V, lines 28–30 (tr. Charles S. Singleton).
The Divine Comedy (c. 1308–1321), Inferno

“Abandon all hope, you who enter here.”

Canto III, line 9.
Often quoted with the translated form "Abandon hope all ye who enter here". The word "all" modifies hope, not those who enter: "ogni speranza" means "all hope".
The Divine Comedy (c. 1308–1321), Inferno

“Now who art thou, that on the bench wouldst sit
In judgment at a thousand miles away,
With the short vision of a single span?”

Canto XIX, lines 79–81 (tr. Longfellow).
The Divine Comedy (c. 1308–1321), Paradiso

“Heaven, to keep its beauty,
cast them out, but even Hell itself would not receive them
for fear the wicked there might glory over them.”

Canto III, lines 40–42 (tr. Mark Musa).
The Divine Comedy (c. 1308–1321), Inferno

“And sweet to us is such a deprivation,
Because our good in this good is made perfect,
That whatsoe'er God wills, we also will.”

Canto XX, lines 136–138 (tr. Longfellow).
The Divine Comedy (c. 1308–1321), Paradiso

“The use of men is like a leaf
On bough, which goeth and another cometh.”

Canto XXVI, lines 137–138 (tr. Longfellow).
The Divine Comedy (c. 1308–1321), Paradiso

“Here one must leave behind all hesitation;
here every cowardice must meet its death.”

Canto III, lines 14–15 (tr. Mandelbaum).
The Divine Comedy (c. 1308–1321), Inferno

“Morality is the beauty of Philosophy.”

Trattato Terzo, Ch. 15.
Il Convivio (1304–1307)

“A fair request should be followed by the deed in silence.”

Canto XXIV, lines 77–78 (tr. Sinclair).
The Divine Comedy (c. 1308–1321), Inferno

“Against a better will the will fights ill,…”

Canto XX, line 1 (tr. C. E. Norton).
The Divine Comedy (c. 1308–1321), Purgatorio

“From that point
Dependent is the heaven and nature all.”

Canto XXVIII, lines 41–42 (tr. Longfellow).
The Divine Comedy (c. 1308–1321), Paradiso

“Behold the grass, the flowerets, and the shrubs
Which of itself alone this land produces.”

Canto XXVII, lines 134–135 (tr. Longfellow).
The Divine Comedy (c. 1308–1321), Purgatorio

“And you, the living soul, you over there
get away from all these people who are dead.”

Canto III, lines 88–89 (tr. Mark Musa).
The Divine Comedy (c. 1308–1321), Inferno

“The night that hides things from us.”

Canto XXIII, line 3 (tr. Sinclair).
The Divine Comedy (c. 1308–1321), Paradiso

“Through me the way into the suffering city,
through me the way to eternal pain,
through me the way that runs among the lost.”

Canto III, lines 1–3 (tr. Mandelbaum).
The Divine Comedy (c. 1308–1321), Inferno

“To the right hand I turned, and fixed my mind
Upon the other pole, and saw four stars
Ne'er seen before save by the primal people.”

Canto I, lines 22–24 (tr. Longfellow).
The Divine Comedy (c. 1308–1321), Purgatorio

“The experience of this sweet life.”

Canto XX, lines 47–48 (tr. Longfellow).
The Divine Comedy (c. 1308–1321), Paradiso

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