Quotes about tell
page 36

Donald Rumsfeld photo

“I can't tell you if the use of force in Iraq today would last five days, or five weeks, or five months, but it certainly isn't going to last any longer than that.”

Donald Rumsfeld (1932) U.S. Secretary of Defense

Interview with Steve Croft, Infinity CBS Radio Connect (14 November 2002) https://web.archive.org/web/20031217182208/http://www.defenselink.mil/transcripts/2002/t11152002_t1114rum.html
2000s

Mario Cuomo photo
John Green photo
Samuel Smiles photo
Errol Morris photo

“There's the Mike Wallace approach, or you can call it the Michael Moore approach, which is the adversarial approach. In the end, that is not in the service of finding out anything. It's in service of dramatizing a received view: Namely, "This guy is an asshole, and now I will illustrate how this guy is an asshole by showing his inability to answer the questions I put to him." It's not what I'm about. It's not that one approach is good and the other is bad. They just have different valences. I like confrontation as much as the next guy. I'll give you the best example I can think of for why I like my method. [During] my interview with Emily Miller, one of the wacko eyewitnesses in The Thin Blue Line, she volunteered that she had failed to pick out Randall Adams in a police lineup. It wasn't me saying to her, "Emily Miller, how come you failed to pick out Randall Adams in a police lineup?" Why? Because I didn't know she failed to do it, because part of the trial record said she had successfully picked him out. When I heard this, not in response to some adversarial question, just her telling me her story, I asked her, "How did you know you failed to pick out Randall Adams?"”

Errol Morris (1948) American filmmaker and writer

She said, "I know because the policeman sitting next to me told me I had picked out the wrong person and pointed out the right person so I wouldn't make that mistake again."
Source: Pitch Weekly http://www.tipjar.com/dan/errolmorris.html

Christine O'Donnell photo

“Christine O'Donnell: But let me tell you something! They — homosexuals' special rights groups can get away with so much more than nobody else can!
Alan Colmes: Well, what are they getting away with here, Christine? Tell me what you’re seeing…
Christine O'Donnell: They're getting away with nudity!
Fay: Oh, right.
Christine O'Donnell: They're getting away with nudity! They're getting away with lasciviousness! They're getting away with perversion!
Fay: Oh, Christine…
Christine O'Donnell: They're getting away with blasphemy!”

Christine O'Donnell (1969) American Tea Party politician and former Republican Party candidate

2000-06-26
Television series
Hannity & Colmes
Fox News
Christine O'Donnell: how can she be taken seriously? Rush says she's electable.
Pam
Spaulding
Pam's House Blend
2010-09-19
http://www.pamshouseblend.com/diary/17374/christine-odonnell-how-can-she-be-taken-seriously-rush-says-shes-electable
2010-10-20
2010-09-15
Christine O'Donnell Does Not Like Gays.
Instaputz
http://instaputz.blogspot.com/2010/09/christine-odonnell-does-not-like-gays.html
2010-10-20
about 2000 New York City Gay Pride Parade
TV appearances

Walt Disney photo

“Animation offers a medium of story telling and visual entertainment which can bring pleasure and information to people of all ages everywhere in the world.”

Walt Disney (1901–1966) American film producer and businessman

As quoted in "COSI exhibit explores world of cartoons" by Jeffrey Zupanic in The Review (2 August 2007) http://www.the-review.com/news/article/2344671

Johnny Carson photo

“ah, So u persecute Jared Fogle just because he has different beliefs? Do Tell. (girls get mad at me) Sorry. Im sorry. Im trying to remove it”

Dril Twitter user

[ Link to tweet https://twitter.com/dril/status/660644922744262656]
Tweets by year, 2015

Chris Matthews photo
Heber J. Grant photo

“There is a still small voice telling us what is right, and if we listen to that still small voice we shall grow and increase in strength and power, in testimony and in ability not only to live the gospel but to inspire others to do so.”

Heber J. Grant (1856–1945) President of The Church of Jesus Christ of Latter-day Saints

Grant (1937) "The Path of Safety," Improvement Era, Dec. 1937, 735.; Cited in " Heber J. Grant, Served 1918–1945 http://www.lds.org/churchhistory/presidents/controllers/potcController.jsp?leader=7&topic=quotes" on ids.org

Willie Mays photo
Neil Young photo
Adyashanti photo
Dora Russell photo
Donald J. Trump photo
Gore Vidal photo
Bono photo

“There's many lost but, tell me, who has won?”

Bono (1960) Irish rock musician, singer of U2

"Sunday Bloody Sunday"
Lyrics, War (1983)

Samuel Butler photo
Johann Gottfried Herder photo

“"Tell me, O wise man, how hast thou come to know so astonishingly much?"
By never being ashamed to ask of those that knew!”

Sag' o Weiser, wodurch du zu solchem Wissen gelangtest?
"Dadurch, daß ich mich nie andre zu fragen geschämt."
"Der Weg zur Wissenschaft"; cited from Bernhard Suphan (ed.) Herders sämmtliche Werke (Berlin Weidmann, 1887-1913) vol. 26, p. 376; Translation by Thomas Carlyle, from Clyde de L. Ryals and Kenneth Fielding (eds.) The Collected Letters of Thomas and Jane Welsh Carlyle (Durham, NC: Duke University Press, 1995) vol. 23, p. 160.

Hillary Clinton photo

“Don't let anyone tell you that our country is weak. We're not. Don't let anyone tell you we don't have what it takes. We do. And most of all, don't believe anyone who says: “I alone can fix it.””

Hillary Clinton (1947) American politician, senator, Secretary of State, First Lady

Presidential campaign (April 12, 2015 – 2016), (July 28, 2016)

Jadunath Sarkar photo
Robert Frost photo
John C. Reilly photo
Chris Rea photo

“When I am on my own and quiet, the landscape tells you a great deal and Turner and Cotman talk to me from the clouds.”

Rigby Graham (1931–2015) British author and illustrator

Obituary, Daily Telegraph,London, 20th May 2015

Allen C. Guelzo photo
Tad Williams photo
John Crowe Ransom photo
Steve Ballmer photo
John Milton photo

“And every shepherd tells his tale
Under the hawthorn in the dale.”

John Milton (1608–1674) English epic poet

Source: L'Allegro (1631), Line 67

“If Brideshead Revisited is not a great book, it's so like a great book that many of us, at least while reading it, find it hard to tell the difference.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

'Borgias on my mind'
Essays and reviews, Glued to the Box (1983)

Nâzım Hikmet photo

“At eighteen you don't think about memories,
you tell them.”

Nâzım Hikmet (1902–1963) Turkish poet

From Human Landscapes from My Country, Book Two, Section VII

Oriana Fallaci photo
William Blake photo
Aretha Franklin photo

“Speak your name
And I'll feel a thrill.
You said I do,
And I said I will.I tell you that I'll stay true,
And give you just a little time.
Wait on me baby,
I want you to be all mine.
I just get so blue.Since you've been gone, baby”

Aretha Franklin (1942–2018) American musician, singer, songwriter, and pianist

why'd you do it? why'd you have to do it?
"(Sweet Sweet Baby) Since You've Been Gone", written with Teddy White, from Lady Soul (1968)
Song lyrics

John F. Kennedy photo
Herman Cain photo
Bret Easton Ellis photo
Phil Ochs photo

“It's always the old to lead us to the war
It's always the young to fall
Now look at all we've won with the sabre and the gun
Tell me is it worth it all.”

Phil Ochs (1940–1976) American protest singer and songwriter

"I Ain't Marching Anymore" http://web.cecs.pdx.edu/~trent/ochs/lyrics/i-aint-marching-anymore.html from I Ain't Marching Anymore(1965)
Lyrics

Aimee Mann photo
Carlo Rovelli photo
Rihanna photo

“They'd complain to my other neighbor, who was very close to my mom, so we always got the message: I'm too loud. But we didn't really care. They can't tell me what to do in my house!”

Rihanna (1988) Barbadian singer, songwriter, and actress

On being scolded by her neighbors in Barbados for singing too loudly in the shower. Allure magazine, January 2008.

Tad Williams photo

“Things are not always as old songs tell them to be—especially when it is concerning dragons.”

Tad Williams (1957) novelist

Source: Memory, Sorrow, and Thorn, Stone of Farewell (1990), Chapter 8, “On Sikkihoq’s Back” (p. 176).

Jane Roberts photo
Bill Clinton photo
Melanie Joy photo
Johann Wolfgang von Goethe photo
Jane Roberts photo
William Burges photo

“Nothing is more perishable than worn-out apparel, yet, thanks to documentary evidence, to the custom of burying people of high rank in their robes, and to the practice of wrapping up relics of saints in pieces of precious stuffs, we are enabled to form a veiy good idea of what these stuffs were like and where they came from. In the first instance they appear to have come from Byzantium, and from the East generally; but the manufacture afterwards extended to Sicily, and received great impetus at the Norman conquest of that island; Roger I. even transplanting Greek workmen from the towns sacked by his army, and settling them in Sicily. Of course many of the workers would be Mohammedans, and the old patterns, perhaps with the addition of sundry animals, would still continue in use; hence the frequency of Arabic inscriptions in the borders, the Cufic character being one of the most ornamental ever used. In the Hotel de Clu^ny at Paris are preserved the remains of the vestments of a bishop of Bayonne, found when his sepulchre was opened in 1853, the date of the entombment being the twelfth century. Some of these remains are cloth of gold, but the most remarkable is a very deep border ornamented with blue Cufic letters on a gold ground; the letters are fimbriated with white, and from them issue delicate red scrolls, which end in Arabic sort of flowers: this tissue probably is pure Eastern work. On the contrary, the coronation robes of the German emperors, although of an Eastern pattern, bear inscriptions which tell us very clearly where they were manufactured: thus the Cufic characters on the cope inform us that it was made in the city of Palermo in the year 1133, while the tunic has the date of 1181, but then the inscription is in the Latin language. The practice of putting Cufic inscriptions on precious stuffs was not confined to the Eastern and Sicilian manufactures; in process of time other Italian cities took up the art, and, either because it was the fashion, or because they wished to pass off" their own work as Sicilian or Eastern manufacture, imitations of Arabic characters are continually met with, both on the few examples that have come down to us of the stuffs themselves, or on painted statues or sculptured effigies. These are the inscriptions which used to be the despair of antiquaries, who vainly searched out their meaning until it was discovered that they had no meaning at all, and that they were mere ornaments. Sometimes the inscriptions appear to be imitations of the Greek, and sometimes even of the Hebrew. The celebrated ciborium of Limoges work in the Louvre, known as the work of Magister G. Alpais, bears an ornament around its rim which a French antiquary has discovered to be nothing more than the upper part of a Cufic word repeated and made into a decoration.”

William Burges (1827–1881) English architect

Quote was introduced with the phrase:
In the lecture on the weaver's art, we are reminded of the superiority of Indian muslins and Chinese and Persian carpets, and the gorgeous costumes of the middle ages are contrasted with our own dark ungraceful garments. The Cufic inscriptions that have so perplexed antiquaries, were introduced with the rich Eastern stuffs so much sought after by the wealthy class, and though, as Mr. Burges observes
Source: Art applied to industry: a series of lectures, 1865, p. 85; Cited in: " Belles Lettres http://books.google.com/books?id=0EegAAAAMAAJ&pg=PA143" in: The Westminster Review, Vol. 84-85. Baldwin, Cradock, and Joy, 1865. p. 143

Max Horkheimer photo
Jack Layton photo
Nguyen Khanh photo

“I an a political asylum situation here. Legally, I cannot tell that I am making any politics action here. But I always want to be with my people over there. I want to go back to Vietnam, of course, if possible.”

Nguyen Khanh (1927–2013) South Vietnamese soldier

Political resentment in contemporary Vietnam
1980s, Interview with Nguyen Khanh (1981)

Joseph Heller photo
Dawn Richard photo

“Animals don’t have the ability to say how much pain they’re in or tell you not to rip their skin off for your ability to wear something. … Really get into the process of seeing what you’re putting not only inside your body, but outside, too.”

Dawn Richard (1983) American musician

“D△WN Poses Naked in Graphic Anti-Leather Ad,” video interview with PETA (27 September 2017) https://www.youtube.com/watch?v=RILtC1gVN58.

W.E.B. Du Bois photo

“I am one who tells the truth and exposes evil and seeks with Beauty for Beauty to set the world right.”

W.E.B. Du Bois (1868–1963) American sociologist, historian, activist and writer

Source: The Wisdom of W.E.B. Du Bois (2003), p. xi

Jane Monheit photo
Vasco Rossi photo
Thomas Fuller (writer) photo

“5184. To him, that you tell your Secret, you resign your Liberty.”

Thomas Fuller (writer) (1654–1734) British physician, preacher, and intellectual

Compare Poor Richard's Almanack (1737) : To whom thy secret thou dost tell, to him thy freedom thou dost sell.
Introductio ad prudentiam: Part II (1727), Gnomologia (1732)

Oliver Wendell Holmes photo
Slavoj Žižek photo
Herbert Marcuse photo
Arthur Stanley Eddington photo

“If in a community of the blind one man suddenly received the gift of sight, he would have much to tell which would not be at all scientific.”

Arthur Stanley Eddington (1882–1944) British astrophysicist

Source: Science and the Unseen World (1929), Ch. VIII, p.79

Maxime Bernier photo
Lois McMaster Bujold photo
Wernher von Braun photo
Bill Bryson photo
Toni Morrison photo
Henry John Stephen Smith photo

“If we except the great name of Newton (and the exception is one that the great Gauss himself would have been delighted to make) it is probable that no mathematician of any age or country has ever surpassed Gauss in the combination of an abundant fertility of invention with an absolute vigorousness in demonstration, which the ancient Greeks themselves might have envied. It may be admitted, without any disparagement to the eminence of such great mathematicians as Euler and Cauchy that they were so overwhelmed with the exuberant wealth of their own creations, and so fascinated by the interest attaching to the results at which they arrived, that they did not greatly care to expend their time in arranging their ideas in a strictly logical order, or even in establishing by irrefragable proof propositions which they instinctively felt, and could almost see to be true. With Gauss the case was otherwise. It may seem paradoxical, but it is probably nevertheless true that it is precisely the effort after a logical perfection of form which has rendered the writings of Gauss open to the charge of obscurity and unnecessary difficulty. The fact is that there is neither obscurity nor difficulty in his writings, as long as we read them in the submissive spirit in which an intelligent schoolboy is made to read his Euclid. Every assertion that is made is fully proved, and the assertions succeed one another in a perfectly just analogical order… But when we have finished the perusal, we soon begin to feel that our work is but begun, that we are still standing on the threshold of the temple, and that there is a secret which lies behind the veil and is as yet concealed from us. No vestige appears of the process by which the result itself was obtained, perhaps not even a trace of the considerations which suggested the successive steps of the demonstration. Gauss says more than once that for brevity, he gives only the synthesis, and suppresses the analysis of his propositions. Pauca sed matura—few but well matured… If, on the other hand, we turn to a memoir of Euler's, there is a sort of free and luxuriant gracefulness about the whole performance, which tells of the quiet pleasure which Euler must have taken in each step of his work; but we are conscious nevertheless that we are at an immense distance from the severe grandeur of design which is characteristic of all Gauss's greater efforts.”

Henry John Stephen Smith (1826–1883) mathematician

As quoted by Alexander Macfarlane, Lectures on Ten British Physicists of the Nineteenth Century (1916) p. 95, https://books.google.com/books?id=43SBAAAAIAAJ&pg=PA95 "Henry John Stephen Smith (1826-1883) A Lecture delivered March 15, 1902"

Marie-Louise von Franz photo
Euripidés photo

“Dionysus: He who believes needs no explanation.
Pentheus: What's the worth in believing worthless things?
Dionysus: Much worth, but not worth telling you, it seems.”

Euripidés (-480–-406 BC) ancient Athenian playwright

Bacchae l. 472, as translated by Colin Teevan (2002)

Malala Yousafzai photo

“I think of it often and imagine the scene clearly. Even if they come to kill me, I will tell them what they are trying to do is wrong, that education is our basic right.”

Malala Yousafzai (1997) Pakistani children's education activist

Malala in Interview with a Pakistani Television network, 2011-12; Cited in: The girl who wanted to go to school http://www.newyorker.com/online/blogs/newsdesk/2012/10/the-girl-who-wanted-to-go-to-school.html." The New Yorker by Basharat Peer, posted October 10, 2012
2010 -

John Polkinghorne photo

“Quantum theory also tells us that the world is not simply objective; somehow it's something more subtle than that. In some sense it is veiled from us, but it has a structure that we can understand.”

John Polkinghorne (1930) physicist and priest

Divine Action: An Interview with John Polkinghorne http://www.aril.org/polkinghorne.htm by Lyndon F. Harris in Cross Currents, Spring 1998, Vol. 48 Issue 1.

Pat Spillane photo

“There are people who go to the Hague for war crimes – I tell you this, some of the coaches nowadays should be up for crimes against Gaelic football.”

Pat Spillane (1955) Gaelic football player

Spillane on Jim McGuinness. His team won the 2012 All-Ireland. The Irish Times https://archive.is/20121208223707/www.irishtimes.com/newspaper/sport/2012/0827/1224323032489.html

Morrissey photo
Georgia O'Keeffe photo
Jack Vance photo
Orson Scott Card photo
Hillary Clinton photo

“I'm telling you right now, we're going to write fairer rules for the middle class and we are going to raise taxes on the middle class!”

Hillary Clinton (1947) American politician, senator, Secretary of State, First Lady

Clinton: 'Raise Taxes On The Middle Class!' 8-1-2016 https://www.youtube.com/watch?v=7ua13_gYQn0; as quoted in "Hillary Promises ‘We Are Going To Raise Taxes On The Middle Class’ <nowiki>[Video http://dailycaller.com/2016/08/03/hillary-promises-we-are-going-to-raise-taxes-on-the-middle-class-video/</nowiki>"] by Derek Hunter, The Daily Caller (3 August 2016).
Presidential campaign (April 12, 2015 – 2016)

Bob Dylan photo

“A cat's meow and a cow's moo,
I can recite 'em all,
just tell me where it hurts you, honey,
and I'll tell you who to call.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, Self Portrait (1970), Quinn The Eskimo (The Mighty Quinn)

Prem Rawat photo
Bob Dylan photo

“If she's passing back this way I'm not that hard to find
Tell her she can look me up if she's got the time.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, Blood on the Tracks (1975), If You See Her, Say Hello

Arlo Guthrie photo

“Be serious. Folk songs are serious. That's what Pete Seeger told me. "Arlo, I only wanna tell you one thing. Folk songs are serious."”

Arlo Guthrie (1947) American folk singer

And I said "Right."
Spoken on the Track "The Story of Reuben Clamzo" on the album One Night.

Janeane Garofalo photo
Mark Akenside photo
Umberto Eco photo
Bob Dylan photo

“When you bite off more than you can chew, you pay the penalty, somebody's got to tell the tale, I guess it must be up to me.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, Biograph (1985), Up to Me (recorded 1974)

Aristophanés photo

“Chremylus: And what good thing can [Poverty] give us, unless it be burns in the bath, and swarms of brats and old women who cry with hunger, and clouds uncountable of lice, gnats and flies, which hover about the wretch's head, trouble him, awake him and say, “You will be hungry, but get up!” […]
Poverty: It's not my life that you describe; you are attacking the existence beggars lead. […] The beggar, whom you have depicted to us, never possesses anything. The poor man lives thriftily and attentive to his work; he has not got too much, but he does not lack what he really needs. […] But what you don't know is this, that men with me are worth more, both in mind and body, than with [Wealth]. With him they are gouty, big-bellied, heavy of limb and scandalously stout; with me they are thin, wasp-waisted, and terrible to the foe. […] As for behavior, I will prove to you that modesty dwells with me and insolence with [Wealth]. […] Look at the orators in our republics; as long as they are poor, both state and people can only praise their uprightness; but once they are fattened on the public funds, they conceive a hatred for justice, plan intrigues against the people and attack the democracy. […]
Chremylus: Then tell me this, why does all mankind flee from you?
Poverty: Because I make them better. Children do the very same; they flee from the wise counsels of their fathers. So difficult is it to see one's true interest.”

tr. O'Neill 1938, Perseus http://www.perseus.tufts.edu/hopper/text.jsp?doc=Aristoph.+Pl.+535
Plutus, line 535-539 & 548 & 552-554 & 558-561 & 563-564 & 567-570 & 575-578
Plutus (388 BC)