Quotes about staircase

A collection of quotes on the topic of staircase, down, way, man.

Quotes about staircase

Martin Luther King, Jr. photo

“Faith is taking the first step even when you can't see the whole staircase.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

Variant: Take the first step in faith. You don't have to see the whole staircase, just take the first step.
Source: Let Nobody Turn Us Around: Voices on Resistance, Reform, and Renewal an African American Anthology

Aleksandr Pushkin photo
Alessandro Cagliostro photo

“I quitted the Bastille, about half-past eleven in the evening. The night was dark, the quarter in which I resided but little frequented. What was my surprise, then, to hear myself acclaimed by eight or ten thousand persons. My door was forced open; the courtyard, the staircase, the rooms were crowded with people. I was carried straight to the arms of my wife.”

Alessandro Cagliostro (1743–1795) Italian occultist

Cagliostro: the Splendour And Misery of a Master of Magic by W.R.H. Trowbridge, (William Rutherford Hayes), (August 1910) https://onlinebooks.library.upenn.edu/webbin/book/lookupname?key=Trowbridge%2c%20W%2e%20R%2e%20H%2e%20%28William%20Rutherford%20Hayes%29%2c%201866%2d1938

Anne McCaffrey photo

“He is crooked enough to hide behind a spiral staircase.”

Source: Acorna's Quest

Graham Joyce photo
Henry Adams photo

“…but he distinctly remembered standing at the house door one summer morning in a passionate outburst of rebellion against going to school. Naturally his mother was the immediate victim of his rage; that is what mothers are for, and boys also; but in this case the boy had his mother at unfair disadvantage, for she was a guest, and had no means of enforcing obedience. Henry showed a certain tactical ability by refusing to start, and he met all efforts at compulsion by successful, though too vehement protest. He was in fair way to win, and was holding his own, with sufficient energy, at the bottom of the long staircase which led up to the door of the President's library, when the door opened, and the old man slowly came down. Putting on his hat, he took the boy's hand without a word, and walked with him, paralyzed by awe, up the road to the town. After the first moments of consternation at this interference in a domestic dispute, the boy reflected that an old gentleman close on eighty would never trouble himself to walk near a mile on a hot summer morning over a shadeless road to take a boy to school, and that it would be strange if a lad imbued with the passion of freedom could not find a corner to dodge around, somewhere before reaching the school door. Then and always, the boy insisted that this reasoning justified his apparent submission; but the old man did not stop, and the boy saw all his strategical points turned, one after another, until he found himself seated inside the school, and obviously the centre of curious if not malevolent criticism. Not till then did the President release his hand and depart.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

The Education of Henry Adams (1907)

Octave Mirbeau photo
Jim Butcher photo

“Harry Dresden: Sometimes the most remarkable things seem commonplace. I mean, when you think about it, jet travel is pretty freaking remarkable. You get in a plane, it defies the gravity of a entire planet by exploiting a loophole with air pressure, and it flies across distances that would take months or years to cross by any means of travel that has been significant for more than a century or three. You hurtle above the earth at enough speed to kill you instantly should you bump into something, and you can only breathe because someone built you a really good tin can that seems tight enough to hold in a decent amount of air. Hundreds of millions of man-hours of work and struggle and research, blood, sweat, tears and lives have gone into the history of air travel, and it has totally revolutionized the face of our planet and societies.
But get on any flight in the country, and I absolutely promise you that you will find someone who, in the face of all that incredible achievement, will be willing to complain about the drinks. The drinks, people. That was me on the staircase to Chicago-Over-Chicago. Yes, I was standing on nothing but congealed starlight. Yes, I was walking up through a savage storm, the wind threatening to tear me off and throw me into the freezing waters of lake Michigan far below. Yes, I was using a legendary and enchanted means of travel to transcend the border between one dimension and the next, and on my way to an epic struggle between ancient and elemental forces. But all I could think to say, between panting breaths, was, "Yeah. Sure. They couldn't possibly have made this an escalator."”

The Dresden Files, Summer Knight (2002)

P.G. Wodehouse photo

“Many a man may look respectable, and yet be able to hide at will behind a spiral staircase.”

Sunset at Blandings (1977 (posthumously published))

Alan Simpson photo
Tom Clancy photo
Robert Solow photo
Barbara Stanwyck photo

“I'm a tough old broad from Brooklyn. Don't try to make me into something I'm not. If you want someone to tiptoe down the Barkley staircase in crinoline and politely ask where the cattle went, get another girl.”

Barbara Stanwyck (1907–1990) American actress

Quoted in Gary A. Yoggy, Back in the saddle: essays on Western film and television actors (1998), Page 122 http://books.google.co.uk/books?id=pLbMzGDhTOIC&pg=PA122&dq=%22%22tough+old+broad+from+Brooklyn%22%22&hl=en&sa=X&ei=43MyT7SXD6Lc4QTqxMCEBQ&ved=0CDEQ6AEwAA#v=onepage&q=%22%22tough%20old%20broad%20from%20Brooklyn%22%22&f=false

Marcel Duchamp photo

“the idea of movement…. just transferred from the Nude [ Nude Descending a Staircase, No. 2 - Duchamp painted this in 1912] into a bicycle wheel [ Bicycle wheel, his early ready-made from 1916-17].”

Marcel Duchamp (1887–1968) French painter and sculptor

Quote in Looking at Dada, eds. Sarah Ganz Blythe & Edward D. Powers - The Museum of Modern Art New York, ISBN: 087070-705-1; p. 41
Duchamp is looking back shortly before his death in 1968
1951 - 1968

Joe Strummer photo

“I hate it when I go out and I see parents going, 'don't do that', or 'stop doing that' when some kid's just hanging off a staircase or something. There's too much of this, 'don't do that.”

Joe Strummer (1952–2002) British musician, singer, actor and songwriter

The whole thing baffles me.
My Dinner with Strummer (March 1999)

Doug Stanhope photo
Joseph Joubert photo
Jacoba van Heemskerck photo

“On the whole [the alignment of a series of stained glass windows with the interior of a villa in The Hague] I have thought about all the time... I want to focus more on the architecture of the interior in general and that should we do together [with architect Buys]... Now I was already thinking, the enormous color effect that the window will generate - and that will certainly become powerful - must be accompanied with strong colors - the hall -, otherwise the window itself will be too much isolated. For instance the staircase, could it be painted in strong colors and not [in] oak.... deep ultramarine blue or green, with a beautiful colorful carpet.... I feel I must make designs for carpets, to create in that way a beautiful unity with the stained glass as a whole.”

Jacoba van Heemskerck (1876–1923) Dutch painter

translation from Dutch, Fons Heijnsbroek, 2018
version in original Dutch / citaat van Jacoba van Heemskerck, in het Nederlands: Over het geheel [de afstemming van een serie aan Jacoba opgedragen glasramen met het interieur van een villa in Den Haag] heb ik steeds loopen denken.. ..ik wil mij veel meer op de architectuur van het binnenhuis in het algemeen toeleggen en dat moeten wij samen doen [met architect Buys].. .Nu heb ik al gedacht het enorme kleur-effekt dat het raam zal maken en dat zal zeker machtig werken, moet gedragen worden door sterke kleuren - de hal - anders staat het teveel alleen; zou de trap b.v. in de verf een sterke kleur kunnen krijgen en niet [in] eikenhout.. ..diep ultramarijn blauw of groen en dan een prachtige kleurige loper.. ..ik voel dat ik ontwerpen voor tapijten moet maken om zoo met het glas in lood een mooi geheel te hebben.
Quote in een brief van Jacoba aan architect J. Buys, 28 April 1920 in archief N.D.B., Amsterdam; as cited by Herbert Henkels, in Jacoba van Heemskerck, kunstenares van het Expressionisme, Haags Gemeentemuseum The Hague, 1982, p. 42
1920's

Hendrik Werkman photo

“I have composed here so many prints from the immediate surroundings around me - starting with the chimneys and the pigeons and the passing ships, the staircase, the labyrinth of corridors and doors, the crazy combinations of beams and wooden walls..”

Hendrik Werkman (1882–1945) Dutch artist

version in original Dutch (origineel citaat van Hendrik Werkman, in het Nederlands): Ik heb hier zoveel drukken gecomponeerd uit de onmiddellijke omgeving om mij heen, beginnende met de schoorstenen en de duiven en de voorbijvarende schepen, het trappenhuis, het doolhof van gangen en deuren, de gekke combinaties van balken en beschotten..
In a letter to August Henkels, 29 April 1941; as cited in H. N. Werkman - Leven & Werk - 1882-1945, ed. A. de Vries, J. van der Spek, D. Sijens, M. Jansen; WBooks, Groninger Museum / Stichting Werkman, 2015 (transl: Fons Heijnsbroek), p. 105
1940's

Qutb al-Din Aibak photo

“The first thing the Muslim Sultanate of Delhi started on was construction of impressive buildings. The first sultan Qutbuddin Aibak had to establish Muslim power in India and to raise buildings "as quickly as possible, so that no time might be lost in making an impression on their newly-conquered subjects". Architecture was considered as the visual symbol of Muslim political power. It denoted victory with authority. The first two buildings of the early period in Delhi are the Qutb Minar and the congregational mosque named purposefully as the Quwwat-ul-Islam (might of Islam) Masjid. This mosque was commenced by Aibak in 592/1195. It was built with materials and gold obtained by destroying 27 Hindu and Jain temples in Delhi and its neighborhood. A Persian inscription in the mosque testifies to this. The Qutb Minar, planned and commenced by Aibak sometime in or before 1199 and completed by Iltutmish, was also constructed with similar materials, "the sculptured figures on the stones being either defaced or concealed by turning them upside down". A century and a quarter later Ibn Battutah describes the congregational mosque and the Qutb Minar. "About the latter he says that its staircase is so wide that elephants can go up there." About the former his observations are interesting. "Near the eastern gate of the mosque their lie two very big idols of copper connected together by stones. Every one who comes in and goes out of the mosque treads over them. On the site of this mosque was a bud khana, that is an idol house. After the conquest of Delhi it was turned into a mosque."”

Qutb al-Din Aibak (1150–1210) Turkic peoples king of Northwest India

Quoted from Lal, K. S. (1999). Theory and practice of Muslim state in India. New Delhi: Aditya Prakashan. Chapter 5 (quoting Gordon Sanderson, 'Archaeology at the Qutb', Archaeological Survey of India Report, 1912-13; Ibn Battutah)

Ramakrishna photo
Cyril Connolly photo
Denis Diderot photo

“Spirit of the staircase" or "Staircase inspiration”

Denis Diderot (1713–1784) French Enlightenment philosopher and encyclopædist

L'esprit de l'escalier
This phrase is a famous allusion to the witty remarks one thinks of when it is too late, as when one is leaving a meeting and going down the stairs. Paradoxe sur le Comédien (1773-1777)

Bernard Cornwell photo
M. C. Escher photo

“Are you sure that a floor cannot also be a ceiling? Are you absolutely certain that you go up when you walk up a staircase?”

M. C. Escher (1898–1972) Dutch graphic artist

Variant translations: Are you really sure that a floor can't also be a ceiling?
I can't keep from fooling around with our irrefutable certainties. It is, for example, a pleasure knowingly to mix up two and three dimensionalities, flat and spatial, and to make fun of gravity.
1950's, On Being a Graphic Artist', 1953
Context: In my prints I try to show that we live in a beautiful and orderly world and not in a chaos without norms, as we sometimes seem to. My subjects are also often playful. I cannot help mocking all our unwavering certainties. It is, for example, great fun deliberately to confuse two and three dimensions, the plane and space, or to poke fun at gravity. Are you sure that a floor cannot also be a ceiling? Are you absolutely certain that you go up when you walk up a staircase? Can you be definite that it is impossible to eat your cake and have it?

Charles Webster Leadbeater photo
Narendra Modi photo

“I have the ability to pick stones thrown at me to build a staircase to climb up.”

Narendra Modi (1950) Prime Minister of India

Quoted from Lok Sabha Election Results 2019: Rise and rise of Prime Minister Narendra Modi https://indianexpress.com/article/india/narendra-modi-lok-sabha-elections-2019-result-bjp-congress-seats-counting-5745459/

Rajinikanth photo

“While others used the staircase, he used the elevator to stardom. I don’t think any other actor in cinema made cigarette smoking a such an asset to his repertoire.”

Rajinikanth (1950) Indian actor

K. Balachander, in p. 14
Rajinikanth: A Birthday Special (12 December 2012)