Contents, Animadversions on the First Part of the Machina Coelestis of the Astronomer Johannes Hevelius https://books.google.com/books?id=KAtPAAAAcAAJ (1674)
Quotes about score
page 4
Reported in Alpheus Thomas Mason, Harlan Fiske Stone, Pillar of the Law (1956), p. 731; Mason reports this as a toast Stone was fond of reciting, but does not settle authorship with Stone. Various other sources following Mason attribute authorship to Stone, but without citing an original source.
Attributed
Travis McGee series, (1964)
Global Ideas from Pluto's Challenger (May 21, 2009)
Calling the final moments of Game 6 of the 1986 World Series.
1980s
[Wise, Mike, Giants of Game Mourning Loss of Biggest Giant of All, The New York Times, 1999-10-13]
Scoring
As quoted by David Milner, "Akira Ifukube Interview III" http://www.davmil.org/www.kaijuconversations.com/ifukub3.htm, Kaiju Conversations (December 1995)
Reaping the Fruits of the Moral Crisis, May 7, 2004. http://www.renewamerica.us/archives/speeches/04_05_07hellewell.htm.
2009
Viktor Kozlov, interview in Pierre Lebrun (October 10, 2007) "Viktor Kozlov making most of plum assignment with Alexander Ovechkin", The Canadian Press.
About
Quoted in Nichols, Roger (1992). Debussy Remembered. London: Faber. , p. 186
Cardinal Winning Lecture (February 2, 2008)
[May, Tim, Gordon, Ken, They're gone: Ted Ginn Jr. and Antonio Pittman decide the time is right to leave Ohio State for the NFL, Columbus Dispatch, 2007-01-16, 2007-01-23]
Speech to the Conservative Party conference http://www.theguardian.com/politics/2002/oct/07/conservatives2002.conservatives1 (07 October 2002)
Tipu Sultan - Villain or Hero (1993)
“He that to ancient wreaths can bring no more
From his own worth, dies bankrupt on the score.”
The Times.
Mühl angrily ridiculed my relapse into a “technique” that had to be overcome.
Source: Nervous Stillness on the Horizon (2006), P. 120 (1985)
Source: Sailing the Wine-Dark Sea: Why the Greeks Matter (2003), Ch.VII The Way They Went: Greco-Roman Meets Judeo-Christian
What The Hell Happened To Me!? (1996)
"Drama at the Opera House," http://www.danagioia.net/essays/eoperahouse.htm San Francisco Magazine (September 2001)
Essays
“Beg God that I don´t score a goal because I´m gonna leave a stain on you.”
To Felix Fernandez
Interview with BigSoccer.com
The 5,000 Year Leap (1981)
Interview with Brian Tyler https://8dio.com/2012/12/05/interview-with-brian-tyler/ (December 5, 2012)
Manual Of Justice (1959).
As quoted by David Milner, "Akira Ifukube Interview I" http://www.davmil.org/www.kaijuconversations.com/ifukub.htm, Kaiju Conversations (December 1992)
Source: The Time Axis (1949), Ch. 1 : Encounter In Rio
Part 2, section 6.
The Cunning Man (1994)
Context: The ironist is not bitter, he does not seek to undercut everything that seems worthy or serious, he scorns the cheap scoring-off of the wisecracker. He stands, so to speak, somewhat at one side, observes and speaks with a moderation which is occasionally embellished with a flash of controlled exaggeration. He speaks from a certain depth, and thus he is not of the same nature as the wit, who so often speaks from the tongue and no deeper. The wit's desire is to be funny; the ironist is only funny as a secondary achievement.
Language Education in a Knowledge Context (1980)
Context: It may come as a surprise to our technocrat philosophers, but people do not read, write, speak, or listen primarily for the purpose of achieving a test score. They use language in order to conduct their lives, and to control their lives, and to understand their lives. An improvement in one's language abilities is therefore... observed in changes in one's purposes, perceptions, and evaluations. Language education... may achieve what George Bernard Shaw asserted is the function of art. "Art," he said in Quintessence of Ibsenismn, "should refine our sense of character and conduct, of justice and sympathy, greatly heightening our self knowledge, self-control, precision of action and considerateness, and making us intolerant of baseness, cruelty, injustice, and intellectual superficialty and vulgarity." …For my purposes, if you replace the word "art" with the phrase "language education," you will have a precise statement of what I have been trying to say.
“A wise player ought to accept his throws and score them, not bewail his luck.”
Fragment 947.
Phædra
Source: Pearson, A.C. (1917). The Fragments of Sophocles (with additional notes from the papers of Sir R.C. Jebb and W.G. Headlam). Vol. 3. 3 vols. Cambridge: Cambridge University Press, 1917. Retrieved on 2017-01-06 from https://archive.org/details/fragmentseditedw03sophuoft.
2010s, 2014 FIFA World Cup, Brazil v. Germany (2014)
Context: Defensive displays, and this is just blowing it completely out the water. Nil, seven! I know! Thank? Thankfully, a couple of the people have scored a couple of times. So, they just put the number next to them. Otherwise, there's no space.
2010s, 2014 FIFA World Cup, Brazil v. Germany (2014)
Context: He looks happy to come on the field, six-nil down. Come on Willian, get on there! Score seven, make your country proud. Yeah, they will score again. Germany, won't they? They've got twenty minutes left. If they keep up? Yeah. Look, Marcelo looks as if he can? Can't run anymore. But, Germany will score again if they want. Look at that, I mean? It looks as if Brazil have got nine men on the field; it looks as if it's eleven against nine.
Letter II
The Nemesis of Faith (1849)
Context: I know but one man, of more than miserable intellect, who in these modern times has dared defend eternal punishment on the score of justice, and that is Leibnitz; a man who, if I know him rightly, chose the subject from its difficulty as an opportunity for the display of his genius, and cared so little for the truth that his conclusions did not cost his heart a pang, or wring a single tear from him. And what does Leibnitz say? That sin, forsooth, though itself be only finite, yet, because it is against an Infinite Being, contracts a character of infinity, and so must be infinitely punished. It is odd that the clever Leibnitz should not have seen that a finite punishment, inflicted by the same Infinite Being, would itself of course contract the same character of infinity.
“And the aim is to keep the SF's score low.”
Paul Erdős - SF means Supreme Fascist http://www.youtube.com/watch?v=1qeWugmiGt4
Context: SF means Supreme Fascist — this would show that God is bad. I don't claim that this is correct, or that God exists, but it is just sort of half a joke. … As a joke I said, "What is the purpose of Life?" "Proof and conjecture, and keep the SF's score low."
Now, the game with the SF is defined as follows:
If you do something bad the SF gets at least two points.
If you don't do something good which you could have done, the SF gets at least one point.
And if nothing — if you are okay, then no one gets any point.
And the aim is to keep the SF's score low.
Brazil v. United States http://www.listenonrepeat.com/watch/?v=r1PlC9mj-N0 (10 July 2011).
2010s, 2011, 2011 FIFA Women's World Cup
Context: Just incredible! Look at Hope Solo celebrate! There is an American party going on, all around the terraces! Surely the whistle's going to go any second, and it will be a penalty shootout. Abby Wambach in the one hundred and twenty-second minute. Well that does match the drama of the men's World Cup last year, and the Landon Donovan goal which saved the USA against Algeria, doesn't it? Well, well, well! And the goal was scored in the time added on for the largely bogus injury, we think, to Érika. Is there some kind of poetic justice in that? It's not finished yet, though. Still the referee plays on, and here's Marta again! Solo beats it away; it will be a corner. How much more of this can there possibly be? It is over! It will be a penalty shoot-out! An incredible finish, one of the great climaxes to any World Cup match! Brazil are denied at the death! A ten-woman USA save it! Wow, we need to get our breath back. So let's go back to Bob Ley for a moment.
“All flesh is one: what matter scores”
"All flesh is one: what matter scores?" in When Elephants Last In The Dooryard Bloomed : Celebrations For Almost Any Day In The Year (1973)
Context: All flesh is one: what matter scores;
Or color of the suit
Or if the helmet glints with blue or gold?
All is one bold achievement,
All is fine spring-found-again-in-autumn day
When juices run in antelopes along our blood, And green our flag, forever green…
S Rajesh and ESPNcricinfo staff on Mahela Jayawardene, quoted on ESPN Cricket Info, "Mahela Jayawardene" http://www.espncricinfo.com/srilanka/content/player/49289.html
Quote
Context: A prolific, elegant and utterly classy batsman with a huge appetite for runs, and a calm yet authoritative captain - those are the qualities that best describe Mahela Jayawardene. His sheer quality as a batsman was never in doubt even when he just entered the international scene, but for Jayawardene the biggest challenge has been to justify all the early hype. With over 10,000 runs in both Tests and ODIs - and a captaincy stint that included a World Cup final appearance - it can safely be said that he has met that challenge more than adequately. Blessed with excellent hand-eye coordination and a fine technique, Jayawardene scores his runs all around the wicket. Among his favourite strokes are the languid cover-drive - often with minimal footwork but precise placement and timing - and the wristy flick off his legs, but there are several others he plays with equal felicity. The most memorable are the cuts and dabs he plays behind the stumps, mostly off spinners, but also against quick bowling, when bat makes contact with ball delightfully late. Apart from his artistry, what stands out about his batting is his hunger for big scores, most apparent in his record 624-run partnership with Kumar Sangakkara, but also in the regularity with which he notches up Test double-hundreds. And his century against Zimbabwe in the World Twenty20 in 2010 was a shining example of traditional methods succeeding in a new format. Jayawardene is easily one of the most elegant batsmen of his generation, but the major drawback in his career is his relative lack of success in overseas conditions. His averages in Australia, England, South Africa and New Zealand are all less than 35, but at home he averages more than 60. In the second half of his career, Jayawardene grew into an astute captain who read the game well and wasn't afraid to take risks. Under him, Sri Lanka shed their diffident approach, winning Tests in England and New Zealand, and - in what was Jayawardene's greatest achievement as captain - reached the final of the 2007 World Cup. He quit captaincy in February 2009, but agreed to a second stint, taking over from Tillakaratne Dilshan after the tour to South Africa in 2011-12, but resigned again after a year, handing the reins to Angelo Mathews. His limited overs batting has improved with age, and an increasing stroke repertoire has seen Jayawardene become almost as impressive an innovator at the crease, as he is a technician. An unbeaten 103 from 88 balls in the 2011 World Cup final made plain his limited overs prowess, and marked him out as a big-match player, having already made a century in the semi-final of the same tournament four years ago.
If you were to say of these men that they are not guilty, it would be as true to say that there has been no war, there are no slain, there has been no crime.
Summation for the Prosecution, July 26, 1946
Quotes from the Nuremberg Trials (1945-1946)
Review of Magnolia in Chicago Sun-Times (7 January 2000) http://www.rogerebert.com/reviews/magnolia-2000
Reviews, Four star reviews
Context: Magnolia is operatic in its ambition, a great, joyous leap into melodrama and coincidence, with ragged emotions, crimes and punishments, deathbed scenes, romantic dreams, generational turmoil and celestial intervention, all scored to insistent music. It is not a timid film. … The movie is an interlocking series of episodes that take place during one day in Los Angeles, sometimes even at the same moment. Its characters are linked by blood, coincidence and by the way their lives seem parallel. Themes emerge: the deaths of fathers, the resentments of children, the failure of early promise, the way all plans and ambitions can be undermined by sudden and astonishing events. … All of these threads converge, in one way or another, upon an event there is no way for the audience to anticipate. This event is not "cheating," as some critics have argued, because the prologue fully prepares the way for it, as do some subtle references to Exodus. It works like the hand of God, reminding us of the absurdity of daring to plan. And yet plan we must, because we are human, and because sometimes our plans work out.
Magnolia is the kind of film I instinctively respond to. Leave logic at the door. Do not expect subdued taste and restraint, but instead a kind of operatic ecstasy. At three hours it is even operatic in length, as its themes unfold, its characters strive against the dying of the light, and the great wheel of chance rolls on toward them.
1960s, I Have A Dream (1963)
Context: Five score years ago, a great American, in whose symbolic shadow we stand today signed the Emancipation Proclamation. This momentous decree came as a great beacon light of hope to millions of Negro slaves who had been seared in the flames of withering injustice. It came as a joyous daybreak to end the long night of their captivity. But one hundred years later, we must face the tragic fact that the Negro is still not free.
One hundred years later, the life of the Negro is still sadly crippled by the manacles of segregation and the chains of discrimination. One hundred years later, the Negro lives on a lonely island of poverty in the midst of a vast ocean of material prosperity. One hundred years later, the Negro is still languished in the corners of American society and finds himself an exile in his own land.
Book of Taliesin (c. 1275?), The Death-song of Uther Pendragon
Context: Abiding in heaven was he, my desire,
Against the eagle, against the fear of the unskilful.
I am a bard, and I am a harper,
I am a piper, and I am a crowder.
Of seven score musicians the very great enchanter.
“Proof and conjecture, and keep the SF's score low.”
Paul Erdős - SF means Supreme Fascist http://www.youtube.com/watch?v=1qeWugmiGt4
Context: SF means Supreme Fascist — this would show that God is bad. I don't claim that this is correct, or that God exists, but it is just sort of half a joke. … As a joke I said, "What is the purpose of Life?" "Proof and conjecture, and keep the SF's score low."
Now, the game with the SF is defined as follows:
If you do something bad the SF gets at least two points.
If you don't do something good which you could have done, the SF gets at least one point.
And if nothing — if you are okay, then no one gets any point.
And the aim is to keep the SF's score low.
Source: 1990s Lies My Teacher Told Me: Everything Your American History Textbook Got Wrong (1995), 1999, Lies Across America: What American Historic Sites Get Wrong (1999), p. 350
Context: Between 1890 and about 1970, northerners found it less embarrassing to let Dixie tell the story of the cause it lost than to reminisce about the cause they had abandoned. The Civil War had been about something other than states' rights after all. It began as a war to force or prevent the breakup of the United States. As it ground on it became a struggle to end slavery. At Gettysburg in the fall of 1863, Abraham Lincoln was already proclaiming 'a new birth of freedom', black freedom. Conversely, on their way to and from Gettysburg, Lee's troops seized scores of free black people in Maryland and Pennsylvania and sent them south into slavery. This was in keeping with Confederate national policy, which virtually re-enslaved free people of color into work gangs on earthworks throughout the south.
The Abolition of Work (1985)
Context: No one can say what would result from unleashing the creative power stultified by work. Anything can happen. The tiresome debater's problem of freedom vs. necessity, with its theological overtones, resolves itself practically once the production of use-values is co-extensive with the consumption of delightful play activity. Life will become a game, or rather many games, but not—as it is now — a zero/sum game. An optimal sexual encounter is the paradigm of productive play. The participants potentiate each other's pleasures, nobody keeps score, and everybody wins. The more you give, the more you get. In the ludic life, the best of sex will diffuse into the better part of daily life. Generalized play leads to the libidinization of life. Sex, in turn, can become less urgent and desperate, more playful.
If we play our cards right, we can all get more out of life than we put into it; but only if we play for keeps.
No one should ever work.
Workers of the world... relax! </center
“I always remember the games in which I score.”
“When you control the ball you control the score.”
IV. Is the Ideal Feasible?
Why Not Socialism? (2009)
p. 1 https://archive.org/details/cu31924029302191/page/n13
History of New Testament Criticism (1910)
Quoted by Norman Solomon in Here Comes Joe Biden and It's Worse Than You Thought,Common Dreams, https://www.commondreams.org/views/2019/03/11/here-comes-joe-biden-and-its-worse-you-thought (11 March 2019)
2019
“He scores goals like runs in cricket.”
Don Bradman commented on Dhyan Chand's legendary skill in scoring goals in [Hem Shanker Ray, Symbols of India, http://books.google.com/books?id=FPJCrUUu4BUC&pg=PT329, Rupa Publications, 978-81-291-2349-7, 329–]
On the Brexit Party's performance in the https://www.nytimes.com/2019/05/26/world/europe/farage-brexit-party-uk-elections.html 2019 elections for European Parliament, 26 May 2019
2019
Full Court Reference in Memory of The Late Justice Mohammad Hidayatullah
Prince Rama Varma in: "Murali And Me: A tribute by Prince Rama Varma".
Ghana v. United States http://www.listenonrepeat.com/watch/?v=gQC2SusDfIw (16 June 2014).
2010s, 2014, 2014 FIFA World Cup
Consider that for a franchise loaded with memorable postseason moments, you have just witnessed one of the most memorable. A penalty shot goal by Shawn Bates to give the Islanders a 4–3 lead with 2 minutes and 30 seconds left in regulation time.
Calling Shawn Bates penalty shot in Game 4 of the 2002 Stanley Cup playoffs)
2002
“Bulykin usually scores in April.”
Aleksandr Borodyuk, Russia national team manager
Бородюк: хорошо, что весной у нас есть искусственные газоны http://www.rol.ru/news/sport/news/06/05/05_049.htm
http://www.chroniclelive.co.uk/sport/football/football-news/my-all-time-xi-alan-shearer-1505383
Alan Shearer
Nicolas Slonimsky in The Musical Quarterly, 1942; reprinted in his Writings on Music (2005), p. 84.
Giuseppe Taglialatela, the former SSC Napoli keeper recalls a goal conceded from Del Piero, DepositFiles.com http://depositfiles.com/en/files/1234/%5BSFIDE%5D-Speciale+Alessandro+Del+Piero_sampy14.avi.html
Jim Tressel, [Ted Ginn for the Heisman Trophy, Ohio State University Department of Athletics, 2006, http://ohiostatebuckeyes.cstv.com/sports/m-footbl/spec-rel/osu-m-footbl-ginn-quotes.html, 2006-10-30]
About Ginn
Former BBC pundit Jimmy Hill
Paraphrased as "Film is the score and the print is the performance."
Sheff
David
May 1983
Playboy
http://davidsheff.com/article/ansel-adams/
Playboy Interview: Ansel Adams
226
Harriet Martineau, Harriet Martineau's Autobiography, vol. 1 [1855]
No Rich Child Left Behind, 2013
September 1874, Popular Science Monthly Vol. 5, Article: The Alleged Antagonism Between Growth and Reproduction , p. 608
The Alleged Antagonism Between Growth and Reproduction (1874)
"All flesh is one: what matter scores?" in When Elephants Last In The Dooryard Bloomed : Celebrations For Almost Any Day In The Year (1973)
“They're all my children... every score I've done.”
“I hate the neologism "owned" for "scored a victory over."”
I have no intention of owning anyone, and nobody will ever own me.
https://twitter.com/RichardDawkins/status/336048706853937152 (19 May 2013)
Twitter
Safely he jogs along the way which "Golden Mean" the sages call;
Who scales the brow of frowning Alp must face full many a slip and fall.
The Kasîdah of Hâjî Abdû El-Yezdî (1870)
"The Making of a Goal Machine" https://www.nytimes.com/2021/05/08/sports/soccer/bayern-munich-robert-lewandowski.html (May 8, 2021)
Source: "Liu Wen opens up about fame, responsibility and finding meaning in her career" in Vogue https://vogue.sg/liu-wen-cover-vogue-singapore-leslie-zhang/ (1 March 2021)
Source: Composer Harry Gregson-Williams discusses Disney’s Mulan https://www.flickeringmyth.com/2020/09/exclusive-interview-composer-harry-gregson-williams-discusses-disneys-mulan/ (September 12, 2020)