Source: Henri Cartier-Bresson: Interviews and Conversations, 1951-1998, An Endless Play: Interview with Gilles Mora (1986), p. 102
Quotes about sand
page 4

January 25, 1858
Journals (1838-1859)

Big Miniature http://www.poetrysoup.com/famous/poem/21376/Big_Miniature
From the poems written in English
of Modern Poetry: A Personal Essay by Louis MacNiece, “From That Island”, pp. 31–32
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

Interviewed in The Guardian, December 4, 2005.

Ne l'onde solca, e ne l'arena semina,
E'l vago vento spera in rete accogliere
Chi sue speranze fonda in cor di femina.
Ecloga Octava; "Plough the sands" found in Juvenal, Satires, VII. Jeremy Taylor, Discourse on Liberty of Prophesying (1647), Introduction.

"Living", line 36, from Alida Monro (ed.) Collected Poems (London: Duckworth, [1933] 1970) p. 13.

The West Wing, Season Two Commentary Track: Noel.
Page 348; words of Agnes Lampion
From the Corner of His Eye (2000)
Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 102.

1970 and later
Source: The Donald Caroll interviews, Talmy Franklin, London 1973, p. 378

Source: 1921 - 1945, p. 76 - quote of Braque from 'Cahiers d'art', 1954, ed. Dora Vallier

Source: Attributed, Poems of Sadness: The Erotic Verse of the Sixth Dalai Lama Tsangyang Gyatso tr. Paul Williams 2004, p.72

Divers https://en.wikipedia.org/wiki/Divers_(Joanna_Newsom_album) (2015)

“Death has shaken out the sands of thy glass.”
Lament for Long Tom, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Page 214
2000s, (2008)

Source: "The Great Summons" (trans. Arthur Waley), Lines 27–33

Source: [Will The Real Alberta Please Stand Up, University of Alberta Press, 2010, 312, Geo Takach]

Guest of Honor speech at Aussiecon Two (August 1985), as published in Castle of Days (1992)
Nonfiction

As quoted in “Clemente Sinks Feet in Clay To Mold Stout Swat Figures” by Les Biederman, in The Sporting News (July 2, 1966), p. 8
Baseball-related, <big><big>1960s</big></big>, <big>1966</big>

Quote from 'Possibilities' Vol. 1, no 1, winter 1947-48, p. 79; as cited in 'Jackson Pollock: is he the greatest living painter in the United States?', in 'Life' (8 August 1949), pp. 42-45
1940's

Fitzgerald News Conference from the Washington Post (October 28, 2005)

1850s, The Present Aspect of the Slavery Question (1859)

Song lyrics, The Freewheelin' Bob Dylan (1963), Blowin' in the Wind

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter VI, Sec. 6

Notebooks, September/early October 1802
Notebooks

You Can Lead an Atheist to Evidence, But You Can't Make Him Think (2009)

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 537.
"Loving Animals to Death: How Can We Raise Them Humanely and Then Butcher Them?", in The American Scholar (Spring 2014) https://theamericanscholar.org/loving-animals-to-death/.

“We were making sand castles. Now we swim in the sea that swept them away”
What Ever Happened to Urbanism? http://www.arhns.uns.ac.rs/wp-content/uploads/Arch432_koolhaas.pdf The Monicelli Press, New York, 1995, pp. 959/971.
"A Name In the Sand"
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 421.

Quote from the first lines in De Cirico's essay 'Painting', 1938; from http://www.fondazionedechirico.org/wp-content/uploads/211_Painting_1938_Metaphysical_Art.pdf 'Painting', 1938 - G. de Chirico, presentation to the catalogue of his solo exhibition Mostra personale del pittore Giorgio de Chirico, Galleria Rotta, Genoa, May 1938], p. 211
1920s and later

Source: "Quotes", The Great Code: The Bible and Literature (1982), Chapter 8, p. 224
What the Bones Tell Us (1997)

Speech in Congress, 1846.
1840s

“America cannot be an ostrich with its head in the sand.”
Speech at Des Moines (1 February 1916)
1910s

Source: Buying a Fishing Rod for My Grandfather (2005), p. 100
Source: The Apophenion (2008), p. 11; this makes reference to William Blake's Auguries of Innocence: "To see the world in a grain of sand…"

translation from the original Dutch: Fons Heijnsbroek
version in original Dutch (citaat van Breitner's brief, in het Nederlands:) Ik vernam van Nol dat ge u tegenwoordig speciaal bezig houdt met vergrootingen [van foto's]. Ik zou je wel willen vragen als je soms een stuk heidegrond (voorgrond). voor me had, zou ik je zeer dankbaar zijn. Ik ben naml. aan een schilderij bezig met groote voorgrond. je hebt het misschien wel gezien, met die artillerie er op. Het moet een eenvoudig opglooiende grond [zijn]. Zonder veel tierelantijntjes van zand – etc niets anders dan heide..
In a letter of Breitner to Willem Witsen, undated, c. 1893-99; in the collection Royal Dutch Library, the Hague; as cited in master-thesis Van Gogh en Breitner in Den Haag, Helewise Berger, University of Utrecht, The Netherlands, p. 48
The two artists exchanged sometimes photos, using them as elements for their paintings
1890 - 1900

(7th September 1822) Poetical Sketches. Third series - Sketch the First. The Mine
14th September 1822) Poetical Sketches. Third series - Sketch the Second. Gladesmuir see The Improvisatrice (1824
21st September 1822) Poetical Sketches. Third series - Sketch the Third. The Minstrel of Portugal see The Improvisatrice (1824
28th September 1822) Poetical Sketches. Third series - Sketch the Fourth. The Castilian Nuptuals see The Vow of the Peacock (1835
5th October 1822) Poetical Sketches. Third series - Sketch the Fifth. The Lover's Rock see The Vow of the Peacock (1835
12th October 1822) Poetical Sketches. Third series - Sketch the Sixth. The Basque girl and Henri Quatre see The Improvisatrice (1824
The London Literary Gazette, 1821-1822

Poem: The Quaker Graveyard in Nantucket http://www.english.uiuc.edu/maps/poets/g_l/lowell/onlinepoems.htm

Source: Memory, Sorrow, and Thorn, The Dragonbone Chair (1988), Chapter 28, “Drums of Ice” (p. 447).

From a letter to Tevis Clyde Smith (August 28, 1925)
Letters

From an interview, 28 July 1935, in the Italian daily newspaper 'Lavoro fascista'; as quoted in Kandinsky in Paris: 1934-1944 - exhibition catalog, published by The Solomon K. Guggenheim Foundation, New York, 1985, p. 30
1930 - 1944
Donald Routledge Hill, "Mechanical Engineering in the Medieval Near East", Scientific American, May 1991, pp. 64-9.

Address to joint meeting of the U.S. Congress http://www.c-span.org/video/?299666-1/israeli-prime-minister-netanyahu-address-joint-meeting-congress (24 May 2011).
2010s, 2011, Address to joint meeting of the U.S. Congress (May 2011)
?
The Journey Home: Autobiography of an American Swami (Tulsi Books, 2010)

"We Will Fall Together" from "Somewhere In the Between" (2007) http://risc.perix.co.uk/lyrics/sm/sitb/01/

Dream of Dying, from The Poetical Works of Thomas Lovell Beddoes (1890).

In the Heart of Darkness http://www.baen.com/Library/0671878859/0671878859.htm (1998)
Blue Like Jazz (2003, Nelson Books)

The Stationary Ark (1976)

TRINITY (part 2) https://web.archive.org/web/20030801081841/http://www.ejectejecteject.com:80/archives/000057.html (4 July 2003)
2000s
9 July, 2001, as quoted by Rudolph Okonkwo, My Last Interview With Dim Chukwuemeka Ojukwu - Rudolf Okonkwo http://saharareporters.com/column/my-last-interview-dim-chukwuemeka-ojukwu-rudolf-okonkwo, Sahara Reporters (26 November, 2011)
Source: Mind and Nature, a necessary unity, 1988, p. 48
Source: American Caesar: Douglas MacArthur 1880-1964 (1978), p. 709

"Move Aside, Sex" http://www.edge.org/q2010/q10_3.html#lloyd, in The Edge Annual Question—2010: How Is the Internet Changing the Way You Think? http://www.edge.org/q2010/q10_index.html, January 2010

Source: The Unfinished Autobiography (1951), Chapter I, Part 1

"They Stopped the Moving Sands" part of a letter to his agent Lurton Blassingame, outlining an article on how the USDA was using poverty grasses to protect Florence, Oregon from harmful sand dunes (11 July 1957); the article was never published, but did develop several of the ideas that led to "Dune"; as quoted in The Road to Dune (2005), p. 266
General sources

"Mi Retiro", st.6 - translated by Nick Joaquin.

Speaking at the House of Representatives on the Texas Low-Level Radioactive Waste Disposal Compact, in 7 October 1997. https://www.congress.gov/congressional-record/1997/10/7/house-section/article/h8512-1?q=%7B%22search%22%3A%5B%22%5C%22all+that+Texas+and+Maine+and+Vermont+are+asking+for+today%5C%22%22%5D%7D&r=1
1990s

p, 125
The Training of the Human Plant (1907)

California, In-doors and Out (1856)

Source: Robinson Crusoe (1719), Ch. 11, Finds Print of Man's Foot on the Sand.

“Sometimes, that mountain you've been climbing, is just a grain of sand.”
From her hit single, So Small from the album, Carnival Ride (2007).

“Don't waste your tremendous voice writing messages in the sand.”
Speaking at Bringing the Circle Together.
Seven Sisters.
Catch For Us The Foxes (2004)

Me gusta el sol, Alicia
y las palomas, el buen cigarro
y la guitarra española,
saltar paredes y abrir las ventanas
y cuando llora una mujer.
Me gusta el vino tanto como las flores
y los conejos pero no los tractores,
el pan casero y la voz de Dolores
y el mar mojándome los pies,
no soy de aqui ni soy de allá
no tengo edad mi porvenir y ser felíz
es mi color de identidad.
No soy de aqui ni soy de allá (1970

1840s, Essays: First Series (1841), Compensation
Context: Men suffer all their life long, under the foolish superstition that they can be cheated. But it is as impossible for a man to be cheated by any one but himself, as for a thing to be and not to be at the same time. There is a third silent party to all our bargains. The nature and soul of things takes on itself the guaranty of the fulfilment of every contract, so that honest service cannot come to loss. If you serve an ungrateful master, serve him the more. Put God in your debt. Every stroke shall be repaid. The longer the payment is withholden, the better for you; for compound interest on compound interest is the rate and usage of this exchequer.
The history of persecution is a history of endeavours to cheat nature, to make water run up hill, to twist a rope of sand. It makes no difference whether the actors be many or one, a tyrant or a mob. A mob is a society of bodies voluntarily bereaving themselves of reason, and traversing its work. The mob is man voluntarily descending to the nature of the beast. Its fit hour of activity is night. Its actions are insane like its whole constitution. It persecutes a principle; it would whip a right; it would tar and feather justice, by inflicting fire and outrage upon the houses and persons of those who have these. It resembles the prank of boys, who run with fire-engines to put out the ruddy aurora streaming to the stars. The inviolate spirit turns their spite against the wrongdoers. The martyr cannot be dishonored. Every lash inflicted is a tongue of fame; every prison, a more illustrious abode; every burned book or house enlightens the world; every suppressed or expunged word reverberates through the earth from side to side. Hours of sanity and consideration are always arriving to communities, as to individuals, when the truth is seen, and the martyrs are justified.
Thus do all things preach the indifferency of circumstances. The man is all. Every thing has two sides, a good and an evil. Every advantage has its tax. I learn to be content. But the doctrine of compensation is not the doctrine of indifferency. The thoughtless say, on hearing these representations, — What boots it to do well? there is one event to good and evil; if I gain any good, I must pay for it; if I lose any good, I gain some other; all actions are indifferent.
There is a deeper fact in the soul than compensation, to wit, its own nature. The soul is not a compensation, but a life. The soul is. Under all this running sea of circumstance, whose waters ebb and flow with perfect balance, lies the aboriginal abyss of real Being. Essence, or God, is not a relation, or a part, but the whole. Being is the vast affirmative, excluding negation, self-balanced, and swallowing up all relations, parts, and times within itself. Nature, truth, virtue, are the influx from thence. Vice is the absence or departure of the same.

“I am able to approach the Buddhas barefoot and undisturbed, my feet in wet grass, wet sand.”
The Asian Journal of Thomas Merton (1975) Part One : Ceylon / November 29 - December 6.
Context: I am able to approach the Buddhas barefoot and undisturbed, my feet in wet grass, wet sand. Then the silence of the extraordinary faces. The great smiles. Huge and yet subtle. Filled with every possibility, questioning nothing, knowing everything, rejecting nothing, the peace not of emotional resignation but of Madhyamika, of sunyata, that has seen through every question without trying to discredit anyone or anything — without refutation — without establishing some other argument. For the doctrinaire, the mind that needs well-established positions, such peace, such silence, can be frightening.