Quotes about sand
page 4

Henry David Thoreau photo

“You must love the crust of the earth on which you dwell more than the sweet crust of any bread or cake; you must be able to extract nutriment out of a sand heap.”

Henry David Thoreau (1817–1862) 1817-1862 American poet, essayist, naturalist, and abolitionist

January 25, 1858
Journals (1838-1859)

Dejan Stojanovic photo
Jerry Goldsmith photo
Brion Gysin photo
Truman Capote photo
Carol Ann Duffy photo
Jacopo Sannazaro photo

“He ploughs the waves, sows the sand, and hopes to gather the wind in a net, who places his hopes on the heart of woman.”

Jacopo Sannazaro (1458–1530) Italian writer

Ne l'onde solca, e ne l'arena semina,
E'l vago vento spera in rete accogliere
Chi sue speranze fonda in cor di femina.
Ecloga Octava; "Plough the sands" found in Juvenal, Satires, VII. Jeremy Taylor, Discourse on Liberty of Prophesying (1647), Introduction.

Francis Thompson photo
Harold Monro photo
Aaron Sorkin photo

“Writing anything, it sorta starts the way you'd build a castle at the beach. You're just taking your hands and you're mounting up sand.”

Aaron Sorkin (1961) American screenwriter, producer, playwright

The West Wing, Season Two Commentary Track: Noel.

Marcus Aurelius photo
Henry Moore photo
Edward Young photo
T. E. Lawrence photo
Jean Dubuffet photo
Georges Braque photo
Tsangyang Gyatso, 6th Dalai Lama photo

“I know her body's softness
but not her love.
I draw figures in sand
to measure great distances
through the sky.”

Tsangyang Gyatso, 6th Dalai Lama (1683–1706) sixth Dalai Lama of Tibet

Source: Attributed, Poems of Sadness: The Erotic Verse of the Sixth Dalai Lama Tsangyang Gyatso tr. Paul Williams 2004, p.72

Tanith Lee photo
Joanna Newsom photo
John Gardiner Calkins Brainard photo

“Death has shaken out the sands of thy glass.”

John Gardiner Calkins Brainard (1795–1828) American writer

Lament for Long Tom, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Clarence Thomas photo
Qu Yuan photo
Ralph Klein photo
Gene Wolfe photo
Roberto Clemente photo
Jackson Pollock photo
Patrick Fitzgerald photo

“Let me then ask your next question: Well, why is this a leak investigation that doesn't result in a charge? I've been trying to think about how to explain this, so let me try. I know baseball analogies are the fad these days. Let me try something.If you saw a baseball game and you saw a pitcher wind up and throw a fastball and hit a batter right smack in the head, and it really, really hurt them, you'd want to know why the pitcher did that. And you'd wonder whether or not the person just reared back and decided, "I've got bad blood with this batter. He hit two home runs off me. I'm just going to hit him in the head as hard as I can."You also might wonder whether or not the pitcher just let go of the ball or his foot slipped, and he had no idea to throw the ball anywhere near the batter's head. And there's lots of shades of gray in between.You might learn that you wanted to hit the batter in the back and it hit him in the head because he moved. You might want to throw it under his chin, but it ended up hitting him on the head.And what you'd want to do is have as much information as you could. You'd want to know: What happened in the dugout? Was this guy complaining about the person he threw at? Did he talk to anyone else? What was he thinking? How does he react? All those things you'd want to know.And then you'd make a decision as to whether this person should be banned from baseball, whether they should be suspended, whether you should do nothing at all and just say, "Hey, the person threw a bad pitch. Get over it."In this case, it's a lot more serious than baseball. And the damage wasn't to one person. It wasn't just Valerie Wilson. It was done to all of us.And as you sit back, you want to learn: Why was this information going out? Why were people taking this information about Valerie Wilson and giving it to reporters? Why did Mr. Libby say what he did? Why did he tell Judith Miller three times? Why did he tell the press secretary on Monday? Why did he tell Mr. Cooper? And was this something where he intended to cause whatever damage was caused?Or did they intend to do something else and where are the shades of gray?And what we have when someone charges obstruction of justice, the umpire gets sand thrown in his eyes. He's trying to figure what happened and somebody blocked their view.”

Patrick Fitzgerald (1960) American lawyer

Fitzgerald News Conference from the Washington Post (October 28, 2005)

Robert Southwell photo
George William Curtis photo
Bob Dylan photo

“How many roads must a man walk down before you call him a man?
How many seas must a white dove sail before she sleeps in the sand?”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, The Freewheelin' Bob Dylan (1963), Blowin' in the Wind

Anthony Bourdain photo
Vitruvius photo
Samuel Taylor Coleridge photo
Ray Comfort photo
Charles Henry Fowler photo
Herta Müller photo
Ogden Nash photo
Rem Koolhaas photo

“We were making sand castles. Now we swim in the sea that swept them away”

Rem Koolhaas (1944) Dutch architect (b.1944)

What Ever Happened to Urbanism? http://www.arhns.uns.ac.rs/wp-content/uploads/Arch432_koolhaas.pdf The Monicelli Press, New York, 1995, pp. 959/971.

Giorgio de Chirico photo

“Painting is the magic art, the fire set alight on the windows of the rich dwelling, as on those of the humble hovel, from the last rays of the setting sun, it is the long mark, the humid mark, the fluent and still mark that the dying wave etches on the hot sand, it is the darting of the immortal lizard on the rock burnt by the midday heat, it is the rainbow of conciliation, on sad May afternoons, after the storm has passed, down there, making a dark backdrop to the almond trees in flower, to the gardens with their washed colours, to the ploughmen's huts, smiling and tranquil, it is the livid cloud chased by the vehement blowing of Aeolus enraged, it is the nebulous disk of the fleeting moon behind the ripped-open funereal curtain of a disturbed sky in the deep of night, it is the blood of the bull stabbed in the arena, of the warrior fallen in the heat of battle, of Adonis' immaculate thigh wounded by the obstinate boar's curved tusk, it is the sail swollen with the winds of distant seas, it is the centuries-old tree browned in the autumn..”

Giorgio de Chirico (1888–1978) Italian artist

Quote from the first lines in De Cirico's essay 'Painting', 1938; from http://www.fondazionedechirico.org/wp-content/uploads/211_Painting_1938_Metaphysical_Art.pdf 'Painting', 1938 - G. de Chirico, presentation to the catalogue of his solo exhibition Mostra personale del pittore Giorgio de Chirico, Galleria Rotta, Genoa, May 1938], p. 211
1920s and later

Northrop Frye photo
Francesco Petrarca photo

“Blessed in sleep and satisfied to languish, to embrace shadows, and to pursue the summer breeze, I swim through a sea that has no floor or shore, I plow the waves and found my house on sand and write on the wind.”

Beato in sogno et di languir contento,
d'abbracciar l'ombre et seguir l'aura estiva,
nuoto per mar che non à fondo o riva,
solco onde, e 'n rena fondo, et scrivo in vento.
Canzone 212, st. 1
Il Canzoniere (c. 1351–1353), To Laura in Life

Jefferson Davis photo
Woodrow Wilson photo

“America cannot be an ostrich with its head in the sand.”

Woodrow Wilson (1856–1924) American politician, 28th president of the United States (in office from 1913 to 1921)

Speech at Des Moines (1 February 1916)
1910s

Gao Xingjian photo
Aldo Leopold photo

“Sometimes in June, when I see unearned dividends of dew hung on every lupine, I have doubts about the real poverty of the sands. On solvent farmlands lupines do not even grow, much less collect a daily rainbow of jewels.”

“Wisconsin: The Sand Counties”, p. 102.
A Sand County Almanac, 1949, "Wisconsin: Marshland Elegy," "Wisconsin: The Sand Counties" "Wisconsin: On a Monument to the Pigeon," and "Wisconsin: Flambeau"

Lauren Duca photo

“Can we find "The Universe in a grain of sand"? Well perhaps, but a stone seems easier to visualize.”

Peter J. Carroll (1953) British occultist

Source: The Apophenion (2008), p. 11; this makes reference to William Blake's Auguries of Innocence: "To see the world in a grain of sand…"

George Hendrik Breitner photo

“I learned from Nol that nowadays you [ Willem Witsen ] are especially engaged upon enlargements [of photos]. I would like to ask you if you perhaps have a piece of moorland (foreground) for me, I would be very grateful to you. Because I am working on a painting with a large foreground. You may have seen it, with that artillery in it. It must be a simple sloping ground. Without much frills of sand - etc. nothing but heather..”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

translation from the original Dutch: Fons Heijnsbroek
version in original Dutch (citaat van Breitner's brief, in het Nederlands:) Ik vernam van Nol dat ge u tegenwoordig speciaal bezig houdt met vergrootingen [van foto's]. Ik zou je wel willen vragen als je soms een stuk heidegrond (voorgrond). voor me had, zou ik je zeer dankbaar zijn. Ik ben naml. aan een schilderij bezig met groote voorgrond. je hebt het misschien wel gezien, met die artillerie er op. Het moet een eenvoudig opglooiende grond [zijn]. Zonder veel tierelantijntjes van zand – etc niets anders dan heide..
In a letter of Breitner to Willem Witsen, undated, c. 1893-99; in the collection Royal Dutch Library, the Hague; as cited in master-thesis Van Gogh en Breitner in Den Haag, Helewise Berger, University of Utrecht, The Netherlands, p. 48
The two artists exchanged sometimes photos, using them as elements for their paintings
1890 - 1900

Colin Wilson photo
Anne Ross Cousin photo
Wilfred Thesiger photo

“What use will money be to him in the Sands.”

Source: Arabian Sands (1959), p. 122.

Letitia Elizabeth Landon photo

“Alas, the strange varieties or life!
We live 'mid perils and pleasures, like
Characters 'graven on the sand, or hues
Colouring the rainbow. Wild as a sick fancy
And changeful as a maiden, is this dream,
This brief dream on earth - - -”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(7th September 1822) Poetical Sketches. Third series - Sketch the First. The Mine
14th September 1822) Poetical Sketches. Third series - Sketch the Second. Gladesmuir see The Improvisatrice (1824
21st September 1822) Poetical Sketches. Third series - Sketch the Third. The Minstrel of Portugal see The Improvisatrice (1824
28th September 1822) Poetical Sketches. Third series - Sketch the Fourth. The Castilian Nuptuals see The Vow of the Peacock (1835
5th October 1822) Poetical Sketches. Third series - Sketch the Fifth. The Lover's Rock see The Vow of the Peacock (1835
12th October 1822) Poetical Sketches. Third series - Sketch the Sixth. The Basque girl and Henri Quatre see The Improvisatrice (1824
The London Literary Gazette, 1821-1822

Robert Lowell photo
Tad Williams photo
Robert E. Howard photo

“Mingle my dust with the burning brand,
Scatter it free to the sky
Fling it wide on the ocean’s sand,
From peaks where the vultures fly.”

Robert E. Howard (1906–1936) American author

From a letter to Tevis Clyde Smith (August 28, 1925)
Letters

Charles Kingsley photo
Wassily Kandinsky photo
Robert Hunter photo
Michael Badnarik photo
Benjamín Netanyahu photo

“You don't need to do nation building in Israel, we're already built. You don't need to export democracy to Israel, we've already got it. You don't need to send American troops to Israel, we defend ourselves… Israel is not what is wrong about the Middle East, Israel is what is right about the Middle East… The tyranny in Tehran brutalizes its own people. It supports attacks against American troops in Afghanistan and Iraq. It subjugates Lebanon and Gaza. It sponsors terror worldwide… A nuclear-armed Iran would ignite a nuclear arms race in the Middle East. It would give terrorists a nuclear umbrella. It would make the nightmare of nuclear terrorism a clear and present danger throughout the world. I want you to understand what this means. They could put the bomb anywhere. They could put it on a missile. It could be on a container ship in a port, or in a suitcase on a subway… Now the threat to my country cannot be overstated. Those who dismiss it are sticking their heads in the sand. Less than seven decades after six million Jews were murdered, Iran's leaders deny the Holocaust of the Jewish people, while calling for the annihilation of the Jewish state. Leaders who spew such venom, should be banned from every respectable forum on the planet. But there is something that makes the outrage even greater: The lack of outrage. In much of the international community, the calls for our destruction are met with utter silence. It is even worse because there are many who rush to condemn Israel for defending itself against Iran's terror proxies… When we say never again, we mean never again! Israel always reserves the right to defend itself… In Judea and Samaria, the Jewish people are not foreign occupiers. We are not the British in India. We are not the Belgians in the Congo. This is the land of our forefathers, the Land of Israel, to which Abraham brought the idea of one God, where David set out to confront Goliath, and where Isaiah saw a vision of eternal peace… No distortion of history can deny the four thousand year old bond, between the Jewish people and the Jewish land… Peace cannot be imposed. It must be negotiated. But it can only be negotiated with partners committed to peace.”

Benjamín Netanyahu (1949) Israeli prime minister

Address to joint meeting of the U.S. Congress http://www.c-span.org/video/?299666-1/israeli-prime-minister-netanyahu-address-joint-meeting-congress (24 May 2011).
2010s, 2011, Address to joint meeting of the U.S. Congress (May 2011)

Radhanath Swami photo
Jack Vance photo
Tomas Kalnoky photo
Thomas Lovell Beddoes photo
Eric Flint photo
Gerald Durrell photo
Bill Whittle photo

“Any idiot can build bombs. Our Trinity sits not on some desert sand seared into glass at an abandoned, sad pillar of stones. It's in our heads and our hearts, it's in our genes, this beautiful, gorgeous marriage of money, freedom and ingenuity.”

Bill Whittle (1959) author, director, screenwriter, editor

TRINITY (part 2) https://web.archive.org/web/20030801081841/http://www.ejectejecteject.com:80/archives/000057.html (4 July 2003)
2000s

Seth Lloyd photo

“For hundreds of millions of years, Sex was the most efficient method for propagating information of dubious provenance: the origins of all those snippets of junk DNA are lost in the sands of reproductive history. Move aside, Sex: the world-wide Web has usurped your role.”

Seth Lloyd (1960) American engineer

"Move Aside, Sex" http://www.edge.org/q2010/q10_3.html#lloyd, in The Edge Annual Question—2010: How Is the Internet Changing the Way You Think? http://www.edge.org/q2010/q10_index.html, January 2010

Cormac McCarthy photo
Alice A. Bailey photo
Frank Herbert photo

“Briefly, the scientists working the Oregon coast found that sand could be controlled only by the use of one type of grass (European beach grass) and by a system of follow-up plantings with other growth. The grass sets up a beachhead by holding down the sand in an intricate lacing of roots. This permits certain other plants to gain a foothold. The beach grass is extremely difficult to grow in nurseries, and part of the solution to the dune problem involved working out a system for propagating and handling the grass.”

"They Stopped the Moving Sands" part of a letter to his agent Lurton Blassingame, outlining an article on how the USDA was using poverty grasses to protect Florence, Oregon from harmful sand dunes (11 July 1957); the article was never published, but did develop several of the ideas that led to "Dune"; as quoted in The Road to Dune (2005), p. 266
General sources

Oliver Goldsmith photo
José Rizal photo
Bernie Sanders photo

“The strong environmental position should not be and cannot be to do nothing, and to put our heads in the sand and pretend that the problem does not exist. It would be nice if Texas had no low-level radioactive waste, or Vermont or Maine or any other State. That would be great. That is not the reality. The environmental challenge now is, given the reality that low-level radioactive waste exists, what is the safest way of disposing of that waste. Leaving the radioactive waste at the site where it was produced, despite the fact that that site may be extremely unsafe in terms of long-term isolation of the waste and was never intended to be a long- term depository of low-level waste, is horrendous environmental policy. What sense is it to say that you have to keep the waste where it is now, even though that might be very environmentally damaging? That does not make any sense at all. No reputable scientist or environmentalist believes that the geology of Vermont or Maine would be a good place for this waste. In the humid climate of Vermont and Maine, it is more likely that groundwater will come in contact with that waste and carry off radioactive elements to the accessible environment. There is widespread scientific evidence to suggest, on the other hand, that locations in Texas, some of which receive less than 12 inches of rainfall a year, a region where the groundwater table is more than 700 feet below the surface, is a far better location for this waste. This is not a political assertion, it is a geological and environmental reality. … From an environmental point of view, I urge strong support for this legislation.”

Bernie Sanders (1941) American politician, senator for Vermont

Speaking at the House of Representatives on the Texas Low-Level Radioactive Waste Disposal Compact, in 7 October 1997. https://www.congress.gov/congressional-record/1997/10/7/house-section/article/h8512-1?q=%7B%22search%22%3A%5B%22%5C%22all+that+Texas+and+Maine+and+Vermont+are+asking+for+today%5C%22%22%5D%7D&r=1
1990s

Luther Burbank photo
Eliza Farnham photo
Daniel Defoe photo

“It happened one day, about noon, going towards my boat, I was exceedingly surprised with the print of a man's naked foot on the shore, which was very plain to be seen on the sand.”

Daniel Defoe (1660–1731) English trader, writer and journalist

Source: Robinson Crusoe (1719), Ch. 11, Finds Print of Man's Foot on the Sand.

Richard Henry Dana Jr. photo
Carrie Underwood photo

“Sometimes, that mountain you've been climbing, is just a grain of sand.”

Carrie Underwood (1983) American country music singer

From her hit single, So Small from the album, Carnival Ride (2007).

Lorin Morgan-Richards photo

“Don't waste your tremendous voice writing messages in the sand.”

Lorin Morgan-Richards (1975) American poet, cartoonist, and children's writer

Speaking at Bringing the Circle Together.

Facundo Cabral photo

“I like the sun, Alice
and doves, a good cigar,
a spanish guitar, jumping walls
and opening windows
and when a woman cries.
I like wine as much as flowers
and rabbits but not tractors,
homemade bread and Dolores' voice
and the sea wetting my feet.
I like to always be lying on the sand
or chasing Manuela on a bicycle
or all the time to see the stars
with Maria in the hayfield.
I'm not from here, I'm not from there,
I have no age, nor future,
and being happy is my color of identity.”

Facundo Cabral (1937–2011) Argentine singer and songwriter

Me gusta el sol, Alicia
y las palomas, el buen cigarro
y la guitarra española,
saltar paredes y abrir las ventanas
y cuando llora una mujer.
Me gusta el vino tanto como las flores
y los conejos pero no los tractores,
el pan casero y la voz de Dolores
y el mar mojándome los pies,
no soy de aqui ni soy de allá
no tengo edad mi porvenir y ser felíz
es mi color de identidad.
No soy de aqui ni soy de allá (1970

Ralph Waldo Emerson photo

“The history of persecution is a history of endeavours to cheat nature, to make water run up hill, to twist a rope of sand. It makes no difference whether the actors be many or one, a tyrant or a mob.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

1840s, Essays: First Series (1841), Compensation
Context: Men suffer all their life long, under the foolish superstition that they can be cheated. But it is as impossible for a man to be cheated by any one but himself, as for a thing to be and not to be at the same time. There is a third silent party to all our bargains. The nature and soul of things takes on itself the guaranty of the fulfilment of every contract, so that honest service cannot come to loss. If you serve an ungrateful master, serve him the more. Put God in your debt. Every stroke shall be repaid. The longer the payment is withholden, the better for you; for compound interest on compound interest is the rate and usage of this exchequer.
The history of persecution is a history of endeavours to cheat nature, to make water run up hill, to twist a rope of sand. It makes no difference whether the actors be many or one, a tyrant or a mob. A mob is a society of bodies voluntarily bereaving themselves of reason, and traversing its work. The mob is man voluntarily descending to the nature of the beast. Its fit hour of activity is night. Its actions are insane like its whole constitution. It persecutes a principle; it would whip a right; it would tar and feather justice, by inflicting fire and outrage upon the houses and persons of those who have these. It resembles the prank of boys, who run with fire-engines to put out the ruddy aurora streaming to the stars. The inviolate spirit turns their spite against the wrongdoers. The martyr cannot be dishonored. Every lash inflicted is a tongue of fame; every prison, a more illustrious abode; every burned book or house enlightens the world; every suppressed or expunged word reverberates through the earth from side to side. Hours of sanity and consideration are always arriving to communities, as to individuals, when the truth is seen, and the martyrs are justified.
Thus do all things preach the indifferency of circumstances. The man is all. Every thing has two sides, a good and an evil. Every advantage has its tax. I learn to be content. But the doctrine of compensation is not the doctrine of indifferency. The thoughtless say, on hearing these representations, — What boots it to do well? there is one event to good and evil; if I gain any good, I must pay for it; if I lose any good, I gain some other; all actions are indifferent.
There is a deeper fact in the soul than compensation, to wit, its own nature. The soul is not a compensation, but a life. The soul is. Under all this running sea of circumstance, whose waters ebb and flow with perfect balance, lies the aboriginal abyss of real Being. Essence, or God, is not a relation, or a part, but the whole. Being is the vast affirmative, excluding negation, self-balanced, and swallowing up all relations, parts, and times within itself. Nature, truth, virtue, are the influx from thence. Vice is the absence or departure of the same.

Thomas Merton photo

“I am able to approach the Buddhas barefoot and undisturbed, my feet in wet grass, wet sand.”

Thomas Merton (1915–1968) Priest and author

The Asian Journal of Thomas Merton (1975) Part One : Ceylon / November 29 - December 6.
Context: I am able to approach the Buddhas barefoot and undisturbed, my feet in wet grass, wet sand. Then the silence of the extraordinary faces. The great smiles. Huge and yet subtle. Filled with every possibility, questioning nothing, knowing everything, rejecting nothing, the peace not of emotional resignation but of Madhyamika, of sunyata, that has seen through every question without trying to discredit anyone or anything — without refutation — without establishing some other argument. For the doctrinaire, the mind that needs well-established positions, such peace, such silence, can be frightening.

Aeschylus photo
Ogden Nash photo

“How pleasant to sit on the beach,
On the beach, on the sand, in the sun,
With ocean galore within reach,
And nothing at all to be done!.”

Ogden Nash (1902–1971) American poet

Many Long Years Ago (1945), Pretty Halcyon Days