Quotes about poem (764 quotes, page 8) | Quotes of famous people

“Poems get to the point where they are stronger than you are. They come up from some other depth and they find a place on the page.”

Ted Hughes (1930–1998) English poet and children's writer

The Paris Review interview
Context: Poems get to the point where they are stronger than you are. They come up from some other depth and they find a place on the page. You can never find that depth again, that same kind of authority and voice. I might feel I would like to change something about them, but they’re still stronger than I am and I cannot.

“It is absurd to think that the only way to tell if a poem is lasting is to wait and see if it lasts. The right reader of a good poem can tell the moment it strikes him that he has taken an immortal wound—that he will never get over it.”

Robert Frost (1874–1963) American poet

General sources
Source: "The Poetry of Amy Lowell" in The Christian Science Monitor (16 May 1925)

Way , Thinking , Waiting

“Poems, like dreams, have a visible subject and an invisible one. The invisible one is the one you can't choose, the one that writes itself.”

Alice Oswald (1966) British poet

Get Writing (2004), as quoted in Modern Women Poets (2005) by Deryn Rees-Jones, p. 392
Context: Poems, like dreams, have a visible subject and an invisible one. The invisible one is the one you can't choose, the one that writes itself. Not a message that comes at the end of the poem, more like a pathological condition that deforms every word – a resonance, a manner of speaking, a nervous tic, a pressure. And this invisible subject only shows up when you're speaking the language that you speak when no one is there to correct or applaud you. Remembering that language is the whole skill of writing well.

Dreams

“Perspective is that part of a poem, novel, or play which a writer never puts directly upon paper. It is that fixed point in intellectual space where a writer stands to view the struggles, hopes, and sufferings of his people. There are times when he may stand too close and the result is a blurred vision. Or he may stand too far away and the result is a neglect of important things.”

Richard Wright (1908–1960) African-American writer

White Man, Listen! (1957)

People , Hope , Suffering , Time

“I was going to write a poem, I was stifling, fed up with old things”

Ataol Behramoğlu (1942) Turkish writer

"How Awful When Poetry Ages As It Is Read"
I've Learned Some Things (2008)
Context: Gulls into the water, women proudly into the bazaars
I was going to write a poem, I was stifling, fed up with old things
Eat, my mother says, but they're all things I've grown accustomed to, in the end.
Like Camus and — I don’t know — people like that, I'm cracking up
Everything will begin when it untangles itself from your hair

“I pass you my Poem! — to tell you
we are all vulnerable”

Gwendolyn Brooks (1917–2000) American writer

the midget, the Mighty,
the richest, the poor.
Men, women, children, and trees.
I am vulnerable.
"Song of Winnie"
Winnie (1988)

“I am often, in my writing, great leaps ahead of where I am in my thinking, and my thinking has to work its way slowly up to what the "superconscious" has already shown me in a story or poem.”

Madeleine L'Engle (1918–2007) American writer

Section 1.14 
The Crosswicks Journal, A Circle of Quiet (1972)
Context: The rational intellect doesn't have a great deal to do with love, and it doesn't have a great deal to do with art. I am often, in my writing, great leaps ahead of where I am in my thinking, and my thinking has to work its way slowly up to what the "superconscious" has already shown me in a story or poem.

Way , Thinking

“It was now one of those moments when nothing remains but an opening in the sky and a story — and maybe something of a poem.”

Norman Maclean (1902–1990) American author and scholar

A River Runs Through It (1976)
Context: Everything that was to happen had happened and everything that was to be seen had gone. It was now one of those moments when nothing remains but an opening in the sky and a story — and maybe something of a poem. Anyway, as you possibly remember, there are these lines in front of the story:

“I long for poems of an inner harmony in utter contrast to the chaos in which they exist.”

Denise Levertov (1923–1997) Poet

Statement on poetics in The New American Poetry (1960) edited by Donald Allen
Context: I long for poems of an inner harmony in utter contrast to the chaos in which they exist. Insofar as poetry has a social function it is to awaken sleepers by other means than shock.

“In his last poem he offered nothing as a legacy. He but hoped that after his death nature would remain beautiful. That could be his bequest.”

Yasunari Kawabata (1899–1972) Japanese author, Nobel Prize winner

Japan, the Beautiful and Myself (1969)
Context: Ryokan, who shook off the modern vulgarity of his day, who was immersed in the elegance of earlier centuries, and whose poetry and calligraphy are much admired in Japan today — he lived in the spirit of these poems, a wanderer down country paths, a grass hut for shelter, rags for clothes, farmers to talk to. The profundity of religion and literature was not, for him, in the abstruse. He rather pursued literature and belief in the benign spirit summarized in the Buddhist phrase "a smiling face and gentle words". In his last poem he offered nothing as a legacy. He but hoped that after his death nature would remain beautiful. That could be his bequest.

Death , Beauty , Hope , Nature

“When you write a poem, you discover that the very necessity of fitting your meaning into such and such a form requires you to search in your imagination for new meanings.”

Rollo May (1909–1994) US psychiatrist

Source: The Courage to Create (1975), Ch. 6 : On the Limits of Creativity, p. 119
Context: When you write a poem, you discover that the very necessity of fitting your meaning into such and such a form requires you to search in your imagination for new meanings. You reject certain ways of saying it; you select others, always trying to form the poem again. In your forming, you arrive at new and more profound meanings than you had even dreamed of. Form is not a mere lopping off of meaning that you don't have room to put into your poem; it is an aid to finding new meaning, a stimulus to condensing your meaning, to simplifying and purifying it, and to discovering on a more universal dimension the essence you wish to express.

Imagination , Search

“Gentlemen, to the lady without whom I should never have survived for eighty, nor sixty, nor yet thirty years. Her smile has been my lyric, her understanding, the rhythm of the stanza. She has been the spring wherefrom I have drawn the power to write the words. She is the poem of my life.”

Oliver Wendell Holmes Jr. (1841–1935) United States Supreme Court justice

Attribution reported in Respectfully Quoted: A Dictionary of Quotations (1989), which states that this is not verified in works about him nor in Magnificent Yankee, the film about him. Holmes expressed a similar sentiment in a letter to Sir Frederick Pollock (May 24, 1929): "For sixty years she made life poetry for me". Mark De Wolfe Howe, ed., Holmes-Pollock Letters (1941), vol. 2, p. 243.
Attributions

Life , Smile , Spring , Understanding

“A good joke will sell quicker than a good poem, and, measured in sweat and blood, will bring better remuneration.”

Jack London (1876–1916) American author, journalist, and social activist

"Getting into Print", first published in 1903 in The Editor magazine
Context: Fiction pays best of all and when it is of fair quality is more easily sold. A good joke will sell quicker than a good poem, and, measured in sweat and blood, will bring better remuneration. Avoid the unhappy ending, the harsh, the brutal, the tragic, the horrible - if you care to see in print things you write. (In this connection don't do as I do, but do as I say.) Humour is the hardest to write, easiest to sell, and best rewarded... Don't write too much. Concentrate your sweat on one story, rather than dissipate it over a dozen. Don't loaf and invite inspiration; light out after it with a club, and if you don't get it you will nonetheless get something that looks remarkably like it.

“I revise short poems sometimes for years, whereas, since there is no getting lost in the long poem, I engage whatever comes up in the moment and link it with its moment.”

A.R. Ammons (1926–2001) American poet

Paris Review interview (1996)
Context: In the long poem, if there is a single governing image at the center, then anything can fit around it, meanwhile allowing for a lot of fragmentation and discontinuity on the periphery. Short poems, for me, are coherences, single instances on the periphery of a nonspecified center. I revise short poems sometimes for years, whereas, since there is no getting lost in the long poem, I engage whatever comes up in the moment and link it with its moment.

“It's a pity, a gentleman in refined retirement composing poetry:
He models his work on the classic verse of China.
And his poems are elegant, full of fine phrases.
But if you don't write of things deep in your own heart,
What's the use of churning out so many words?”

Ryōkan (1758–1831) Japanese Buddhist monk

Variant translation:
With gaudy words their lines are formed
And further adorned by novel and curious phrases.
Yet if they fail to express what is in their own minds
What is the use, no matter
How many poems they compose!
"Zen Poetics of Ryokan" in Simply Haiku: A Quarterly Journal of Japanese Short Form Poetry (Summer 2006)
Dewdrops on a Lotus Leaf : Zen Poems of Ryokan (1993)

Heart

“The world has so many poems in it, it has never seemed to me very smart to force one more upon the world. If there isn’t one there to write, you just leave it alone.”

A.R. Ammons (1926–2001) American poet

Paris Review interview (1996)
Context: Unless I have something already moving through the mind, I don’t go to the typewriter at all. The world has so many poems in it, it has never seemed to me very smart to force one more upon the world. If there isn’t one there to write, you just leave it alone.

World

“I have peasant origins. It manufactures hardness. One of my grandfathers was a peasant, the other one was a foreman in a cigarette factory. I trained my mind whole life. For example, I studied poems by heart, ranging from Mickiewicz to Mayakovsky.”

Włodzimierz Ptak (1928–2019) immunologist

in answer to the question of how he managed to stay active scientifically for so long
Kobos, Andrzej (2009). Po drogach uczonych (in Polish). 4. Kraków: Polska Akademia Umiejętności, pp. 383–398. ISBN 978-83-7676-021-6.

Training , Life , Study , Heart

“If you look at the poems in Prelude, you can identify the later material by identifying the poems with more white space and unexpected line breaks. Grief did that to me and my writing. It exploded my expectations and introduced these blank pockets of deep feeling. My prose writing became more fluid and lyrical…”

Saeed Jones (1985) American poet

On how losing his mother affected his writing in “You and I Have Peril in Common: The Millions Interviews Saeed Jones” https://themillions.com/2019/11/saeed-jones-qa.html in The Millions (2019 Nov 21)

Feeling

“I used to submit to anthologies and magazines when I was a student – but I knew I was never going to be picked up. All their writing was, you know, about the Canadian landscape or something. And my poem is about this woman with her legs spread open.”

Rupi Kaur (1992) Canadian poet

On how she felt that her poetic topics were unconventional when compared to other poetry submissions in “ The young ‘Instapoet’ Rupi Kaur: from social media star to bestselling writer” https://www.theguardian.com/books/2017/may/27/rupi-kaur-i-dont-fit-age-race-class-of-bestselling-poet-milk-and-honey in The Guardian (2017 May 27)

“For me it was a lot of fun. It was exciting. There were lots of people who came to stay from different parts of the world. You would come down in the morning and there would be different bodies on the floor or on the sofa. There would be Party socials in the house where people would sing songs and recite poems. It was a very social upbringing…”

Jackie Kay (1961) Poet and novelist

On her Communist upbringing in “The SRB Interview: Jackie Kay” https://www.scottishreviewofbooks.org/2016/03/the-srb-interview-jackie-kay/ in the Scottish Review of Books (2016 Mar 21)

Singing , Housing , People , World

“What happens at the beginning of your poem has to—because it’s a poem—be transformed by the end of your poem. So if the triggering moment for the beginning of your poem is a known political moment, I am fine with that, that’s great. But as I’m reading, I expect it to change because that was just the trigger…”

Jericho Brown (1976) American writer

On how poems might be structured around a political theme in “JERICHO BROWN in conversation with MICHAEL DUMANIS” http://www.benningtonreview.org/jericho-brown-interview in Bennington Review (2018 Oct 27)

Reading , Change

“A play is like a free-flowing poem in some ways. The play, as you write, will tell you what the structure will be. But, sometimes you forget to ask those questions as you write and you end up spending a lot of time trying to find the essence of the play…”

Mando Alvarado actor

On how playwriting differs from television writing in “SIN MUROS: INTERVIEW WITH “LIVING SCULPTURE” PLAYWRIGHT MANDO ALVARADO” https://thetheatretimes.com/sin-muros-interview-living-sculpture-playwright-mando-alvarado/ in The Theatre Times

Way , Forgetting , Time , Question

“Sylvia went furthest in the sense that her secret was most dangerous to her. She desperately needed to reveal it. You can’t overestimate her compulsion to write like that. She had to write those things — even against her most vital interests. She died before she knew what The Bell Jar and the Ariel poems were going to do to her life, but she had to get them out. She had to tell everybody... like those Native American groups who periodically told everything that was wrong and painful in their lives in the presence of the whole tribe. It was no good doing it in secret; it had to be done in front of everybody else. Maybe that’s why poets go to such lengths to get their poems published. It’s no good whispering them to a priest or a confessional. And it’s not for fame, because they go on doing it after they’ve learned what fame amounts to. No, until the revelation’s actually published, the poet feels no release. In all that, Sylvia was an extreme case, I think.”

Ted Hughes (1930–1998) English poet and children's writer

The Paris Review interview

Pain , Learning , Secret , Thinking

“I used to sit on the stairs outside the courtroom and scratch out poems on legal pads while I was waiting for our cases to be called. There were juvenile hearings prior to the housing cases, and of course given their right to privacy we were not allowed inside the courtroom while that was going on. Everyone was in the hallway or on the stairs. I sat there. I didn’t have an office there, and I wrote poems. It was not as crazy as it might sound because whether I was working or am working as a lawyer or a poet, I am an advocate…”

Martín Espada (1957) Puerto Rican poet

On composing poems while practicing as an attorney in “The Writer’s Block Transcripts: A Q&A with Martin Espada” https://www.sampsoniaway.org/interviews/2015/12/11/the-writers-block-transcripts-a-qa-with-martin-espada/ in Sampsonia Way (2015 Dec 11)

Housing , Waiting

“When I started to make translations I was just doing it intuitively, and my tendency was to stick to the original as much as possible. Then I gained more confidence in my own poetry and my own writing and I began to become less concerned about being strictly faithful to the original and more concerned with producing a good poem in English. What I have often found—especially in the translations that are done by scholars—is that they’re very faithful to the content of the original language, but in English they don’t really sound that good as poems.”

Francisco Aragón (1968) poet

On translating Spanish poetry into English in “Interview with Francisco Aragón: Latino Poetry From All Its Perspectives” https://www.sampsoniaway.org/literary-voices/2010/09/16/interview-with-francisco-aragon-latino-poetry-from-all-its-perspectives/ in Sampsonia Way (2010 Sept 16)

Self-confidence , Confidence , Making love , Faith

“I chose to rewrite it in poetry because the original Ramayana was in poetry- the fact is, it’s sort of been corrupted into prose. In its original form it was an epic poem rather like the Iliad or works of that sort. Rather than traditional poetry, it was a verse novel, without a traditional structure. What I most wanted to do was to preserve the essential musicality of the lines. Especially as the Ramayana like so many stories, was based on a fundamentally oral tradition.”

Daljit Nagra (1966) British poet, teacher and broadcaster

On reworking the Ramayana in “An Interview With Daljit Nagra” https://www.thebubble.org.uk/culture/literature/an-interview-with-daljit-nagra/ in The Bubble (2014 Sept 17)

Music

“For poetry was all written before time was, and whenever we are so finely organized that we can penetrate into that region where the air is music, we hear those primal warblings, and attempt to write them down, but we lose ever and anon a word, or a verse, and substitute something of our own, and thus miswrite the poem. The men of more delicate ear write down these cadences more faithfully, and these transcripts, though imperfect, become the songs of the nations. For nature is as truly beautiful as it is good, or as it is reasonable, and must as much appear, as it must be done, or be known. Words and deeds are quite indifferent modes of the divine energy. Words are also actions, and actions are a kind of words.”

Ralph Waldo Emerson Music

1840s, Essays: Second Series (1844), The Poet

Time , Indifference , Beauty , Nature

“The attention that literary artists have lavished on Spinoza is remarkable. Writers have not only shaped their aesthetics by reflection on Spinoza, have not only inserted his views into the inner lives and dialogues of their characters, but have molded the man himself into a protagonist in their novels, poems, and plays. This last aspect of the literary fascination with Spinoza is particularly noteworthy. The person of Benedictus Spinoza has drawn, over the centuries, unusual attention, and not only from literary writers.”

Baruch Spinoza (1632–1677) Dutch philosopher

Rebecca Goldstein, in her article 'Literary Spinoza,'. In: The Oxford Handbook of Spinoza, edited by Michael Della Rocca (Oxford: Oxford University Press, 2017)
G - L

Personality

“I have peasant origins, this kneading hardness. One grandfather was a peasant, the other a foreman in a cigarette factory. I trained my mind whole life. For example, I studied poems by heart, from Mickiewicz to Mayakovsky.”

Włodzimierz Ptak (1928–2019) immunologist

in answer to the question of how he managed to stay active scientifically for so long
Kobos, Andrzej (2009). Po drogach uczonych (in Polish). 4. Kraków: Polska Akademia Umiejętności, pp. 383–398. ISBN 978-83-7676-021-6.

Training , Life , Study , Heart

“Valmiki, Vyasa and Kalidasa are the Indian equivalents of Homer, Dante and Shakespeare. The story of Rama, the ideal son and ruler, Sita, the ideal wife, Bharata and Lakshmana, the ideal brothers and Hanuman, the ideal devotee, has been so beautifully stated in the epic poem of Ramayana that even in the remotest village of India, even the most illiterate man, woman or child is familiar with the characters and situations in the story. The credit for this goes to the poetic and dramatic genius of Valmiki.”

Vālmīki Legendary Indian poet, author of the Ramayana

Sri Aurobindo
Valmiki

“Khamenei is not the first ruler of Iran with whom poets have run into trouble. For some 12 centuries poetry has been the Iranian people’s principal medium of expression. Iran may be the only country where not a single home is found without at least one book of poems. Initially, Persian poets had a hard time to define their place in society. The newly converted Islamic rulers suspected the poets of trying to revive the Zoroastrian faith to undermine the new religion. Clerics saw poets as people who wished to keep the Persian language alive and thus sabotage the ascent of Arabic as the new lingua franca.”

Amir Taheri (1942) Iranian journalist

Without the early Persian poets, Iranians might have ended up like so many other nations in the Middle East who lost their native languages and became Arabic speakers. Early on, Persian poets developed a strategy to check the ardor of the rulers and the mullahs. They started every qasida with praise to God and Prophet followed by panegyric for the ruler of the day. Once those “obligations” were out of the way they would move on to the real themes of the poems they wished to compose. Everyone knew that there was some trick involved but everyone accepted the result because it was good. Despite that modus vivendi some poets did end up in prison or in exile while many others spent their lives in hardship if not poverty. However, poets were never put to the sword. The Khomeinist regime is the first in Iran’s history to have executed so many poets. Implicitly or explicitly, some rulers made it clear what the poet couldn’t write. But none ever dreamt of telling the poet what he should write. Khamenei is the first to try to dictate to poets, accusing them of “crime” and” betrayal” if they ignored his injunctions.
When the Ayatollah Dictates Poetry http://www.aawsat.net/2015/07/article55344336/when-the-ayatollah-dictates-poetry, Ashraq Al-Awsat (Jul 11, 2015).

Home , Faith , Religion , Time

“She began life as a poet, in later years when the compulsion of events drew into the national struggle, she plunged into it with all the zest and fire she possessed…. whose whole life became a poem and a song and who infused artistry and grace in the national struggle, just as Mahatma Gandhi had infused moral grandeur to it.”

Sarojini Naidu (1879–1949) Indian politician, governor of the United Provinces of Agra and Oudh from 1947 to 1949

Jawahar Lal Nehru quoted in "Selected Letters, Gandhi -Sarojini Naidu Correspondence, Preface".

Life

“Craft is something you learn by studying models. When a student asks, what is a good book about traditional iambic verse, The Collected Poems of Ben Jonson. What is an excellent book about free verse? The Collected Poems of William Carlos Williams.”

Robert Pinsky (1940) American poet, editor, literary critic, academic.

What is a good book about short line in ballad metre? The Collected Poems of Emily Dickinson.
The Art of Poetry - interview 1995 with Downing & Kunitz

Study , Books , Learning

“A good poem is a tautology. It expands one word by adding a number which clarify it, thus making a new word which has never before been spoken. The seed-word is always so ordinary that hardly anyone perceives it. Classical odes grow from and or because, romantic lyrics from but or if.”

Alasdair Gray (1934–2019) Scottish writer and artist

Immature verses expand a personal pronoun ad nauseam, the greatest works bring glory to a common verb.
"Prometheus", pp. 208-9.
Unlikely Stories, Mostly (1983)

Making love

“This is to be a summary poem of the life of the Atlantic coast of this country, nourished by the communications which run down it. Gauley Bridge is inland, but it was created by theories, systems, and workmen from many coastal sections — factors which are, in the end, not regional or national. Local images have one kind of reality. U. S. 1 will, I hope, have that kind and another too. Poetry can extend the document.”

Muriel Rukeyser (1913–1980) poet and political activist

Note, on "The Book of the Dead"
U.S. 1 (1938), The Book of the Dead

Country , Hope , Communication , Reality

“His poems, even in English, seem to me finer than anything currently being written by any English or American poet.”

Zbigniew Herbert (1924–1998) Polish writer

A.Alvarez, The New York Review of Books (1985-07-18).

“And for the authentical truth of either person or actions, who (worth the respecting) will expect it in a poem, whose subject is not truth, but things like truth?”

George Chapman The Revenge of Bussy D'Ambois

Poor envious souls they are that cavil at truth's want in these natural fictions; material instruction, elegant and sententious excitation to virtue, and deflection from her contrary, being the soul, limbs, and limits of an authentical tragedy.
The Revenge of Bussy D'Ambois (1613)

Truth , Personality

“This is what you shall do: Love the earth and sun and the animals, despise riches, give alms to every one that asks, stand up for the stupid and crazy, devote your income and labor to others, hate tyrants, argue not concerning God, have patience and indulgence toward the people, take off your hat to nothing known or unknown or to any man or number of men, go freely with powerful uneducated persons and with the young and with the mothers of families, read these leaves in the open air every season of every year of your life, re examine all you have been told at school or church or in any book, dismiss whatever insults your own soul, and your very flesh shall be a great poem and have the richest fluency not only in its words but in the silent lines of its lips and face and between the lashes of your eyes and in every motion and joint of your body.... The poet shall not spend his time in unneeded work. He shall know that the ground is always ready ploughed and manured.... others may not know it but he shall. He shall go directly to the creation. His trust shall master the trust of everything he touches.... and shall master all attachment.”

Walt Whitman (1819–1892) American poet, essayist and journalist

From the Preface to the 1855 edition of <i>Leaves of Grass</i>

School , Family , God , Soul

“I have been reading Miss Austen's Emma, which I had entirely forgotten, with the greatest enjoyment. I think it an admirable book, & I dare say you will agree with me. Miss Austen is an inimitable painter of quiet life. It would be difficult to say where the interest of Emma lies, yet it does interest strongly. There is no fine writing; no laboured description; no imaginative or ideal touches; no working on the feelings. Its magic must be its truth. It is exquisitely true. Life is presented to us, not as it may be taken in rare situations, in picturesque emergencies, but as we see it everyday. Common, workday life, with here & there a suit of best for Sundays. Yet there is nothing trivial. It is what Alfred calls in one of his unfinished poems "most ideal unideal, most uncommon commonplace."”

Jane Austen (1775–1817) English novelist

Dignity in the sentiments, dignity in the style. Quite a woman's book — (don't frown, Miss Fytche — I mean it for compliment) — none but a woman & a lady could possess that tact of minute observation, & that delicacy of sarcasm.
Arthur Henry Hallam, letter to fiancé Emily (Emilia) Tennyson (1833-01-25), Jane Austen and her Readers, 1786-1945, by Katie Halsey (Anthem Nineteenth-Century Series)

Imagination , Reading , Truth , Thinking

“For women, then, poetry is not a luxury. It is a vital necessity of our existence. It forms the quality of the light within which we predicate our hopes and dreams toward survival and change, first made into language, then into idea, then into more tangible action.Poetry is the way we help give name to the nameless so it can be thought. The farthest external horizons of our hopes and fears are cobbled by our poems, carved from the rock experiences of our daily lives.”

Audre Lorde (1934–1992) writer and activist

Sister Outsider: Essays and Speeches (1984)

Light , Dreams , Help , Hope

“We are a short poem
in a endless emptiness page,
words are lighthouses
that ignites and struggle
to deliver light to the dark edges of the infinite,
and mystic sounds struggle to give voice
to the unlived beings,
to bore a young soul to the gate of birth.”

alexis karpouzos

spirituality and consciousness

Light , Soul , Birth

“…My house is my laboratory, set apart from the rest of the world, and when my son was small I spent most of my time there. I often wrote poems while doing housework. I always had pencils and paper throughout the house: in the laundry, in the dining room, in the kitchen…”

Lucha Corpi (1945)

On how she included domesticity in her poems in the book Truthtellers of the Times: Interviews with Contemporary Women Poets https://books.google.com/books?id=LkVO9mmfwZYC&pg=PA23&lpg=PA23&dq

World , Time , Housing

“…I engage with poetry musically. I think I hear the music of the poem before I put words to it. The poem comes to me as it were a song more than a string of words or images. If I can’t transport that musical quality to the poem, then the poem doesn’t exist for me…”

Lucha Corpi (1945)

On how she favors a musical quality to her poetry in the book Truthtellers of the Times: Interviews with Contemporary Women Poets https://books.google.com/books?id=LkVO9mmfwZYC&pg=PA23&lpg=PA23&dq

Music , Thinking

“I like to think that the poem is trying to hit you in the gut. I like to think that the poem comes from someplace [of] deep and intense emotion and [is] this thing that I can't run away from...”

Reginald Betts (1980) American writer

On choosing poetry as his go-to writing form in “'Felon' Author Says, 'Everybody Has To Tell Their Kids Something'” https://www.npr.org/2019/11/03/775605155/felon-author-says-everybody-has-to-tell-their-kids-something in NPR (2019 Nov 3)

Thinking

“Once I wrote poems, I found that I was able to piece together individual moments that would, I’d hoped, sometimes compound. The line was the most important thing to me—that and the music it produced.”

Jon Pineda (1971) American writer

On how poetry writing eventually led to short stories and other works in “A Poet’s Novel: Jon Pineda talks LET’S NO ONE GET HURT” https://www.booklistreader.com/2018/03/22/books-and-authors/a-poets-novel-jon-pineda-talks-lets-no-one-get-hurt/ in Booklist Reader (2018 Mar 22)

Music , Hope

“…Sometimes I’ll do these things for a couple of days then suddenly one day the poem comes out, just like that, in a couple of minutes. I might rewrite it later, a kind of fine tuning, or sometimes I’ll tell the audience it’s a new poem and just perform it to see if it works.”

Benjamin Zephaniah (1958) English poet and author

On his writing process in “Interview with Benjamin Zephaniah” https://www.writersandartists.co.uk/writers/advice/37/a-writers-toolkit/interviews-with-authors/interview-with-benjamin-zephaniah in Writers & Artists

“I would not be like those Authors, who forgive themselves some particular lines for the sake of a whole Poem, and vice versa a whole Poem for the sake of some particular lines. I believe no one qualification is so likely to make a good writer, as the power of rejecting his own thoughts.”

Alexander Pope (1688–1744) eighteenth century English poet

Preface
The Works of Mr. Alexander Pope (1717)

Forgiveness , Making love

“Consciousness, the great poem of matter, seems so unlikely, so impossible, and yet here we are with our loneliness and our giant dreams.”

Diane Ackerman book A Natural History of the Senses

Source: A Natural History of the Senses (1990), Chapter 3 “Taste” (p. 130)

Dreams , Loneliness

“I have nothing to say for rhyme, but that I doubt whether a poem can support itself without it, in our language; unless it be stiffened with such strange words, as are likely to destroy our language itself.”

Alexander Pope (1688–1744) eighteenth century English poet

Remark (1738?) quoted in Anecdotes, Observations, and Characters, of Books and Men (1820) by Joseph Spence [published from the original papers; with notes, and a life of the author, by Samuel Weller Singer]; "Spence's Anecdotes", Section IV. 1737...39. p. 200

Support

“I think of the course of human history as a long, swelling, increasingly polyphonic poem - a poem that leads up to nothing save itself. When the species is extinct, "human nature's total message" will not be a set of propositions, but a set of vocabularies - the more, and the more various, the better.”

Richard Rorty (1931–2007) American philosopher

Source: Response to Hartshorne in 'Rorty and Pragmatism, The Philosopher Responds to his Critics', p. 33

Thinking , History , Nature

“The best parts of this book grow out of poems and song lyrics.”

Zhiyanzhai

Comment on the scene in which Baoyu meets Hsiao-hung for the second time in chapter 25, as reported and quoted in Enchantment and Disenchantment: Love and Illusion in Chinese Literature by Wai-yee Li (Princeton University Press, 1993), footnote on p. 168

Books , Parting

“A poem begins in delight and ends in wisdom.”

Robert Frost (1874–1963) American poet

Wisdom

“When the house is burning down around the poet's head, on grounds of what if any dispensation can the poet continue the poem?”

Carl Oglesby (1935–2011) American political activist

"The Deserters: The Contemporary Defeat of Fiction" (1972)

Housing

“Poems have helped me figure out a lot about queer sexuality – it is a big hill to climb. The ability to transform myself in poetry helps me imagine myself differently in the real world.”

Danez Smith American poet

On how poetry has given him insight into his sexuality in “‘Every poem is political’: Danez Smith, the YouTube star shaking up poetry” https://www.theguardian.com/books/2018/jan/28/danez-smith-interview-poetry-dont-call-us-dead-dear-white-america in The Guardian (2018 Jan 28)

Imagination , Help , World

“Every poem is political. In poems not obviously political, the writer is trying to avoid something…”

Danez Smith American poet

“We relate the poems and plays and novels we read and see, not to the men who wrote them, nor even directly to ourselves; we relate them to each other. Literature is a world that we try to build up and enter at the same time.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

The Educated Imagination (1963), Talk 3: Giants in Time

Time , Reading , Literature , World

“In literature you don't just read one poem or novel after another, but enter into a complete world of which every work of literature forms part. This affects the writer as much as it does the reader.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

The Educated Imagination (1963), Talk 3: Giants in Time

Literature , World , Reading , Parting

“I wanted to break the linearity of poetic text to mess with it, if you will. The poem is meant to be a network rather than a single rope of thought.”

Adunis (1930) Essayist, poet

Adunis, in: " https://www.nytimes.com/2010/10/18/books/18adonis.html" at nytimes, October 17, 2010

“Like a piece of ice on a hot stove the poem must ride on its own melting ... Read it a hundred times; it will forever keep its freshness as a metal keeps its fragrance. It can never lose its sense of a meaning that once unfolded by surprise as it went.”

Robert Frost (1874–1963) American poet

Source: 1930s, The Figure a Poem Makes (1939)

Time , Reading , Sense

“You must understand the whole of life,
not just one little part of it.
that is why you must read,
that is why you must look at the skies,
that is why you must sing and dance,
and write poems and suffer and understand,
for all that is life.”

Jiddu Krishnamurti (1895–1986) Indian spiritual philosopher

Suffering , Singing , Understanding , Reading

“The poem will not survive on content but through voice. By voice I mean the style of thought, for which a style of speech never convincingly substitutes.”

Louise Glück (1943–2023) American poet

Source: As quoted in "Poet Laureate: Louise Glück and the Public Face of a Private Artist" https://www.nytimes.com/2003/11/04/opinion/editorial-observer-poet-laureate-louise-gluck-public-face-private-artist.html by Andrew Johnston, The New York Times (November 4, 2003)

“Lots of people memorize my poems but they forget about myself.”

Rymin

https://genius.com/Rymin-napeyda-lyrics
https://soundcloud.com/rymiin/napeyda
Source: "Napeyda" by "Rymin"

Forgetting , People

“I've told her a fairy tale that she doesn't remember. I have written hundreds of poems that could not touch her feelings. To her I was not a poet. To her I was not a good writer. I was not the right person for her to love.”

Titon Rahmawan

Personality , Love , Feeling

“Not a single sentence could move her heart. Not a story, a novel or even a poem. Even if she really had a heart, she could not love.”

Titon Rahmawan

Heart , Love

Quotes about poem page 8

Quotes about poem
page 8