Quotes about plagiarism (27 quotes) | Quotes of famous people

“Oh, dear me, how unspeakably funny and owlishly idiotic and grotesque was that "plagiarism" farce! As if there was much of anything in any human utterance, oral or written, except plagiarism! The kernel, the soul — let us go further and say the substance, the bulk, the actual and valuable material of all human utterances — is plagiarism. For substantially all ideas are second-hand, consciously and unconsciously drawn from a million outside sources, and daily used by the garnerer with a pride and satisfaction born of the superstition that he originated them; whereas there is not a rag of originality about them anywhere except the little discoloration they get from his mental and moral calibre and his temperament, and which is revealed in characteristics of phrasing. When a great orator makes a great speech you are listening to ten centuries and ten thousand men — but we call it his speech, and really some exceedingly small portion of it is his. But not enough to signify. It is merely a Waterloo. It is Wellington's battle, in some degree, and we call it his; but there are others that contributed. It takes a thousand men to invent a telegraph, or a steam engine, or a phonograph, or a photograph, or a telephone or any other important thing—and the last man gets the credit and we forget the others. He added his little mite”

Mark Twain (1835–1910) American author and humorist

that is all he did. These object lessons should teach us that ninety-nine parts of all things that proceed from the intellect are plagiarisms, pure and simple; and the lesson ought to make us modest. But nothing can do that.
Letter to Helen Keller, after she had been accused of plagiarism for one of her early stories (17 March 1903), published in Mark Twain's Letters, Vol. 1 (1917) edited by Albert Bigelow Paine, p. 731

Men , Soul , Idea , Parting

“Both Hitler and Mussolini have plagiarized and imitated practically everything from everyone. Mussolini stole from the Bolsheviks and from Gabriele D'Annunzio, and found inspiration in the camp of big business. Hitler imitated the Bolsheviks and Mussolini.”

Leon Trotsky book Stalin

Stalin: An Appraisal of the Man and his Influence (1941), translated by Charles Malamuth, p. 412

Business

“Existing is plagiarism.”

Emil M. Cioran (1911–1995) Romanian philosopher and essayist

Drawn and Quartered (1983)

“Stealing from one author is plagiarism; from many authors, research.”

Walter Moers book The City of Dreaming Books

Source: The City of Dreaming Books

“Art is either revolution or plagiarism”

Paul Gauguin (1848–1903) French Post-Impressionist artist

Variant: Art is either plagiarism or revolution.

Art

“To steal ideas from one person is plagiarism; to steal from many is research.”

Steven Wright (1955) American actor and author

Idea , Personality , Funny

“Art is either plagiarism or revolution.”

Marcel Duchamp (1887–1968) French painter and sculptor

Art

“Ideas improve. The meaning of words participates in the improvement. Plagiarism is necessary. Progress implies it. It embraces an author’s phrase, makes use of his expressions, erases a false idea, and replaces it with the right idea.”

Guy Debord (1931–1994) French Marxist theorist, writer, filmmaker and founding member of the Situationist International (SI)

Source: Society of the Spectacle (1967), Ch. 8, sct. 207 (confer Comte de Lautréamont, Poésies II, 1870).

Idea , Falseness

“The only “ism” Hollywood believes in is plagiarism.”

Dorothy Parker (1893–1967) American poet, short story writer, critic and satirist

“With this new tendency [of Orphism] the Cubists dubbed Impressionism of forms according to Appolinaire, is entering a final and glorious phase:.. Orphism, pure painting, simultaneity. And there you have it, as many obvious plagiarisms of what has formed, from its earliest appearances, the essence of Futurist painting and sculpture…. But we insist on sorting things out. Orphism [initiated by former Cubist artist Robert Delaunay as an colorful alternative for strict Cubism ], let us say it right away, is just an elegant masquerade of the basic principles of Futurist painting. This new trend simply illustrates the profit that our French colleagues managed to driver from our first Futurist exhibition in Paris.”

Umberto Boccioni (1882–1916) Italian painter and sculptor

Boccioni's critical art quote to Orphism and simultaneity pictures Orphism, as alternative concept for Cubism as a soft version of Futurist painting; in 'Les futurists plagues en France', Boccioni, in 'Lacerba', Florence 1, no. 7, 1 April 1913
1913

Color , Appearance , Painting

“There was no time for scholarly details, and, besides, I have always believed that a man can fairly be judged by the standards and taste of his choices in matters of high-level plagiarism.”

Hunter S. Thompson (1937–2005) American journalist and author

"Prisoner of Denver", in Vanity Fair (June 2004) https://archive.is/20130628091446/www.accessmylibrary.com/coms2/summary_0286-6240592_ITM
2000s

Time

“Hawkesworth said of Johnson, "You have a memory that would convict any author of plagiarism in any court of literature in the world."”

Samuel Johnson (1709–1784) English writer

Kearsley, 600
Bartlett's Familiar Quotations, 10th ed. (1919), Johnsoniana

World , Literature , Memory

“”Jewish Peril” exposed.
Historic “Fake.”
Details of the forgery.
More parallels.
We published yesterday an article from our Constantinople Correspondent, which showed that the notorious “Protocols of the Elders of Zion” – one of the mysteries of politics since 1905 – were a clumsy forgery, the text being based on a book published in French in 1865. The book, without title page, was obtained by our correspondent from a Russian source, and we were able to identify it with a complete copy in the British Museum.
The disclosure, which naturally aroused the greatest interest among those familiar with Jewish questions, finally disposes of the “Protocols” as credible evidence of a Jewish plot against civilization.
We publish below a second article, which gives further close parallels between the language of the Protocols and that attributed to Machiavelli and Montesquieu in the volume dated from Geneva.
Plagiarism at Work.
(From our Constantinople Correspondent.)
While the Geneva Dialogue open with an exchange of compliments between Monsequieu and Machiavelli, which covers seven pages, the author of the Protocols plunges at once in medias res.
One can imagine him hastily turning over those first seven pages of the book which he has been ordered to paraphrase against time, and angrily ejaculating, “Nothing here.” But on page 8 of the Dialogues he finds what he wants.
Publisher: Good work Graves…we finally paid your émigré £ 300 for it…now if we can find Golovinski and get his confession…
Graves: He joined the Bolsheviks.
Golovinski became a party ‘’’activist’’’ and rose to be an adviser to Trotsky. But he ‘’’died’’’ last year!
Publisher: Well, that’s that!
Publisher: Oh but Graves, “The Times” is influential… after our expose we’ll probably hear no more of this fraud!
Graves: I’m not sure!
Anti-Bolsheviks, White Russians, published thousands of copies! Here’s a page from Nilus’ “The Great in the Small.”
Publisher: Astonishing…mystical symbols…eh?
The “Protocols” quickly began to circulate around the world.
A French edition this year…and in America Henry Ford, the auto magnate, has been serializing it in his paper, the “Dearborn independent”!
Publisher: When did it first appear in Europe?
Graves: The German edition…dated 1919, was the first!
This is an evil book…a fake designed to malign a whole group of people.
Publisher: I know, I know! …Ugly stuff, Graves.
Graves: Well, what are we to do about it?
Publisher: Your report exposed it as a foul fraud!
Publisher: Y’forget the power of the press, graves! “The Times” has tremendous worldwide influence.
This fraud will soon be well known everywhere…so, my boy, ‘’’what harm can the “protocols” possibly do now?”

Will Eisner (1917–2005) American cartoonist

Source: The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005), pp. 91-94

People , Books , World , Imagination

“When you steal from one author, it's plagiarism; if you steal from many, it's research.”

Wilson Mizner (1876–1933) American writer

Quoted in Alva Johnston's The Legendary Mizners (1953, Farrar Straus and Young, New York, chapter 4, p 66) and Bartlett's, 1992, p. 631.
Also quoted as If you copy from one author, it's plagiarism. If you copy from two, it's research by Stuart B. McIver in Dreamers, Schemers and Scalawags.
Epigrams

“Perhaps the Russians have done the right thing, after all, in abolishing copyright. It is well known that conscious and unconscious appropriation, borrowing, adapting, plagiarizing, and plain stealing are variously, and always have been, part and parcel of the process of artistic creation. The attempt to make sense out of copyright reaches its limit in folk song. For here is the illustration par excellence of the law of Plagiarism. The folk song is, by definition and, as far as we can tell, by reality, entirely a product of plagiarism.”

Charles Seeger (1886–1979) American musicologist

Unsourced

Law , Reality , Sense , Parting

“The trouble with the world today is philosophical: only the right philosophy can save us. But this party plagiarizes some of my ideas, mixes them with the exact opposite—with religionists, anarchists and every intellectual misfit and scum they can find—and call themselves libertarians and run for office.”

Ayn Rand (1905–1982) Russian-American novelist and philosopher

Rand, Ayn (2005). Mayhew, Robert, ed. Ayn Rand Answers, the Best of Her Q&A. New York: New American Library. p. 73. (1976)

World , Idea

“This patchwork of largely fictional works makes the Protocols an incoherent text that easily reveals its fabricated origins. It is hardly credible, if not in a roman feuilleton or in a grand opera, that the “bad guys” should express their evil plans in such a frank and unashamed manner, that they should declare, as the Elders of Zion do, that they have “boundless ambition, a ravenous greed, a merciless desire for revenge and an intended hatred.” If at first the Protocols was taken seriously, it is because it was presented as a shocking revelation, and by sources all in all trustworthy. But what seems incredible is how this fake arose from its own ashes each time someone proved that it was, beyond all doubt, a fake. This is when the “novel of the Protocols” truly starts to sound like fiction. Following the article that appeared in 1921 in the Times of London revealing that the Protocols was plagiarized, as well as every other time some authoritative source confirmed the spurious nature of the Protocols, there was someone else who published it again claiming its authenticity. And the story continues unabated on the Internet today. It is as if, after Copernicus, Galileo, and Kepler, one were to continue publishing textbooks claiming that the sun travels around the earth.
How can one explain resilience against all evidence, and the perverse appeal that this book continues to exercise? The answer can be found in the works of Nesta Webster, an antisemetic author who spent her life supporting this account of the Jewish plot. In her Secret Societies and Subversive Movements, she seems well informed and knows the whole story as Eisner narrates it here, but this is her conclusion:
The only opinion I have committed myself is that, whether genuine or not, the Protocols represent the programme of a world revolution, and that in view of their prophetic nature and of their extraordinary resemblance to the protocols of certain secret societies of the past, they were either the work of some such society or of someone profoundly versed in the lore of secret society who was able to reproduce their ideas and phraseology.
Her reasoning is flawless: “since the Protocols say what I said in my story, they confirm it,” or: “the Protocols confirm the story that I derived from them, and are therefore authentic.” Better still: “the Protocols could be fake, but they say exactly what the Jews think, and must therefore be considered authentic.””

Will Eisner (1917–2005) American cartoonist

In other words, it is not the Protocols that produce antisemetism, it is people’s profound need to single out an Enemy that leads them to believe in the Protocols.
I believe that-in spite of this courageous, not comic but tragic book by Will Eisner- the story is hardly over. Yet is is a story very much worth telling, for one must fight the Big Lie and the hatred it spawns.
Umberto Eco, Milan Italy December 2004 translated by Allesandra Bastagli, p. vi-vii
The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005)

Life , People , Lie , Secret

“They say any artist paying six dollars may exhibit
Mr. Richard Mutt [= Duchamp himself; an inscription written by Duchamp] sent in a fountain. Without discussion this article disappeared and never was exhibited.
What were the grounds for refusing Mr. Mutt fountain:
1. Some contented it was immoral, vulgar.
2. Others, it was plagiarism, a plain piece of plumbing.
Now, Mr. Mutt fountain is not immoral, that is absurd, no more than a bit tube is immoral. It is a fixture that you see every day in plumber’s show windows.
Whether Mr. Mutt with his own hands made this fountain or not has no importance. He CHOSE it. He took an ordinary article of life, placed it so that's its useful significance disappeared under the new title ['The Richard Mutt Case'] and point of view – created a new thought for that object.
As for plumbing, that is absurd. The only works of art America has given are her plumbing and her bridges.”

Marcel Duchamp (1887–1968) French painter and sculptor

quote, 1917
Quote in: Theories and Documents of Contemporary Art, – a source-book of Artist's writings, ed. Kristine Stiles / Peter Selz, University of California Press, London, England, 1996, p. 817
Duchamp's core quote / his own written comment on his artwork 'Fountain (Duchamp)': The Richard Mutt Case, Marcel Duchamp, ‘Blind Man’, New York, 1917: 5
1915 - 1925

Life , Art , Quotes

“I am never forget the day I first meet the great Lobachevsky.
In one word he told me secret of success in mathematics: Plagiarize!
Plagiarize,
Let no one else's work evade your eyes,
Remember why the good Lord made your eyes,
So don't shade your eyes,
But plagiarize, plagiarize, plagiarize…
Only be sure always to call it please "research."”

Tom Lehrer (1928) American singer-songwriter and mathematician

"Lobachevsky"
Songs by Tom Lehrer (1953)

Secret , Mathematics , Success , Forgetting

“Not all monotheisms are exactly the same, at the moment. They're all based on the same illusion, they're all plagiarisms of each other, but there is one in particular that at the moment is proposing a serious menace not just to freedom of speech and freedom of expression, but to quite a lot of other freedoms too. And this is the religion that exhibits the horrible trio of self-hatred, self-righteousness and self-pity. I am talking about militant Islam. Globally it's a gigantic power. It controls an enormous amount of oil wealth, several large countries and states, with an enormous fortune it's pumping the ideologies of wahhabism and salafism around the world, poisoning societies where it goes, ruining the minds of children, stultifying the young in its madrassas, training people in violence, making a cult of death and suicide and murder. That's what it does globally, it's quite strong. In our societies it poses as a cringing minority, whose faith you might offend, who deserves all the protection that a small and vulnerable group might need. Now, it makes quite large claims for itself, doesn't it? It says it's the Final Revelation. It says that God spoke to one illiterate businessman – in the Arabian Peninsula – three times through an archangel, and that the resulted material, which as you can see as you read it is largely plagiarized ineptly from the Old…and The New Testament, is to be accepted as the Final Revelation and as the final and unalterable one, and that those who do not accept this revelation are fit to be treated as cattle infidels, potential chattel, slaves and victims. Well I tell you what, I don't think Muhammad ever heard those voices. I don't believe it. And the likelihood that I am right – as opposed to the likelihood that a businessman who couldn't read, had bits of the Old and The New Testament re-dictated to him by an archangel, I think puts me much more near the position of being objectively correct. But who is the one under threat? The person who promulgates this and says I'd better listen because if I don't I'm in danger, or me who says "no, I think this is so silly you can even publish a cartoon about it"? And up go the placards and the yells and the howls and the screams – this is in London, this is in Toronto, this is in New York, it's right in our midst now – "Behead those who cartoon Islam". Do they get arrested for hate speech? No. Might I get in trouble for saying what I just said about the prophet Muhammad? Yes, I might. Where are your priorities ladies and gentlemen? You're giving away what is most precious in your own society, and you're giving it away without a fight, and you're even praising the people who want to deny you the right to resist it. Shame on you why you do this. Make the best use of the time you've got left. This is really serious. … Look anywhere you like for the warrant for slavery, for the subjection of women as chattel, for the burning and flogging of homosexuals, for ethnic cleansing, for antisemitism, for all of this, you look no further than a famous book that's on every pulpit in this city, and in every synagogue and in every mosque. And then just see whether you can square the fact that the force that is the main source of hatred, is also the main caller for censorship.”

Christopher Hitchens (1949–2011) British American author and journalist

https://www.youtube.com/watch?v=jyoOfRog1EM&feature=youtu.be&t=16m36s
"Be It Resolved: Freedom of Speech Includes the Freedom to Hate", 15/11/2006.
2000s, 2006

Death , Women , God , Hate

“I am amazed that Roli Books should publish such thinly disguised plagiarism, and allow the author to hide in a cavalier manner behind a nom-de-plume. The book is clearly modelled on my career, even down to the name of the main character. That character's journalism is abysmal, and his views on Hindutva and Hinduism do not in any way reflect mine. I would disagree with them profoundly.”

Mark Tully (1935) British journalist

Source: Dean Nelson, " Former BBC correspondent Sir Mark Tully attacked in novel http://www.telegraph.co.uk/news/worldnews/asia/india/7552715/Former-BBC-correspondent-Sir-Mark-Tully-attacked-in-novel.html," in The Telegraph, 5 April 2010
On the controversy created in a thinly-disguised novel which portrays him as a heartless philanderer and supporter of fanatics.

Books , Way

“Sir John Mandeville [was] an encyclopedist whose mostly invented stories still ring true, thanks to his gift for writing the first realistic Western fiction since Petronius. We do not know who this man was or even what language he wrote in, but modern textual analysis suggests that he rarely left his study. Rather than travel, he scavenged and plagiarized the works of others, improving their prose as he claimed their discoveries. In a period of continental isolation, Mandeville satisfied Europe's appetite for news by making up an East that sounded real. In expanding editions and translations, his Voyages and Travels became the most popular prose book of the Middle Ages.”

John Mandeville (1300–1372) writer

Michael Wolfe One Thousand Roads to Mecca (New York: Grove Press, 1999) p. 75.
Criticism

Books , Age , Travel , Study

“As a scholar I have been shaped by a monastic traditions and by the interpretation of medieval texts. Early on I took it for granted that the principal condition for an atmosphere that is propitious to independent thought is the hospitality cultivated by the host: a hospitality that excludes condescension as scrupulously as seduction; a hospitality that by its simplicity defeats the fear of plagiarism as much as that of clientage; a hospitality that by its openness dissolves intimidation as studiously as servility; a hospitality that exacts from the guests as much generosity as it imposes on the host. I have been blessed with a large portion of it, with the taste of a relaxed, humorous, sometimes grotesque fit among mostly ordinary but sometimes outlandish companions who are patient with one another.”

Ivan Illich (1926–2002) austrian philosopher and theologist

The Cultivation of Conspiracy (1998)

Fear

“The cry that we have entered upon our imperial course in order to benefit the native populations in the lands that we have conquered is an old one. … I have before me McKinley's proclamation to the Filipinos, and I have placed it side by side with a proclamation of the King of Assyria, written eighteen hundred years before Christ. A man would think that McKinley had plagiarized the idea from Asshurbanipal.”

Richard F. Pettigrew (1848–1926) American politician

Imperial Washington (1922), pp. 345-346 http://books.google.com/books?id=ZKwcAAAAMAAJ&pg=345

Idea , Thinking , Christ , Cry

“International Jews.
In violent opposition to all this sphere of Jewish effort rise the schemes of the International Jews. The adherents of this sinister confederacy are mostly men reared up among the unhappy populations of countries where Jews are persecuted on account of their race. Most, if not all, of them have forsaken the faith of their forefathers, and divorced from their minds all spiritual hopes of the next world. This movement among the Jews is not new. From the days of Spartacus-Weishaupt to those of Karl Marx, and down to Trotsky (Russia) Bela Kun (Hungary), Rosa Luxemborg (Germany) and Emma Goldman (United States), this world-wide conspiracy for the overthrow of civilization and for the reconstitution of society on the basis of arrested development, of envious malevolence, and impossible equality, has been steadily growing. It played, as a modern writer, Mrs. Webster, has so ably shown, a definitely recognizable part in the tragedy of the French Revolution. It has been the mainspring of every subversive movement during the Nineteenth Century; and now at last this band of extraordinary personalities from the underworld of the great cities of Europe and America have gripped the Russian people by the hair of their heads and have become practically the undisputed masters of that enormous empire.
Graves: This was written by Winston Churchill, a highly regarded M. P. in England…so, I need hardly remind you that it will take strong evidence to prove the “Protocols” ‘’’a fake!’’’
Raslovlev: At an old bookshop I got a copy of “The Dialogue in Hell between Machiavelli and Montesquieu,” by Maurice Joly, 1864.
I examined what I had. It was obvious that the “Protocols of Zion” was copied from it.
Graves: How did you get this?
Raslovlev: I bought this book from a friend, formerly of the Okhrana, our secret agents in France. They ordered the plagiarism!
When the Bolsheviks came in, we left with what we could take out with us.
How much is it worth to you, or your paper, Mr. Graves?
Graves: Hmm…can’t say yet! …Is Geneva really the place of publication??
Raslovlev: I do know that the “Protocols of Zion: was intended to prove to the Tsar that the Revolt in Russia was a Jewish Plot…it was written by an Okhrana agent…a plagiarist, Mathieu Golovinski!
When it was first published in Russia round 1902, its publisher, Dr. Nilus, claimed it to be notes stolen from an 1897 Zionist congress by French agents!
Graves: But that congress was convened by Theodore Herzl to promote a Jewish state. It was not a secret meeting…Dr. Nilus’s claim is a lie!
Raslovlev: Yes, it is indeed! Let me show you…we will compare the “Protocols” with Joly’s Book.
Raslovlev: Set them side by side Graves, and you will see obvious plagiarism of Joly’s “dialogue!”
Graves: I see…be patient while I go through it…yes! Yes! Yes!”

Will Eisner (1917–2005) American cartoonist

Source: The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005), pp. 70-73

Men , People , Lie , Secret

“Self-plagiarism is style.”

Alfred Hitchcock (1899–1980) British filmmaker

Defending his repetition of filming techniques, in The Observer [London], (8 Aug. 1976).

“I am amazed that Roli Books should publish such thinly disguised plagiarism, and allow the author to hide in a cavalier manner behind a nom-de-plume.”

Mark Tully (1935) British journalist

The book is clearly modelled on my career, even down to the name of the main character. That character's journalism is abysmal, and his views on Hindutva and Hinduism do not in any way reflect mine. I would disagree with them profoundly.
On the controversy created in a thinly-disguised novel which portrays him as a heartless philanderer and supporter of fanatics.
Source: Dean Nelson, " Former BBC correspondent Sir Mark Tully attacked in novel http://www.telegraph.co.uk/news/worldnews/asia/india/7552715/Former-BBC-correspondent-Sir-Mark-Tully-attacked-in-novel.html," in The Telegraph, 5 April 2010

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