Quotes about notoriety

A collection of quotes on the topic of notoriety, time, doing, other.

Quotes about notoriety

Ted Bundy photo
Confucius photo

“It is the way of the superior man to prefer the concealment of his virtue, while it daily becomes more illustrious, and it is the way of the mean man to seek notoriety, while he daily goes more and more to ruin.”

Confucius (-551–-479 BC) Chinese teacher, editor, politician, and philosopher

The Analects, The Doctrine of the Mean
Context: It is the way of the superior man to prefer the concealment of his virtue, while it daily becomes more illustrious, and it is the way of the mean man to seek notoriety, while he daily goes more and more to ruin. It is characteristic of the superior man, appearing insipid, yet never to produce satiety; while showing a simple negligence, yet to have his accomplishments recognized; while seemingly plain, yet to be discriminating. He knows how what is distant lies in what is near. He knows where the wind proceeds from. He knows how what is minute becomes manifested. Such a one, we may be sure, will enter into virtue.

George Moore (novelist) photo

“We all want notoriety; our desires on this point, as upon others, are not noble, but the human is very despicable vermin and only tolerable when it tends to the brute, and away from the evangelical.”

George Moore (novelist) (1852–1933) Irish novelist, short-story writer, poet, art critic, memoirist and dramatist

Source: Confessions of a Young Man http://www.gutenberg.org/files/12278/12278-h/12278-h.htm (1886), Ch. 16.

Gildas photo

“I shall also pass over the bygone times of our cruel tyrants, whose notoriety was spread over to far distant countries; so that Porphyry, that dog who in the east was always so fierce against the church, in his mad and vain style added this also, that "Britain is a land fertile in tyrants."”
Et tacens vetustos immanium tyrannorum annos, qui in aliis longe positis regionibus vulgati sunt, it ut Porphyrius rabidus orientalis adversus ecclesiam canis dementiae suae ac vanitatis stilo hoc etiam adnecteret: ""Britannia"", inquiens, ""fertilis provincia tyrannorum"".

Et tacens vetustos immanium tyrannorum annos, qui in aliis longe positis regionibus vulgati sunt, it ut Porphyrius rabidus orientalis adversus ecclesiam canis dementiae suae ac vanitatis stilo hoc etiam adnecteret: "Britannia", inquiens, "fertilis provincia tyrannorum".
Section 4.
Gildas's quotation is in fact from St. Jerome's Epistula 133.9.
De Excidio Britanniae (On the Ruin of Britain)

Kane Hodder photo
Quentin Crisp photo

“A pinch of notoriety will do.”

Quentin Crisp (1908–1999) writer, Actor

How to Go to the Movies (1988), part I: The New Hollywood

Alan Rusbridger photo

“It took one tweet on Monday evening as I left the office to light the virtual touchpaper. At five past nine I tapped: "Now Guardian prevented from reporting parliament for unreportable reasons. Did John Wilkes live in vain?"… By the time I got home, after stopping off for a meal with friends, the Twittersphere had gone into meltdown. Twitterers had sleuthed down Farrelly's question, published the relevant links and were now seriously on the case. By midday on Tuesday "Trafigura" was one of the most searched terms in Europe, helped along by re-tweets by Stephen Fry and his 830,000-odd followers.
… One or two legal experts uncovered the Parliamentary Papers Act 1840, wondering if that would help? Common #hashtags were quickly developed, making the material easily discoverable. By lunchtime – an hour before we were due in court – Trafigura threw in the towel. The textbook stuff – elaborate carrot, expensive stick – had been blown away by a newspaper together with the mass collaboration of total strangers on the web. Trafigura thought it was buying silence. A combination of old media – the Guardian – and new – Twitter – turned attempted obscurity into mass notoriety.”

Alan Rusbridger (1953) British newspaper editor

Alan Rusbridger " The Trafigura fiasco tears up the textbook http://www.theguardian.com/commentisfree/libertycentral/2009/oct/14/trafigura-fiasco-tears-up-textbook" The Guardian, Wednesday 14 October 2009; As cited in Paul Bradshaw, ‎Liisa Rohumaa (2013) The Online Journalism Handbook: Skills to survive and thrive in the Digital Age. p. 176.
2000s

Edwin Booth photo
Charles Grey, 2nd Earl Grey photo
Agatha Christie photo
Edouard Manet photo

“Who is this Monet whose name sounds just like mine and who is taking advantage of my notoriety?”

Edouard Manet (1832–1883) French painter

Quote 1865, recorded by Theodore Duret at the [[w:Salon (Paris)|Paris Salon that year; as quoted on: SCRIBD - 'Manet's letters' https://www.scribd.com/document/344176445/manets-letters-worksheet
1850 - 1875

James Branch Cabell photo

“Whatever pretended pessimists in search of notoriety may say, most people are naturally kind, at heart.”

Source: The Cream of the Jest (1917), Ch. 14 : Peculiar Conduct of a Personage

Sarah Gadon photo
Auguste Rodin photo

“I feel it, but I cannot express it,… I cannot analyse the Celtic genius to my own satisfaction. In the Middle Ages art came from groups, not from individuals. It was anonymous; the sculptors of cathedrals no more put their names to their works than our workmen put theirs on the pavement that they lay. Ah! what an admirable scorn of notoriety! The signature is what destroys us. We do portraits, but what we do is not so great. Thèse kings and queens, on the cathedrals, were not portraits. The fellow-workers stood for one another, and they interpreted; they did not copy. They made clothed figures; the nude and portraiture only date from the Renascence. And then those fellows cut with the tool's end into the block, that is why they were called sculptors. As for us, we are modellers. And what a disgraceful thing that casting from life is, which so many well-known sculptors do not blush to use! It is a mere swindling in art. Art was a vital function to the image-makers of the thirteenth century; they would hâve laughed at the idea of signing what they did, and never dreamed of honours and titles. When once their work was finished, they said no more about it, or else they talked among themselves. How curious it would hâve been to hear them, to be present at their gatherings, where they must hâve discussed in amusing phrases, and with simple, deep ideas!… Whenever the cathedrals disappear civilisation will go down one step. And even now we no longer understand them, we no longer know how to read their silent language. We need to make excavations not in the earth, but towards heaven…”

Auguste Rodin (1840–1917) French sculptor

Source: Auguste Rodin: The Man, His Ideas, His Works, 1905, p. 63-64; About the genius of the Gothic sculptors.

Bernard-Henri Lévy photo
Lima Barreto photo
Daniel J. Boorstin photo
Baruch Spinoza photo
Colin Wilson photo
David Brewster photo
Khalil Gibran photo

“Your thought advocates fame and show. Mine counsels me and implores me to cast aside notoriety and treat it like a grain of sand cast upon the shore of eternity.”

Khalil Gibran (1883–1931) Lebanese artist, poet, and writer

Your Thought and Mine
Context: Your thought advocates fame and show. Mine counsels me and implores me to cast aside notoriety and treat it like a grain of sand cast upon the shore of eternity. Your thought instills in your heart arrogance and superiority. Mine plants within me love for peace and the desire for independence. Your thought begets dreams of palaces with furniture of sandalwood studded with jewels, and beds made of twisted silk threads. My thought speaks softly in my ears, "Be clean in body and spirit even if you have nowhere to lay your head." Your thought makes you aspire to titles and offices. Mine exhorts me to humble service.