Quotes about line
page 14

“After such treatment it would think twice before coming again, unless it was one of the stubborn ones who returned, carrying the stamp of their mutilation--a missing finger or perhaps a dark line where the medicine man's razor had cut them.”

Chinua Achebe book Things Fall Apart

Source: Things Fall Apart (1958), Chapter 9 (p. 75)

Thinking

“He fell behind his brothers two or three inches in height, and proportionally in bone and weight. His character and processes of mind seemed to share in this fining-down process of scale. He was not good in a fight, and his nerves were more delicate than boys' nerves ought to be. He exaggerated these weaknesses as he grew older. The habit of doubt; of distrusting his own judgment and of totally rejecting the judgment of the world; the tendency to regard every question as open; the hesitation to act except as a choice of evils; the shirking of responsibility; the love of line, form, quality; the horror of ennui; the passion for companionship and the antipathy to society — all these are well-known qualities of New England character in no way peculiar to individuals but in this instance they seemed to be stimulated by the fever, and Henry Adams could never make up his mind whether, on the whole, the change of character was morbid or healthy, good or bad for his purpose. His brothers were the type; he was the variation.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

The Education of Henry Adams (1907)

Love, World, Way, Boy

“Jim Powell was a Jelly-bean. Much as I desire to make him an appealing character, I feel that it would be unscrupulous to deceive you on that point. He was a bred-in-the-bone, dyed-in-the-wool, ninety-nine three-quarters per cent Jelly-bean and he grew lazily all during Jelly-bean season, which is every season, down in the land of the Jelly-beans well below the Mason-Dixon line.”

F. Scott Fitzgerald (1896–1940) American novelist and screenwriter

"The Jelly-Bean"
Quoted, Tales of the Jazz Age (1922)

Feeling, Season

“The way I was raised was that you can pick whatever you want to do in life, just try to be the best in the world at it. I'm a very proud person and if I'm putting my pride on the line every time I fight, there's no way in hell I'm going to allow anyone else to work harder than me. Plus, I love to train now. When I have to take a break I'm bored out of my mind. I don't know what to do with myself when I'm not fighting. It's my niche - it's just what I'm meant to do.”

Ronda Rousey (1987) American judoka, mixed martial artist, professional wrestler and actress

"MMAPlayground Interview Series - Vol. 13 ("Rowdy" Ronda Rousey)", in MMAPlayground.com (8 November 2011) http://www.mmaplayground.com/forums/topic49792-1.html

Love, Life, World, Way

“If one day
They are connected
And form lines”

Ayumi Hamasaki (1978) Japanese recording artist, lyricist, model, and actress

Forgiveness
Lyrics, Memorial Address

“Most of the time I sit down with my guitar or at the piano, and I play for awhile until I get a new riff or groove that I like a lot. Then I'll concentrate on building around that line of thought by adding words and textures. At first I'm only trying to please myself, and hopefully what I like will appeal to others.”

Jackie DeShannon (1941) American singer-songwriter

Swingin' Chicks of the 60s http://www.swinginchicks.com/jackie_deshannon.htm (September 2000)

Time

“Every New Year is the direct descendant, isn't it, of a long line of proven criminals?”

Ogden Nash (1902–1971) American poet

"Good-by, Old Year, You Oaf or Why Don't They Pay the Bonus?" in The Primrose Path (1935)

“Give us another 3 or 4 months of production, not more hampered than it is at present, and we shall have something over, with which we can make ourselves disagreeable in many ways, and many places. We could perhaps take a stronger line with Japan then, even though we still got no help from the U. S. A. …People ask me how we are going to win this war. I suppose it is a very natural question, but I don't think the time has come to answer it. We must just go on fighting as hard as we can, in the belief that some time—perhaps sooner than we think—the other side will crack.”

Neville Chamberlain (1869–1940) Former Prime Minister of the United Kingdom

Letter to his sister (14 July 1940), quoted in Keith Feiling, Neville Chamberlain (London: Macmillan, 1946), p. 449.
Post-Prime Ministerial

War, People, Way, Question

“Some professors and especially younger anthropologists have the notion that anthropology is too diverse. The number of things done under the name of anthropology is just infinite; you can do anything and call it anthropology. (That's perhaps a little extreme.) In my field I have always argued for the pluralistic approach to things rather than solidification into some particular line (even my own line) of work. But there is a great deal of anxiety. I think it is true that scholars, both young and old, are overly anxious about pluralism, diversity, conflict-younger ones especially because when they're first getting into a field they want to know what it is they're supposed to know, but older ones, too, because they somehow yearn for a lost paradise when everyone knew what they were doing.”

Clifford Geertz (1926–2006) American anthropologist

"Clifford Geertz on Ethnography and Social Construction", 1991

Thinking

“And as I ponder the madness of Vietnam and search within myself for ways to understand and respond in compassion, my mind goes constantly to the people of that peninsula. I speak not now of the soldiers of each side, not of military government in Saigon, but simply of the people who have been under the curse of war for almost three continuous decades now. I think of them too because it is clear to me that there will be no meaningful solution until some attempt is made to know these people and hear their broken cries. Now let me tell you the truth about it. They must see Americans as strange liberators. Do you realize that the Vietnamese people proclaimed their own independence in 1945, after a combined French and Japanese occupation. And incidentally, this was before the communist revolution in China. They were led by Ho Chi Minh. And this is a little known fact, these people declared themselves independent in 1945, they quoted our Declaration of Independence in their document of freedom. And yet our government refused to recognize, President Truman said they were not ready for independence. So we failed victim as a nation at that time of the same deadly arrogance that has poisoned the international situation for all of these years. France then set out to reconquer its former colony. And they fought eight long, hard, brutal years, trying to reconquer Vietnam. You know who helped France? It was the United States of America, it came to the point that we were meeting more than 80% of the war cost. And even when France started despairing of its reckless action, we did not. And in 1954, a conference was called at Geneva, and an agreement was reached, because France had been defeated at Dien Bien Phu. But even after that and even after the Geneva Accord, we did not stop. We must face the sad fact that our government sought in a real sense to sabotage the Geneva Accord. Well, after the French were defeated, it looked as if independence and land reform would come through the Geneva agreement. But instead the United States came and started supporting a man named Diem, who turned out to be one of the most ruthless dictators in the history of the world. He set out to silence all opposition, people were brutally murdered merely because they raised their voices against the brutal policies of Diem. And the peasants watched and cringed as Diem ruthlessly rooted out all opposition. The peasants watched as all this was presided over by United States influence, and then by increasing numbers of United States troops, who came to help quell the insurgency that Diem's methods had aroused. When Diem was overthrown they may have been happy, but the long line of military dictatorships seemed to offer no real change, especially in terms of their need for land and peace. And who are we supporting in Vietnam today? It's a man by the name of General Ky, who fought with the French against his own people, and who said on one occasion that the greatest hero of his life is Hitler. This is who we're supporting in Vietnam today. Oh, our government, and the press generally, won't tell us these things, but God told me to tell you this morning. The truth must be told.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

1960s, Why I Am Opposed to the War in Vietnam (1967)

Life, God, War, Happiness

“There was an awful rainbow once in heaven:
We know her woof, her texture; she is given
In the dull catalogue of common things.
Philosophy will clip an Angel’s wings,
Conquer all mysteries by rule and line,
Empty the haunted air, and gnomed mine —
Unweave a rainbow, as it erewhile made
The tender-person’d Lamia melt into a shade.”

John Keats Lamia

"Lamia", Pt. II, l. 229
Poems (1820)

Angels

““You know the answers, but just between ourselves, that sketch smells a bit. It’s sloppy.”
“I never did have any artistic talent,” Art said defensively. “I’d rather take a photograph any day.”
“You’ve taken too many photographs, maybe. As for artistic talent, I haven’t any either, but I learned to sketch. Look, Art—the rest of you guys get this, too—if you can’t sketch, you can’t see. If you really see what you’re looking at, you can put it down on paper, accurately. If you really remember what you have looked at, you can sketch it accurately from memory.”
“But the lines don’t go where I intend them to.”
“A pencil will go where you push it. It hasn’t any life of its own. The answer is practice and more practice and thinking about what you are looking at. All of you lugs want to be scientists. Well, the ability to sketch accurately is as necessary to a scientist as his slipstick. More necessary, you can get along without a slide rule.””

Robert A. Heinlein book Rocket Ship Galileo

Source: Rocket Ship Galileo (1947), Chapter 10, “The Method of Science”, p. 108

Life, Art, Guy, Thinking

“When I first came up with the lines, I don't know what it is, but you got to do it/ I don't know where to go but you got to be there, I was at this party for The Strokes in New York. There was this prevailing sense of, 'We're not quite sure what's happening or what is cool, but we know that it's somewhere around here, in this room.' It was this vague confusion, with everybody kind of sniffing for blood. It wasn't that it was a bad party, or that I don't like The Strokes; I just think there's a lot of confusion right now in the music business. Then, later on, I realized the song was really personal. I didn't know where I was, and I didn't know I was actually lost. It wasn't about the party at all; it's about searching but not knowing what you're searching for. There's the train motif, being on this train heading for either oblivion or salvation – and just holding on for dear life. That song came down from some mountain somewhere, because it was right after I wrote it that I sort of packed it in.”

Rufus Wainwright (1973) American-Canadian singer-songwriter and composer

About I Don't Know What It Is,

Life, Music, Search, Mountain

“My countrymen, though not in any partisan sense, I must speak of the services of the men and women who rallied to the colors of the Republic in the World War. America realizes and appreciates the services rendered, the sacrifices made, and the sufferings endured. There shall be no distinctions between those who knew the perils and glories of the battlefront or the dangers of the sea, and those who were compelled to serve behind the lines, or those who constituted the great reserve of a grand army which awaited the call in camps at home. All were brave. All were self-sacrificing. All were sharers of those ideals which sent our boys twice armed to war.”

Warren G. Harding (1865–1923) American politician, 29th president of the United States (in office from 1921 to 1923)

1920s, The American Soldier (1920)

Women, Men, War, World

“Picking through your pocket lining, well what is this?
Scrap of sassafras, eh Sisyphus?”

Joanna Newsom (1982) American musician

Ys (2006)

“Before I came into the department, your Excellency was obliged often to stand Quarter-master. However capable the principal was of doing his duty, he was hardly ever with you. The line and the staff were at war with each other. The country had been plundered in a way that would now breed a kind of civil war between the staff and the inhabitants. The manner of my engaging in this business, and your Excellency's declaration to the Committee of Congress, that you would stand Quarter-master no longer, are circumstances which I wish may not be forgotten; as I may have occasion, at some future day, to appeal to your Excellency for my own justification. One thing I can say, with truth and sincerity, that I have conducted the business with as much prudence and economy, as if my private fortune had been answerable for the disbursements. And I believe your Excellency will do me the justice to say, the department has cooperated with your measures as far as circumstances were to be governed by me; and this you had reason to apprehend would not have been the case had I not taken direction of the business. And here, in justice to my colleagues, I shall mention that I think them entitled to your Excellency's personal esteem, from the warmth of their wishes, and a desire to promote your ease and convenience.”

Nathanael Greene (1742–1786) American general in the American Revolutionary War

Letter to George Washington (24 April 1779)

War, Truth, Justice, Way

“And if our future
Lies on the final line
Are we brave enough
To see the signals and the signs?”

Harry Chapin (1942–1981) American musician

I Wonder What Would Happen to this World
Song lyrics, Living Room Suite (1978)

Future

“I would like to take your minds back many, many centuries into a familiar experience so significantly recorded in the sacred Scriptures. The Children of Israel had been reduced into the bondage of physical slavery… three groups of people emerged. One group said in substance that "We would rather go back to Egypt." They preferred the flush parts of Egypt to the challenges of the Promised Land. A second group that abhorred the idea of going back to Egypt, and yet they abhorred the idea of facing the difficulties of moving ahead to the Promised Land and they somehow wanted to remain stationary and choose the line of least resistance. There was a third group, probably influenced by Caleb and Joshua who had gone over to spy a bit and who admitted that there were giants in the land but who said, "We can possess the land."”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

This group said in substance that "We will go on in spite of...," that "We will not allow anything to stop us," that "We will move on amid the difficulties, amid the trials, amid the tribulations."
1960s, Keep Moving From This Mountain (1965)

Children, People, Idea, Parting

“There are three ways to understand things. If somebody tells you something, who you respect, you'll say, Okay, since you are saying it, I'll believe it. Second way is that, This is what my concept is, so I'll believe it. But the third way is a very independent way, which is called, seeing is believing. That you see, that you feel, you realize practically, without anybody's concept, but actually be able to realize it completely, completely independently. And then feel it. And this is what I beg of every premie to do. Instead of to follow a bunch of concepts down the line, see this Knowledge, believe this Knowledge -— by yourself, independent of any concepts, any thoughts, any ideas.”

Prem Rawat (1957) controversial spiritual leader

Denver, Colorado, May 12, 1974
1970s

Way, Feeling, Idea, Understanding

“Welcome to the early twenty-first century, human.
It’s night in Milton Keynes, sunrise in Hong Kong. Moore’s Law rolls inexorably on, dragging humanity toward the uncertain future. The planets of the solar system have a combined mass of approximately 2 x 1027 kilograms. Around the world, laboring women produce forty-five thousand babies a day, representing 1023 MIPS of processing power. Also around the world, fab lines casually churn out thirty million microprocessors a day, representing 1023 MIPS. In another ten months, most of the MIPS being added to the solar system will be machine-hosted for the first time. About ten years after that, the solar system’s installed processing power will nudge the critical 1 MIPS per gram threshold—one million instructions per second per gram of matter. After that, singularity—a vanishing point beyond which extrapolating progress becomes meaningless. The time remaining before the intelligence spike is down to single-digit years …”

Charles Stross book Accelerando

Source: Accelerando (2005), Chapter 2 (“Troubadour”), pp. 38-39

Women, World, Law, Intelligence

“Robert Motherwell: Would you say that a fair statement of your position is that the 'meaning' of a work of art consists of the relations among the elements, and not the elements themselves?
Hofmann: Yes, that I would definitely say. You make a thin line and a thick line. It is the same with geometrical shapes. It is all relationship. Without all these relationships it is not possible to express higher art.”

Hans Hofmann (1880–1966) American artist

Interview in Modern Artists in America, First Series (1952), ed. R. Motherwell, Ad Reinhardt, and B. Karpel, p. 19, 39
1950s

Art

“Propensities for crime are irrelevant in a discussion about the murder of an individual — Ms. Kathryn Steinle and all other victims of criminals who should not be in the U. S. For these deaths have nothing to do with aggregate crime rates; they're about individuals who should be alive: a baby that should have been born, a girl who should be among the living, young men and women who should not be dead. To justify the crime-probabilities line-of-inquiry in the context of killer Francisco Sanchez' presence that day on the San Francisco pier, you would need to show that had Sanchez been deported or jailed or turned back at the border—his victim, Ms. Steinle, would nevertheless have suffered the same fate at the hands of a native murderer. The same eventuality would need to be demonstrated with respect to each individual victim of a criminal alien. The implication is crushingly stupid.”

Ilana Mercer South African writer

"The Hispandering Effect," http://www.quarterly-review.org/the-hispandering-effect/ The Quarterly Review, July 12, 2015. 2010s, 2015

Death, Women, Men, Fate

“Now, when our Lord was come to eighteen years,
The King commanded that there should be built
Three stately houses, one of hewn square beams
With cedar lining, warm for winter days;
One of veined marbles, cool for summer heat;
And one of burned bricks, with blue tiles bedecked,
Pleasant at seed-time, when the champaks bud--
Subha, Suramma, Ramma, were their names.
Delicious gardens round about them bloomed,
Streams wandered wild and musky thickets stretched,
With many a bright pavilion and fair lawn
In midst of which Siddartha strayed at will,
Some new delight provided every hour;
And happy hours he knew, for life was rich,
With youthful blood at quickest; yet still came
The shadows of his meditation back,
As the lake's silver dulls with driving clouds.”

Edwin Arnold book The Light of Asia

Book The Second.
The Light of Asia (1879)

Life, Happiness, Youth, Winter

“My meetings with [Ahmed Chalabi] were very brief. I mean, I think I met with him at the State of the Union and just kind of working through the rope line, and he might have come with a group of leaders. But I haven't had any extensive conversations with him.”

George W. Bush (1946) 43rd President of the United States

1 June 2004, remarks on Iraqi Interim Government http://georgewbush-whitehouse.archives.gov/news/releases/2004/06/20040601-2.html 2000s, 2004

Thinking

“You see life as a contrast between misery and pleasure, Jon; that is not a correct interpretation.”
“It’s a pretty good rule of thumb, I should have thought.”
“Thought and non-thought is the only valid line of comparison.”
“Bit of a bird’s-eye view, isn’t it? That puts us on the same level as the proles.”

Brian W. Aldiss (1925–2017) British science fiction author

“Exactly.”
“Man on Bridge” p. 89
Short fiction, Who Can Replace a Man? (1965)

Life, Pleasure, Bird

“It was when General Grant was fighting his way through the Wilderness to Richmond, on the 'line' he meant to pursue 'if it took all summer', and every reverse to his arms was made the occasion for a fresh demand for peace without emancipation, that President Lincoln did me the honor to invite me to the Executive Mansion for a conference on the situation. I need not say I went most gladly. The main subject on which he wished to confer with me was as to the means most desirable to be employed outside the army to induce the slaves in the rebel States to come within the Federal lines. The increasing opposition to the war, in the North, and the mad cry against it, because it was being made an abolition war, alarmed Mr. Lincoln, and made him apprehensive that a peace might be forced upon him which would leave still in slavery all who had not come within our lines.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

Source: 1880s, Life and Times of Frederick Douglass (1881), p. 434.

War, Peace, Way, Fight

“Reeling up, blood streaming down his face from under his dented helmet, Conan glared dizzily at the profusion of destruction which spread before him. From crest to crest the dead lay strewn, a red carpet that choked the valley. It was like a red sea, with each wave a straggling line of corpses.”

Robert E. Howard (1906–1936) American author

"Black Colossus" (1933)

Sea, Dead

“We like books that have a lot of dreck in them, matter which presents itself as not wholly relevant (or indeed, at all relevant) but which, carefully attended to, can supply a kind of “sense” of what is going on. This “sense” is not to be obtained by reading between the lines (for there is nothing there, in those white spaces) but by reading the lines themselves—looking at them and so arriving at a feeling not of satisfaction exactly, that is too much to expect, but of having read them, of having “completed” them.”

Donald Barthelme book Snow White

Source: Snow White (1967), p. 106.

Books, Feeling, Sense, Reading

“To hit in, it's okay; for power, it's not. If you get a line drive in this park, you're in good shape. It's best to hit to right field in this park because of the wall." He explained that balls bounding off and around the right field wall produce more extra base hits. He also said that he doesn't try for the home run. "If I tried hard, I might hit 20 to 25 homers a year. But if you hit for a high average, you will help the ball club more.”

Roberto Clemente (1934–1972) Puerto Rican baseball player

On hitting at Forbes Field; as quoted and paraphrased in "Clemente Unorthodox?" Well, He Gets Results"
Baseball-related, <big><big>1960s</big></big>

Home, Help

“I approached the problem of utility measurement in 1923 during a stay in Paris. There were three objects I had in view :
:(I) To point out the choice axioms that are implied when we think of utility as a quantity, and to define utility in a rigorous way by starting from a set of such axioms;
:(II) To develop a method of measuring utility statistically;
:(III) To apply the method to actual data.
The results of my study along these lines are contained in a paper “Sur un Problème d’Économic Pure”, published in the Series Norsk Matematisk Forenings Skrifter, Serie I, Nr 16, 1926. In this paper, the axiomatics are worked out so far as the static utility concept is concerned. The method of measurement developed is the method of isoquants, which is also outlined in Section 4 below. The statistical data to which the method was applied were sales and price statistics collected by the “Union des Coopérateurs Parisien”. From these data I constructed what I believe can be considered the marginal utility curve of money for the “average” member of the group of people forming the customers of the union. To my knowledge, this is the first marginal utility curve of money ever published.”

Ragnar Frisch (1895–1973) Norwegian economist

Frisch (1932) New Methods of Measuring Marginal Utility. Mohr, Tübingen. p. 2-3: Quoted in: Dagsvik, John K., Steinar Strøm, and Zhiyang Jia. " A stochastic model for the utility of income http://www.ssb.no/a/publikasjoner/pdf/DP/dp358.pdf." (2003). 1930s

Money, People, Way, Knowledge

“The movie stars six teenage characters who have been marketed on TV and in toy stores. They have names, but no discernible personalities. None of them ever says anything more interesting than "You guys!" As teenagers, they are skilled in-line skaters and karate fighters, but they don't get their real powers until they turn into faceless clones in Power Rangers uniforms with plastic masks and helmets. Is that the message? Faceless conformity is the way to success? Certainly the Rangers are not individuals in or out of uniform, but I wonder if they don't represent a triumph of merchandising over creativity. Children's heroes have traditionally been individualistic and eccentric. The Rangers are not, properly speaking, even characters. They are color-coded products… Paging through the movie's press kit, I came across this quote attributed to Amy Jo Johnson, who plays Kimberly, the Pink Power Ranger: " `Mighty Morphin Power Rangers™: The Movie' is a mix between Star Wars and The Wizard of Oz. " I wonder if Amy Jo actually said "TM" when she was delivering that wonderfully fresh and spontaneous quote, which is so much more involved than anything she says in the movie. More to the point, I wonder if she has ever seen "Star Wars" or "The Wizard of Oz."”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/mighty-morphin-power-rangers-the-movie-1995 of Mighty Morphin' Power Rangers: The Movie (30 June 1995) Reviews, Half-star reviews

War, Children, Color, Way

“The first Bengali with a scientific insight to attack the problems of the language was the poet Rabindranath Tagore; and it is flattering for the votaries of philology, to find in one who is the greatest writer in the language, and a great poet and seer for all time, a keen philologist as well, distinguished alike by an assiduous enquiry into the facts of the language as by a scholarly appreciation of the methods and findings of the modern Western philologist. The work of Rabindranath is in the shape of a few essays (now collected in one volume) on Bengali Phonetics, Bengali Onomatopoetics, and on the Bengali noun, and on other topics, the earliest of which appeared in the early nineties, and some fresh papers appeared only several years ago. These papers may be said to have shown to the Bengali enquiring into the problems of his language the proper lines of approaching them.”

Suniti Kumar Chatterji (1890–1977) Bengali linguist

S.K. Chatterji (1926) in: S.K. Chatterji. " Visva-manah Vak-pati http://books.google.nl/books?id=9x-Peh32rw8C&pg=PA124" in: Rabindranath Tagore: A Centenary. S. Radhakrishnan eds. Sahitya Akademi. 1990. p. 124

Problem, Appearance, Time

“Always lines, never forms. Where do they find these lines in Nature? Personally I see only forms that are lit up and forms that are not, planes that advance and planes that recede, relief and depth. My eye never sees outlines or particular features or details… …My brush should not see better than I do.”

Francisco De Goya (1746–1828) Spanish painter and printmaker (1746–1828)

Goya, in a recall of an overheard conversation
conversation of c. 1808, in the earliest biography of Goya: Goya, by Laurent Matheron, Schulz et Thuillié, Paris 1858; as quoted by Robert Hughes, in: Goya. Borzoi Book - Alfred Knopf, New York, 2003, p. 176
probably not accurate word for word, but according to Robert Hughes it rings true in all essentials, of the old Goya, in exile
1800s

Nature, Personality

“In paper, many a poet now survives
Or else their lines had perish'd with their lives.
Old Chaucer, Gower, and Sir Thomas More,
Sir Philip Sidney, who the laurel wore,
Spenser, and Shakespeare did in art excell,
Sir Edward Dyer, Greene, Nash, Daniel.
Sylvester, Beaumont, Sir John Harrington,
Forgetfulness their works would over run
But that in paper they immortally
Do live in spite of death, and cannot die.”

John Taylor (1578–1653) English poet of the 16th and 17th centuries

From "The Praise of Hemp-seed" http://ebooks.gutenberg.us/Renascence_Editions/taylor1.html, published 1620. This is the earliest surviving printed reference to the death of William Shakespeare and Francis Beaumont, who had both died in 1616.

Death, Art, Forgetting

“I just like the themes it's exploring. In the way my character says, "I want us to become brothers again, like we used to be." I really like that line, and it means a lot to me. I just find there's a lot of things like that in this movie that have that feeling. There's stuff that feels exhilarating.”

Owen Wilson (1968) American actor and screenwriter

On working on The Darjeeling Limited (2007), in a Artist on Artist interview on MySpace (26 October 2007).

Way, Feeling

“A banal fever hallucination, soon obliterated and forgotten; it didn't reappear in M's memory until about thirty years later (on 10 August 1925), as he sat alone on a rainy day in a little inn by the seaside, staring at the wooden floor which had been scored by years of scrubbing, and noticed that the grain had started moving of its own accord (much like the lines on the [imitation] mahogany board of his childhood). As with the mahogany board back then, and as with visions seen between sleeping and waking, the lines formed shifting, changing images, blurred at first but then increasingly precise. Max {Ernst] decided to pursue the symbolism of this compulsory inspiration and, in order to sharpen his meditative and hallucinatory skills, he took a series of drawings from the floorboards. Letting pieces of paper drop at random on the floor, he rubbed over them with a black pencil. On careful inspection of the impressions made in this way, he was surprised by the sudden increase they produced in his visionary abilities. His curiosity was aroused. He was delighted, and began making the same type of inquiry into all sorts of materials, whatever caught his eye – leaves with their ribs, the frayed edges of sacking, the strokes of a palette knife in a 'modern' painting, thread rolling off a spool, and so forth. To quote 'Beyond Painting' These drawings, the first fruits of the frottage technique, were collected under the title 'Histoire Naturell.”

Max Ernst (1891–1976) German painter, sculptor and graphic artist

Quote in 'Biographical Notes. Tissue of truth, Tissue of Lies', 1929; as cited in Max Ernst. A Retrospective, Munich, Prestel, 1991, pp.283/284
1910 - 1935

Way, Quotes, Sleep, Memory

“I treat all film roles one way: very seriously," exclaims Pleasence. "I never play anything tongue-in-cheek, though at times it might appear that way. I'm a professional actor who has no particular approach to acting. I get the part, I read the script. If I decide to do it, I learn the lines. People expecting a longwinded explanation on my approach will be disappointed. I have no theory about acting. There is no method, there is no way. I just do it.”

Donald Pleasence (1919–1995) British actor

INTERVIEW BY MARC SHAPIRO https://www.pleasence.com/articles/MADMAN.HTML (February 1989)

People, Disappointment, Way, Learning

“The only really consistent humanitarian is the one who is not a flesh-eater; and great, I am satisfied, will be the results, both to the human family and to the animal race, as children are wisely taught and judiciously directed along this line.”

Ralph Waldo Trine (1866–1958) American author

Source: Every Living Creature (1899), p. 30

Children, Family, Animals

“I truly wanted to be a character actor. People ask me, ‘When are you going to get the lead?’ and I say, ‘I don’t want the lead.’ I always use John Carradine – I don’t know why – but John Carradine to me was more of the classic character actor who would literally show up and do three lines in a big Hollywood movie and then have a bigger part in the sequel to The Invisible Man. That career is so great. That is part of my… I don’t know if it’s a set plan, but I always seem to follow that course.”

Kevin J. O'Connor (actor) (1963) American actor

Exclusive Interview: Kevin J O'Connor http://www.chud.com/14305/exclusive-interview-kevin-j-oconnor-there-will-be-blood-dvd/ (April 8, 2008)

People, Parting

“The panic on the part of the State and Union governments could not but produce some more unsavoury results. Muslim mobs in India and elsewhere had been incited by all those who mattered in India, Pakistan and Bangladesh. They started taking to the streets and turning violent. The Statesman dated May 13 published the following news date-lined Dhaka, May 12: “At least 12 people were killed and 100 wounded when Bangladesh police fired on a demonstration yesterday in the border town of Chepal Nawabgunj, 320 km. from here. Some 1000 demonstrators, belonging to the fundamentalist Jamaat-i-Islami, were protesting against a case filed by two Indian civilians in Calcutta High Court calling for a ban on the Quran in India. The town chief administrator said today that the police opened fire in self-defence when the demonstrators went on a rampage throwing missiles and setting ablaze government property. Yesterday’s incident followed a demonstration by at least 20,000 Jamaat-i-Islami supporters in the capital on Friday {May 10}.””

Sita Ram Goel book The Calcutta Quran Petition

The demonstrators in Dhaka, according to other reports, were trying to storm the office of India’s High Commission when they were stopped by the police.
The Calcutta Quran Petition (1986)

People, Support, Parting

“Roll a ball under your hand on a table and roll a pencil in the same manner. What you feel are "point" and "line" bearings. But to understand what mechanics mean by a surface "bearing," grasp a pencil in your hand and use your other hand to make it turn as a piece of shafting. Now, the lower half of the shaft is supported everywhere by contact with your hand — the upper half is not supported, merely covered. The advantages of ball and roller bearings were obvious many years ago to mechanical people… Solid steel rollers, being inflexible, were not satisfactory at that stage, but a Hyatt flexible roller bearing was different. We had something. Our spirally wound tube roller had a springlike quality, yielded to irregularities caused by poor manufacture, thus making automatic adjustments between housing and bearing.”

Alfred P. Sloan (1875–1966) American businessman

Source: Adventures of a White-Collar Man. 1941, p. 13-14, as cited in: William Pelfrey (2006), Billy, Alfred, and General Motors: The Story of Two Unique Men, a Legendary Company, and a Remarkable Time in American History. p. 30-31; Sloan describing the Hyatt roller bearing product;

People, Feeling, Understanding, Support

“A ley line is what might be called a field of force, a trail of telluric energy. There are hundreds of them, perhaps thousands, all over Britain, and they’ve been around since the Stone Age.”

Stephen R. Lawhead (1950) American writer

Source: The Skin Map (2010), p. 20

Age

“This stretch of the Thames from London Bridge to the Albert Docks is to other watersides of river ports what a virgin forest would be to a garden. It is a thing grown up, not made. It recalls a jungle by the confused, varied, and impenetrable aspect of the buildings that line the shore, not according to a planned purpose, but as if sprung up by accident from scattered seeds. Like the matted growth of bushes and creepers veiling the silent depths of an unexplored wilderness, they hide the depths of London’s infinitely varied, vigorous, seething life. In other river ports it is not so. They lie open to their stream, with quays like broad clearings, with streets like avenues cut through thick timber for the convenience of trade… But London, the oldest and greatest of river ports, does not possess as much as a hundred yards of open quays upon its river front. Dark and impenetrable at night, like the face of a forest, is the London waterside. It is the waterside of watersides, where only one aspect of the world’s life can be seen, and only one kind of men toils on the edge of the stream. The lightless walls seem to spring from the very mud upon which the stranded barges lie; and the narrow lanes coming down to the foreshore resemble the paths of smashed bushes and crumbled earth where big game comes to drink on the banks of tropical streams.Behind the growth of the London waterside the docks of London spread out unsuspected, smooth, and placid, lost amongst the buildings like dark lagoons hidden in a thick forest. They lie concealed in the intricate growth of houses with a few stalks of mastheads here and there overtopping the roof of some four-story warehouse.”

Joseph Conrad book The Mirror of the Sea

London Bridge to the Royal Albert Dock
The Mirror of the Sea (1906), On the River Thames, Ch. 16

Life, Men, Lie, World

“You're going to have a deportation force, and you're going to do it humanely and you're going to bring the country -- and, frankly, the people, because you have some excellent, wonderful people, some fantastic people hat have been here for a long period of time. Don't forget, Mika, that you have millions of people that are waiting in line to come into this country and they're waiting to come in legally. And I always say the wall, we're going to build the wall. It's going to be a real deal. It's going to be a real wall. There was a picture in one of the magazines where they had a wall this tall and they were taking drugs over the wall. They built a ramp over the wall and the truck was going up and down. They were using it like a highway; the wall is like a highway. It's not going to happen. It's going to be a Trump wall. It's going to be a real wall. And it's going to stop people and it's going to be good. But your friend Thomas Friedman called me and said, hah, there should be a big door. I said going to be a big door. I love the expression. There's going to be a big beautiful nice door. People are going to come in and they're going to come in legally. But we have no choice. Otherwise, we don't have a country. We don't even know how many people. We don't know if it's 8 million or if it's 20 million. We have no idea how many people are in our country. And then you see what happened with Kate in San Francisco. You see what happens with all of the things going on, all of the tremendous crime going on. It costs us $200 billion a year for illegal immigration right now. $200 billion a year, maybe $250, maybe $300. They don't even know. We're going to stop it. We're going to run it properly and we're going to stop it.”

Donald J. Trump (1946) 45th President of the United States of America

On his immigration plan (2015 November 11)
2010s, 2015

Love, People, Beauty, Idea

“Intercourse is a world that moves through the sexed world of dominance and submission. It moves in descending circles, not in a straight line, and as in a vortex each spiral goes down deeper.”

Andrea Dworkin book Intercourse

Introduction
Intercourse (1987)

World, Sex

“The major reasons for diversification were by this time well established : to employ excess plant capacity, to eliminate seasonal humps, to guard against dependency on one industry, to enter new expanding industries, to supplement existing product lines, to use old products to create new product, and to secure a larger share of business in general.”

Neil Fligstein (1951) American sociologist

Source: The transformation of corporate control, 1993, p. 128

Business, Time, Dependency, Season

“Besides these improvements,… there are others,… which may… be interesting to those… engaged in those departments… Among these may be ranked, in the division of mechanics, properly so called, a simple demonstration of the law of the force by which a body revolves in an ellipsis; another of the properties of; a calculation of the effect of temperature on steel springs; an easy determination of the best line of draught for a carriage; an investigation of the resistance to be overcome by a wheel or roller; and an estimation of the ultimate pressure produced by a blow.”

Thomas Young (scientist) (1773–1829) English polymath

Preface, pp. ix-x
A Course of Lectures on Natural Philosophy and the Mechanical Arts (1807)

Law, Spring

“Treasure maps; Czarist bonds; a case of stuffed dodos; Scarlett O'Hara's birth certificate; two flattened and deformed silver bullet heads in an old matchbox; Baedeker's guide to Atlantis (seventeenth edition, 1902); the autograph score of Schubert's Unfinished Symphony, with Das Ende written neatly at the foot of the last page; three boxes of moon rocks; a dumpy, heavy statuette of a bird covered in dull black paint, which reminded him of something but he couldn't remember what; a Norwich Union life policy in the name of Vlad Dracul; a cigar box full of oddly shaped teeth, with CAUTION: DO NOT DROP painted on the lid in hysterical capitals; five or six doll's-house-sized books with titles like Lilliput On $2 A Day; a small slab of green crystal that glowed when he opened the envelope; a thick bundle of love letters bound in blue ribbon, all signed Margaret Roberts; a left-luggage token from North Central railway terminus, Ruritania; Bartholomew's Road Atlas of Oz (one page, with a yellow line smack down the middle); a brown paper bag of solid gold jelly babies; several contracts for the sale and purchase of souls; a fat brown envelope inscribed To Be Opened On My Death: E. A. Presley, unopened; Oxford and Cambridge Board O-level papers in Elvish language and literature, 1969-85; a very old drum in a worm-eaten sea-chest marked F. Drake, Plymouth, in with a load of minute-books and annual accounts of the Winchester Round Table; half a dozen incredibly ugly portraits of major Hollywood film stars; Unicorn-Calling, For Pleasure & Profit by J. R. Hartley; a huge collection of betting slips, on races to be held in the year 2019; all water, as far as Paul was concerned, off a duck's {back]”

Tom Holt (1961) British writer

The Portable Door (2003)

Love, Life, Death, Pleasure

“In order to see the difference which exists between… studies,—for instance, history and geometry, it will be useful to ask how we come by knowledge in each. Suppose, for example, we feel certain of a fact related in history… if we apply the notions of evidence which every-day experience justifies us in entertaining, we feel that the improbability of the contrary compels us to take refuge in the belief of the fact; and, if we allow that there is still a possibility of its falsehood, it is because this supposition does not involve absolute absurdity, but only extreme improbability.
In mathematics the case is wholly different… and the difference consists in this—that, instead of showing the contrary of the proposition asserted to be only improbable, it proves it at once to be absurd and impossible. This is done by showing that the contrary of the proposition which is asserted is in direct contradiction to some extremely evident fact, of the truth of which our eyes and hands convince us. In geometry, of the principles alluded to, those which are most commonly used are—
I. If a magnitude is divided into parts, the whole is greater than either of those parts.
II. Two straight lines cannot inclose a space.
III. Through one point only one straight line can be drawn, which never meets another straight line, or which is parallel to it.
It is on such principles as these that the whole of geometry is founded, and the demonstration of every proposition consists in proving the contrary of it to be inconsistent with one of these.”

Augustus De Morgan (1806–1871) British mathematician, philosopher and university teacher (1806-1871)

Source: On the Study and Difficulties of Mathematics (1831), Ch. I.

Truth, Feeling, History, Mathematics

“Down there it's still Summer, I suppose, whereas our sun [in Switzerland] is already gilding the mountains and the larches are turning yellow, but the colours are wonderful, like old, dark red satin. Down here in the valley the huts stand out in the strongest Paris blue against the yellow fields. Here one really learns the values of the individual colours for the first time. And the harsh, monumental lines of the mountains.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

Letter to Nele van de Velde ((daughter of Henry van de Velde), from Frauenkirch, 13 October 1918; as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, pp. 223-224
1916 - 1919

Mountain, Learning, Time, Sun

“It is my own personal psychosis that it is only by the background that you can see what is in front of you. Only be accepting all that surrounds you can you be totally self-visualized. And at the same time, your self-visualization is a reflection of your surroundings. Albers was right about that. That's why I like Cezanne so much. Matisse said, you have to read between the lines. When he would stop a line, say, at the ear, and beginning it again at the neck, he was really exercising the viewer's mind to fill in the blanks”

Robert Rauschenberg (1925–2008) American artist

parts
Quote from an interview with Barbara Rose, 1987, in Rauschenberg, Avedon Vintage, Random House, New York 1987, p. 72
1980's

Exercises, Time, Reading, Parting

“Any new property is always risky. And my show really didn’t have a strong hook to it. I couldn’t come up with a tag line for it. I just liked that it was friendly and nice, just two friends that hang out in a weird world. I think that’s what was risky. It was boring and you couldn’t see where it would go. I mean, I could. But I don’t think anyone else could see where it could go, in the beginning.”

Pendleton Ward (1982) American animator

Pendleton Ward On Keeping “Adventure Time” Weird https://www.fastcompany.com/1681874/pendleton-ward-on-keeping-adventure-time-weird (November 12, 2012)

World, Thinking, Strong

“The head-lines which do not head anything they simply replace something but they do not make anything.”

Gertrude Stein (1874–1946) American art collector and experimental writer of novels, poetry and plays

Source: Everybody’s Autobiography (1937), Ch. 5

“"Mortality", in Songs of Israel (1824). Abraham Lincoln was fond of repeating these lines.”

William Knox

"Mortality"

“The faces that were young once were old as mine but everyone remembered how we were. The eyes had not changed and nobody was fat. No mouths were bitter no matter what the eyes had seen. Bitter lines around the mouth are the first sign of defeat. Nobody was defeated.”

Ernest Hemingway (1899–1961) American author and journalist

It is July 1959 and Hemingway is in Marceliano's bar in Pamplona, where he has not been since before the Spanish Civil War. In the following paragraph Hemingway mentions for contrast an unpleasant American journalist in his early twenties whose 'handsome young face already showed the traced lines of bitterness around the upper lips.'
Source: The Dangerous Summer (1985), Ch. 9

Change

“It was an earnest, extreme, and irreverent book, a book that, in its mockery of authority, its relentless logic, its relentless hewing to the line of Reason, letting the sacred cows fall where they might, followed the old familiar script: CAMPUS REBEL FLAYS FACULTY. But the script was all balled up, for the author was more reactionary than any of the dignitaries in their black robes, and his book damned Yale as a hotbed of atheism and collectivism.”

Dwight Macdonald (1906–1982) journalist

Review of God and Man at Yale by William F. Buckley, Jr., quoted in Grace Elizabeth Hale, A Nation of Outsiders:How the White Middle Class Fell in Love With Rebellion in Postwar America. Oxford University Press, 2011.

Books

“The so called άναλυόμϵνος ('Treasury of Analysis') is… a special body of doctrine provided for the use of those who, after finishing the ordinary Elements, are desirous of acquiring the power of solving problems which may be set them involving (the construction of) lines, and it is useful for this alone. It is the work of three men, Euclid the author of the Elements, Apollonius of Perga, and Aristaeus the elder, and proceeds by way of analysis and synthesis.”

Pappus of Alexandria (290–350) Greek mathematician of Antiquity

Source: The Thirteen Books of Euclid's Elements (1908), Ch. IX. §6

Men, Way, Problem

“Truth be told, I don’t really prepare much. I’m not a very serious actor in those regards. I learn my lines, I show up, I take direction.”

Jason Biggs (1978) American actor

Interview with Larry Smith, basis for Bigg's character on the show Orange Is the New Black, interview excerpted in: — [December 4, 2014, http://popwatch.ew.com/2014/07/16/larry-smith-jason-biggs-orange-is-the-new-black/, Jason Biggs talks 'Orange is the New Black' with real-life Larry, Ariana Bacle, July 16, 2014, Entertainment Weekly]

Truth, Learning

“It began with one pig at a British slaughterhouse. Somewhere along the production line it was observed that the animal had blisters in his mouth and was salivating. The worst suspicions were confirmed, and within days borders had been sealed and a course of action determined. Soon all of England and the world watched as hundreds, and then hundreds of thousands, of pigs, cows, and sheep and their newborn lambs were taken outdoors, shot, thrown into burning pyres, and bulldozed into muddy graves. Reports described terrified cattle being chased by sharpshooters, clambering over one another to escape. Some were still stirring and blinking a day after being shot.”

Matthew Scully (1959) American political writer and speechwriter

Dominion (2002)

World, Animals

“I suggest that, if India is to evolve along nonviolent lines, it will have to decentralize many things. Centralization cannot be sustained and defended without adequate force... Centralization as a system is inconsistent with non-violent structure of society.”

Mahatma Gandhi (1869–1948) pre-eminent leader of Indian nationalism during British-ruled India

Young India (18 January 1942) p. 5
1940s

“It is a better world with some buffalo left in it, a richer world with some gorgeous canyons unmarred by signboards, hot-dog stands, super highways, or high-tension lines, undrowned by power or irrigation reservoirs. If we preserved as parks only those places that have no economic possibilities, we would have no parks. And in the decades to come, it will not be only the buffalo and the trumpeter swan who need sanctuaries. Our own species is going to need them too. It needs them now.”

Wallace Stegner (1909–1993) American historian, writer, and environmentalist

This is Dinosaur: Echo Park Country and its Magic Rivers is a collection of essays and photographs edited by Wallace Stegner and published by Alfred A. Knopf in 1955. This passage is from the collection's first essay, "The Marks of Human Passage", which is by Stegner (page 17).

World, Dogs

“Date not the life which thou hast run by the mean of reckoning of the hours and days, which though hast breathed: a life spent worthily should be measured by a nobler line, — by deeds, not years…”

Richard Brinsley Sheridan (1751–1816) Irish-British politician, playwright and writer

Pizarro (first acted 24 May 1799), Act iv, Scene 1. Compare: "Who well lives, long lives; for this age of ours / Should not be numbered by years, daies, and hours", Guillaume de Salluste Du Bartas, Second Week, Fourth Day, Book ii.

Life

“The average Russian of mature age today may some day have the moral satisfaction of seeing his government exercise a power unprecedented in history over the land masses of Asia and Europe. But it is not likely that he will ever know the comforts, in the line of housing, clothing, and other conveniences of civilized living, comparable to those that have existed in the advanced countries of the West. That renunciation of comfort is his involuntary contribution to something: either to the future comfort of his own children or to the increased military power of Russia. He hopes — and we hope with him — that it will not be only the latter.”

George F. Kennan (1904–2005) American advisor, diplomat, political scientist and historian

Memoirs 1925 - 1950 (1967), Russia — Seven Years Later (September 1944)

Children, Age, Hope, Exercises

“We have known since the middle of the nineteenth century that the world is not composed only of particles. …the world is also composed of fields. …General relativity is a theory of… the gravitational field. …Because there are three sets of field lines, the gravitational field defines a network of relationships having to do with how the… lines link with one another. …This is why we call relativity a relational theory.”

Lee Smolin book Three Roads to Quantum Gravity

Three Roads to Quantum Gravity (2000)

World

“We speak of concrete and not abstract painting because nothing is more concrete, more real then a line, a colour, a surface. A woman, a tree, a cow; are these concrete elements in a painting? No. A woman, a tree and a cow are concrete only in nature; in painting they are abstract, illusionistic, vague and speculative. However, a plane is a plane, a line is a line and no more or no less than that. 'Concrete paintin.”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Spirit has arrived at the age of maturity...
Quote in 'Comments on the basic of concrete painting', Paris, January 1930, in 'Art Concret', April 1930, pp. 2–4
1926 – 1931

Age, Nature, Tree, Painting

“When did he cross that line from a person to a textile shrine?”

Ralston Bowles (1952) American musician

From the song "Velvet Elvis" on the album The Grand Rapids Collection (2005)

Personality

“Why was his hair tinted with gold? An evil omen was golden hair in my life. Why had not the brown of his eyes crushed out and killed the blue? — for brown were his father’s eyes, and his father’s father’s. And thus in the Land of the Color-line I saw, as it fell across my baby, the shadow of the Veil.”

W.E.B. Du Bois book The Souls of Black Folk

Source: The Souls of Black Folk (1903), Ch. XI: Of the Passing of the First-Born

Life, Color, Evil, Baby

“The bottom line is that people don't have the right to manipulate or to breed dogs and cats… If people want toys, they should buy inanimate objects. If they want companionship, they should seek it with their own kind.”

Ingrid Newkirk (1949) British-American activist

Animals, 1993 May 1.
1990s

People, Dogs, Cats

“[The] contention that today's rich person is simply the winner of a "race that is open for anyone to enter" takes no account of inheritance or how we are equipped as we enter that race. It doesn't acknowledge that some approach the starting line in streamlined Lycra suits and track shoes, with full knowledge of the rules, a determined attitude and belief in their own abilities, not to mention a close friendship with those setting the rules and choosing the winner. Others, hungry from not having had a meal that day, barely make it to the starting line, don't really understand the purpose of the race or its rules, lack self-confidence and are full of hostility, and are convinced that those officials at the side of the track are actually cops waiting to bust them.”

Linda McQuaig (1951) journalist and author

All You Can Eat: Greed, Lust and the New Capitalism (2001)

Friendship, Hostility, Shoe, Confidence

“They are women who are standing on their feet in spite of their circumstances, not because of it. Think of how the world can be a much better place if, for a change, we have a better equality, we have equality, we have a representation and we understand war, both from the front-line and the back-line discussion.”

Zainab Salbi (1969) Iraqi American author, women's rights activist

Speech at TEDGlobal 2010

Women, War, World, Understanding

“Acting has been a journey of self-discovery for me. It is the most fulfilling thing I know. It is also terrifying, and painfully awkward. But for me there is no better feeling that truthfully living in a moment, under completely imaginative circumstances. There is also nothing more devastating than walking out of an audition knowing that you were “acting” and not simply being. I feel like a fraud most of the time, but then you have these magical moments when you really feel and it is those moments that make it all worthwhile. It’s a high like nothing I have ever experienced. Acting is the most paradoxical of crafts – you have to learn it, practice obsessively and then throw it all away. Its like walking on a tightrope, there is a very thin line between passion and technique and you have to find the perfect balance. I think it’s a very personal and private art.”

Sara Malakul Lane (1983) Thai-American actress and model

Sara Malakul Lane – Getting to Know http://somethingyousaid.com/2013/08/07/getting-to-know-sara-malakul-lane-2/ (August 7, 2013)

Art, Feeling, Imagination, Fraud

“Let my inspiration flow, in token lines suggesting rhythm, that will not forsake me, till my tale is told and done”

Robert Hunter (1941–2019) American musician

"Lady With a Fan"
Song lyrics, (1977)

“You -- (applause continues) -- you know, the idea that you have to wait on line for eight hours to cast your ballot in Florida -- there's something the matter with that. You think people can work all day and then pick up their kids at child care or wherever, and get home and then have a -- still manage to sandwich in an eight-hour vote? Well, Republicans, I guess, can do that, because a lot of them have never made an honest living in their lives. (Light applause.) But for ordinary working people, who have to work eight hours a day, they have kids, they got to get home to those kids, the idea of making them stand for eight hours to cast their ballot for democracy is wrong. We ought to make voting easier to do. Mail -- Oregon has got it right. (Applause.)”

Howard Dean (1948) American political activist

Source: Take Back America 2005 conference, in Washington D.C. http://www.dailykos.com/storyonly/2005/6/7/11437/00894, June 2, 2005

People, Democracy, Home, Idea

“The longer a line, the more of the time element it contains. Distance is time whereas a surface is apprehended more in terms of the moment.”

Paul Klee (1879–1940) German Swiss painter

Exact Experiments in the Realm of Art (1927)
1921 - 1930

Time

“Bragan and Walker talked to me the most. The fellow who helped me most of all was Buck Clarkson. I think he lives in Donora. He managed me in the Puerto Rican League when I was a boy. He used to see me throw a ball from the outfield 400 feet on the line, most of the time wild. And I hit good. Buck Clarkson used to tell me I am as good as anybody in big leagues. That helped me a lot.”

Roberto Clemente (1934–1972) Puerto Rican baseball player

Evaluating previous managers, as quoted in "Sidelight on Sports: Roberto Remembers" https://news.google.com/newspapers?id=6KNhAAAAIBAJ&sjid=22wDAAAAIBAJ&pg=7371%2C4597940 by Al Abrams, in The Pittsburgh Post-Gazette (Friday, March 31, 1972), p. 10 Baseball-related, <big><big>1970s</big></big>, <big>1972</big>

Boy, Thinking, Time, Help

“I know what turns me on, and it's that fine line, that point where you're falling off the edge of a cliff, where your stomach turns, [and] I'm always trying to find that point in music. You rarely hit it, and again, that's the joy of playing live, because there you can be just at that point where you've lost balance. I'm always walking between polarities, trying to find the opposing sides.”

KatieJane Garside (1968) English singer

On creative aspirations, Drowned in Sound http://drownedinsound.com/in_depth/4562-i-want-to-have-a-past (2002)

Music, Joy

“It seems that the first consideration of a painter who stands before the white canvas should be to decide what curves and arabesques should cut the surface, what tints and tones should cover it... Following the precepts of Delacroix he would not begin a composition until he had first determined its organization. Guided by tradition and by science, he would adjust the composition to his conception, that is to say he would adapt the lines (directions and angles), the chiaroscuro (tones), the colors (tints), to the traits he wished to make dominant.”

Paul Signac (1863–1935) French painter

Chapt. III.; as quoted by John Rewald, in Georges Seurat', a monograph https://ia800607.us.archive.org/23/items/georges00rewa/georges00rewa.pdf; Wittenborn and Compagny, New York, 1943. p. 21 From Delacroix to Neo-Impressionism, 1899

Color, Science

“The fingers feel the lines, they prod the space - your ageing face,
The face that was once so beautiful, is still there but unrecognisable…”

Paul Weller (singer) (1958) English singer-songwriter, Guitarist

Private Hell, from Setting Sons (1979)

Age, Beauty, Feeling

“Proposition 14. The straight line joined from the centre of the earth to the centre of the moon has to the straight line cut off from the axis towards the centre of the moon by the straight line subtending the (circumference) within the earth's shadow a ratio greater than that which 675 has to 1.”

Aristarchus of Samos ancient Greek astronomer and mathematician

p, 125
On the Sizes and Distances of the Sun and the Moon (c. 250 BC)

“!-- What you have to do first is separate yourself from the world, most new-born babies don’t see any difference between them, their playpen and their Dad. It’s all them. Only after a little while do they start to realise that it’s not all me, just this bit is me. So by the invention of something similar to the word or concept ‘I’ we separate ourselves from the universe. Then we start to separate up the universe. We will divide sky from ground, the organic from inorganic. Looked at like this, doesn’t it provide a literal interpretation of the Biblical Creation story. -->If you take the idea of God in the Bible as a metaphor for any nascent, formative just-created intelligence, is that not how we all create the universe. We divide the firmament up from the waters of the abyss, and the key to how to do this is in the first line: in the beginning, there was the word. By giving sky one word, the ground into another, we break the universe down into manageable things that we can interact with through language.”

Alan Moore (1953) English writer primarily known for his work in comic books

De Abaitua interview (1998)

God, World, Intelligence, Idea

“Off screen, I was friends with people I was nasty to in pictures. Judy Canova and I were friends. There’s a terrific line in ‘WAC From Walla Walla’ where she’s trying to pick out a shade of lipstick. I walk by and say ‘window shade.’ [Laughs] Judy played the star bit to the hilt! She had an entourage that followed her around. One woman held an umbrella over Judy’s head to keep the sun off her.”

June Vincent (1920–2008) actress

An Interview with June Vincent (1996)

People, Star, Sun

“Perhaps the most extraordinary thing about a modern battlefield is the desolation and emptiness of it all…one cannot emphasize too much. Nothing is to be seen of war or soldiers--only the split and shattered trees and the burst of an occasional shell reveal anything of the truth. One can look for miles and see no human being. But in those miles of country lurk (like moles or rats, it seems) thousands, even hundreds of thousands of men, planning against each other perpetually some new device of death. Never showing themselves, they launch at each other bullet, bomb, aerial torpedo and shell. And somewhere too (on the German side we know of their existence opposite us) are the little cylinders of gas, waiting only for the moment to spit forth their nauseous and destroying fumes. And yet the landscape shows nothing of all this--nothing but a few shattered trees and three or four lines of earth and sandbags, these and the ruins of towns and villages are the only signs of war anywhere visible. The glamour of red coats--the martial tunes of flag and drum--aide-de-camps scurrying hither and thither on splendid chargers--lances glittering and swords flashing--how different the old wars must have been!”

Harold Macmillan (1894–1986) British politician

letter to his mother, May 13, 1916
1910s

Death, Men, War, Truth

“A scene that has often come into my mind, both sleeping and waking — I am standing in the wings of a theatre waiting for my cue to go onstage. As I stand there I can hear the play proceeding, and suddenly it dawns on me that the lines I have learnt are not in this play at all, but belong to quite a different one. Panic seizes me; I wonder frenziedly what should I do. Then I get my cue. Stumbling, falling over the unfamiliar scenery, I make my way onto the stage, and then look for guidance to the prompter, whose head I can just see rising out of the floor-boards. Alas he only signals helplessly to me and I realise of course that his script is different from mine. I begin to speak my lines, but they are incomprehensible to the other actors and abhorrent to the audience, who begin to hiss and shout: “Get off the stage!”, “Let the play go on!”, “You’re interrupting!””

Malcolm Muggeridge (1903–1990) English journalist, author, media personality, and satirist

I am paralysed and can think of nothing to do but to go on standing there and speaking my lines that don’t fit. The only lines I know.
Chronicles of Wasted Time: The Green Stick (1972)

Way, Thinking, Sleep, Waiting

“WE MUST INVENT FUTURIST CLOTHES, hap-hap-hap-hap-happy clothes, daring clothes with brilliant colours and dynamic lines. They must be simple, and above all they must be made to last for a short time only in order to encourage industrial activity and to provide constant and novel enjoyment for our bodies.”

Giacomo Balla (1871–1958) Italian artist

(Manuscript, 1913); as quoted at dekorera.tumblr: futurist manifesto of men's clothing http://dekorera.tumblr.com/post/3212646425/futurist-manifesto-of-mens-clothing-by-giacomo Futurist Manifesto of Men's clothing,' 1913/1914

Happiness, Time, Clothes

“Her surname resembled a line from an optometrist's examination chart.”

Tom Robbins book Still Life with Woodpecker

Still Life with Woodpecker (1980)

“Dubbed as a Knight of the Order of Saint Sebastian, I espoused the cause of pure colour, which has been invaded by guile, occupied and oppressed in cowardly fashion by line and its manifestation; drawing in Art. I aimed to defend and deliver it, and lead it to triumph and final glory.”

Yves Klein (1928–1962) French artist

In 1956; p. 27
before 1960, "Yves Klein, 1928 – 1962, Selected Writings"

Art, Fashion, Drawing

“When you keep your thoughts fixed on God, the things of God will naturally permeate your life, and thus your goals will be in line with his will and his kingdom.”

Tommy Newberry American writer

The 4:8 Principle.
The 4:8 Principle (2007)

Life, God, Nature

“If my history lesson has done nothing else, it should have reminded you that, during any given period in the evolving history of physics, the prevailing, main line, climate of opinion was likely as not to be wrong, as seen in the light of later developments. And yet, in those earlier times, with relatively few individuals involved, change did occur, but slowly… What is fundamentally different in the present day situation in high energy physics is that large numbers of workers are involved, with corresponding pressures to conformity and resistance to any deflection in direction of the main stream, and that the time scale of one scientific generation is much too long for the rapid pace of experimental discovery. I also have a secret fear that new generations may not necessarily have the opportunity to become familiar with dissident ideas.”

Julian Schwinger (1918–1994) American theoretical physicist

as quoted by Sameer Shah in "If you can't join 'em, beat 'em": Julian Schwinger's Conflicts in Physics. Directions in Cultural History, The UCLA Historical Journal, Volume 21, 2005-2006, p. 50

Secret, Fear, History, Idea

“I turn to the past to learn its story without any preconceived opinion what that story may be. I do not assume that one period or one line of study is more instructive than another, but I am ready to recognise the real identity of man's aspiration at all times. Some episodes in history are regarded as profoundly modern; others are dismissed contemptuously as concerned with trifles. In some ages there are great heroes, in others the actors are sunk in indolence and sloth. For my own part I do not recognise this great distinction.”

Mandell Creighton (1843–1901) English historian and ecclesiastic

The teaching of ecclesiastical history, Inaugural lecture, Dixie Chair of Ecclesiastical History, University of Cambridge (23 January 1885).

Age, History, Study, Learning

“The lines were fill'd with many a tender thing,
All the impassion'd heart's fond communing.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Written under a Picture of a Girl Burning a Love Letter from The London Literary Gazette (16th November 1822) Fragments in Rhyme II - Lines Written under a Picture of a Girl Burning a Love Letter
The Improvisatrice (1824)

Communication, Heart