Quotes about instrument
page 7

Thomas Jefferson photo
Witold Doroszewski photo
Arundhati Roy photo

“To the Kathakali Man these stories are his children and his childhood. He has grown up within them. They are the house he was raised in, the meadows he played in. They are his windows and his way of seeing. So when he tells a story, he handles it as he would a child of his own. He teases it. He punishes it. He sends it up like a bubble. He wrestles it to the ground and lets it go again. He laughs at it because he loves it. He can fly you across whole worlds in minutes, he can stop for hours to examine a wilting leaf. Or play with a sleeping monkey's tail. He can turn effortlessly from the carnage of war into the felicity of a woman washing her hair in a mountain stream. From the crafty ebullience of a rakshasa with a new idea into a gossipy Malayali with a scandal to spread. From the sensuousness of a woman with a baby at her breast into the seductive mischief of Krishna's smile. He can reveal the nugget of sorrow that happiness contains. The hidden fish of shame in a sea of glory.
He tells stories of the gods, but his yarn is spun from the ungodly, human heart.
The Kathakali Man is the most beautiful of men. Because his body is his soul. His only instrument. From the age of three he has been planed and polished, pared down, harnessed wholly to the task of story-telling. He has magic in him, this man within the painted mark and swirling skirts.
But these days he has become unviable. Unfeasible. Condemned goods. His children deride him. They long to be everything that he is not. He has watched them grow up to become clerks and bus conductors. Class IV non-gazetted officers. With unions of their own.
But he himself, left dangling somewhere between heaven and earth, cannot do what they do. He cannot slide down the aisles of buses, counting change and selling tickets. He cannot answer bells that summon him. He cannot stoop behind trays of tea and Marie biscuits.
In despair he turns to tourism. He enters the market. He hawks the only thing he owns. The stories that his body can tell.
He becomes a Regional Flavour.”

page 230-231.
The God of Small Things (1997)

George Boole photo

“That language is an instrument of human reason, and not merely a medium for the expression of thought, is a truth generally admitted.”

George Boole (1815–1864) English mathematician, philosopher and logician

George Boole, quoted in Kenneth E. Iverson's 1979 Turing Award Lecture
Attributed from posthumous publications

John Stuart Mill photo
Peter Greenaway photo
Arun Shourie photo

“And yet, none of this is accidental. As we have seen in the texts that we have surveyed in this book, it is all part of a line. India turns out to be a recent construct. It turns out to be neither a country nor a nation. Hinduism turns out to be an invention – surprised at the word? You won’t be a few pages hence – of the British in the late nineteenth century. Simultaneously, it has always been inherently intolerant. Pre-Islamic India was a den of iniquity, of oppression. Islamic rule liberated the oppressed. It was in this period that the Ganga-Jamuna culture, the ‘composite culture’ of India was formed, with Amir Khusro as the great exponent of it, and the Sufi savants as the founts. The sense of nationhood did not develop even in that period. It developed only in response to British rule, and because of ideas that came to us from the West. But even this – the sense of being a country, of being a nation, such as it was – remained confined to the upper crust of Indians. It is the communists who awakened the masses to awareness and spread these ideas among them.
In a word, India is not real – only the parts are real. Class is real. Religion is real – not the threads in it that are common and special to our religions but the aspects of religion that divide us, and thus ensure that we are not a nation, a country, those elements are real. Caste is real. Region is real. Language is real – actually, that is wrong: the line is that languages other than Sanskrit are real; Sanskrit is dead and gone; in any case, it was not, the averments in the great scholar, Horace Wilson to the House of Commons Select Committee notwithstanding, that it was the very basis, the living basis of other languages of the country; rather, it was the preserve of the upper layer, the instrument of domination and oppression; one of the vehicles of perpetuating false consciousness among the hapless masses.”

Arun Shourie (1941) Indian journalist and politician

Eminent Historians: Their Technology, Their Line, Their Fraud

DJ Shadow photo
Herbert Marcuse photo
Friedrich Hayek photo
John Dear photo

“The key to changing the world and pursuing justice and disarmament is to allow the God of peace to disarm our hearts, make us instruments of peace, and lead us together on the road of peace.”

John Dear (1959) Catholic priest from the United States

From the homepage of his official website JohnDear.org http://johndear.org/ (2017).

John F. Kennedy photo
Calvin Coolidge photo
James Madison photo
George Long photo
Hans Freudenthal photo

“No statistician present at this moment will have been in doubt about the meaning of my words when I mentioned the common statistical model. It must be a stochastic device producing random results. Tossing coins or a dice or playing at cards are not flexible enough. The most general chance instrument is the urn filled with balls of different colours or with tickets bearing some ciphers or letters. This model is continuously used in our courses as a didactic tool, and in our statistical analyses as a means of translating realistic problems into mathematical ones. In statistical language " urn model " is a standard expression.”

Hans Freudenthal (1905–1990) Dutch mathematician

Source: The Concept and the Role of the Model in Mathematics and Natural and Social Sciences (1961), p. 79; Partly cited in: Norman L. Johnson and Samuel Kotz (1977) Urn Models and Their Application: an. Approach to Modern Discrete Probability Theory http://dis.unal.edu.co/~gjhernandezp/sim/hide/Urn%20Models%20and%20Their%20Application%20-%20An%20approach%20to%20modern%20discrete%20probability%20theory_Norman%20L.Johnson(Wiley%201977%20413s).pdf, John Wiley & Sons.

John Gray photo
Géza Révész photo

“Ebbinghaus: Language is a system of conventional signs that can be voluntarily produced at any time.
Croce: Language is articulated, limited sound organized for the purpose of expression.
Dittrich: Language is the totality of expressive abilities of individual human beings and animals capable of being understood by at least one other individual.
Eisler: Language is any expression of experiences by a creature with a soul.
B. Erdmann: Language is not a kind of communication of ideas but a kind of thinking: stated or formulated thinking. Language is a tool, and in fact a tool or organ of thinking that is unique to us as human beings.
Forbes: Language is an ordered sequence of words by which a speaker expresses his thoughts with the intention of making them known to a hearer.
J. Harris : Words are the symbols of ideas both general and particular: of the general, primarily, essentially and immediately; of the particular, only secondarily, accidentally and mediately.
Hegel: Language is the act of theoretical intelligence in its true sense, for it is its outward expression.
Jespersen: Language is human activity which has the aim of communicating ideas and emotions.
Jodl: Verbal language is the ability of man to fashion, by means of combined tones and sounds based on a limited numbers of elements, the total stock of his perceptions and conceptions in this natural tone material in such a way that this psychological process is clear and comprehensible to others to its least detail.
Kainz : Language is a structure of signs, with the help of which the representation of ideas and facts may be effected, so that things that are not present, even things that are completely imperceptible to the senses, may be represented.
De Laguna: Speech is the great medium through which human co-operation is brought about.
Marty: Language is any intentional utterance of sounds as a sign of a psychic state.
Pillsbury-Meader: Language is a means or instrument for the communication of thought, including ideas and emotions.
De Saussure: Language is a system of signs expressive of ideas.
Schuchardt. The essence of language lies in communication.
Sapir: Language is a purely human and non-instinctive method of communicating ideas, emotions and desires by means of a system of voluntarily produced symbols.”

Géza Révész (1878–1955) Hungarian psychologist and musicologist

Footnote at pp. 126-127; As cited in: Adam Schaff (1962). Introduction to semantics, p. 313-314
The Origins and Prehistory of Language, 1956

Wyndham Lewis photo
Francesco Balilla Pratella photo
René Descartes photo
Paulo Freire photo

“Welfare programs as instruments of manipulation ultimately serve the end of conquest. They act as an anesthetic, distracting the oppressed from the true causes of their problems and from the concrete solutions of these problems.”

Paulo Freire (1921–1997) educator and philosopher

Source: Pedagogia do oprimido (Pedagogy of the Oppressed) (1968, English trans. 1970), Chapter 4, Manipulation

Jane Roberts photo
Charles Grey, 2nd Earl Grey photo
Mata Amritanandamayi photo
Erving Goffman photo
Hariprasad Chaurasia photo
Bill Mollison photo
Harlan F. Stone photo

“Just what instrumentalities of either a state or the federal government are exempt from taxation by the other cannot be stated in terms of universal application.”

Harlan F. Stone (1872–1946) United States federal judge

Metcalf & Eddy v. Mitchell, 269 U.S. 514., 522 (1926).

David Graeber photo
Willie Nelson photo

“(Songwriting) It's a gift. It all comes from somewhere. I started out really young, when I was four, five, six, writing poems, before I could play an instrument. I was writing about things when I was eight or 10 years old that I hadn't lived long enough to experience.”

Willie Nelson (1933) American country music singer-songwriter.

Source: Willie Nelson: 'If We Made Marijuana Legal, We'd Save a Whole Lotta Money and Lives', Michael, Hann, May 17, 2012, May 20, 2012, The Guardian, Guardian News and Media Ltd. http://www.guardian.co.uk/music/2012/may/17/30-minutes-with-willie-nelson,

Jacques Ellul photo
Hal Abelson photo
David Brewster photo
Adolf A. Berle photo
Yehudi Menuhin photo

“Actually, I was gazing in my usual state of being half absent in my own world and half in the present. I have usually been able to 'retire' in this way. I was also thinking that my life was tied up with the instrument and would I do it justice?”

Yehudi Menuhin (1916–1999) American violinist and conductor

Source: Kevin Hindle, Kim Klyver Handbook of Research on New Venture Creation http://books.google.co.in/books?id=nFb7U0qKJNgC&pg=PA79, Edward Elgar Publishing, 1 January 2011, p. 79

David Brin photo
Honoré de Balzac photo
Varadaraja V. Raman photo
Léon Theremin photo

“I was interested in making a different kind of instrument. And I wanted, of course, to make an apparatus that would be controlled in space, exploiting electrical fields, and that would use little energy. Therefore I used electronic technology to create a musical instrument that would provide greater resources.”

Léon Theremin (1896–1993) Russian inventor

Source: An Interview with Leon Theremin http://www.oddmusic.com/theremin/theremin_interview_1.html / Olivia Mattis and Leon Theremin in Bourges, France 16 June 1989.

Michael Halliday photo
Ervin László photo
Michel Foucault photo
Ulysses S. Grant photo

“On the Indian front, [the Hindutva movement] should spearhead the revival, rejuvenation and resurgence of Hinduism, which includes not only religious, spiritual and cultural practices springing from Vedic or Sanskritic sources, but from all other Indian sources independently of these: the practices of the Andaman islanders and the (pre-Christian) Nagas are as Hindu in the territorial sense, and Sanâtana in the spiritual sense, as classical Sanskritic Hinduism. (…) A true Hindutvavadi should feel a pang of pain, and a desire to take positive action, not only when he hears that the percentage of Hindus in the Indian population is falling due to a coordination of various factors, or that Hindus are being discriminated against in almost every respect, but also when he hears that the Andamanese races and languages are becoming extinct; that vast tracts of forests, millions of years old, are being wiped out forever; that ancient and mediaeval Hindu architectural monuments are being vandalised, looted or fatally neglected; that priceless ancient documents are being destroyed or left to rot and decay; that innumerable forms of arts and handicrafts, architectural styles, plant and animal species, musical forms and musical instruments, etc. are becoming extinct; that our sacred rivers and environment are being irreversibly polluted and destroyed…”

Shrikant Talageri (1958) Indian author

Talageri in S.R. Goel (ed.): Time for Stock-Taking, p.227-228.

Joseph Addison photo
Joanna MacGregor photo
R. Venkataraman photo

“Adult franchise is the most powerful instrument devised by man for breaking down social and economic injustice and destroying barriers of caste, creed and religion. It has given the right to the people to choose a government through the democratic process of elections.”

R. Venkataraman (1910–2009) seventh Vice-President of India and the 8th President of India

Source: Commissions and Omissions by Indian Presidents and Their Conflicts with the Prime Ministers Under the Constitution: 1977-2001, p. 183.

John Cale photo

“The viola is the saddest of all instruments.”

John Cale (1942) Welsh composer, singer-songwriter and record producer

Attributed without citation at John Cale - Quotes, xs4all.nl, 16 November 2012 http://werksman.home.xs4all.nl/cale/quotes/index.html,

Andrew Sega photo

“Some people are like "Oh, I hate guitars." How can you hate a guitar? It makes no sense. It's just an instrument.”

Andrew Sega (1975) musician from America

AeschTunes interview with Iris http://www.angelfire.com/music5/aeschtunes/interviews/iris.html

Adolf A. Berle photo

“[The communist state has thus far proved itself a] brutal, blunt, and fumbling instrument, [while elsewhere capitalism has been evolving its own”

Adolf A. Berle (1895–1971) American diplomat

Source: The 20th century capitalist revolution. 1954, p. 24; as cited in : Louis Prashker, "The 20th Century Capitalist Revolution (Book Review)." in: St. John's Law Review: Vol. 29: Iss. 1, (1954), p. 178-181

Christopher Hitchens photo

“And yet, I wake up every day to a sensation of pervading disgust and annoyance. I probably ought to carry around some kind of thermometer or other instrument, to keep checking that I am not falling prey to premature curmudgeonhood.”

Christopher Hitchens (1949–2011) British American author and journalist

[Love, Poverty, and War: Journeys and Essays, 2004, 1560255803, 2005298401, 56991027, 24964445M]
2000s, 2004

John Donne photo

“Women are still a relative rarity in rock bands, and studies of women's experiences with pop and rock music have indicated that girls are socialized to pop and rock music differently from boys: boys and young men tend to learn songs by ear and talk about popular music's technical aspects, while girls and young women tend to focus on lyrics rather than on equipment and instrumentation, and to resist learning songs by ear. Miki Bernyi's experience testifies to the truthfulness of those findings:”

'Girls don't have the patience to spend six years learning someone else's music. Me and Emma [Anderson] can't jam because we only know how to play our own songs. Jamming's more of a boy's thing....I think that women play more imaginatively because they learn to play while they're writing songs, instead of waiting to be technically good first.'
Quoted in Evans, 1994, p. 44.

William S. Burroughs photo

“Corrupt men are always liars. Lies are their instruments, their pleasure, their solace. In time they come to believe their lies, or rather to half-believe them.”

Pierre Stephen Robert Payne (1911–1983) British lecturer, novelist, historian, poet and biographer

The Corruptions of Our Time, p. 249
The Corrupt Society - From Ancient Greece To Present-Day America (1975)

Alan Greenspan photo
Jacques Bertin photo

“Graphics owes its special significance to its double function as a storage mechanism and a research instrument.”

Jacques Bertin (1918–2010) French geographer and cartographer

Source: Semiology of graphics (1967/83), p. 2

Andrew Linzey photo
Charlotte Brontë photo
Verghese Kurien photo
Robert Grosseteste photo
Bradley Joseph photo
Henry Miller photo

“As a teenager I had already arranged pieces for the school band in exchange for music lessons. I also played cello, clarinet, and some other instruments regularly. Thanks to that experience, as an arranger I was able to understand the specific sound and tuning of an instrument and to work intuitively.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

As quoted in "Clare Fischer: The Best Kept Secret in Jazz" http://www.artistinterviews.eu/?page_id=5&parent_id=22/ by Maarten De Haan, in Artist Interview (1998)

Edward Everett photo
Patrick Henry photo

“The Constitution is not an instrument for the government to restrain the people, it is an instrument for the people to restrain the government — lest it come to dominate our lives and interests.”

Patrick Henry (1736–1799) attorney, planter, politician and Founding Father of the United States

As quoted in The Best Liberal Quotes Ever : Why the Left is Right (2004) by William P. Martin. Though widely attributed to Henry, this statement has not been sourced to any document before the 1990s and appears to be at odds with his beliefs as a strong opponent of the adoption of the US Constitution.
Misattributed

Joanna MacGregor photo
Vitruvius photo
Jesse Ventura photo
Aldous Huxley photo
José Ortega Y Gasset photo

“It’s not too difficult to find a string player who really sings on his instrument, but it’s very rare to find a string player who speaks on his instrument.”

Sándor Végh (1912–1997) Hungarian violinist

Quoted in Interview with pianist Leon Fleisher http://www.examiner.com/article/interview-with-pianist-leon-fleisher by Elijah Ho (October 1, 2014)

David Fleming photo
Lyndon B. Johnson photo
George William Curtis photo

“The country does want rest, we all want rest. Our very civilization wants it — and we mean that it shall have it. It shall have rest — repose — refreshment of soul and re-invigoration of faculty. And that rest shall be of life and not of death. It shall not be a poison that pacifies restlessness in death, nor shall it be any kind of anodyne or patting or propping or bolstering — as if a man with a cancer in his breast would be well if he only said he was so and wore a clean shirt and kept his shoes tied. We want the rest of a real Union, not of a name, not of a great transparent sham, which good old gentlemen must coddle and pat and dandle, and declare wheedlingly is the dearest Union that ever was, SO it is; and naughty, ugly old fanatics shan't frighten the pretty precious — no, they sha'n't. Are we babies or men? This is not the Union our fathers framed — and when slavery says that it will tolerate a Union on condition that freedom holds its tongue and consents that the Constitution means first slavery at all costs and then liberty, if you can get it, it speaks plainly and manfully, and says what it means. There are not wanting men enough to fall on their knees and cry: 'Certainly, certainly, stay on those terms. Don't go out of the Union — please don't go out; we'll promise to take great care in future that you have everything you want. Hold our tongues? Certainly. These people who talk about liberty are only a few fanatics — they are tolerably educated, but most of 'em are crazy; we don't speak to them in the street; we don't ask them to dinner; really, they are of no account, and if you'll really consent to stay in the Union, we'll see if we can't turn Plymouth Rock into a lump of dough'. I don't believe the Southern gentlemen want to be fed on dough. I believe they see quite as clearly as we do that this is not the sentiment of the North, because they can read the election returns as well as we. The thoughtful men among them see and feel that there is a hearty abhorrence of slavery among us, and a hearty desire to prevent its increase and expansion, and a constantly deepening conviction that the two systems of society are incompatible. When they want to know the sentiment of the North, they do not open their ears to speeches, they open their eyes, and go and look in the ballot-box, and they see there a constantly growing resolution that the Union of the United States shall no longer be a pretty name for the extension of slavery and the subversion of the Constitution. Both parties stand front to front. Each claims that the other is aggressive, that its rights have been outraged, and that the Constitution is on its side. Who shall decide? Shall it be the Supreme Court? But that is only a co-ordinate branch of the government. Its right to decide is not mutually acknowledged. There is no universally recognized official expounder of the meaning of the Constitution. Such an instrument, written or unwritten, always means in a crisis what the people choose. The people of the United States will always interpret the Constitution for themselves, because that is the nature of popular governments, and because they have learned that judges are sometimes appointed to do partisan service.”

George William Curtis (1824–1892) American writer

1850s, The Present Aspect of the Slavery Question (1859)

Joseph von Fraunhofer photo
Charles Taylor photo
Alexander Hamilton photo