Quotes about frost
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Better Place to Be
Song lyrics, Sniper and Other Love Songs (1972)

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter VIII, Sec. 19

Source: Norse Mythology (2017), Chapter 16, “Ragnarok: The Final Destiny of the Gods” (p. 276)
Japanese Death Poems. Compiled by Yoel Hoffmann. ISBN 978-0-8048-3179-6

1840s, Heroes and Hero-Worship (1840), The Hero as Divinity

Molly Carew, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

The Frozen Ship, from The London Literary Gazette, (16th September 1826) - Metrical Fragment No. V. - The Frozen Ship, under the pen name 'Iole'
The Vow of the Peacock (1835)
A Morning for Flamingos (1990)

Joseph Conrad: An Appreciation (1930; New York: Haskell House, 1973) p. 11

" An Old Man's Winter Night http://www.poemhunter.com/poem/an-old-man-s-winter-night-2/"
1960s

“David Frost has risen without trace.”
Kitty Muggeridge, The Oxford Dictionary of Modern Quotations (3rd ed, 2007) 230:8
About

Leoš Janáček: Letters and Reminiscences (Stedron, Bohumir, ed. Translated by Geraldine Thomsen. Prague: Artia, 1995).

"The Snow Man"
Harmonium (1923)
Context: p>One must have a mind of winter
To regard the frost and the boughs
Of the pine-trees crusted with snow;And have been cold a long time
To behold the junipers shagged with ice,
The spruces rough in the distant glitterOf the January sun; and not to think
Of any misery in the sound of the wind,
In the sound of a few leaves,Which is the sound of the land
Full of the same wind
That is blowing in the same bare placeFor the listener, who listens in the snow,
And, nothing himself, beholds
Nothing that is not there and the nothing that is.</p

"Already" in Drift-Weed (1878), p. 103.
Context: O brief, bright smile of summer!
O days divine and dear
The voices of winter's sorrow
Already we can hear.And we know that the frosts will find us,
And the smiling skies grow rude,
While we look in the face of Beauty,
And worship her every mood.

Source: Silent Spring (1962), p. 277
Context: We stand now where two roads diverge. But unlike the roads in Robert Frost's familiar poem, they are not equally fair. The road we have long been traveling is deceptively easy, a smooth superhighway on which we progress with great speed, but at its end lies disaster. The other fork of the road — the one less traveled by — offers our last, our only chance to reach a destination that assures the preservation of the earth.

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter VII, Sec. 3-4
Context: There are also several quarries called Anician in the territory of Tarquinii, the stone being of the color of peperino.... Neither the season of frost nor exposure to fire can harm it, but it remains solid and lasts to a great age, because there is only a little air and fire in its natural composition, a moderate amount of moisture, and a great deal of the earthy. Hence its structure is of close texture and solid, and so it cannot be injured by the weather or by the force of fire. Monuments in the neighborhood of the town of Ferento which are made of stone from these quarries... gracefully carved. Old as these are, they look as fresh as if they were only just finished. Bronze workers, also, make molds for the casting of bronze out of stone from these quarries and find it very useful in bronze-founding.

"Rockweeds" in The Atlantic Monthly, Vol. 21 (March 1868), p. 269.
Context: The heart of God through his creation stirs,
We thrill to feel it, trembling as the flowers
That die to live again, — his messengers,
To keep faith firm in these sad souls of ours.The waves of Time may devastate our lives,
The frosts of age may check our failing breath,
They shall not touch the spirit that survives
Triumphant over doubt and pain and death.

Substance, Shadow, and Spirit, "Substance speaks to Shadow" (translation by A. Waley)
In A Hundred and Seventy Chinese Poems (1919), 'Poems By Tao Ch'ien', p. 106
Context: Heaven and Earth exist for ever:
Mountains and rivers never change.
But herbs and trees in perpetual rotation
Are renovated and withered by the dews and frosts:
And Man the wise, Man the divine—
Shall he alone escape this law?
Fortuitously appearing for a moment in the World
He suddenly departs, never to return.
How can he know that the friends he has left
Are missing him and thinking of him?
Only the things that he used remain;
They look upon them and their tears flow.
Me no magical arts can save,
Though you may hope for a wizard's aid.
I beg you listen to this advice—
When you can get wine, be sure to drink it.

1963, Speech at Amherst College
Context: If art is to nourish the roots of our culture, society must set the artist free to follow his vision wherever it takes him. We must never forget that art is not a form of propaganda; it is a form of truth. And as Mr. MacLeish once remarked of poets, there is nothing worse for our trade than to be in style. In free society art is not a weapon and it does not belong to the spheres of polemic and ideology. Artists are not engineers of the soul. It may be different elsewhere. But democratic society — in it, the highest duty of the writer, the composer, the artist is to remain true to himself and to let the chips fall where they may. In serving his vision of the truth, the artist best serves his nation. And the nation which disdains the mission of art invites the fate of Robert Frost's hired man, the fate of having "nothing to look backward to with pride, and nothing to look forward to with hope."

"The Factors of Organic Evolution", p. 35
The Universal Kinship (1906), The Physical Kinship
And this person, in the poems, is not the “alienated artist” cut off from everybody who isn’t, yum-yum, another alienated artist; he is someone like normal people only more so — a normal person in the less common and more important sense of normal.
“The Other Frost”, p. 29
Poetry and the Age (1953)

1963, Speech at Amherst College