Quotes about frost
page 2

Isaac Rosenberg photo
Adelaide Crapsey photo

“Listen.
With faint dry sound,
Like steps of passing ghosts,
The leaves, frost-crisp'd, break from the trees
And fall.”

Adelaide Crapsey (1878–1914) American writer

November Night.
Verses (1915)

Steve Kilbey photo
Harry Chapin photo
Vitruvius photo
Neil Gaiman photo
Robert Burns photo

“Life is an ever-rolling wheel
And every day is the right one.
He who recites poems at his death
Adds frost to snow.”

Mumon Gensen (1323–1390)

Japanese Death Poems. Compiled by Yoel Hoffmann. ISBN 978-0-8048-3179-6

Thomas Carlyle photo
Halldór Laxness photo
Samuel Lover photo

“Sure my love is all crost
Like a bud in the frost
And there's no use at all in my going to bed,
For 't is dhrames and not slape that comes into my head!”

Samuel Lover (1797–1868) Irish song-writer, novelist, and painter

Molly Carew, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Letitia Elizabeth Landon photo

“He said it was fearful to see them stand,
Nor the living nor yet the dead,
And the light glared strange in the glassy eyes
Whose human look was fled.
For frost had done one half life's part,
And kept them from decay;
Those they loved had mouldered, but these
Look'd the dead of yesterday.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Frozen Ship, from The London Literary Gazette, (16th September 1826) - Metrical Fragment No. V. - The Frozen Ship, under the pen name 'Iole'
The Vow of the Peacock (1835)

Brian W. Aldiss photo
Liam O'Flaherty photo

“I was born on a storm-swept rock and hate the soft growth of sun-baked lands where there is no frost in men's bones.”

Liam O'Flaherty (1896–1984) Irish writer

Joseph Conrad: An Appreciation (1930; New York: Haskell House, 1973) p. 11

Robert Frost photo

“All out of doors looked darkly in at him
Through the thin frost, almost in separate stars,
That gathers on the pane in empty rooms.”

Robert Frost (1874–1963) American poet

" An Old Man's Winter Night http://www.poemhunter.com/poem/an-old-man-s-winter-night-2/"
1960s

Gabrielle Roy photo
Cecil Day Lewis photo
David Frost photo

“David Frost has risen without trace.”

David Frost (1939–2013) English journalist, comedian, writer, media personality and daytime TV game show host

Kitty Muggeridge, The Oxford Dictionary of Modern Quotations (3rd ed, 2007) 230:8
About

Tryon Edwards photo
Daniel Handler photo
Leoš Janáček photo
Chrétien de Troyes photo

“Love without fear and trepidation is fire without flame and heat, day without sun, comb without honey, summer without flowers, winter without frost, sky without moon, a book without letters.”

Amors sanz crieme et sans peor
Est feus sanz flame et sanz chalor,
Jorz sanz soloil, bresche sanz miel,
Estez sans flor, iverz sanz giel,
Ciaus sanz lune, livres sanz letre.
Cligès, line 3893.

Wallace Stevens photo

“One must have a mind of winter
To regard the frost and the boughs
Of the pine-trees crusted with snow”

"The Snow Man"
Harmonium (1923)
Context: p>One must have a mind of winter
To regard the frost and the boughs
Of the pine-trees crusted with snow;And have been cold a long time
To behold the junipers shagged with ice,
The spruces rough in the distant glitterOf the January sun; and not to think
Of any misery in the sound of the wind,
In the sound of a few leaves,Which is the sound of the land
Full of the same wind
That is blowing in the same bare placeFor the listener, who listens in the snow,
And, nothing himself, beholds
Nothing that is not there and the nothing that is.</p

Celia Thaxter photo

“The voices of winter's sorrow
Already we can hear.And we know that the frosts will find us,
And the smiling skies grow rude,
While we look in the face of Beauty,
And worship her every mood.”

Celia Thaxter (1835–1894) American writer

"Already" in Drift-Weed (1878), p. 103.
Context: O brief, bright smile of summer!
O days divine and dear
The voices of winter's sorrow
Already we can hear.And we know that the frosts will find us,
And the smiling skies grow rude,
While we look in the face of Beauty,
And worship her every mood.

Rachel Carson photo

“We stand now where two roads diverge. But unlike the roads in Robert Frost's familiar poem, they are not equally fair.”

Source: Silent Spring (1962), p. 277
Context: We stand now where two roads diverge. But unlike the roads in Robert Frost's familiar poem, they are not equally fair. The road we have long been traveling is deceptively easy, a smooth superhighway on which we progress with great speed, but at its end lies disaster. The other fork of the road — the one less traveled by — offers our last, our only chance to reach a destination that assures the preservation of the earth.

Vitruvius photo

“There are also several quarries called Anician in the territory of Tarquinii, the stone being of the color of peperino. …Neither the season of frost nor exposure to fire can harm it”

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter VII, Sec. 3-4
Context: There are also several quarries called Anician in the territory of Tarquinii, the stone being of the color of peperino.... Neither the season of frost nor exposure to fire can harm it, but it remains solid and lasts to a great age, because there is only a little air and fire in its natural composition, a moderate amount of moisture, and a great deal of the earthy. Hence its structure is of close texture and solid, and so it cannot be injured by the weather or by the force of fire. Monuments in the neighborhood of the town of Ferento which are made of stone from these quarries... gracefully carved. Old as these are, they look as fresh as if they were only just finished. Bronze workers, also, make molds for the casting of bronze out of stone from these quarries and find it very useful in bronze-founding.

Celia Thaxter photo

“The waves of Time may devastate our lives,
The frosts of age may check our failing breath,
They shall not touch the spirit that survives
Triumphant over doubt and pain and death.”

Celia Thaxter (1835–1894) American writer

"Rockweeds" in The Atlantic Monthly, Vol. 21 (March 1868), p. 269.
Context: The heart of God through his creation stirs,
We thrill to feel it, trembling as the flowers
That die to live again, — his messengers,
To keep faith firm in these sad souls of ours.The waves of Time may devastate our lives,
The frosts of age may check our failing breath,
They shall not touch the spirit that survives
Triumphant over doubt and pain and death.

Tao Yuanming photo

“Heaven and Earth exist for ever:
Mountains and rivers never change.
But herbs and trees in perpetual rotation
Are renovated and withered by the dews and frosts:
And Man the wise, Man the divine—
Shall he alone escape this law?
Fortuitously appearing for a moment in the World
He suddenly departs, never to return.”

Tao Yuanming (365–427) Chinese poet

Substance, Shadow, and Spirit, "Substance speaks to Shadow" (translation by A. Waley)
In A Hundred and Seventy Chinese Poems (1919), 'Poems By Tao Ch'ien', p. 106
Context: Heaven and Earth exist for ever:
Mountains and rivers never change.
But herbs and trees in perpetual rotation
Are renovated and withered by the dews and frosts:
And Man the wise, Man the divine—
Shall he alone escape this law?
Fortuitously appearing for a moment in the World
He suddenly departs, never to return.
How can he know that the friends he has left
Are missing him and thinking of him?
Only the things that he used remain;
They look upon them and their tears flow.
Me no magical arts can save,
Though you may hope for a wizard's aid.
I beg you listen to this advice—
When you can get wine, be sure to drink it.

John F. Kennedy photo

“In free society art is not a weapon and it does not belong to the spheres of polemic and ideology. Artists are not engineers of the soul. It may be different elsewhere. But democratic society — in it, the highest duty of the writer, the composer, the artist is to remain true to himself and to let the chips fall where they may. In serving his vision of the truth, the artist best serves his nation. And the nation which disdains the mission of art invites the fate of Robert Frost's hired man, the fate of having "nothing to look backward to with pride, and nothing to look forward to with hope."”

John F. Kennedy (1917–1963) 35th president of the United States of America

1963, Speech at Amherst College
Context: If art is to nourish the roots of our culture, society must set the artist free to follow his vision wherever it takes him. We must never forget that art is not a form of propaganda; it is a form of truth. And as Mr. MacLeish once remarked of poets, there is nothing worse for our trade than to be in style. In free society art is not a weapon and it does not belong to the spheres of polemic and ideology. Artists are not engineers of the soul. It may be different elsewhere. But democratic society — in it, the highest duty of the writer, the composer, the artist is to remain true to himself and to let the chips fall where they may. In serving his vision of the truth, the artist best serves his nation. And the nation which disdains the mission of art invites the fate of Robert Frost's hired man, the fate of having "nothing to look backward to with pride, and nothing to look forward to with hope."

J. Howard Moore photo

“I don’t need to praise anything so justly famous as Frost’s observation of and empathy with everything in Nature from a hornet to a hillside; and he has observed his own nature, one person’s random or consequential chains of thoughts and feelings and perceptions, quite as well.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

And this person, in the poems, is not the “alienated artist” cut off from everybody who isn’t, yum-yum, another alienated artist; he is someone like normal people only more so — a normal person in the less common and more important sense of normal.
“The Other Frost”, p. 29
Poetry and the Age (1953)

John F. Kennedy photo
Nasir Khusraw photo
Denise Levertov photo