Quotes about bamboo (27 quotes) | Quotes of famous people

“Do you understand? Man needs entertainment simply to hide his madness. If he was perfectly sane, he would not need entertainment. He could just sit and watch this bamboo grow. He does not really need entertainment.”

Sadhguru (1957) Yogi, mystic, visionary and humanitarian

Source: Mystic's Musings

Understanding , Madness

“It was all a dream, I used to read Word Up magazine. Salt-n-Peppa, Heavy D up in tha limousine. Hangin' pictures on my wall, every Saturday rap attack, Mr. Magic Marley Marl. I let my tape rock till my tape pop, smoking weed and bamboo, sippin' on Private Stock. Way back, when I had the red-and-black lumberjack, with the hat to match. Remember Rappin' Duke? Duh-ha duh-ha, you never thought that hip hop would take it this far. Now I'm in the limelight 'cause I rhyme tight. Time to get paid, blow up like the World Trade! Born sinner, the opposite of a winner. Remember when I used to eat sardines for dinner.”

The Notorious B.I.G. (1972–1997) American rapper

Song lyrics, Ready to Die (1994), "Juicy"

World , Dreams , Way , Time

“Notice that the stiffest tree is most easily cracked, while the bamboo or willow survives by bending with the wind.”

Bruce Lee (1940–1973) Hong Kong-American actor, martial artist, philosopher and filmmaker

Moving On , Tree

“So, my instrument there is simply bamboo. The sound is straight from nature and it connects me to nature.”

Hariprasad Chaurasia (1938) Indian bansuri player

Music is a Prayer:An interview with Hariprasad Chaurasia by Ian Gottstein

Nature

“I just don't believe in helping people who are going to torture me. Though I don't see any bamboo slivers. How can you possibly torture someone without bamboo slivers?”

Laurell K. Hamilton book Circus of the Damned

Source: Circus of the Damned

People , Help

“The human capacity for burden is like bamboo- far more flexible than you'd ever believe at first glance.”

Jodi Picoult My Sister's Keeper

Source: My Sister's Keeper

“I sit alone in the secluded bamboo grove
and play the zither and whistle along.
In the deep forest no one knows,
the bright moon comes to shine on me.”

Wang Wei (699–759) a Tang dynasty Chinese poet, musician, painter, and statesman

"Bamboo Grove" (竹里馆), as translated by Arthur Sze in The Silk Dragon: Translations from the Chinese (2013), p. 19
Variant translation:
Lying alone in this dark bamboo grove,
Playing on a flute, continually whistling,
In this dark wood where no one comes,
The bright moon comes to shine on me.
"In a Bamboo Grove" in The White Pony, ed. Robert Payne, p. 151

“Well, at first I wanted to put blinds on the building [of the outdoor-sculpture Josef Strau did for her recently]. But when I do something I've already done before, I sometimes have a certain feeling of uncertainty. Although I am falling back on something that I know is safe and pretty good. But then it was all too expensive. I had seen glowing green, fresh bamboo at the KaDeWe store. It had attracted my attention and I thought it would be nice to do something with it. Back home, sitting over the photo, drawing some things on it, I remembered this lovely green bamboo again and also that there was this fascist building – or partly fascist building – next to the store, a theater, an ugly building. And then I thought, bamboo is politically correct, that's just the thing. But I also think it's visually beautiful. Simple. The work is called 'Haare wachsen wie sie wollen”

Isa Genzken (1948) German sculptor

'Hair grows the way it wants'
2001 - 2010, Isa Genzken in conversation with Wolfgang Tillmans' (2003)

Love , Beauty , Way , Feeling

“Previously, we only made products such as baskets or satay skewers using bamboo. Now, we need to produce higher value products such as furniture, laminated boards, construction materials and innovative novelty products.”

Teresa Kok (1964) Malaysian politician

Teresa Kok (2018) cited in " Bamboo industry must transform, modernise to grow: Kok http://www.thesundaily.my/news/2018/09/18/bamboo-industry-must-transform-modernise-grow-kok" on The Sun Daily, 18 September 2018

“If we have a thousand bamboo spears, there's nothing to worry about a war with the Soviet Union.”

Sadao Araki (1877–1966) Japanese general

Quoted in "Sugamo Diary" - Page 30 - by Yoshio Kodama - 1960

War

“Man's role is uncertain, undefined, and perhaps unnecessary. By a great effort man has hit upon a method of compensating himself for his basic inferiority. Equipped with various mysterious noise-making instruments, whose potency rests upon their actual form's being unknown to those who hear the sounds — that is, the women and children must never know that they are really bamboo flutes, or hollow logs, or bits of elliptic wood whirled on strings — they can get the male children away from the women, brand them as incomplete, and themselves turn boys into men. Women, it is true, make human beings, but only men can make men.”

Margaret Mead (1901–1978) American anthropologist

Source: 1940s, Male and Female (1949), p. 84 as cited in: John Whiting, Eleanor Hollenberg Chasdi, Roy D'Andrade (2006) Culture and Human Development: The Selected Papers of John Whiting. p. 240

Women , Men , Children , Boy

“I went and saw a lot of them at their daily practice of fencing with bamboo sticks and practicing jiu-jitsu to make themselves strong and active and good-tempered. I say good-tempered because it is very much like boxing; you have to take a good many hard knocks and take them smiling. If a fellow lost his temper at it, everybody would laugh at him and think him a fool. In jiu-jitsu they learn how to exercise and how to develop their muscles, how to catch hold of an enemy in many different ways so as to overpower him, how to throw him and, what is very important, how to fall easily if they get thrown themselves. I expect the Scouts of Japan, if they visit England later on, will be able to show us a thing or two in this line.”

Robert Baden-Powell (1857–1941) lieutenant-general in the British Army, writer, founder and Chief Scout of the Scout Movement

1912 after return from Japan

Smile , Fools , Way , Exercises

“I would like evolution to join the roster of other discredited religions, like the Cargo Cult of the South Pacific. Practitioners of Cargo Cult believed that manufactured products were created by ancestral spirits, and if they imitated what they had seen the white man do, they could cause airplanes to appear out of the sky, bringing valuable cargo like radios and TVs. So they constructed “airport towers” out of bamboo and “headphones” out of coconuts and waited for the airplanes to come with the cargo. It may sound silly, but in defense of the Cargo Cult, they did not wait as long for evidence supporting their theory as the Darwinists have waited for evidence supporting theirs.”

Ann Coulter (1961) author, political commentator

2006, Human Events interview (2006)

Religion , Support , Appearance , Waiting

“It is a rarity of the first order when the dean of an architectural college takes it upon himself to build houses comprised of woven split bamboo placed between two layers of treated clay. These readily available materials were artfully used by Professor Stein in his creation of two demonstration low-cost homes.”

Ken Kern American writer

The Owner Built Home: A How-to-do-it Book (1972)

Home , Housing

“The death of Black Jade coincided with the wedding hour of Pao-yu and Precious Virtue. Shortly after Snow Duck was taken to the wedding chambers, Black Jade had regained consciousness. During this lucid moment, which was not unlike the afterglow of the setting sun, she took Purple Cuckoo's hand and said to her with an effort, "My hour is here. You have served me for many years, and I had hoped that we should be together the rest of our lives… but I am afraid…"
The effort exhausted her and she fell back, panting. She still held Purple Cuckoo's hand and continued after a while, "Mei-mei, I have only one wish. I have no attachment here. After my death, tell them to send my body back to the south––"
She stopped again, and her eyes closed slowly. Purple Cuckoo felt her mistress' hand tighten over hers. Knowing this was a sign of the approaching end, she sent for Li Huan, who had gone back to her own apartment for a brief rest. When the latter returned with Quest Spring, Black Jade's hands were already cold and her eyes dull. They suppressed their sobs and hastened to dress her. Suddenly Black Jade cried, "Pao-yu, Pao-yu, how––" Those were her last words.
Above their own lamentations, Li Huan, Purple Cuckoo, and Quest Spring thought they heard the soft notes of an ethereal music in the sky. They went out to see what it was, but all they could hear was the rustling of the wind through the bamboos and all they could see was the shadow of the moon creeping down the western wall.”

Wang Chi-chen (1899–2001)

Source: Dream of the Red Chamber (1958), p. 307

Death , Hope , Music , Spring

“Give me a Japanese division armed with bamboo spears and I'll wipe out the entire Russian Far Eastern Army.”

Sadao Araki (1877–1966) Japanese general

Quoted in "Until They Eat Stones" - Page 254 - by Russell Brines - 1944

“Ordinarily, when he thought back upon those days, let alone upon his student years and the Bamboo Grove, it had always been as if he were gazing from a cool, dull room out into broad, brightly sunlit landscapes, into the irrevocable past, the paradise of memory. Such recollections had always been, even when they were free of sadness, a vision of things remote and different, separated from the prosaic present by a mysterious festiveness.”

Hermann Hesse book The Glass Bead Game

The Glass Bead Game (1943)

Sadness , Memory , Past

“I came to the riverbank. The sand underfoot crunches and sounds like my grandmother sighing. She is fond of chattering endlessly, although no-one understands her. If you ask, Grandmother, what did you say? She will look up absentmindedly and, after a while, say, oh, you’re back from school? Are you hungry? There are sweet potatoes in the bamboo steamer. When she chatters it is best not to interrupt; she is talking about when she was a young woman. But if you eavesdrop from behind her chair, she seems to be saying. It’s hidden, it’s hidden, everything is hidden, everything… All these memories are making noises in the sand under your feet.”

Gao Xingjian (1940) Chinese novelist and playwright

Source: Buying a Fishing Rod for My Grandfather (2005), p. 100

School , Understanding , Memory

“The young bamboo can be easily bent, but the full grown bamboo breaks when it is bent with force. It is easy to bend the young heart towards God, but the untrained heart of the old escapes the hold whenever it is so drawn”

Ramakrishna (1836–1886) Indian mystic and religious preacher

Source: Sayings of Sri Ramakrishna (1960), p. 233

God , Heart

“In the empty mountains
The leaves of the bamboo grass
Rustle in the wind.
I think of a girl
Who is not here.”

Kakinomoto no Hitomaro (662–710) Japanese poet

XVII, p. 19
Kenneth Rexroth's translations, One Hundred Poems from the Japanese (1955)

Girl , Mountain , Thinking , Grass

“It takes a full sixty years for the Cold Arrow Bamboo to go through the cycle of flowering, seeding, dying and for the seeds to sprout, grow, and flower. According to Buddhist teachings on transmigration this would be exactly one kalpa. "Man follows earth, earth follows sky, sky follows the way, the way follows nature, don’t commit actions which go against the basic character of nature, don’t commit acts which should not be committed." "Then what scientific value is there in saving the giant panda?" I ask. "It’s symbolic, it’s a sort of reassurance―people need to deceive themselves. We are preoccupied with saving a species which no longer has the capacity for survival and yet on the other hand we’re changing ahead and destroying the very environment for the survival of the human species itself."”

Gao Xingjian book Soul Mountain

Source: Soul Mountain (1989), ch. 8, p. 47

People , Way , Flowers , Nature

“As one can ascend to the top of a house by means of a ladder or a bamboo or a staircase or a rope, so diverse also are the ways and means to approach God, and every religion in the world shows one of these ways.”

Ramakrishna (1836–1886) Indian mystic and religious preacher

Saying 269
Râmakrishna : His Life and Sayings (1898)

God , World , Religion , Way

“Planning is undoubtedly necessary to ensure progress. If Nations and Peoples are finding it difficult to fulfil their own Plans, then who is going to be so presumptuous as to plan for the whole world? In these times of Cold Wars and Bamboo and Iron Curtains do we suppose one Nation will sit idly by and let another take the initiative in this respect? Even suppose the impossible does occur do you think the other Nations will accept the Plan of another with whom they are outwardly in peaceful contact?”

Peter de Noronha (1897–1970) Indian businessman

The Pageant of Life (1964), On Planning for a Better World

War , People , World , Peace

“Pale, cold torchlight.
Slender shadows from a row of tall bamboo
Flicker dimly on the coffin of a child
Carried through the chilling dew.
A sobbing old woman lays bare her heart.
I stare at the countless stars in silence, asking myself:
Since when has my soul been destroyed?
And might that dark coffin of a child
Not contain my corpse as well?
Vaguely, from the immensity of space,
I heard a star cast a soft reply.”

Chế Lan Viên (1920–1989) Vietnamese writer

"The Funeral Procession", as quoted in Understanding Vietnam by Neil Jamieson (University of California Press, 1995), p. 164

Soul , Star , Silence , Heart

“The Great Monkey closes his eyes, scratches himself again and muses: before the sun has become completely hidden — it is now fleeing amid the tall bamboo trees like an animal pursued by shadows — I shall succeed in reducing this grove of trees to a catalogue.”

Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature

Source: The Monkey Grammarian (1974), Ch. 8
Context: The Great Monkey closes his eyes, scratches himself again and muses: before the sun has become completely hidden — it is now fleeing amid the tall bamboo trees like an animal pursued by shadows — I shall succeed in reducing this grove of trees to a catalogue. A page of tangled plant calligraphy. A thicket of signs: how to read it, how to clear a path through this denseness? Hanumān smiles with pleasure at the analogy that has just occurred to him: calligraphy and vegetation, a grove of trees and writing, reading and a path. Following a path: reading a stretch of ground, deciphering a fragment of world. Reading considered as a path toward…. The path as a reading: an interpretation of the natural world? He closes his eyes once more and sees himself, in another age, writing (on a piece of paper or on a rock, with a pen or with a chisel?) the act in the Mahanātaka describing his visit to the grove of the palace of Rāvana. He compares its rhetoric to a page of indecipherable calligraphy and thinks: the difference between human writing and divine consists in the fact that the number of signs of the former is limited, whereas that of the latter is infinite; hence the universe is a meaningless text, one which even the gods find illegible. The critique of the universe (and that of the gods) is called grammar…. Disturbed by this strange thought, Hanumān leaps down from the wall, remains for a moment in a squatting position, then stands erect, scrutinizes the four points of the compass, and resolutely makes his way into the thicket.

Tree , Sun , Animals

“During all those years of experimentation and research, I never once made a discovery. All my work was deductive, and the results I achieved were those of invention, pure and simple. I would construct a theory and work on its lines until I found it was untenable. Then it would be discarded at once and another theory evolved. This was the only possible way for me to work out the problem. … I speak without exaggeration when I say that I have constructed 3,000 different theories in connection with the electric light, each one of them reasonable and apparently likely to be true. Yet only in two cases did my experiments prove the truth of my theory. My chief difficulty was in constructing the carbon filament.... Every quarter of the globe was ransacked by my agents, and all sorts of the queerest materials used, until finally the shred of bamboo, now utilized by us, was settled upon.”

Thomas Edison (1847–1931) American inventor and businessman

On his years of research in developing the electric light bulb, as quoted in "Talks with Edison" by George Parsons Lathrop in Harper's magazine, Vol. 80 (February 1890), p. 425.
Variant:
Through all the years of experimenting and research, I never once made a discovery. I start where the last man left off. … All my work was deductive, and the results I achieved were those of invention pure and simple.
As quoted in Makers of the Modern World : The Lives of Ninety-two Writers, Artists, Scientists, Statesmen, Inventors, Philosophers, Composers, and Other Creators who Formed the Pattern of Our Century (1955) by Louis Untermeyer, p. 227.
1800s

Light , Truth , Problem , Way

“It's absolutely correct that climate and environmental movements should focus on systemic change and not on bamboo toothbrushes. It's mainly governments who control energy infrastructure. And yes governments should support community-owned energy initiatives.”

Carola Rackete (1988) German merchant navy captain

Source: Twitter https://twitter.com/CaroRackete/status/1274253317133271043 (20 June 2020)

Communication , Change , Support