Vincent Van Gogh Quotes: 238 Quotes Revealing Profound Wisdom and Artistic Musings

Vincent Van Gogh: 238 quotes467 likes

Vincent Van Gogh Quotes

“I am not an adventurer by choice but by fate.”

“That I was not suited to commerce or academic study in no way proves that I should also be unfit to be a painter.”

“I work as diligently on my canvases as the laborers do in their fields.”

“Sometimes, dear brother, I know so well what I want. I am quite able to do without God, both in my life and in my painting, but what I cannot do without, unwell as I am, is something greater than myself, which is my life, the power to create.”

Vincent Van Gogh

“The victory one would gain after a whole life of work and effort is better than one that is gained sooner.”

Vincent Van Gogh book The Letters of Vincent van Gogh

Source: The Letters of Vincent van Gogh

“And the memories of all we have loved stay and come back to us in the evening of our life. They are not dead but sleep, and it is well to gather a treasure of them.”

Vincent Van Gogh book The Letters of Vincent van Gogh

Source: The Letters of Vincent van Gogh

“.. by going on drawing those types of working people, etc., I hope to arrive at the point of being able to do illustration work for papers and books.”

Vincent Van Gogh

In his letter to brother Theo, from Brussels, Belgium (January 1881, letter 140); as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, p. 19 being art student in Brussels 1880s, 1881

“And my aim in my life is to make picture and drawings, as many and as well as I can, then, at the end of my life, I hope to pass away, looking back with love and tender regret, and thinking: "Oh, pictures I might have made!" Theo, I declare I prefer to think how arms, legs, head are attached to the trunk, rather than whether I myself am or am not more or less an artist.”

Vincent Van Gogh

Quote in his letter to brother Theo, from Drenthe, The Netherlands, Autumn 1883; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 338) p. 21 1880s, 1883

“I repeat, let us paint as much as we can and be productive, and be ourselves with all our faults and qualities; I say us, because the money from you [Theo], which I know costs you trouble enough to procure me, gives you the right, when there is some good in my work, to consider half of it your creation.”

Vincent Van Gogh

Quote in his letter to brother Theo, from Nuenen, The Netherlands, Spring 1885; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, p. 7 (letter 399) 1880s, 1885

“All my work is in a way founded on Japanese art... Japanese art, in decadence in its own country, takes root again among the French impressionist artists.”

Vincent Van Gogh

Quote in his letter to brother Theo, from Arles, Summer 1888; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 510) p. 32 1880s, 1888

“We walked along Buitenkant and there by the sand works at the Oosterspoor [former train-station in Amsterdam], I can' tell you how beautiful it was there in the twilight. Rembrandt, Michel, [French Barbizon painter] and others have painted it, the ground dark, the sky still lit by the glow of the sun, already gone down, the row of houses and towers standing out above, the lights in the windows everywhere, everything reflected in the water. And the people and carriages like small black figures everywhere. Like one sometimes sees in a Rembrandt. And it put us in such a mood that we began talking about all sorts of things.”

Vincent Van Gogh

1870s

“You will say that I am not a success - vaincre or être vaincu, [to conquer or to be conquered], it doesn't matter to me, one has feeling and movement in any event, and they are more akin than they may seem to be or than can be put into words.”

Vincent Van Gogh

1880s, 1884, Letter to Theo (Nuenen, Oct. 1884)

“I said to Mauve: Do you approve of my coming here for a month or so and troubling you for some advice now and then, after that time I will have over come the first 'petites miseres' of painting... Well, Mauve at once set me down before a still life of a pair of old wooden shoes and some other objects, and so I could set to work.”

Vincent Van Gogh

In his letter to brother Theo, from The Hague, The Netherlands in December 1881; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, p. 29 (letter 162) 1880s, 1881

“What a queer thing touch is, the stroke of the brush. In the open air, exposed to wind, to sun, to the curiosity of the people, you work as you can, you feel your canvas anyhow... But when after a time you take up again this study and arrange your brush strokes in the direction of the objects - certainly it is more harmonious and pleasant to look at, and you add whatever you have of serenity and cheerfulness.”

Vincent Van Gogh

Quote in his letter to brother Theo, from Saint-Rémy-de-Provence, 10 Sept. 1889; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 605), pp. 33-34 1880s, 1889

“Your description of Troyon and Rousseau, for instance, is lively enough to give me some idea of which of their manners they are done in. There were other paintings from the time of Troyon's municipal pasture that had a certain 'mood' that one would have to call 'dramatic', even though they aren't figure paintings.”

Vincent Van Gogh

In his letter to Theo, from the Hague, c. 11 July 1883 - original manuscript at Van Gogh Museum, location Amsterdam - inv. nos. b322 a-c V/1962, http://vangoghletters.org/vg/letters/let361/letter.html At the exhibition 'Les cent chefs d'oeuvre' at Galerie Georges Petit - in Paris, 1883 there were 9 paintings of Troyon. Vincent had asked Theo in Paris to give him a description of the works at this exhibition. Vincent already appreciated Troyon's painting style, which he knew from his Paris' years at art-gallery Goupil where he worked 1880s, 1883

“This one thing remains: faith; one feels instinctively that many things are changing and that everything will change. We are living in the last quarter of a century which will end again in an enormous revolution.... we shall certainly not live to see the better times of pure air and the refreshing of the old society after those big storms. We are still in the closeness but the following generations will be able to breathe in freely.”

Vincent Van Gogh

Quote in his letter to brother Theo, from Antwerp Belgium, Winter 1886; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 451), p. 38 1880s, 1886

“When I am writing I instinctively make a little drawing now and then like the one I sent you lately, and for instance, this morning, 'Elijah in the Desert.”

Vincent Van Gogh

Quote in his letter to brother Theo, from Amsterdam 12 June, 1877; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, p. 29 (letter 101) while studying in Amsterdam at the theological school, to become clergyman 1870s

“There are things which we feel to be good and true, though in the cold light of reason and calculation many things remain incomprehensible and dark. And though the society in which we live considers such actions thoughtless, or reckless, or I don't know what else, what can we say if once the hidden forces of sympathy and love have been roused in us? And though it may be that we cannot argue against the reasoning sentiment and to act from impulse, one would almost conclude that some people have cauterized certain sensitive nerves within them, especially those which, combined, are called conscience. Well, I pity those people; they travel through life without compass, in my opinion.”

Vincent Van Gogh

Letter from Vincent van Gogh to Theo, from The Hague, c. 11 January 1883; as cited in Dear Theo: the Autobiography of Vincent Van Gogh; ed. Irving Stone and Jean Stone (1995), ISBN 0452275040
1880s, 1883

“Now I as a painter shall never stand for anything of importance. I feel it utterly... I sometimes regret I did not simply keep to the Dutch palette [of Dutch impressionism ] with its grey tones, and have brushed away at landscapes of Montmartre [in 1886-87] with no ado.”

Vincent Van Gogh

Quote in his letter to brother Theo, from Arles, France, 3 May 1889; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 590), p. 33 1880s, 1889

“When I was…. in the surroundings of pictures and things of art… I then had a violent passion for them… And I do not repent it, for even now, far from that land, I am often homesick for the land of pictures. Now for more than five years already, I do not know exactly how long, I'm more or less without employment, wandering here and there… But you will ask what is your definite aim? That aim becomes more definite, will stand out slowly and surely, as the rough draft becomes a sketch and the sketch becomes a picture…. my only anxiety is: how can I be of use in the world, cannot I serve some purpose and be of any good, how can I learn more and study profoundly certain subjects?”

Vincent Van Gogh

In his letter to brother Theo, from Cuesmes, Belgium July 1880; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 133) p. 19 1880s, 1880

“But tell me, black and white, may they be used or not, are they forbidden fruit? You... think that when the shadows are dark, ay, black, that it is all wrong then, don't you? I don't think so... Rembrandt and Hals, didn't they use black? And Velasquez???”

Vincent Van Gogh

Quote in his letter to brother Theo, from Nuenen, The Netherlands, Autumn 1885; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 428) p. 31 1880s, 1885

“Do you know what makes the prison disappear? Every deep, genuine affection. Being friends, being brothers, loving, that is what opens the prison, with supreme power, by some magic force. Without these one stays dead. But whenever affection is revived, there life revives.”

Vincent Van Gogh

1880s, 1880, Letter to Theo (Cuesmes, July 1880)

“Now, such an enterprise as would be the drawing and printing [by lithography ] of a series of, for instance, thirty pages of types of workmen, a sower, a digger, a woodcutter, a plowman, a wash-woman, then also a child's cradle or a man from the almshouse - well, the whole immeasurable field lies open, there are plenty of beautiful subjects - I should think the following would be the best way: as it is useful and necessary that Dutch drawings are made, printed, and spread, destined for the houses of workmen, a few persons should unite in order to use their full strength for this end.”

Vincent Van Gogh

quote in his letter to brother Theo, from The Hague, The Netherlands in Autumn 1882; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 249), p. 20 1880s, 1882

“You know what I want. If I may become a clergyman, if I fulfill that position so that my work is equal to that of our Father [who was a clergy-man], then I shall thank God. I have good hope that I shall succeed, it was once said to me by someone who was further on in life than I, and who was no stranger in Jerusalem:… I believe that you are a Christian, you see, it was so good for me to hear those words… It is good to believe that there is a God who knows what we need, better than we know it ourselves, and who helps us when we need help. It is also good to believe that, just as in the olden days, now, too, an angel is not far from those who feel godly sorrow… I've carefully read the story of Elijah so often, and so often has it given me strength up to now:”

Vincent Van Gogh

Vincent then quotes 1 Kings 19:3-15, leaving out all but the beginning of verses 14 and 15 quote from his letter to Theo, from Amsterdam, 31 May 1877 letter 118 http://vangoghletters.org/vg/letters/let118/letter.html 1870s

“.. You know that I think a society of impressionists would be a good thing of the same nature as the Society of the Twelve English Pre-Raphaelites, and I think that it could come into existence. Then I incline to think that the artists would guarantee mutually among themselves a livelihood, each consenting to give a considerable number of pictures to the Society, and that the gains as well as the losses should be taken in common.”

Vincent Van Gogh

Quote in his letter to brother Theo, from Arles, France, Spring 1888; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 498), p 37 1880s, 1888

“. You would also be mistaken if you [Theo] thought that I would do well to follow your advice literally, of becoming an engraver of bill-headings and visiting cards, or a bookkeeper or a carpenter's apprentice, - or else to devote myself to the baker's trade, - or many similar things.... that other people advise me.”

Vincent Van Gogh

In his letter to brother Theo, from Wasmes, Belgium, 15 October 1879; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 132), p. 19 1870s

“Theo, your brother has preached for the first time last Sunday in God's dwelling.... it is a delightful thought that in the future wherever I shall come I shall preach the gospel; to do that well, one must have the gospel in one's heart, may the Lord give it to me.”

Vincent Van Gogh

In a letter to Theo, from Isleworth England, Autumn 1876, (letter 79); as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, p. 18 1870s

“At the moment I quite often go to draw with Breitner [in the streets of The Hague], a young painter who's acquainted with Rochussen as I am with Mauve. He draws very skilfully and very differently from me, and we often draw types together in the soup kitchen or the waiting room &c. He sometimes comes to my studio to look at woodcuts, and I go to see the ones he has as well.”

Vincent Van Gogh

In his letter to his brother Theo, from The Hague, Monday, 13 February 1882, http://vangoghletters.org/vg/letters/let204/letter.html, from the original letter; location and translation: Van Gogh museum, Amsterdam]] 1880s, 1882

“Let me stop there, but my God, how beautiful Shakespeare is, who else is as mysterious as he is; his language and method are like a brush trembling with excitement and ecstasy. But one must learn to read, just as one must learn to see and learn to live.”

Vincent Van Gogh

1880s, 1880, Letter to Theo (Cuesmes, July 1880)

“Well, right now it seems that things are going very badly for me, have been doing so for some considerable time, and may continue to do so well into the future. But it is possible that everything will get better after it has all seemed to go wrong. I am not counting on it, it may never happen, but if there should be a change for the better I should regard that as a gain, I should rejoice, I should say, at last! So there was something after all!”

Vincent Van Gogh

1880s, 1880, Letter to Theo (Cuesmes, July 1880)

“Like me, for instance, who can count so many years in my life when I completely lost all inclination to laugh, leaving aside whether or not this was my own fault, I for one need above all just to have a good laugh. I found that in Guy de Maupassant and there are others here, Rabelais among the old writers, Henri Rochefort among today's, where one can find that — Voltaire in 'Candide'. On the contrary, if one wants truth, life as it is, De Goncourt, for example, in 'Germinie Lacerteux', 'La fille Elisa', Zola in 'La joie de vivre' and 'L'assommoir' and so many other masterpieces paint life as we feel it ourselves and thus satisfy that need which we have, that people tell us the truth. The work of the French naturalists Zola, Flaubert, Guy de Maupassant, De Goncourt, Richepin, Daudet, Huysmans is magnificent and one can scarcely be said to belong to one's time if one isn't familiar with them.”

Vincent Van Gogh

Quote of Vincent, in his letter to sister Willemien van Gogh, from Paris, late October 1887; from letter 574 - original text on vangoghletters online http://vangoghletters.org/vg/letters/let574/letter.html 1880s, 1887

“Of all the colors I ordered: the three chromes, the Prussian blue, the emerald, the crimson lakes, the malachite green, all the orange lead, hardly one of them is to be found on the Dutch palette, in Maris, in Mauve or Israels - [all contemporaries of Vincent, Dutch painters of the Hague School. ]”

Vincent Van Gogh

“My dear Theo, Thanks for your letter of this morning. Yesterday I saw the Corot exhibition. It included a painting of the 'Mount of Olives'; I'm glad he painted that. On the right, a group of olive trees, dark against the darkening blue sky; in the background hills covered with shrubs and a couple of tall trees, above them the evening star.... I've also seen the Louvre and the Luxembourg, as you can imagine. The Ruisdaels in the Louvre are magnificent, especially 'The bush', 'The breakwater' and 'The ray of sunlight.”

Vincent Van Gogh

I wish you could see the small Rembrandts there, the 'Supper at Emmaus', and two pendants, 'The philosophers'. quote from his Letter #034 to Theo (Paris, 31 May 1875) http://vangoghletters.org/vg/letters/let034/letter.html 1870s

“The love between brothers is a strong support through life, that is an old truth, let us look for that support, may experience strengthen the bond between us, and let us be true and outspoken toward each other, let there he no secrets — as it is now.”

Vincent Van Gogh

Quote in a letter of Vincent to brother Theo van Gogh, from Etten (Netherlands), Spring, 1877; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 90), p. 7 1870s

“I tell you, brother, I am not good from a clergyman's point of view. I know full well that, frankly speaking, prostitutes are bad, but I feel something human in them which makes me feel not the least scruple to associate with them; I see nothing very wrong in them... And now, as in other periods of decline of civilization, the corruption of society has turned upside down all relations of good and evil, and one falls back logically on the old saying: "The first shall be last and the last shall be first."”

Vincent Van Gogh

Quote in his letter to brother Theo, from Drenthe, The Netherlands, Sept. 1883; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 326) p. 38 Vincent is referring to his former relation with Sien, in The Hague 1880s, 1883

“I hope I have just had simply an artist's freak, and then a lot of fever after very considerable loss of blood, as an artery was severed, but my appetite came back at once. My digestion is all right, and so from day to day serenity returns to my brain.”

Vincent Van Gogh

Quote in his letter to brother Theo, from Arles, France, Jan. 1889; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 569), p 24 Vincent wrote this letter about two weeks after his first attack, during which he had cut off his ear 1880s, 1889

“If you saw the first painted color-studies that I made when I came here to Nuenen [1883] - and the present canvas [1885] - side by side - I think you'd see that as far as colour is concerned - things have livened up. I think that the question of the breaking of colours in the relationships of the colours will occupy you too one day. For as an art expert and critic, one must also, it seems to me - be sure of one's ground and have certain convictions. At least for one's own pleasure and to be able to give reasons, and at the same time one must be able to explain it in a few words to others, who sometimes turn to someone like you for enlightenment when they want to know something more about art.”

Vincent Van Gogh

Quote in his letter to Theo, from Amsterdam, 30 April 1885, http://vangoghletters.org/vg/letters/let497/letter.html Vincent refers to his famous painting Eaters' https://upload.wikimedia.org/wikipedia/commons/1/12/Vincent_van_Gogh_-_The_potato_eaters_-_Google_Art_Project.jpg'Potato 1880s, 1885

“Ill as well, and I have not been brave. Then face to face with the suffering of these attacks I feel very frightened too.... All the same I know well that healing comes - if one is brave - from within through profound resignation to suffering and death, through the surrender of your own will and of your self-love. But that is no use to me, I love to paint, to see people and things and everything that makes our life - artificial - if you like.”

Vincent Van Gogh

Quote in his letter to brother Theo, from Saint-Rémy-de-Provence, France, 10 Sept. 1889; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 605), p. 26 1880s, 1889

“.. How I paint I do not know myself. I sit down with a white board before the spot that strikes me, I look at what is before me, I say to myself that white board must become something, I come back dissatisfied - I put it away, and when I have rested a little I go to look at it with a kind of fear. Then I am still dissatisfied, because I have still too closely in my mind that splendid nature..”

Vincent Van Gogh

Quote in a letter of Vincent to Theo, from The Hague (Netherlands), Summer 1882; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 228), p. 30 1880s, 1882

“Involuntarily and without any definite motive, I had a thought that often occurs to me. Not only did I begin drawing relatively late in life, but it may also be that I shall not live for so very many years to come… I think I may presume without rashness: that my body will keep a certain number of years "quand bien meme" - a certain number, say between six and ten years for instance… This is the period on which I reckon firmly.”

Vincent Van Gogh

Quote in his letter to brother Theo, from The Hague, Summer 1883; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 309), p 23 1880s, 1883

“What has changed is that my life then was less difficult and my future seemingly less gloomy, but as far as my inner self, my way of looking at things and of thinking is concerned, that has not changed. But if there has indeed been a change, then it is that I think, believe and love more seriously now what I thought, believed and loved even then.”

Vincent Van Gogh

1880s, 1880, Letter to Theo (Cuesmes, July 1880)

“Someone has a great fire in his soul and nobody ever comes to warm themselves at it, and passers-by see nothing but a little smoke at the top of the chimney and then go on their way.”

Vincent Van Gogh

Quote in his Letter (no. 155), June 1880; published in the online version of http://www.vangoghletters.org/vg/letters/let155/letter.html "Vincent van Gogh – The Letters; The Complete Illustrated and Annotated Edition"]. Retrieved 29 July 2014 Variants: One may have a blazing hearth in one's soul and yet no one ever came to sit by it. Passers-by see only a wisp of smoke from the chimney and continue on their way. // There may be a great fire in our hearts, yet no one ever comes to warm himself at it, and the passers-by see only a wisp of smoke. 1880s, 1880

“Now I ask you whether you yourself have not often noticed that the policy of floating between the old and the new is not tenable? Just think this over. Sooner or later it ends with one's standing frankly either to the right or to the left.
It is no ditch, and I repeat, then it was '48 [the 1848 Revolutions in Europe, ] now it is '84 [1884]; then there was a barricade of paving stones - now it is not of stones, but a barricade as to the incompatibility of old and new.”

Vincent Van Gogh

Quote in his letter to brother Theo, from Nuenen, The Netherlands, Autumn 1884; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 381) p. 38 1880s, 1884

“My dear Theo, Feeling, even a fine feeling, for the beauties of nature isn't the same as religious feeling, although I believe that the two are closely connected. The same is true of a feeling for art. Don't give in to that too much either. Hold fast especially to your love for the firm [of the Paris' art dealers Goupil & C0, where both brothers worked - Vincent started in 1869 and Theo in 1873] and for your work.... Nearly everyone has a feeling for nature, some more than others, but there are few who feel that God is a spirit, and that they must worship Him in spirit and in truth. Pa is one of the few, Ma too, and also Uncle Vincent, I believe.”

Vincent Van Gogh

quote from his Letter #049 to Theo on 'religious feeling' (Paris, 17 Sept. 1875) http://vangoghletters.org/vg/letters/let049/letter.html 1870s

“.. At the end of the month I should like to go to the hospital at St. Remy or another institution of this kind. What comforts me a little, is that I am beginning to consider madness as a disease like any other and accept the thing as such, whereas during the crises themselves, I thought that everything I imagined was real... After all... I have perhaps still some almost normal years in front of me.”

Vincent Van Gogh

Quote in his letter to brother Theo, from Arles, France, 21 April 1889; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 585), p 25 1880s, 1889

“.. Our life is a pilgrim's progress. I once saw a very beautiful picture: it was a landscape at evening. In the distance on the right-hand side a row of hills appeared blue in the evening mist. Above those hills the splendour of the sunset, the grey clouds with their linings of silver and gold and purple. The landscape is a plain or heath covered with grass and its yellow leaves, for it was in autumn. Through the landscape a road leads to a high mountain far, far away, on the top of that mountain is a city wherein the setting sun casts a glory. On the road walks a pilgrim, staff in hand. He has been walking for a good long while already and he is very tired. And now he meets a woman, or figure in black, that makes one think of St. Paul's word: As being sorrowful yet always rejoicing. That Angel of God has been placed there to encourage the pilgrims and to answer their questions and the pilgrim asks her: Does the road go uphill then all the way? And the answer is: "Yes to the very end."”

Vincent Van Gogh

Quote of Vincent van Gogh, from his 'First Sunday Sermon' http://www.vggallery.com/misc/archives/sermon.htm: 'I Am a Stranger on the Earth..'; 29 October 1876 1870s

“.. The thought crossed my mind, how society today in its fall, at moments seen against the light of a renewal, stands out as a large, gloomy silhouette. Yes, for me, the drama of storm in nature, the drama of sorrow in life, is the most impressive.”

Vincent Van Gogh

Quote in his letter to brother Theo, from The Hague, The Netherlands, Summer 1883; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 319) p. 21 1880s, 1883

“.. Here I am shut up for the livelong day under lock and key and with keepers in a cell.... I will not deny that I would rather have died than have caused and suffered such trouble.”

Vincent Van Gogh

Quote in his letter to brother Theo, from Arles, France, 9 March. 1889; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 579), p 25 1880s, 1889

“Boughton together with Abbey are making for Harper in New York drawings called "Picturesque Holland".... now I say to myself if the Graphic and Harper send their draughtsmen to Holland they would perhaps not be unwilling to accept a draughtsman from Holland [Vincent himself], if he can furnish some good work for not too much money. I should prefer to be accepted on regular monthly wages rather than to sell a drawing now and then at a relatively high price.”

Vincent Van Gogh

“There is a saying by Gustave Dore which I have always admired: "J'ai la patience d'un boeuf." [I have the patience of an ox]. I find in it a certain goodness, a certain resolute honesty, more, it has a deep meaning that saying, it is the word of a real artist. When one thinks of the men from whose heart such a saying sprang, all the arguments one too often hears of art dealers about "natural gifts", seem to become a terrible raven's croaking.”

Vincent Van Gogh