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Vincent Van Gogh Quotes
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238 Quotes Revealing Profound Wisdom and Artistic Musings

Uncover Van Gogh's profound wisdom and artistic musings through his inspirational quotes. Find solace, encouragement, and a glimpse into the mind of a brilliant artist as you explore his thoughts on art, success, and self-discovery.

Vincent Willem van Gogh was a Dutch Post-Impressionist painter known for his bold and expressive brushwork. Despite facing poverty and mental illness throughout his life, he created approximately 2100 artworks, including landscapes, still lifes, portraits, and self-portraits. Van Gogh's use of symbolic colors contributed to the foundations of modern art. Although he only sold one painting during his lifetime, he became famous after his suicide at the age of 37.

Born into an upper-middle-class family, Van Gogh showed signs of mental instability from a young age. After working as an art dealer and exploring religion as a missionary, he turned to painting in 1881. His brother Theo supported him financially and they maintained a close correspondence by letter. In 1886, Van Gogh moved to Paris where he met artists seeking new artistic paths beyond Impressionism. He later settled in Arles and focused on depicting the natural world with brighter colors. His friendship with Paul Gauguin ended tragically when Van Gogh severed part of his own ear during a psychotic episode.

Van Gogh's art gained recognition after his death and inspired avant-garde artistic movements in the early 20th century. Today, his works are among the most expensive paintings ever sold, and his legacy is celebrated at the Van Gogh Museum in Amsterdam which houses the world's largest collection of his works. Van Gogh is remembered as an emblem of misunderstood genius and continues to be revered for his use of color and expressive style.

✵ 30. March 1853 – 29. July 1890
Vincent Van Gogh photo
Vincent Van Gogh: 238   quotes 450   likes

Vincent Van Gogh Quotes

“My surroundings here [in the asylum St. Remy ] begin to weigh on me more than I can express - my word, I have had patience for more than a year - I need air, I feel overwhelmed with boredom and depression.”

Vincent Van Gogh

Quote in his letter to brother Theo, from Saint-Rémy-de-Provence, France, May 1890; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 631), p. 26
1890s

Feeling , Patience

“I believe so... Don't accuse anybody else.”

Vincent Van Gogh

Reply to the police when Vincent was asked if he had attempted to commit suicide (27 July 1890), as reported in "The Life and Death of Vincent van Gogh" on 60 Minutes, 16 October 2011 http://www.cbsnews.com/2102-18560_162-20120760.html?tag=contentMain;contentBody
1890s

“Often I think of that excellent painter Monticelli,... when I come back myself from the mental labor of balancing the six essential colors.... sheer work and calculation, with one's mind utterly on the stretch, like an actor on the stage in a difficult part, with a hundred things at once to think of in a single half-hour.
Don't think that I would artificially keep up a feverish condition, but do understand that I am in the midst of a complicated calculation which results in quick succession in canvases quickly executed, but calculated long beforehand. So now, when anyone says that such and such is done too quickly, you can reply that they have looked at it too quickly.”

Vincent Van Gogh

Quote in his letter to brother Theo, from Arles, Summer 1888; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 507) p. 32
1880s, 1888

Color , Understanding , Thinking , Success

“Don't be cross with me that I've come all of a sudden [to move from Antwerp to Paris]. I've thought about it so much and I think we'll save time this way. Will be at the Louvre from midday, or earlier if you like. A reply, please, to let me know when you could come to the Salle Carrée. As for expenses, I repeat, it comes to the same thing. I have some money left, that goes without saying, and I want to talk to you before spending anything.”

Vincent Van Gogh

Quote in his letter to Theo van Gogh, from Paris, on or about Sunday, 28 February 1886; from original text of letter 567 - vangoghletters online http://vangoghletters.org/vg/letters/let567/letter.html
Van Gogh went hotfoot from Antwerp to Paris with no prior warning; later he confessed he left Antwerp without paying his bills
1880s, 1886

Money , Way , Thinking , Time

“For myself I can only say at the moment that I think we all need rest - I feel done for. So much for me: I feel that this is the lot which I accept and which will not alter.... And the prospect grows darker, I see no happy future at all.”

Vincent Van Gogh

Quote in his letter to brother Theo from Auvers, July 1890; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 648), p. 26
1890s

Feeling , Thinking , Future , Happiness

“How will it be with my work a year hence? Well, Mauve [van Gogh's cousin and art-teacher, in The Hague] understands all this and he will give me as much technical advice as he can, - that which fills my head and my heart must be expressed in drawing or pictures.”

Vincent Van Gogh

In his letter to brother Theo, from The Hague, The Netherlands in December 1881; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, p. 20 (letter 166)
1880s, 1881

Art , Understanding , Teachers , Heart

“And at times already I feel old and broken... To succeed one must have ambition, and ambition seems to me absurd. What will come of it I don't know; I would like above all things to be less of a burden to you... I hope to make such progress that you will be able to show my stuff boldly without compromising yourself. And then I will take myself off somewhere down south, to get away from the sight of so many painters that disgust me as men.”

Vincent Van Gogh

Quote in his letter to brother Theo, from environment of Paris, Summer 1887; as quoted in Vincent van Gogh, edited Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 462) p. 22
1880s, 1887

Men , Hope , Feeling , Time

“Well, the truth is, we can only make our pictures speak. But yet, my dear brother, there is this that I have always told you, and I repeat it once more, with all earnestness.... that I shall always consider that you are something other than a simple [art-]dealer in Corot, that through my mediation you have a part in the actual production of some canvases, which even in the deluge will retain their place.
Well, my own work, I am risking my life for it and my reason has half-foundered in it - that is all right - but you are not among the dealers in men so far as I know, and you can still choose your side, I think, acting with humanity, but what's the use?”

Vincent Van Gogh

In a letter from Auvers, Summer of 1890, to Theo (found on him on 29 July, after Vincent had shot himself); as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 652 ) p. 7
1890s

Life , Men , Truth , Art

“In Antwerp I did not even know what the Impressionists were, now I have seen them and though not being one of the club, yet I have much admired certain Impressionist pictures – Degas, nude figure – Claude Monet, landscape. And now for what regards what I myself have been doing, I have lacked money for paying models, else I had entirely given myself to figure painting but I have made a series of colour studies in painting simply flowers, red poppies, blue corn flowers and myosotys. White and rose roses, yellow chrysantemums – seeking oppositions of blue with orange, red and green, yellow and violet, seeking THE BROKEN AND NEUTRAL TONES to harmonise brutal extremes. Trying to render intense COLOUR and not a grey harmony.”

Vincent Van Gogh

Quote of Vincent van Gogh in his letter to Horace Mann Livens, from Paris, September or October 1886; from letter 569 - vangoghletters online http://vangoghletters.org/vg/letters/let569/letter.html
1880s, 1886

Money , Flowers , Study , Painting

“The work in question, painting the peasants, is such laborious work that the extremely weak would never even embark on it. And I have at least embarked on it... And I've grasped some solid and useful things in drawing and in painting, more firmly than you think, my dear friend. But I keep on making what I can't do yet in order to learn to be able to do it... We have in common with each other that we seek our subjects in the heart of the people, and then we have in common a need — either as an objective or as a means — to take our studies from reality.”

Vincent Van Gogh

Quote in his letter to Anthon van Rappard, from Nuenen, The Netherlands, September 1885, in 'Van Gogh Letters' http://vangoghletters.org/vg/letters/let528/letter.html
1880s, 1885

People , Question , Thinking , Reality

“.. I have painted a few studies of the figure… I send you [Theo] two sketches. The painting of the figure appeals to me very much, but it must ripen - I must learn to know the technique better - that which is sometimes called "la cuisine de l'art". In the beginning I shall have to do much scraping, and often to begin anew, but I feel that I learned from it and that gives me a new fresh view on the things.”

Vincent Van Gogh

Quote in a letter of Vincent to Theo, from The Hague (Netherlands), August 1882; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 226), catalogus-page: Oil Paintings -Dutch Period: 'Scheveningen, Fisherwoman'
1880s, 1882

Feeling , Study , Learning , Painting

“Gauguin interests me very much as a man - very much. For a long time now it has seemed to me that in our nasty profession of painting we are most sorely in need of men with the hands and the stomachs of workmen. More natural tastes - more loving and more charitable temperaments - than the decadent dandies of the Parisian boulevards have. Well, here we are without the slightest doubt in the presence of a virgin creature with savage instincts. With Gauguin blood and sex prevail over ambition.”

Vincent Van Gogh

Letter http://webexhibits.org/vangogh/letter/18/B19a.htm to Émile Bernard, ca. 2 November, 1888.
1880s, 1888

Painting , Time , Nature , Sex

“More and more it seems to me that the pictures which must be painted to make present-day painting completely itself... are beyond the power of one isolated individual. They will therefore probably be created by groups of men combining together to execute an idea held in common.”

Vincent Van Gogh

(June, 1888) in Letters to Émile Bernard (1938) New York. See also John Rewald, History of Impressionism (1946) p. 402.
1880s, 1888

Idea , Making love , Painting , Men

“Love always brings difficulties, that is true, but the good side of it is that it gives energy…. I have not yet had enough experience with women. What we were taught about them in our youth is quite wrong, that is sure, it was quite contrary to nature, and one must try to learn from experience. It would be very pleasant if everybody were good, and the world were good, etc.”

Vincent Van Gogh

yes - but it seems to me that we see more and more that we are not good, no more than the world in general, of which we are an atom - and the world no more good than we are. One may try one's best, or act carelessly, the result is always different from what one really wanted. But whether the result be better or worse, fortunate or unfortunate, it is better to do something than to do nothing. If only one is wary of becoming a prim, self-righteous prig - as Uncle Vincent calls it - one may be even as good as one likes.
In his letter to Theo, from Nuenen, c. 9 March 1884, http://www.webexhibits.org/vangogh/letter/14/359.htm
1880s, 1884

Learning , Nature , Youth , World

“To stroll on wharves, and in alleys and in streets and in the houses, waiting-rooms, even saloons, that is not a pleasant pastime unless for an artist.”

Vincent Van Gogh

As such, one would rather be in the dirtiest place where there is something to draw, than at a tea party with charming ladies. Unless one wants to draw ladies, then a tea party is all right even for an artist.
quote in his letter to brother Theo, from The Hague, The Netherlands in Spring 1882; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, p. 34 (letter 190)
1880s, 1882

Housing , Waiting

“When I was.... in the surroundings of pictures and things of art... I then had a violent passion for them... And I do not repent it, for even now, far from that land, I am often homesick for the land of pictures.”

Vincent Van Gogh

Now for more than five years already, I do not know exactly how long, I'm more or less without employment, wandering here and there.. .But you will ask what is your definite aim? That aim becomes more definite, will stand out slowly and surely, as the rough draft becomes a sketch and the sketch becomes a picture.. .. my only anxiety is: how can I be of use in the world, cannot I serve some purpose and be of any good, how can I learn more and study profoundly certain subjects?

In his letter to brother Theo, from Cuesmes, Belgium July 1880; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 133) p. 19
1880s, 1880

Passion , Art

“If only we try to live sincerely, it will go well with us, even though we are certain to experience real sorrow, and great disappointments, and also will probably commit great faults and do wrong things, but it certainly is true, that it is better to be high-spirited, even though one makes more mistakes, than to be narrow-minded and all too prudent. It is good to love many things, for therein lies the true strength, and whosoever loves much performs much, and can accomplish much, and what is done in love, is well done.”

Vincent Van Gogh

Quote of Vincent's letter to Theo, from Amsterdam, 3 April 1878; a cited in The Letters of Vincent van Gogh to his Brother, 1872-1886 (1927) Constable & Co
As quoted in Wisdom for the Soul : Five Millennia of Prescriptions for Spiritual Healing (2006) by Larry Chang, p. 483
1870s
Variant: Love many things, for therein lies the true strength, and whosoever loves much performs much, and can accomplish much, and what is done in love is done well.

Love , Making love , Sincerity , Disappointment

“There is no blue without yellow and without orange, and if you put in blue, then you must put in yellow, and orange too, mustn't you? Oh well, you will tell me that what I write to you are only banalities.”

Vincent Van Gogh

Letter to Émile Bernard, June 1888, in 'Van Gogh's Letters'. http://www.webexhibits.org/vangogh/letter/18/B06.htm
1880s, 1888

“And my intention is to try to form a collection of many such things, which would not be quite unworthy of the title 'heads of the people.”

Vincent Van Gogh

By working hard, boy, I hope to succeed in making something good. It isn't there yet, but I aim at it, and struggle for it. I want something serious, - some thing fresh - something with soul in it! Forward - forward -
quote in his letter to brother Theo, from The Hague, The Netherlands, 3 Jan. 1883; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 257), pp. 20-21
1880s, 1883

People

“I must continue to follow the path I take now. If I do nothing, if I study nothing, if I cease searching, then, woe is me, I am lost. That is how I look at it — keep going, keep going come what may.
But what is your final goal, you may ask. That goal will become clearer, will emerge slowly but surely, much as the rough draught turns into a sketch, and the sketch into a painting through the serious work done on it, through the elaboration of the original vague idea and through the consolidation of the first fleeting and passing thought.”

Vincent Van Gogh

1880s, 1880, Letter to Theo (Cuesmes, July 1880)

Painting , Search , Study , Idea

“I think that everything that is really good and beautiful, the inner, moral, spiritual and sublime beauty in men and their works, comes from God, and everything that is bad and evil in the works of men and in men is not from God, and God does not approve of it.
But I cannot help thinking that the best way of knowing God is to love many things. Love this friend, this person, this thing, whatever you like, and you will be on the right road to understanding Him better, that is what I keep telling myself. But you must love with a sublime, genuine, profound sympathy, with devotion, with intelligence, and you must try all the time to understand Him more, better and yet more. That will lead to God, that will lead to an unshakable faith.”

Vincent Van Gogh

1880s, 1880, Letter to Theo (Cuesmes, July 1880)

Personality , Intelligence , Understanding , Thinking

“It seemed to you perhaps as if the sun shone brighter and everything had acquired a new charm. At any rate, I believe this is always the effect of a serious love and that's a delightful thing.”

Vincent Van Gogh

Quote in his letter tot Theo, from The Hague, Sunday, 18 March 1883; as cited in letter 330 - complete vangoghletters online http://vangoghletters.org/vg/letters/let330/letter.html
1880s, 1883

Sun , Love

“Well, well, there are moments when I am wrung by enthusiasm or madness or prophecy like a Greek oracle on a tripod... Everyone suffers here either from fever, or hallucination, or madness, we understand each other like members of the same family.”

Vincent Van Gogh

Quote in his letter to brother Theo, from Arles, France, 3 Febr. 1889; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 576), p 25
1880s, 1889

Family , Understanding , Suffering , Madness