Vincent Van Gogh Quotes: 238 Quotes Revealing Profound Wisdom and Artistic Musings

“What surprising fellows those French painters are. A Millet, Delacroix, Corot, Troyon, Daubigny, Rousseau, and a Daumier.... Something else about Delacroix - he had a discussion with a friend about the question of working absolutely from nature, and said on that occasion that one should take one's 'studies' from nature - but that the 'actual painting' had to be made 'by heart'. This friend was walking along the boulevard when they had this discussion - which was already fairly heated. When they parted the other man was still not entirely persuaded. After they parted, Delacroix let him stroll on for a bit - then (making a trumpet of his two hands) bellowed after him in the middle of the street - to the consternation of the worthy passers-by:
'By heart! By heart!”

Vincent Van Gogh

(Par coeur! Par coeur!)
I can't tell you how much I enjoyed reading this article and some other things about Delacroix..
In his letter to Anthon van Rappard, from Nuenen, The Netherlands, 8 and c. 15 August 1885 - original manuscript, letter 526, at Van Gogh Museum, location Amsterdam - inv. nos. b8390 V/2006, http://vangoghletters.org/vg/letters/let526/letter.html
See for this anecdote, taken from Charles Blanc, Les artistes de mon temps, letter 496, n. 7.
1880s, 1885

Question , Nature , Study , Reading

“Some good must come by clinging to the right. Conscience is a man's compass, and though the needle sometimes deviates, though one often perceives irregularities in directing one's course by it, still one must try to follow its direction.”

Vincent Van Gogh

Quote in a letter of Vincent to brother Theo, from The Hague, between c. 13 and c. 18 December 1882; as cited in Dear Theo: the Autobiography of Vincent Van Gogh; ed. Irving Stone and Jean Stone, (1995) p. 181 - ISBN 0452275040
1880s, 1882

“.. Now there is in the South of Belgium, in Hainault, in the neighborhood of Mons.... a district called the Borinage, that has a peculiar population of laborers who work in the numerous coal mines... I should very much like to go there as an evangelist.... St. Paul was three years in Arabia before he began to preach..”

Vincent Van Gogh

In his letter to brother Theo, from Laeken, near Brussels, 15 Nov. 1878, (letter 126); as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, p. 18
1870s

“Now for the past five years or so, I don't know how long exactly, I have been more or less without permanent employment, wandering from pillar to post. You will say, ever since such and such a time you have been going downhill, you have been feeble, you have done nothing. Is that entirely true?”

Vincent Van Gogh

1880s, 1880, Letter to Theo (Cuesmes, July 1880)

Time , Past

“Text: Psalm 119:19. I am a stranger on the earth, hide not Thy command ments from me.
Are we what we dreamt we should be? No, but still the sorrows of life..., so much more numerous than we expected, the tossing to and fro in the world, they have covered it over, but it is not dead, it sleepeth.”

Vincent Van Gogh

Quote from van Gogh's first sermon, 29 October, 1876; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, p. 18
1870s

Life , World , Dead

“Some time ago I saw a painting by Thijs Maris [= Matthijs Maris, one of the three brothers Maris, all three famous Dutch impressionist painters of the Hague School ] that reminded me of it. An old Dutch town with rows of brownish red houses with step-gables and tall flights of steps, grey roofs, and white or yellow doors, window-frames and cornices; canals with ships and a large white drawbridge, a barge with a man at the tiller going under it... Some distance away a stone bridge over the canal, with people and a cart with white horses crossing it. And everywhere movement, a porter with his wheelbarrow, a man leaning against the railing, gazing into the water, women in black with white caps... A greyish white sky over everything…”

Vincent Van Gogh

quote from Vincent's Letter #031 to Theo van Gogh (London, 6 April 1875) http://vangoghletters.org/vg/letters/let031/letter.html
1870s

Women , People , School , Water

“My intention is to make in Drenthe so much progress in painting that when I come back I may be qualified for the 'Society of Draughtsmen' [a group of London illustrators]. This stands again in connection with the second plan of going to England”

Vincent Van Gogh

to become an illustrator
Quote in his letter to brother Theo, from The Hague, The Netherlands, Summer 1883; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 319) p. 21
1880s, 1883

Painting

“Oh, Theo, why should I change - I used to be very passive and very gentle and quiet — I'm that no longer, but then I'm no longer a child either now - sometimes I feel my own man.”

Vincent Van Gogh

1880s, 1884, Letter to Theo (Nuenen, Oct. 1884)

Feeling , Change

“.. I went to live in my studio on the first of May [? ]... I have not had a hot dinner more than perhaps six or seven times since. I have lived then and I do so here, not having money for dinner, because the work costs me too much and I have trusted too much on my being strong enough to hold out. Now I have made it worse by smoking a great deal, which I do the more because then one does not feel an empty stomach so much... My opinion is that one must not think that the people whose health is damaged, quite or partly, are no good for painting... It fell so unexpectedly on me, I had been feeling weak and feverish, but I went on notwithstanding, but I began to feel worried when more and more teeth broke off, and I began to look more and more ill.”

Vincent Van Gogh

Quote in his letter to brother Theo from Antwerp, Belgium, Febr. 1886; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 449), p 24
1880s, 1886

Money , People , Health , Feeling

“.. How glad I was when this doctor took me for an ordinary workingman and said: "I suppose you are an iron worker." That is just what I have tried to change in myself; when I was younger, I looked like one who has been intellectually overwrought, and now I look like a skipper or an iron worker.”

Vincent Van Gogh

Quote in his letter to brother Theo, from Antwerp, Belgium, 28 Dec. 1885; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 442) p. 22
1880s, 1885

Change

“.. I am always between two currents of thought, first the material difficulties, turning round and round to make a living; and second, study of color. I am always in hope of making a discovery there, to express the love of two lovers by a marriage of two complementary colors, their mingling and their opposition, the mysterious vibrations of kindred tones. To express the thought of a brow by the radiance of a light tone against a sombre background. To express hope by some star, the eagerness of a soul by a sunset radiance. Certainly there is nothing in that of stereoscopic realism, but is it not some thing that actually exists?”

Vincent Van Gogh

Quote in his letter to brother Theo, from Arles, September 1888; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 531) p. 22
1880s, 1888

Love , Marriage , Hope , Color

“Believe me, I work, I drudge, I grind all day long and I do so with pleasure, but I should get very much discouraged if I could not go on working as hard or even harder... I feel, Theo, that there is a power within me, and I do what I can to bring it out and free it. It is hard enough, all the worry and bother with my drawings, and if I had too many other cares and could not pay the models I should lose my head.”

Vincent Van Gogh

quote in his letter to brother Theo, from The Hague, The Netherlands in Jan. 1882; as quoted in Vincent van Gogh, Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, p. 20 (letter 171)
1880s, 1882

Pleasure , Feeling , Drawing

“Formerly I felt repulsion for these creatures, and it was a harrowing thought for me to reflect that so many of our profession, Troyon, Marchal, Meryon, Jundt, M. Maris, Monticelli [all painter-artists], and heaps more had ended like this.”

Vincent Van Gogh

Quote in his letter to brother Theo, from Saint-Rémy-de-Provence, France, 25 May 1889; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 592), p 25
1880s, 1889

“. I have done well to come here [to the hospital of Saint-Remy, ] first of all that by seeing the actual truth about the life of the various madmen and lunatics in this menagerie I am losing the vague dread, the fear of the thing.”

Vincent Van Gogh

Quote in his letter to brother Theo, from Saint-Rémy-de-Provence, France, May 1889; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 591), p 25
1880s, 1889

Life , Truth , Fear

“The dreamer sometimes falls into the doldrums, but is said to emerge from them again. And the absent-minded person also makes up for it with bouts of perspicacity. Sometimes he is a person whose right to exist has a justification that is not always immediately obvious to you, or more usually, you may absent-mindedly allow it to slip from your mind. Someone who has been wandering about for a long time, tossed to and fro on a stormy sea, will in the end reach his destination. Someone who has seemed to be good for nothing, unable to fill any job, any appointment, will find one in the end and, energetic and capable, will prove himself quite different from what he seemed at first.”

Vincent Van Gogh

1880s, 1880, Letter to Theo (Cuesmes, July 1880)

Time , Personality , Sea

“It is hard, terribly hard, to keep on working when one does not sell, and one literally has to pay for one's colors from what would not be too much for eating, drinking and lodgings, calculated ever so strictly. And then, besides, the models... All the same they are building State museums, and the like, for hundreds of thousands, but meanwhile, the artists can go to the dogs.”

Vincent Van Gogh

Quote in his letter, from Antwerp, Belgium, Dec. 1885; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 438) p. 35
1880s, 1885

Dogs , Color , Drink

“May God give me the wisdom which I need and grant me what I so fervently desire, that is, to finish my studies as quickly as possible and he ordained, so that I can perform the practical duties of a clergyman.”

Vincent Van Gogh

In a letter to Theo, from Amsterdam, 19 Nov. 1877; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 113), p. 18
as student, in Amsterdam, staying in the house of his uncle
1870s

Wisdom , God , Study

“I have [drawings of] about twelve figures of diggers and men who are working in a potato field, and I wonder if I could not make something of it, you have still a few, for instance, a man who fills a bag with potatoes. Well, I do not know for sure, but sooner or later I shall accomplish that, for I looked at it so attentively this summer, and here in the dunes I could make a good study of the earth and the sky, and then boldly put in the figures.”

Vincent Van Gogh

Quote in letter 169, from The Hague, January, 1882; as cited in Vincent van Gogh, Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, catalog-page: Dutch Period: - 4. Potato Diggers
1880s, 1882

Men , Study , Summer , Drawing

“Poetry surrounds us everywhere, but putting it on paper is, alas, not so easy as looking at it.”

Vincent Van Gogh

Quote in his letter tot Theo, from The Hague, Sunday, 18 March 1883; as cited in The Complete Letters of Vincent Van Gogh, Vol. 2 (1958) New York Graphic Society, p. 12
1880s, 1883

“If we study Japanese art, you see a man who is undoubtedly wise, philosophic and intelligent who spends his time how? In studying the distance between the earth and the moon? No. In studying the policy of Bismarck? No. He studies a single blade of grass..”

Vincent Van Gogh

Quote in Vincent's letter to brother Theo, from Arles, Sept. 1888; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 542), p. 39
1880s, 1888

Art , Intelligence , Study , Grass

“letter after his third attack”

Vincent Van Gogh

1880s, 1889

“I was certainly going the right way for a stroke when I left Paris. I paid for it nicely afterwards! When I stopped drinking, when I stopped smoking so much, when I began again to think instead of trying not to think - good Lord, the depression and the prostration of it! Work in these magnificent natural surroundings [of Arles ] has helped my morale.”

Vincent Van Gogh

Quote in his letter to brother Theo, from Arles, France, 4 May 1888; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 481), p 24
1880s, 1888

Way , Drink , Nature , Thinking

“If, therefore, you've already considered that Signac and the others who are doing pointillism often make very beautiful things with it - Instead of running those things down, one [Bernhard] should respect them and speak of them sympathetically, especially when there's a falling out. Otherwise one becomes a narrow sectarian oneself, and the equivalent of those who think nothing of others and believe themselves to be the only righteous ones. This extends even to the academic painters, because take, for example, a painting by Fantin-Latour — and above all his entire oeuvre. Well then — there's someone who hasn't rebelled, and does that prevent him, that indefinable calm and righteousness that he has, from being one of the most independent characters in existence?”

Vincent Van Gogh

Quote in Vincent's letter to Emile Bernard, from Paris, about December 1887; from letter 575 - vangoghletters http://vangoghletters.org/vg/letters/let575/letter.html]
1880s, 1887

Beauty , Thinking , Painting

“And it's certain that unexpected new ideas are beginning to emerge. That paintings are once again beginning to be painted in very different tone from a few years ago.
The last thing I made is a rather large study of an avenue of poplars with the yellow autumn leaves, where the sun makes glittering patches here and there on the fallen leaves on the ground, which are interspersed with the long shadows cast by the trunks. At the end of the road a peasant cottage, and the blue sky above it between the autumn leaves.
I think that in a year's time — having spent that year once again painting a great deal and constantly — I'll change my manner of painting and my colour a great deal, and that I'm likely to become slightly more sombre rather than lighter.”

Vincent Van Gogh

Quote from Vincent's letter to Theo van Gogh, from Nuenen, The Netherlands, on or about Saturday, 25 October 1884; from original text of letter 467 - vangoghletters online http://vangoghletters.org/vg/letters/let467/letter.html
1880s, 1884

Idea , Autumn , Thinking , Study

“Here, under a stronger sun, I have found true what Pissarro said, and what Gauguin wrote to me as well, the simplicity, the lack of color, the gravity of great sunlight effects.”

Vincent Van Gogh

Quote in his letter to brother Theo, from Arles, Oct. 1888; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 555) p. 28
1880s, 1888

Color , Sun

“About staying in the south, even if it's more expensive — Look, we love Japanese painting, we've experienced its influence — all the Impressionists have that in common — and we wouldn't go to Japan, in other words, to what is the equivalent of Japan, the south? So I believe that the future of the new art still lies in the south after all. But it's bad policy to live there alone when two or three could help each other to live on little.”

Vincent Van Gogh

In a letter to brother Theo, from Arles, c. 5 June 1888, in 'Van Gogh's Letters', letter 620 http://vangoghletters.org/vg/letters/let620/letter.html, Van Goghmuseum
Vincent was busy, trying to convince a. o. Paul Gauguin to come to Arles, and to settle there
1880s, 1888

Love , Art , Future , Help

“As well as the greatest optimist I see the lark soaring in the spring air, but I also see a young girl of about twenty, who might have been in good health, a victim to consumption, and who will perhaps drown herself before she dies of an illness. If one is always in respectable company among rather well-to-do bourgeois one does not notice this so much perhaps, but if one has dined for years on 'la vache enragee', as I did, one cannot deny that great misery is a fact that weighs down the scale.”

Vincent Van Gogh

Quote in his letter to brother Theo, from Antwerp Belgium, Winter 1886; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 453), p. 38
1880s, 1886

Health , Girl , Spring

“Of course I should be very happy to sell a drawing but I am happier still when a real artist like Weissenbruch says about an unsalable??? study or drawing: "That is true to nature, I could work from that myself."”

Vincent Van Gogh

quote in his letter to brother Theo, from The Hague, The Netherlands in Febr. 1882; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, p. 20 (letter 177)
1880s, 1882

Nature , Study , Drawing , Happiness

“As I feel a need to speak out frankly, I cannot hide from you that I am overcome by a feeling of great care, depression, a "je ne sais quoi" of discouragement and despair more than I can tell.
I take it so much to heart that I do not get on better with people in general; it quite worries me because on it depends so much my success in carrying out my work.”

Vincent Van Gogh

Quote in his letter to brother Theo, from Drenthe, The Netherlands, Autumn 1883; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 328) p. 21
1880s, 1883

People , Feeling , Success , Heart

“I'd like you [Theo] to spend some time here, you'd feel it — after some time your vision changes, you see with a more Japanese eye, you feel colour differently. I'm also convinced that it's precisely through a long stay here that I'll bring out my personality. The Japanese [like a. o. Hokusai, admired by Vincent] draws quickly, very quickly, like a flash of lightning, because his nerves are finer, his feeling simpler. I've been here [Arles] only a few months but — tell me, in Paris would I have drawn in an hour the drawing of the boats?... Now this [sketch] was done without measuring, letting the pen go. So I tell myself that gradually the expenses will be balanced by work.”

Vincent Van Gogh

In a letter to brother Theo, from Arles, c. 5 June 1888, in 'Van Gogh's Letters', letter 620 http://vangoghletters.org/vg/letters/let620/letter.html, Van Goghmuseum
The Japanese artists with their colored woodblock-prints meant a great inspirations for several Paris' artists - they were extremely important for Vincent, these years
1880s, 1888

Feeling , Change , Time , Drawing

“This art that we are all working in, we feel it has a long future before it, and one must have some settled base, like steady people, and not like decadents. Here my life will become more and more like a Japanese painter's, living close to nature like a petty tradesman.”

Vincent Van Gogh

Quote in his letter to brother Theo, from Arles, Autumn 1888; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 540), pp. 22-23
1880s, 1888

Life , People , Art , Feeling

“To stroll on wharves, and in alleys and in streets and in the houses, waiting-rooms, even saloons, that is not a pleasant pastime unless for an artist. As such, one would rather be in the dirtiest place where there is something to draw, than at a tea party with charming ladies. Unless one wants to draw ladies, then a tea party is all right even for an artist.”

Vincent Van Gogh

quote in his letter to brother Theo, from The Hague, The Netherlands in Spring 1882; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, p. 34 (letter 190)
1880s, 1882

Waiting , Tea , Drawing , Housing

“It is color, not locally true from the point of view of the stereoscopic realist, but color to suggest any emotion of an ardent temperament. When Paul Mantz saw at the exhibition the violent and inspired sketch of Delacroix…. the 'Barque of Christ' - he turned away from it exclaiming: 'I did not know that one could be so terrible with a little blue and green'. Hokusai wrings the same cry from you [Theo], but he does it by his line, his drawing, when you say in your letter - 'the waves are claws and the ship is caught in them'. Well, if you make the color exact or the drawing exact, it won't give you sensations like that.”

Vincent Van Gogh

Quote in his letter to brother Theo, from Arles, 8 September 1888; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 533) pp. 32-33
1880s, 1888

Color , Christ , Drawing , Cry

“My dear Theo, Sincere wishes for your good health and serenity on your birthday. I would like to have sent you the painting of the potato eaters for this day, but although it's coming along well, it's not quite finished yet. Although I'll have painted the actual painting in a relatively short time, and largely from memory, it's taken a whole winter of painting studies of heads and hands. And as for the few days in which I've painted it now - it's consequently been a formidable fight, but one for which I have great enthusiasm. Although at times I feared that it wouldn't come off. But painting is also 'act and create.”

Vincent Van Gogh

Quote in his letter to Theo, from Amsterdam, 30 April 1885, letter 497 - vangoghletters online http://vangoghletters.org/vg/letters/let497/letter.html
Vincent refers to his famous painting 'Potato Eaters' https://upload.wikimedia.org/wikipedia/commons/1/12/Vincent_van_Gogh_-_The_potato_eaters_-_Google_Art_Project.jpg
1880s, 1885

Health , Fear , Birthday , Study

“I am sure you will like it, it is such a fine business [art-dealer].... I am so glad that we shall both be in the same profession [art dealing] and in the same firm”

Vincent Van Gogh

Goupil and Co.
Quote in his letter to brother Theo from The Hague, The Netherlands (13 December 1872); as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, p. 17 (letter 2)
Vincent's profession then was picture dealer at Goupil and Co., with branches a. o. in The Hague, London and Paris
1870s

Art , Business

“When I call myself a peasant painter, that is a real fact, and it will become more and more clear to you in the future, I feel at home there. By witnessing peasant life continually at all hours of the day I have become so absorbed in it that I hardly ever think of anything else.”

Vincent Van Gogh

Quote in his letter to brother Theo from Nuenen, The Netherlands, Summer 1885; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 400) p. 21
1880s, 1885

Life , Feeling , Home , Thinking

“I hope.... to paint some in a lighter gamut, more flesh and blood, but, at the same time, I am trying to get a still stronger soft soap and copper-like effect. In reality I daily see, in the gloomy huts, effects against the light or in the evening twilight.... which I compare to soft soap and brass color of a worn-out 10 centime piece.”

Vincent Van Gogh

Quote in his letter to brother Theo, from Nuenen, The Netherlands, June 1885; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 410) p. 31
1880s, 1885

Hope , Color , Reality , Light

“Do you know what I long for sometimes? To make a trip to Brabant. I should love to draw the old churchyard at Nuenen, and the weavers. To make, for instance, during a month, studies of Brabant, and to come back [to The Hague] with a lot of them, for a large drawing of a peasant funeral for instance.”

Vincent Van Gogh

Quote of letter 295, from The Hague, 1883; as cited in Vincent van Gogh, Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, catalog-page: Dutch Period 2. - Weaver
1880s, 1883

Love , Study , Drawing

“The thing has already taken form in my mind before I start it. The first attempts are absolutely unbearable. I say this because I want you to know that if you see something worthwhile in what I am doing, it is not by accident but because of real direction and purpose.”

Vincent Van Gogh

As quoted in The Path of Least Resistance : Principles for Creating What You Want to Create (1984) by Robert Fritz, p. 181
Undated

“I am busy painting every day studies of the weavers here, which I think are technically better than the painted studies from Drenthe, which I sent you.”

Vincent Van Gogh

1880s, 1884
Source: Quote from Letter 355, from Nuenen The Netherlands, January 1884; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, page: Catalog: Dutch Period 2. - Weaver

Business , Thinking , Study , Painting

“Certainly after all you are right, damn well right - even making allowance for hope, the thing is to accept the probably disastrous reality. I am hoping to throw myself once again wholly in my work which has got behind hand.”

Vincent Van Gogh

Quote in his letter to brother Theo, from Arles, France, 29 March 1889; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 582), p 25
1880s, 1889

Hope , Reality

“And my intention is to try to form a collection of many such things, which would not be quite unworthy of the title 'heads of the people.' By working hard, boy, I hope to succeed in making something good. It isn't there yet, but I aim at it, and struggle for it. I want something serious, - some thing fresh - something with soul in it! Forward - forward”

Vincent Van Gogh

quote in his letter to brother Theo, from The Hague, The Netherlands, 3 Jan. 1883; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 257), pp. 20-21
1880s, 1883

People , Hope , Soul , Boy

“If I should find something it will probably be a position between clergy man and missionary in the suburbs of London among the working people. Do not speak to anybody about it yet.”

Vincent Van Gogh

In his letter to brother Theo from Welwyn, England, 17 June 1876; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, p. 17 (letter 69)
as school teacher and lay preacher near London
1870s

People

“.. the best way to know God is to love many things. Love a friend, a wife, something, whatever you like... But one must love with a lofty and serious intimate sympathy, with strength, with intelligence… That leads to God, that leads to unwavering faith... To give you an example: someone loves Rembrandt, but seriously, - that man will know that there is a God, he will surely believe it... To try to understand the real significance, of what the great artists, the serious masters, tell us in their masterpieces, that leads to God..”

Vincent Van Gogh

Quote in his letter to brother Theo, from Cuesmes, Belgium July 1880; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 133) p. 39
1880s, 1880

Love , God , Faith , Way

“I fear that in a few years there may be a kind of 'panic', in this form: 'since Millet' we have sunk very low — the word decadence, now whispered or pronounced in veiled terms (see Herkomer), will then sound like an alarm bell. Many, like I myself, now keep quiet, because they already have the reputation of being awkward customers,5 and talking about it doesn't help. That — namely, talking — isn't what one needs to do — one must work, though with sorrow in the heart. Those who later cry out the loudest about decadence will themselves belong to it the most. I repeat: by this shall ye know them, [from: Matt. 7:16. ] by their work, and it won't be the most eloquent who say the truest things. See Millet himself, see Herkomer, they're certainly not orators, and speak almost reluctantly.”

Vincent Van Gogh

In his letter to Theo, from The Hague, 5 Nov. 1882 - original manuscript of letter no. 280 - at Van Gogh Museum, location Amsterdam - inv. b263 a-b V/1962, http://vangoghletters.org/vg/letters/let280/letter.html
1880s, 1882

Fear , Help , Heart , Cry

“It seems to me almost impossible to work in Paris [he just left Paris] unless one has some place of retreat where one can revive oneself and get back one's tranquility and poise. Without that one would get hopelessly brutalized.”

Vincent Van Gogh

Quote in a letter of Vincent tot brother Theo, from Arles, 21 Febr. 1888; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 463), p. 28
1880s, 1888

“After the crisis which I went through coming down here I can make no plans nor anything, I am decidedly better now, but hope, the desire to succeed is gone, and I work because I must, so as not to suffer too much mentally, so as to distract my mind.”

Vincent Van Gogh

Quote in his letter to brother Theo, from Arles, Summer 1888; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 518) p. 22
1880s, 1888

Hope , Suffering

“Try to grasp the essence of what the great artists, the serious masters, say in their masterpieces, and you will again find God in them. One man has written or said it in a book, another in a painting.”

Vincent Van Gogh

1880s, 1880, Letter to Theo (Cuesmes, July 1880)

God , Books , Painting

“My dear Brother, - I am working like one actually possessed, more than ever I am in a dumb fury of work… Perhaps something will happen to me like what Eug. Delacroix spoke of, "I discovered painting when I had no longer teeth or breath." What I dream of in my best moments is not so much of striking color effects as once more the half tones.”

Vincent Van Gogh

Quote in his letter to brother Theo, from Saint-Rémy-de-Provence, Sept. 1889; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, p. 33 (letter 604)
1880s, 1889

Dreams , Color , Painting

“I am not working for myself alone, I believe in the absolute necessity for a new art of color, of design, and - of the artistic life..”

Vincent Van Gogh

Quote in his letter to brother Theo, from Arles, Spring 1888; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 469) p. 22
1880s, 1888

Life , Art , Color