“Alexander is to a peasant proprietor what Don Juan is to a happily married husband.”
Source: Gravity and Grace (1947), p. 78, (1972 edition)
Simone Adolphine Weil was a French philosopher, mystic, and political activist. The mathematician André Weil was her brother.After her graduation from formal education, Weil became a teacher. She taught intermittently throughout the 1930s, taking several breaks due to poor health and to devote herself to political activism, work that would see her assisting in the trade union movement, taking the side of the Anarchists known as the Durruti Column in the Spanish Civil War, and spending more than a year working as a labourer, mostly in auto factories, so she could better understand the working class.
Taking a path that was unusual among twentieth-century left-leaning intellectuals, she became more religious and inclined towards mysticism as her life progressed. Weil wrote throughout her life, though most of her writings did not attract much attention until after her death. In the 1950s and 1960s, her work became famous in continental Europe and throughout the English-speaking world. Her thought has continued to be the subject of extensive scholarship across a wide range of fields. A meta study from the University of Calgary found that between 1995 and 2012 over 2,500 new scholarly works had been published about her.Albert Camus described her as "the only great spirit of our times".
Wikipedia
“Alexander is to a peasant proprietor what Don Juan is to a happily married husband.”
Source: Gravity and Grace (1947), p. 78, (1972 edition)
Source: Simone Weil : An Anthology (1986), Contradiction (1947), p. 240
Le prestige, qui constitue la force plus qu'aux trois quarts, est fait avant tout de la superbe indifférence du fort pour les faibles, indifférence si contagieuse qu'elle se communique à ceux qui en sont l'objet.
in The Simone Weil Reader, p. 168
Simone Weil : An Anthology (1986), The Iliad or The Poem of Force (1940-1941)
Source: Simone Weil : An Anthology (1986), Human Personality (1943), p. 64
Source: Simone Weil : An Anthology (1986), The Needs of the Soul (1949), p. 97
“The state of conformity is an imitation of grace.”
Source: Simone Weil : An Anthology (1986), The Great Beast (1947), p. 124
Context: The state of conformity is an imitation of grace. By a strange mystery — which is connected with the power of the social element — a profession can confer on quite ordinary men in their exercise of it, virtues which, if they were extended to all circumstances of life, would make of them heroes or saints.
But the power of the social element makes these virtues natural. Accordingly they need a compensation.
Source: Simone Weil : An Anthology (1986), The Self (1947), p. 83
“Morality and literature,” pp. 160-161
On Science, Necessity, and the Love of God (1968)
“The responsibility of writers,” p. 168
On Science, Necessity, and the Love of God (1968)
Section 2
Letter to a Priest (1951)
Waiting on God (1950), Reflections on the Right Use of School Studies with a View to the Love of God
Source: Simone Weil : An Anthology (1986), The Great Beast (1947), p. 123; it should be noted that in this comment she is referring to the intolerant traditions of ancient Rome and ancient Isreal, and not the modern entities, one of which did not yet exist at the time of her writing.
Une âme ... n'est pas faite pour habiter une chose ; quand elle y est contrainte, il n’est plus rien en elle qui ne souffre violence.
in The Simone Weil Reader, p. 155
Simone Weil : An Anthology (1986), The Iliad or The Poem of Force (1940-1941)
Source: Lectures on Philosophy (1959), p. 76
Source: Simone Weil : An Anthology (1986), The Great Beast (1947), p. 122
“Morality and literature,” pp. 164-165
On Science, Necessity, and the Love of God (1968)
Source: Simone Weil : An Anthology (1986), Attention and Will (1947), p. 216
“If we want a love which will protect the soul from wounds we must love something other than God.”
Source: Simone Weil : An Anthology (1986), Love (1947), p. 62
Source: Simone Weil : An Anthology (1986), The Great Beast (1947), p. 123
La force, c'est ce qui fait de quiconque lui est soumis une chose. Quand elle s'exerce jusqu'au bout, elle fait de l'homme une chose au sens le plus littéral, car elle en fait un cadavre.
in The Simone Weil Reader, p. 153
Simone Weil : An Anthology (1986), The Iliad or The Poem of Force (1940-1941)
“Wave Mechanics,” p. 75
On Science, Necessity, and the Love of God (1968)
Letter to her parents (1943), as quoted in the Introduction by Siân Miles
Source: Simone Weil : An Anthology (1986), p. 2
Source: Simone Weil : An Anthology (1986), Human Personality (1943), p. 63
Il n'est possible d'aimer et d'être juste que si l'on connaît l'empire de la force et si l'on sait ne pas le respecter.
Source: Simone Weil : An Anthology (1986), The Iliad or The Poem of Force (1940-1941), p. 192
“Morality and literature,” p. 164
On Science, Necessity, and the Love of God (1968)
Celui qui ignore à quel point la fortune variable et la nécessité tiennent toute âme humaine sous leur dépendance ne peut pas regarder comme des semblables ni aimer comme soi-même ceux que le hasard a séparés de lui par un abîme. La diversité des contraintes qui pèsent sur les hommes fait naître l'illusion qu'il y a parmi eux des espèces distinctes qui ne peuvent communiquer.
Source: Simone Weil : An Anthology (1986), The Iliad or The Poem of Force (1940-1941), p. 192
Waiting on God (1950), Reflections on the Right Use of School Studies with a View to the Love of God
“A Pharisee is someone who is virtuous out of obedience to the Great Beast.”
Source: Simone Weil : An Anthology (1986), The Great Beast (1947), p. 125
Source: Simone Weil : An Anthology (1986), The Great Beast (1947), p. 121; footnote in Gravity and Grace edited by Gustave Thibon: To adore the "Great Beast" is to think and act in conformity with the prejudices and reactions of the multitude to the detriment of all personal search for truth and goodness.
Du pouvoir de transformer un homme en chose en le faisant mourir procède un autre pouvoir, et bien autrement prodigieux, celui de faire une chose d'un homme qui reste vivant.
in The Simone Weil Reader, p. 155
Simone Weil : An Anthology (1986), The Iliad or The Poem of Force (1940-1941)
“There is a certain kind of morality which is even more alien to good and evil than amorality is.”
“The responsibility of writers,” p. 169
On Science, Necessity, and the Love of God (1968)
Source: Simone Weil : An Anthology (1986), Chance (1947), p. 277
Last Notebook (1942) p. 84
First and Last Notebooks (1970)
Source: Simone Weil : An Anthology (1986), The Needs of the Soul (1949), p. 103
Source: Gravity and Grace (1947), p. 129 (1972 edition)
Source: Simone Weil : An Anthology (1986), Attention and Will (1947), p. 216
As quoted in the Introduction (by Siân Miles)
Source: Simone Weil : An Anthology (1986), p. 35
Source: Simone Weil : An Anthology (1986), Human Personality (1943), p. 63
Source: Lectures on Philosophy (1959), p. 87
Source: Lectures on Philosophy (1959), p. 76
Source: Simone Weil : An Anthology (1986), Human Personality (1943), p. 68
Source: Simone Weil : An Anthology (1986), Chance (1947), p. 277
“I also am other than what I imagine myself to be. To know this is forgiveness.”
Source: Simone Weil : An Anthology (1986), Void and Compensation (1947), p. 200
“It is not religion but revolution which is the opium of the people.”
Source: Gravity and Grace (1947), p. 159 (1972 edition)
Source: Gravity and Grace (1947), p. 140 (1972 edition)
Croire qu’on s’élève parce qu’en gardant les mêmes bas penchants (exemple : désir de l’emporter sur autrui) on leur a donné des objets élevés. On s’élèverait au contraire en attachant à des objets bas des penchants élevés.
La pesanteur et la grâce (1948), p. 61
Source: Gravity and Grace (1947), p. 48 (1972 edition)
Waiting on God (1950), Reflections on the Right Use of School Studies with a View to the Love of God
Source: Simone Weil : An Anthology (1986), Detachment (1947), p. 258
Source: Simone Weil : An Anthology (1986), Detachment (1947), p. 260