Roger Ebert Quotes (264 quotes, page 2)

“All of these threads converge, in one way or another, upon an event there is no way for the audience to anticipate.”

Roger Ebert

Review of Magnolia in Chicago Sun-Times (7 January 2000) http://www.rogerebert.com/reviews/magnolia-2000
Reviews, Four star reviews
Context: Magnolia is operatic in its ambition, a great, joyous leap into melodrama and coincidence, with ragged emotions, crimes and punishments, deathbed scenes, romantic dreams, generational turmoil and celestial intervention, all scored to insistent music. It is not a timid film. … The movie is an interlocking series of episodes that take place during one day in Los Angeles, sometimes even at the same moment. Its characters are linked by blood, coincidence and by the way their lives seem parallel. Themes emerge: the deaths of fathers, the resentments of children, the failure of early promise, the way all plans and ambitions can be undermined by sudden and astonishing events. … All of these threads converge, in one way or another, upon an event there is no way for the audience to anticipate. This event is not "cheating," as some critics have argued, because the prologue fully prepares the way for it, as do some subtle references to Exodus. It works like the hand of God, reminding us of the absurdity of daring to plan. And yet plan we must, because we are human, and because sometimes our plans work out.
Magnolia is the kind of film I instinctively respond to. Leave logic at the door. Do not expect subdued taste and restraint, but instead a kind of operatic ecstasy. At three hours it is even operatic in length, as its themes unfold, its characters strive against the dying of the light, and the great wheel of chance rolls on toward them.

Way

“This is the kind of film that makes you feel intensely alive while you're watching it, and sends you out into the streets afterwards eager to talk deeply and urgently, to the person you are with. Whoever that happens to be.”

Roger Ebert

Review http://www.rogerebert.com/reviews/red-1994 of Three Colors: Red (2 December 1994)
Reviews, Four star reviews
Context: We are connected with some people and never meet others, but it could easily have happened otherwise. Looking back over a lifetime, we describe what happened as if it had a plan. To fully understand how accidental and random life is — how vast the odds are against any single event taking place — would be humbling. … This is the kind of film that makes you feel intensely alive while you're watching it, and sends you out into the streets afterwards eager to talk deeply and urgently, to the person you are with. Whoever that happens to be.

Feeling , Personality

“Terrence Malick's The Tree of Life is a film of vast ambition and deep humility, attempting no less than to encompass all of existence and view it through the prism of a few infinitesimal lives.”

Roger Ebert

Review of The Tree of Life (2 June 2011) http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20110602/REVIEWS/110609998
Reviews, Four star reviews
Context: Terrence Malick's The Tree of Life is a film of vast ambition and deep humility, attempting no less than to encompass all of existence and view it through the prism of a few infinitesimal lives. The only other film I've seen with this boldness of vision is Kubrick's 2001: A Space Odyssey, and it lacked Malick's fierce evocation of human feeling. … I don't know when a film has connected more immediately with my own personal experience. In uncanny ways, the central events of The Tree of Life reflect a time and place I lived in, and the boys in it are me. If I set out to make an autobiographical film, and if I had Malick's gift, it would look so much like this. … There is a father who maintains discipline and a mother who exudes forgiveness, and long summer days of play and idleness and urgent unsaid questions about the meaning of things. … The film's portrait of everyday life, inspired by Malick's memories of his hometown of Waco, Texas, is bounded by two immensities, one of space and time, and the other of spirituality. The Tree of Life has awe-inspiring visuals suggesting the birth and expansion of the universe, the appearance of life on a microscopic level and the evolution of species. This process leads to the present moment, and to all of us. We were created in the Big Bang and over untold millions of years, molecules formed themselves into, well, you and me.
And what comes after? In whispered words near the beginning, "nature" and "grace" are heard. … The film's coda provides a vision of an afterlife, a desolate landscape on which quiet people solemnly recognize and greet one another, and all is understood in the fullness of time.

Life , Tree

“I am wary of zealotry; even as a child I was suspicious of those who, as I often heard, were “more Catholic than the pope.” If we are to love our neighbors as ourselves, we must regard their beliefs with the same respect our own deserve.”

Roger Ebert

Source: Life Itself : A Memoir (2011), Ch. 54 : How I Believe In God
Context: I have no patience for churches that evangelize aggressively. I have no interest in being instructed in what I must do to be saved. I prefer vertical prayer, directed up toward heaven, rather than horizontal prayer, directed sideways toward me. I believe a worthy church must grow through attraction, not promotion. I am wary of zealotry; even as a child I was suspicious of those who, as I often heard, were “more Catholic than the pope.” If we are to love our neighbors as ourselves, we must regard their beliefs with the same respect our own deserve.

Love

“All we can learn from a film like this is that millions of people can be led, and millions more killed, by madness leashed to racism and the barbaric instincts of tribalism.”

Roger Ebert

Review http://www.rogerebert.com/reviews/downfall-2005 of Downfall (11 March 2005)
Reviews, Four star reviews
Context: Admiration I did not feel. Sympathy I felt in the sense that I would feel it for a rabid dog, while accepting that it must be destroyed. I do not feel the film provides "a sufficient response to what Hitler actually did," because I feel no film can, and no response would be sufficient. All we can learn from a film like this is that millions of people can be led, and millions more killed, by madness leashed to racism and the barbaric instincts of tribalism.

People , Learning , Madness

“Instead of using doubles, he himself doubled for his actors, doing their stunts as well as his own.”

Roger Ebert

The Great Movies II (2005), p. 94
Context: It's said that Chaplin wanted you to like him, but Keaton didn't care. I think he cared, but was too proud to ask. His films avoid the pathos and sentiment of the Chaplin pictures, and usually feature a jaunty young man who sees an objective and goes for it in the face of the most daunting obstacles. Buster survives tornados, waterfalls, avalanches of boulders, and falls from great heights, and never pauses to take a bow: He has his eye on his goal. And his movies, seen as a group, are like a sustained act of optimism in the face of adversity; surprising, how without asking, he earns our admiration and tenderness.
Because he was funny, because he wore a porkpie had, Keaton's physical skills are often undervalued … no silent star did more dangerous stunts than Buster Keaton. Instead of using doubles, he himself doubled for his actors, doing their stunts as well as his own.

“Such a connection can be terrifying.”

Roger Ebert

Review http://www.rogerebert.com/reviews/the-impossible-2012 of The Impossible (19 December 2012)
Reviews, Four star reviews
Context: Seated in a dark theater, I reached out my hand for that of my wife’s. She and I had visited the same beach and discussed visiting it with our children and grandchildren. An icy finger ran slowly down our spines. Such a connection can be terrifying. What does it mean? We are the playthings of the gods.

“It is not too soon for "United 93," because it is not a film that knows any time has passed since 9/11.”

Roger Ebert

Review https://web.archive.org/web/20130707210114/http://www.rogerebert.com/reviews/united-93-2006 of United 93 (27 April 2006)
Reviews, Four star reviews
Context: It is not too soon for "United 93," because it is not a film that knows any time has passed since 9/11. The entire story, every detail, is told in the present tense. We know what they know when they know it, and nothing else. Nothing about Al Qaeda, nothing about Osama bin Laden, nothing about Afghanistan or Iraq, only events as they unfold. This is a masterful and heartbreaking film, and it does honor to the memory of the victims.

Time

“The message is clear to other disturbed kids around the country: If I shoot up my school, I can be famous.”

Roger Ebert

Review http://www.rogerebert.com/reviews/elephant-2003 of Elephant (7 November 2003)
Reviews, Four star reviews
Context: Let me tell you a story. The day after Columbine, I was interviewed for the Tom Brokaw news program. The reporter had been assigned a theory and was seeking sound bites to support it. "Wouldn't you say," she asked, "that killings like this are influenced by violent movies?" No, I said, I wouldn't say that. "But what about Basketball Diaries?" she asked. "Doesn't that have a scene of a boy walking into a school with a machine gun?" The obscure 1995 Leonardo Di Caprio movie did indeed have a brief fantasy scene of that nature, I said, but the movie failed at the box office (it grossed only $2.5 million), and it's unlikely the Columbine killers saw it. The reporter looked disappointed, so I offered her my theory. "Events like this," I said, "if they are influenced by anything, are influenced by news programs like your own. When an unbalanced kid walks into a school and starts shooting, it becomes a major media event. Cable news drops ordinary programming and goes around the clock with it. The story is assigned a logo and a theme song; these two kids were packaged as the Trench Coat Mafia. The message is clear to other disturbed kids around the country: If I shoot up my school, I can be famous. The TV will talk about nothing else but me. Experts will try to figure out what I was thinking. The kids and teachers at school will see they shouldn't have messed with me. I'll go out in a blaze of glory."
In short, I said, events like Columbine are influenced far less by violent movies than by CNN, the NBC Nightly News and all the other news media, who glorify the killers in the guise of "explaining" them. I commended the policy at the Sun-Times, where our editor said the paper would no longer feature school killings on Page 1. The reporter thanked me and turned off the camera. Of course the interview was never used. They found plenty of talking heads to condemn violent movies, and everybody was happy.

School , Country

“Jargon is the last refuge of the scoundrel.”

Roger Ebert

" O, Synecdoche, my Synecdoche! http://blogs.suntimes.com/ebert/2008/11/o_synecdoche_my_synecdoche.html," (10 November 2008)
Context: I was instructed long ago by a wise editor, "If you understand something you can explain it so that almost anyone can understand it. If you don't, you won't be able to understand your own explanation." That is why 90% of academic film theory is bullshit. Jargon is the last refuge of the scoundrel.

“They’re not talking about faster than the speed of light. Speed has nothing to do with it. The entangled objects somehow communicate instantaneously at a distance. If that is true, distance has no meaning. Light-years have no meaning. Space has no meaning. In a sense, the entangled objects are not even communicating. They are the same thing. At the “quantum level” (and I don’t know what that means), everything may be actually or theoretically linked. All is one. Sun, moon, stars, rain, you, me, everything. All one.”

Roger Ebert

Source: Life Itself : A Memoir (2011), Ch. 54 : How I Believe In God
Context: Quantum theory is now discussing instantaneous connections between two entangled quantum objects such as electrons. This phenomenon has been observed in laboratory experiments and scientists believe they have proven it takes place. They’re not talking about faster than the speed of light. Speed has nothing to do with it. The entangled objects somehow communicate instantaneously at a distance. If that is true, distance has no meaning. Light-years have no meaning. Space has no meaning. In a sense, the entangled objects are not even communicating. They are the same thing. At the “quantum level” (and I don’t know what that means), everything may be actually or theoretically linked. All is one. Sun, moon, stars, rain, you, me, everything. All one. If this is so, then Buddhism must have been a quantum theory all along. No, I am not a Buddhist. I am not a believer, not an atheist, not an agnostic. I am more content with questions than answers.

Star , Communication , Sense , Light

“It's not what a movie is about, it's how it is about it.”

Roger Ebert

“I believe empathy is the most essential quality of civilization.”

Roger Ebert

First published in the "Roger Ebert's Journal" column (19 May 2010) http://www.rogerebert.com/rogers-journal/cannes-7-a-campaign-for-real-movies

“Life always has an unhappy ending, but you can have a lot of fun along the way, and everything doesn't have to be dripping in deep significance.”

Roger Ebert

Life , Way

“Doing research on the Web is like using a library assembled piecemeal by pack rats and vandalized nightly.”

Roger Ebert

"Critical Eye" column, Yahoo! Internet Life (September 1998), p. 66

“Socrates told us, "the unexamined life is not worth living." I think he's calling for curiosity, more than knowledge. In every human society at all times and at all levels, the curious are at the leading edge.”

Roger Ebert

Life , Knowledge , Thinking , Time

“Every great film should seem new every time you see it."
Roger Ebert”

Roger Ebert

Time

“I was born inside the movie of my life. The visuals were before me, the audio surrounded me, the plot unfolded inevitably but not necessarily. I don't remember how I got into the movie, but it continues to entertain me.”

Roger Ebert

Source: Life Itself

Life

“All I require of a religion is that it be tolerant of those who do not agree with it.”

Roger Ebert

Source: Life Itself : A Memoir (2011), Ch. 55 : Go Gently
Context: Raised as a Roman Catholic, I internalized the social values of that faith and still hold most of them, even though its theology no longer persuades me. I have no quarrel with what anyone else subscribes to; everyone deals with these things in his own way, and I have no truths to impart. All I require of a religion is that it be tolerant of those who do not agree with it. I know a priest whose eyes twinkle when he says, “You go about God’s work in your way, and I’ll go about it in His.”

Religion

“There are no guarantees. But there is also nothing to fear. We come from oblivion when we are born. We return to oblivion when we die. The astonishing thing is this period of in-between.”

Roger Ebert

Fear

“I would rather eat a golf ball than see this movie again.”

Roger Ebert

Review http://www.rogerebert.com/reviews/seven-days-in-utopia-2011 of Seven Days in Utopia (31 August 2011)
Reviews, One-star reviews

“If you want to save yourself the ticket price, go into the kitchen, cue up a male choir singing the music of hell, and get a kid to start banging pots and pans together. Then close your eyes and use your imagination… The movie has been signed by Michael Bay. This is the same man who directed The Rock in 1996. Now he has made Transformers: Revenge of the Fallen. Faust made a better deal.”

Roger Ebert

Review http://www.rogerebert.com/reviews/transformers-revenge-of-the-fallen-2009 of Transformers: Revenge of the Fallen (23 June 2009)
Reviews, One-star reviews

Music , Imagination , Hell , Revenge

“Going to see Godzilla at the Palais of the Cannes Film Festival is like attending a satanic ritual in St. Peter's Basilica. It's a rebuke to the faith that the building represents. Cannes touchingly adheres to a belief that film can be intelligent, moving and grand. Godzilla is a big, ugly, ungainly device to give teenagers the impression they are seeing a movie. It was the festival's closing film, coming at the end like the horses in a parade, perhaps for the same reason.”

Roger Ebert

Review http://www.rogerebert.com/reviews/godzilla-1998 of Godzilla (26 May 1998)
Reviews, One-and-a-half star reviews

Faith , Intelligence , Horse

“It's the worst kind of bad film: the kind that gets you all worked up and then lets you down, instead of just being lousy from the first shot.”

Roger Ebert

Review http://www.rogerebert.com/reviews/snake-eyes-1998 of Snake Eyes (7 August 1998)
Reviews, One-star reviews

“Your Highness is a juvenile excrescence that feels like the work of 11-year-old boys in love with dungeons, dragons, warrior women, pot, boobs and four-letter words. One of the heroes even wears the penis of a minotaur on a string around his neck. I hate it when that happens.”

Roger Ebert

Review http://www.rogerebert.com/reviews/your-highness-2011 of Your Highness (April 6, 2011)
Reviews, One-star reviews

Love , Women , Hate , Feeling

“This film is based on an actual 2004 event that took place at a McDonald's in Mount Washington, Ky. Google it and you'll find most of the same details. If you're not one of the film's walk-outs, you'll discover at the end that 70 similar deceptions have occurred in the United States… If the stunt worked 70 times, they must prove something — perhaps that we are afraid of authority. I know that when a traffic cop pulls me over, I'm frightened — scared enough that I drive safely and am almost never pulled over.”

Roger Ebert

Review http://www.rogerebert.com/reviews/compliance-2012 of Compliance (29 August 2012)
Reviews, Three star reviews

Time

“There are few lonelier sights than a good comedian being funny in a movie that doesn't know what funny is.”

Roger Ebert

Review http://www.rogerebert.com/reviews/wedding-crashers-2005 of Wedding Crashers (14 July 2005)
Reviews, Two star reviews

Loneliness

“One of the remarkable things about Russ Meyer's films is that they continue to live and play, long after the other work of the soft-core era has been forgotten. That is partly because of their craftsmanship, partly because of Meyer's leading ladies, and partly because of a spirit of paramilitary commitment that can be sensed as the cast and crew struggle through rugged terrain to enact their rural melodramas. But the central reason, I believe, is that Meyer is an auteur whose every frame reflects his own obsessions. Like all serious artists, he doesn't allow any space between his work and his dream.”

Roger Ebert

"Russ Meyer busts sleazy stereotype" Chicago Sun-Times (15 November 1985) http://www.rogerebert.com/interviews/russ-meyer-busts-sleazy-stereotype

Dreams , Sense

“I missed the enormously popular movie that introduced these characters, Bill & Ted's Excellent Adventure, and felt myself blessed at the time. But now I'm not so sure. Their Bogus Journey is a riot of visual invention and weird humor that works on its chosen sub-moronic level, and on several others as well, including some fairly sophisticated ones. It's the kind of movie where you start out snickering in spite of yourself, and end up actually admiring the originality that went into creating this hallucinatory slapstick.”

Roger Ebert

Review http://www.rogerebert.com/reviews/bill-and-teds-bogus-journey of Bill & Ted's Bogus Journey (19 July 1991)
Reviews, Three star reviews

Time

“When I think about the kinds of movies that make me cry, that make tears come to my eyes, I usually don't think about sad films. Sad films, I sort of just look at it. It's movies that are about selflessness, that are about sacrifice, about humans that believe in the good of the human race that sometimes move me.”

Roger Ebert

Roger Ebert's DVD commentary for Casablanca

Sadness , Thinking , Tear , Cry

“After seeing Orphan, I now realize that Damien of The Omen was a model child. The Demon Seed was a bumper crop. Rosemary would have been happy to have this baby.
Do not, under any circumstances, take children to see it. Take my word on this.”

Roger Ebert

Review http://www.rogerebert.com/reviews/orphan-2009 of Orphan (22 July 2009)
Reviews, Three-and-a-half star reviews

Children , Baby , Happiness

“Why bother to remake Fame if you don't have clue about why the 1980 movie was special? Why take a touching experience and make it into a shallow exercise? Why begin with a R-rated look at plausible kids with real problems and tame it into a PG-rated after-school special? Why cast actors who are sometimes too old and experienced to play seniors, let alone freshmen?”

Roger Ebert

Review http://www.rogerebert.com/reviews/fame-2009 of Fame (23 Sep 2009)
Reviews, Two star reviews

School , Exercises , Problem

“The beautiful Monique insists on joining their expedition and cannot be dissuaded; we think at first she has a nefarious motive, but no, she's probably taken a class in screenplay construction and knows that the film requires a sexy female lead. This could be the first case in cinematic history of a character voluntarily entering a movie because of the objective fact that she is required.”

Roger Ebert

Review http://www.rogerebert.com/reviews/around-the-world-in-80-days-2004 of Around the World in 80 Days (16 June 2004)
Reviews, Three star reviews

Beauty , History , Motivation , Thinking

“Pearl Harbor is a two-hour movie squeezed into three hours, about how on December 7, 1941, the Japanese staged a surprise attack on an American love triangle. Its centerpiece is 40 minutes of redundant special effects, surrounded by a love story of stunning banality. The film has been directed without grace, vision, or originality, and although you may walk out quoting lines of dialog, it will not be because you admire them.”

Roger Ebert

Review http://www.rogerebert.com/reviews/pearl-harbor-2001 of Pearl Harbor (25 May 2001)
Reviews, One-and-a-half star reviews

Love , Quotes

“Occasionally an unsuspecting innocent will stumble into a movie like this and send me an anguished postcard, asking how I could possibly give a favorable review to such trash. My stock response is Ebert's Law, which reads: A movie is not about what it is about. It is about how it is about it.”

Roger Ebert

Review http://www.rogerebert.com/reviews/freeway-1997 of Freeway (24 January 1997)
Reviews, Three-and-a-half star reviews

Law , Reading

“Much has been written about Generation X and the films about it. Clerks is so utterly authentic that its heroes have never heard of their generation. When they think of "X," it's on the way to the video store.”

Roger Ebert

Review http://www.rogerebert.com/reviews/clerks-1994 of Clerks (4 November 1994)
Reviews, Three star reviews

Way , Thinking

“I Am Curious (Yellow) is not merely not erotic. It is anti-erotic. Two hours of this movie will drive thoughts of sex out of your mind for weeks. See the picture and buy twin beds… I think there actually is a director in Sweden who is dull and square enough to seriously consider this an art of moviemaking.”

Roger Ebert

Review http://www.rogerebert.com/reviews/i-am-curious-yellow-1969 of I Am Curious (Yellow) (23 September 1969)
Reviews, One-star reviews

Art , Sex , Thinking

“Burt and Verona are two characters rarely seen in the movies: thirtysomething, educated, healthy, self-employed, gentle, thoughtful, whimsical, not neurotic and really truly in love. Their great concern is finding the best place and way to raise their child, who is a bun still in the oven. For every character like this I’ve seen in the last 12 months, I’ve seen 20, maybe 30, mass murderers.”

Roger Ebert

Review http://www.rogerebert.com/reviews/away-we-go-2009 of Away We Go (10 June 2009)
Reviews, Three-and-a-half star reviews

Love , Education , Way

“I could list some Japanese films illustrating this, but the last thing the audience for Memoirs of a Geisha wants to see is a more truthful film with less gorgeous women and shabbier production values.”

Roger Ebert

Review http://www.rogerebert.com/reviews/memoirs-of-a-geisha-2005 of Memoirs of a Geisha (9 December 2005)
Reviews, Two-and-a-half star reviews

Women , Truth

“Nobody is going to Bolero for the plot anyway. They're going for the Good Parts. There are two Good Parts, not counting her naked ride on horseback, which was the only scene in the movie that had me wondering how she did it. The real future of Bolero is in home cassette rentals, where your fast forward and instant replay controls will supply the editing job the movie so desperately needs.”

Roger Ebert

Review http://www.rogerebert.com/reviews/bolero-1984 of Bolero (1 January 1984)
Reviews, Half-star reviews

Home , Future , Parting

“Little Indian, Big City is one of the worst movies ever made. I detested every moronic minute of it…if you, under any circumstances, see Little Indian, Big City, I will never let you read one of my reviews again.”

Roger Ebert

Review http://www.rogerebert.com/reviews/little-indian-big-city-1996 of Little Indian, Big City (22 March 1996)
Reviews, Zero star reviews

Reading

“I lost faith in the Oscars the first year I was a movie critic — the year that Bonnie and Clyde didn't win.”

Roger Ebert

Playboy 20q http://www.playboy.com/magazine/20q_archive/siskel-and-ebert.html

Faith

“It amazes me that filmmakers will still film, and audiences will still watch, relationships so bankrupt of human feeling that the characters could be reading dialogue written by a computer.”

Roger Ebert

Review http://www.rogerebert.com/reviews/summer-school-1987 of Summer School (22 July 1987)
Reviews, Half-star reviews

Feeling , Reading

“In this business one becomes a connoisseur. I can now see that [Jim] Carrey is a virtuoso, [Chris] Farley is at least hard-working, [Adam] Sandler is hopeless and Pauly Shore bypasses all categories to achieve a kind of transcendent fingernails-on-the-blackboard effect. His appeal must be limited to people whose self-esteem and social skills are so damaged that they find humor, or at least relief, in at last encountering a movie character less successful than themselves.”

Roger Ebert

Review http://www.rogerebert.com/reviews/jury-duty-1995 of Jury Duty (12 April 1995)
Reviews, One-star reviews

People , Business , Success

“It's in the action scenes that things fall apart. Consider the scene where Spider-Man is given a cruel choice between saving Mary Jane or a cable car full of school kids. He tries to save both, so that everyone dangles from webbing that seems about to pull loose. The visuals here could have given an impression of the enormous weights and tensions involved, but instead the scene seems more like a bloodless storyboard of the idea. In other CGI scenes, Spidey swoops from great heights to street level and soars back up among the skyscrapers again with such dizzying speed that it seems less like a stunt than like a fast-forward version of a stunt.”

Roger Ebert

Review http://www.rogerebert.com/reviews/spider-man-2002 of Spider-Man (3 May 2002)
Reviews, Two-and-a-half star reviews

School , Cars , Idea , Speed

“They say state-of-the-art special effects can create the illusion of anything on the screen, and now we have proof: It's possible for the Jim Henson folks and Industrial Light and Magic to put their heads together and come up with the most repulsive single creature in the history of special effects, and I am not forgetting the Chucky doll or the desert intestine from Star wars.”

Roger Ebert

To see the snowman is to dislike the snowman. It doesn't look like a snowman, anyway.
Review http://www.rogerebert.com/reviews/jack-frost-1998 of Jack Frost (11 December 1998)
Reviews, One-star reviews

War , Art , History , Star

“It's the kind of movie home video was invented for: Not worth the trip to the theater, but slam it into the VCR and you get your rental's worth.”

Roger Ebert

Review http://www.rogerebert.com/reviews/my-cousin-vinny-1992 of My Cousin Vinny (13 March 1992)
Reviews, Two-and-a-half star reviews

Home

“In Blue Crush, we meet three Hawaiian surfers who work as hotel maids, live in a grotty rental, and are raising the kid sister of one of them. Despite this near-poverty, they look great; there is nothing like a tan and a bikini to overcome class distinctions.”

Roger Ebert

Review http://www.rogerebert.com/reviews/blue-crush-2002 of Blue Crush (16 August 2002)
Reviews, Three star reviews

Sister

“Remember the words George Carlin said could not be said on TV? There's now a kind of movie that cannot be made without using all of them except one. Even the online trailer may startle you. It's one of those adults-only Red Band Trailers which you have to give your age in order to view. I lied about my age. Nobody under 17 would ever do that.”

Roger Ebert

Review http://www.rogerebert.com/reviews/the-sitter-2011 of The Sitter (7 December 2011)
Reviews, One-star reviews