What Are Masterpieces and Why Are There So Few of Them (1936)
Gertrude Stein Quotes
Source: The Autobiography of Alice B. Toklas (1933), p. 259
Picasso (1938)
Source: Everybody’s Autobiography (1937), Ch. 4
“The creator of the new composition in the arts is an outlaw until he is a classic.”
Composition as Explanation (1926)
“All the world knows how to cry but not all the world knows how to sigh. Sighing is extra.”
Mrs. Reynolds and Five Earlier Novelettes (1952) Pt. 1 (written 1940-1943)
"Are There Arithmetics" (28 May 1927) [written in 1923]
"The Superstitions of Fred Anneday, Annday, Anday; a Novel of Real Life" (1935)
How Writing Is Written: Previously Uncollected Writings, vol.II (1974)
Source: Everybody’s Autobiography (1937), Ch. 5
Source: Everybody’s Autobiography (1937), Ch. 5
Source: Everybody’s Autobiography (1937), Ch. 3
Source: Everybody’s Autobiography (1937), Ch. 2
Source: Everybody’s Autobiography (1937), Ch. 2
Source: Everybody’s Autobiography (1937), Ch. 2
“It is always a mistake to be plain-spoken.”
"As Eighty," from Bee Time Vine (1953, Yale University Press); written in 1923
Source: Everybody’s Autobiography (1937), Ch. 4
“It is not what France gave you but what it did not take from you that was important.”
An American and France (1936)
Four in America (1933)
Source: Everybody’s Autobiography (1937), Ch. 4, p. 289
“It is the soothing thing about history that it does repeat itself.”
Wars I Have Seen (1945)
What Are Masterpieces and Why Are There So Few of Them (1936), Afterword of a later edition
“As there was never any question there was never any answer.”
Source: Everybody’s Autobiography (1937), Ch.1
Comment to Ernest Hemingway, Ch. 7
The Autobiography of Alice B. Toklas (1933)
Manuscript (1903), published in Q.E.D. Book 1, from Q.E.D., and Other Early Writings (1971)
“Communists are people who fancied that they had an unhappy childhood.”
Quoted by Thornton Wilder, interview (December 14-15, 1956) with Richard Goldstone, The Paris Review: Writers at Work, First Series (1958)
“It is a difficult thing to like anybody else's ideas of being funny.”
Source: Everybody’s Autobiography (1937), Ch. 3
Quoted in Really Reading Gertrude Stein : A Selected Anthology with essays (1989) by Judy Grahn (Crossing Press ISBN 0-895-94380-8, p. 253
“Suppose no one asked a question, what would be the answer.”
"Near East or Chicago A Description"
Useful Knowledge (1928)
“Before the flowers of friendship faded friendship faded.”
This phrase was used as the title of a work published in 1931, but was originally used in Ch. LXII of A Novel of Thank You, written in 1925-1926, but not published until 1958 by the Yale University Press
“The deepest thing in any one is the conviction of the bad luck that follows boasting.”
Mrs. Reynolds and Five Earlier Novelettes (1952) Pt. 1 (written 1940-1943)
“One does not get better but different and older and that is always a pleasure.”
Letter to F. Scott Fitzgerald (22 May 1925), published in Fitzgerald's The Crack-Up (1945)
“To know to know to love her so.
Four saints prepare for saints.”
Four Saints in Three Acts (1927)
Operas and Plays (1932)
Source: Everybody’s Autobiography (1937), Ch. 2
Source: Paris France (1940), p. 8
Source: Paris France (1940), p. 2
The Making of Americans (1925)
"Miss Furr and Miss Skeene"
This story about two lesbians, written in 1911, and published in Vanity Fair magazine in July 1923, is considered to be the origin of the use of the term "gay" for "homosexual", though it was not used in this sense in the story.
Geography and Plays (1922)
“I have always noticed that in portraits of really great writers the mouth is always firmly closed.”
What Are Masterpieces and Why Are There So Few of Them (1936), Afterword of a later edition
“Rose is a rose is a rose is a rose.”
"Sacred Emily"
This statement, written in 1913 and first published in Geography and Plays, is thought to have originally been inspired by the work of the artist Sir Francis Rose; a painting of his was in her Paris drawing-room.
See also the Wikipedia article: Rose is a rose is a rose is a rose
Nigel Rees explains the phrase thus: "The poem 'Sacred Emily' by Gertrude Stein (1874-1946) is well-nigh impenetrable to the average reader but somehow it has managed to give a format phrase to the language. If something is incapable of explanation, one says, for example, 'a cloud is a cloud is a cloud.' What Stein wrote, however, is frequently misunderstood. She did not say 'A rose is a rose is a rose,' as she might well have done, but 'Rose is a rose is a rose is a rose' (i.e. no indefinite article at the start and three not two repetitions.) The Rose in question was not a flower but an allusion to the English painter, Sir Francis Rose, 'whom she and I regarded' wrote Constantine Fitzgibbon, 'as the peer of Matisse and Picasso, and whose paintings — or at least painting — hung in her Paris drawing-room while a Gauguin was relegated to the lavatory.'" - Sayings of the Century, page 91
Geography and Plays (1922)
Source: Paris France (1940), p. 12
“A master-piece … may be unwelcome but it is never dull.”
What Are Masterpieces and Why Are There So Few of Them (1936)